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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Church"/1) | (@(roleclean,performerclean) "Mr Church")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5671 results for: Keyword - Mr Church
We found 4256 matches on Event Comments, 1156 matches on Performance Comments, 529 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

851
10 May 1779 @ Haymarket Theatre

Event Comment: By Authority of the Lord Chamberlain. Benefit for Mitchell and Sinclair. The Doors to be opened at 5:15. To begin at 6:00 precisely. Tickets to be had of Mitchell at the Old Castle Tavern, near Gray's Inn Gate, Holborn; of Sinclair, Church-Lane, near St. Martin's Church, Strand

Performances

Mainpiece Title: Douglas

Afterpiece Title: Wit's Last Stake

Afterpiece Title: The Brave Irishman

Dance: End Monologue: Hornpipe-Lapper

Song: End III: He's aye kissing me-Miss Harris; End: Hunting Song-Miss Harris

Music: Between the Acts: The original Scotch Music-

Entertainment: Monologue.End 2nd piece: Hippisley's Drunken Man-Lewis (1st appearance on that stage these 3 years)

852
25 April 1781 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: A Fete

Performance Comment: As17810403, but SCENE III. A View of the Sea. The Storm-Reinhold; We be three poor Mariners-Davies, Doyle, Simpkinson; To conclude with a Dance-Aldridge, others; SCENE IV as SCENE V on 3 Apr. SCENE V. A Church-Yard. Poor Thomas Day-Edwin, J.? Wilson, Davies; SCENE VI. A Banquet Scene. A Burlesque Italian Medley-Reinhold; To conclude with several Catches and Glees-the most eminent performers; Come honest Friends and jovial Souls-_SCENE VII omitted; Chorus-_; Dance-_; Attendant Genius-_; Venus-_; Dance of Warriors-_; Mad Tom-_; The music-_; She that will but now discover-_.
Cast
Role: A Church Actor: Yard. Poor Thomas Day-Edwin, J.? Wilson, Davies

Afterpiece Title: The Flitch of Bacon

Song: End III 1st piece: When Phoebus the tops of the hills did adorn-Leoni, Mrs Kennedy

853
30 March 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wonder

Afterpiece Title: A Fete

Performance Comment: Scene l. A Church-yard by Moonlight. Poor ThomasDay by Barrymore, Chapman, Suett. Scene II. A Masquerade Scene. Song by Miss George, and a Scotch Reel, as17830920. Scene III. Time has not thinn'd my flowing Hair by Williames and Miss Phillips, scene the last. A Rural Prospect. Tally-ho! by Mrs Wrighten, and The Sportsmen's Return, as17840311athi .
Cast
Role: A Church Actor: yard by Moonlight. Poor ThomasDay by Barrymore, Chapman, Suett. Scene II. A Masquerade Scene. Song by Miss George, and a Scotch Reel, as17830920. Scene III. Time has not thinn'd my flowing Hair by Williames and Miss Phillips, scene the last. A Rural Prospect. Tally-ho! by Mrs Wrighten, and The Sportsmen's Return, as17840311athi .

Afterpiece Title: High Life below Stairs

854
12 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: A Fete

Performance Comment: Scene I. A Country Church-yard by Moon-light. Lord Littleton's Elegy of My Lucy, alas! is no more by Dodd, Barrymore, Williames. Scene II. A Masquerade. An Italian song by Miss George; a Minuet by Second and Miss Stageldoir; Time has not thinn'd my flowing Hair, as17840330the Manual Exercise and Officer's Salute by Mrs Wells. Scene III. A Rural Prospect. Going out in the Morning; Tally ho!, as17840330cene the last. A moving Prospect on the River Thames, with a grand View of Greenwich Hospital; We be three poor Mariners by Dodd, Chapman, Suett; The Merry Sailors, as17840320at all other performances this dance was entitled The Jovial Sailors] . a Minuet by Second and Miss Stageldoir; Time has not thinn'd my flowing Hair, as17840330the Manual Exercise and Officer's Salute by Mrs Wells. Scene III. A Rural Prospect. Going out in the Morning; Tally ho!, as17840330cene the last. A moving Prospect on the River Thames, with a grand View of Greenwich Hospital; We be three poor Mariners by Dodd, Chapman, Suett; The Merry Sailors, as17840320at all other performances this dance was entitled The Jovial Sailors] .
Cast
Role: . A Country Church Actor: yard by Moon-light. Lord Littleton's Elegy of My Lucy, alas! is no more by Dodd, Barrymore, Williames. Scene II. A Masquerade. An Italian song by Miss George
Role: A Church Actor: yard by Moonlight. Poor ThomasDay by Barrymore, Chapman, Suett. Scene II. A Masquerade Scene. Song by Miss George, and a Scotch Reel, as17830920. Scene III. Time has not thinn'd my flowing Hair by Williames and Miss Phillips, scene the last. A Rural Prospect. Tally-ho! by Mrs Wrighten, and The Sportsmen's Return, as17840311athi .

Afterpiece Title: The Double Disguise

Song: Between the Acts of 1st piece A Soldier for me by Mrs Wrightcn

855
14 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: Dr Last's Examination

Afterpiece Title: The Intriguing Chambermaid

Afterpiece Title: The Day

Performance Comment: Morning. Champaign Country The Early Horn-Miss George; How sweet in the Woodlands-Davies, Miss George; Noon. Skirts of a Wood Sweet Echo-Mrs Bannister; Dance Shepherd's Wedding-Byrn, Mrs Goodwin, the two Miss Simonets; Prithee Susan-Meadows, Mrs Forster; Afternoon. A Drawing-Room Time has not thinn'd-Meadows, Mrs Bannister; Where the Bee sucks-Davies, Mