SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Cibber Jun"/1) | (@(roleclean,performerclean) "Mr Cibber Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4702 matches on Event Comments, 4425 matches on Performance Comments, 3633 matches on Author, 624 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; BALL P 1, by John Cartwright Cross. Text, i.e. synopsis of ballet, and the songs, in Cross's Circusiana (Lackington, Allen and Co., 1809), Vol. I. Bologna, Bologna Jun. and Mrs Parker were from the Royal Circus]: Invented and under the Direction of Cross. With entire new Scenes, Dresses, Music and Decorations. The Overture and Music principally new, with a Selection of some novel Irish Air, by Reeve, composer of the Music to Oscar and Malvina, &c. The Harp by Weippert. The Scenery, comprehending a Display of the most Romantic Views in Ireland, painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper and Goostree. The Dresses by Dick, Mrs Egan, &c. The Following are a Part of the new Scenes, &c.: The Ancient Temple, dedicated to Bel, the God of Fire, with the Flactaga, or Sacred Fire burning; it having been enacted that, on the last Evening of October, no other Fire should be Used thro'out the Kingdom, that all might be derived from that, which being a Fire Sacrifice, would render the rest Propitious and Holy. The Dargle, where the Irish Druids consulted their Oracle. A View near Wicklow. The Salmon Leap. Entrance of a Subterraneous Pass. Maon's Cavern. Cemetery and Dungeon, appertaining to the Round Tower, Moated Castle, &c. Receipts: #264 2s. 6d. (259.19.6; 4.3.0)

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Round Tower or The Chieftains of Ireland

Performance Comment: Characters of the Ballet: Cobthach (usurper of the Throne)-Bologna; Sitric (a Danish Chief)-Bologna Jun. (Their 1st appearance on this stage); Kildare-Simpson; Danish Soldier-Dyke; Maon-Follett; Child-Master Blackmore; Moriat-Mrs Parker (1st appearance on this stage); [Principal Vocal Characters: Townsend, Linton, Gray, Street, Miss Sims, Mrs Clendining; Text adds: Irish Chiefs-Lee, Abbot, Wilde, Blurton; Danish Chiefs-Goostree, Coombes; Priestesses, Female Peasantry-Mrs Follett, Mrs Norton, Mrs Watts; [and specifies Vocal Characters: Principal Druid-Townsend; Fishermen-Townsend, Linton; Huntsmen-Gray, Linton, Street; Connor-Miss Sims; Saba-Mrs Clendining. [Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.
Cast
Role: Sitric Actor: Bologna Jun.
Event Comment: Afterpiece [1st time; MD 2, by George Colman, ynger, based on Raoul Barbe Bleue, by Michel Jean Sedaine (although, in the 1st edition of the play, this denied by Colman). Text (Cadell and Davies, 1798)]: The Scenery, Machinery, Dresses, and Decorations entirely new. The Musick composed and selected [from Paisiello] by Kelly. The Scenes designed and executed by Greenwood? Jun, Chalmers, and others. The Machinery, Decorations, and Dresses designed and under the direction of Johnston, and executed by him, Underwood, Gay, and Miss Rein. Books of the Songs to be had in the Theatre. Times, 8 Feb. 1798: This Day is published Blue Beard (1s. 6d.). "In the course of the representation, many blunders in working the scenery, which are unavoidable in a first representation of this nature, occurred, and the delays which took place were frequently very great...It was twelve o'-clock before the curtain dropped...The Expense of getting it up is said to be not less than #2,000" (London Chronicle, 18 Jan.). Proud swells the tide, with loads of capering heels, And vacant Folly shouts applause in peals; Hoards, even beyond th miser's wish, are thrown, To deck some sham farago for the town...Money for dresses, money for new scenes, New music, decorations, and machines; The cost of these, including every freak, Would pay ten decent players four pounds a week. Anthony Pasquin (pseud. for John Williams), "Innovation," in The Devil [1787], II, no. 2, 46. Receipts: #319 14s. 6d. (216.17.6; 102.2.0; 0.15.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue Beard or Female Curiosity

Performance Comment: Abomelique (Blue-Beard)-Palmer; Ibrahim-Suett; Selim-Kelly; Shacabac-Bannister Jun.; Hassan-Hollingsworth; Mustapha-Webb; Aladin-Davis; Spahis-Sedgwick, Bannister, Dignum, Wathen, Trueman, Maddocks; Janizaries-Danby, Wentworth, Brown, Tett, Denman, Atkins, Phillimore, Fisher, Meyers, Peck, Bardoleau, Walker, Cook, J. Fisher, Dibble, Simpson; Male Peasants-Grimaldi, Gregson, Gallot, Aylmer, Potts, Willoughby, Evans; Male Slaves-Roffey, Thomson, Whitmell, Wells, Male, Garman, W. Banks, Nicolini; Fatima-Mrs Crouch; Irene-Miss DeCamp; Beda-Mrs Bland; Female Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage; Principal Dancer-Mlle Parisot (1st appearance this season); Female Slaves-Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Hillingsworth [recte Illingham], Ms Byrne, Ms Willis, Ms Vining.recte Illingham], Ms Byrne, Ms Willis, Ms Vining.
Cast
Role: Shacabac Actor: Bannister Jun.
Event Comment: By Authority of the Lord Chamberlain. Benefit for Lacy, formerly of the Theatre Royal, Drury-Lane. Tickets to be had of Fosbrook, at the Box Office of the Drury Lane Theatre, and Rice, at the Box Office of the Theatre-Royal, Haymarket, where Places for the Boxes may be taken. [Address by John Taylor (Monthly Mirror, Dec. 1798, p. 370). On this night the following appeared both at dl and at the hay: Hollingsworth, Caulfield, Bannister Jun., Suett, Miss Pope, Mrs Bland.

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Between II and III of the aboveSylvester Daggerwood

Performance Comment: Sylvester Daggerwood-Bannister Jun.; Fustian-Suett; Apewell (with Imitations)-Caulfield.

Afterpiece Title: High Life below Stairs

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy

Event Comment: By Command of Their Majesties. The many Ladies who have Places for the suceeding nights of the new Pantomime [The Magic Oak] are respectfully acquainted that, on account of Bologna Jun.'s accident, it cannot be performed before Easter Monday. [The Mouth of the Nile, also advertised on playbill of 5 Mar., was not acted on this night.] Doors, &c. as 21 Nov. 1798. Receipts: #364 13s. 6d. (361.13.6; 3.0.0)

Performances

Mainpiece Title: Ramah Droog

Performance Comment: As17990121, but Europeans-_Bologna Jun.
Cast
Role: Europeans Actor: _Bologna Jun.

Afterpiece Title: The Jew and the Doctor

Event Comment: Benefit for Sedgwick. Mainpiece: With additions from Dryden. The Musick by Purcell and Arne, and the new Airs and Chorusses by the late Linley Jun. Morning Chronicle, 2 May: Tickets to be had of Sedgwick, No. 18, Clement's-inn. Receipts: #390 8s. 6d. (97.13.6; 56.4.6; odd and after-money: 2.13;0; tickets: 233.17.6) (charge: #217 2s.)

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Performance Comment: Prospero-Powell (1st appearance in that character); Alonzo-Packer; Antonio-Sparks; Ferdinand-C. Kemble; Gonzalo-Maddocks; Stephano-Bannister Jun.; Trincalo-Suett; Caliban (with songs)-Sedgwick; Hippolito (1st time)-Miss DeCamp; Ariel-Mrs Bland; Miranda-Mrs Crouch; Dorinda (for that night only)-Mrs Jordan.
Cast
Role: Stephano Actor: Bannister Jun.

Afterpiece Title: Bon Ton

Song: Mainpiece: Vocal Parts-Dignum, Danby, Brown, Mrs Bland, Miss Menage, Master Heather, Miss Jackson; End II: Jerry Sneak in his Glory-Roberts; End IV: The Town Crier-Suett; End: As burns the charger (from Robin Hood)-Sedgwick; End I afterpiece: At the peaceful Midnight Hour (from The Castle of Andalusia)-Sedgwick

Opera: V: Masque of Neptune and Amphitrite. Neptune-Caulfield; Amphitrite-Miss Wentworth

Event Comment: Mainpiece: Written by the Author of The Castle-Spectre [Matthew Gregory Lewis, also the author of Prologue and Epilogue (see text)]. "The Epilogue was spoken by Bannister Jun. in the character of Queen Elizabeth, who ascends from a trap in the middle of the stage, and who is supposed to have obtained the permission of Pluto to revisit her kingdom, in order to witness the representation of the East Indianv" (Monthly Mirror, Dec. 1799, p. 367). Receipts: #200 13s. 6d. (131.11.0; 67.9.6; 1.13.0)

Performances

Mainpiece Title: The East Indian

Performance Comment: Characters-Palmer, Barrymore, Kemble, C. Kemble, Aickin, Maddocks, Hollingsworth, Wathen, Miss Stuart, Mrs Powell, Miss Biggs, Miss Pope, Mrs Sparks, Miss Tidswell, Mrs Coates, Mrs Cuyler, Mrs Jones. Cast adjusted from text (J. Bell, 1800): Lord Listless-Palmer; Modish-Barrymore; Rivers-Kemble; Beauchamp-C. Kemble; Walsingham-Aickin; Friponeau-Maddocks; Squeez'em-Hollingsworth; Frank-Wathen; Lady Clara Modish-Miss Stuart; Mrs Ormond-Mrs Powell; Zorayda-Miss Biggs; Miss Chatterall-Miss Pope; Mrs Slip@slop-Mrs Sparks; Mrs Blab@all-Miss Tidswell; Mrs Tiffany-Mrs Coates; Lady Hubbub-Mrs Cuyler; Anne-Mrs Jones; Prologue-C. Kemble; Epilogue (in Character)-Bannister Jun.
Cast
Role: Epilogue Actor: Bannister Jun.

Afterpiece Title: The Prize

Cast
Role: Lenitive Actor: Bannister Jun.

Performances

Mainpiece Title: The Ambitious Slave Or A Generous Revenge

Performance Comment: Edition of 1694: Prologue-Mrs Knight; King of Persia-Bowman; Tygranes-Verbruggen; Orontes-Powell; Briomar-Freeman; Mirvan-Mrs Rogers; Amorin-Sybars [Cibber]; Herminia-Mrs Knight; Clarismunda-Mrs Bracegirdle; Celestina-Mrs Barry; Rosalin-Mrs Leigh; Epilogue-Mrs Rogers.

Performances

Mainpiece Title: The Fatal Marriage

Performance Comment: Villeroy-Thurmond; Baldwin-Shepard; Bryan-Husband; Carlos-Cory; Frederick-Thurmond Jr; Fernando-Jubilee Dicky [Norris]; Fabion-Bullock Jr; Jaqueline-Leigh; Sampson-Spiller; Bellford-Elrington; Isabella-Mrs Kent; Julia-Mrs Spiller; Victoria-Mrs Shepard; Nurse-Mrs Pollet; With the Mimick Epilogue [Written and spoke by Mr Cibber (at queen's) Burlesquing the Italian Operas-a little Boy.
Event Comment: MMist's, 19 Feb.: Yesterday, as young Mr Cibber was performing the Part of Harlequin in Apollo and Daphne, his Foot slipp'd, and he fell down the Stage and broke his Nose

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Apollo and Daphne or Harlequins Metamorphoses

Related Works
Related Work: Apollo and Daphne Author(s): Theophilus Cibber
Event Comment: Benefit Cibber. At the particular Desire of several Ladies of Quality. Mainpiece: Written by Sir George Etheridge. Afterpiece: Taken from the French of Moliere

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Performance Comment: Loveit-Mrs Cibber; Sir Fopling-Cibber; Dorimant-Mills; Medley-Milward; Old Bellair-Harper; Young Bellair-Wright; Shoemaker-Miller; Handy-Cross; Belinda-Mrs Clive; Emilia-Mrs Butler; Harriet-Mrs Mills; Pert-Mrs Pritchard; Lady Townly-Mrs Grace; Lady Woodvil-Mrs Bennet; Busy-Miss Tollet; Orange@woman-Macklin.
Cast
Role: Loveit Actor: Mrs Cibber
Role: Sir Fopling Actor: Cibber

Afterpiece Title: The Mock Doctor

Cast
Role: Doctor Actor: Cibber

Dance: I: A new Punch Dance-Master Ferg; III: French Peasants-Master Ferg, Miss Wright; IV: Grand Ballet-Muilment, Mrs Walter

Song: (BBy Desire) Ballad of Mary Scot-Mrs Clive

Music: Instead of an Overture to the Farce, will be performed a Grand Piece of Musick with Trumpets (being the Chorus...by Mr Handel)-; with a Preamble on the Kettle Drums-Master Ferg

Event Comment: LLondon Daily Post and General Advertiser, 15 Sept.: [cg] is new painted and decorated, and will be open'd on Friday next...the Report of Mr Cibber and Mrs Horton being engag'd to another Theatre, is entirely without Foundation: That Company would have begun acting sooner, but for the finishing of a large additional Building, which is now cover'd in, whereby they will, on some Occasions, be enabled to add near 70 Feet to the Length of the Stage, which was before the longest in England, but will now exceed in Depth, any Theatre in Europe

Performances

Performances

Mainpiece Title: Samson

Performance Comment: Samson-Beard; Dalila-Signora Francesina; Micah-Signora Francesina, Sullivan; Harapha-Reinhold; Israelite Woman-Signora Avolio (Dean, Handel's Dramatic Oratorios, p. 351). Mrs Delany to Mrs Dewes, 25 Feb.: Francesina sings most of Mrs Cibber's parts and some of Mrs Clive's. [See Deutsch, Handel, p. 585.]See Deutsch, Handel, p. 585.]
Event Comment: Last Tuesday Signior Pasquali, Master of the Band of Music at the Theatre Royal, Mr Cibber and some other prominent players arriv'd from England to act the ensuing season [in Dublin]. Mrs Bland arriv'd [in Dublin] last Sunday from England and will appear tomorrow night in the character of Miranda in the Busy Body. Receipts: #180

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Anatomist

Event Comment: Seventh Day. An Auction of many choice Curiosities. The Lots to be viewed this Night at the Place of Sale. Mr Cibber Auticoneer

Performances

Mainpiece Title: A Medley Concert And Auction

Afterpiece Title: Harlequins Frolic

Performances

Mainpiece Title: The Fathers Or The Good Naturd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: Benefit for Vestris Jun. Tickets to be had of Vestris, No. 2, Haymarket

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: La Mort d' Hercule, as17910411, Hercule -Vestris Sen

Ballet: End II: a new Historical Dance L'Amadriade; ou, La Nimphe des Bois. Pheruse Amadriade-Mlle Hilligsberg; Hilas Berger Thesalien, Amant d' Amadriade-Vestris [Jun.]; Bergere Thesalienne-Mlle Mozon; Berger Thesalien-Victor; Faulne-Vermilly; Nimphe de Bois-Mlle St.Amand; Minuet de la Cour-Vestris Sen

Performance Comment: Pheruse Amadriade-Mlle Hilligsberg; Hilas Berger Thesalien, Amant d' Amadriade-Vestris [Jun.]; Bergere Thesalienne-Mlle Mozon; Berger Thesalien-Victor; Faulne-Vermilly; Nimphe de Bois-Mlle St.Amand; Minuet de la Cour-Vestris Sen.

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Waterman

Performances

Mainpiece Title: The Anatomist Or The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

Performances

Mainpiece Title: Achilles Or Iphigenia In Aulis

Performances

Mainpiece Title: The Citizen Turned Gentleman

Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Performances

Mainpiece Title: The Deceiver Deceived

Event Comment: Christopher Rich's Company. The date of the resumption of playing is not certain, for Cibber (see below) beclouds the issue by referring to Easter-Monday in April, whereas the first Monday following Easter fell on 25 March 1694@5. Nevertheless, Monday 1 April 1695 seems the likely date of the resumption of playing, with Rich's Company ready to perform before the seceding company under Thomas Betterton was fully organized. A new song for Abdelazar, Lucinda is bewitching fair, the music by Henry Purcell and sung by "the Boy" (Jemmy? Bowen), is in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 195: [The Patentees] were not able to take the Field till the Easter-Monday in April following. Their first Attempt was a reviv'd Play call'd Abdelazar, or the Moor's Revenge, poorly written, by Mrs Behn. The House was very full, but whether it was the Play or the Actors that were not approved, the next Day's Audience sunk to nothing. However, we assured that let the Audiences be never so low, our Masters would make good all Deficiencies, and so indeed they did, till towards the End of the Season, when Dues to Ballance came too think upon 'em. [See I, 195-96, for Cibber's account of his Prologue.] A Comparison Between the Two Stages, 1702, p. 7: But in my Opinion, 'twas strange that the general defection of the old Actors which left Drury-lane, and the fondness which the better sort shew'd for 'em at the opening of their Newhouse, and indeed the Novelty it self, had not quite destroy'd those few young ones that remain'd behind. The disproportion was so great at parting, that 'twas almost impossible, in Drury-lane, to muster up a sufficient number to take in all the Parts of any Play; and of them so few were tolerable, that a Play must of necessity be damn'd that had not extraordinary favour from the Audience: No fewer than Sixteen (most of the old standing) went away; and with them the very beauty and vigour of the Stage; they who were left behind being for the most part Learners, Boys and Girls, a very unequal match for them who revolted. According to a statement made in litigation, the company in Drury Lane acted 84 times between 25 March 1694@5 and 7 July 1695; and the Young Actors played 68 times from 6 July 1695 to 10 Oct. 1695 to 10 Oct. 1695. See Hotson, Commonwealth and Restoration Stage, p. 308

Performances

Mainpiece Title: Abdelazar Or The Moors Revenge

Performance Comment: Prologue by Cibber-Powell.
Cast
Role: Cibber Actor: Powell.
Event Comment: Benefit Cibber. By particular Desire. [Tickets at Cibber's House in Wild-Court, lif.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: See17370201, but Indiana-Mrs Cibber; Bevil Jr-Quin; Sealand-Milward; Tom-Cibber; Phillis-Mrs Clive; Sir John-Berry; Myrtle-W. Mills; Cimberton-Griffin; Lucinda-Miss Holiday.
Cast
Role: Indiana Actor: Mrs Cibber
Role: Tom Actor: Cibber

Afterpiece Title: The King and the Miller of Mansfield

Performance Comment: See17370214, but King-Cibber; Miller-Miller.
Cast
Role: King Actor: Cibber

Music: Select Pieces-; II: Solo on the Violin-Riggs

Dance: III: Harlequin-Denoyer's@Prentice; V: Russian Sailor-Denoyer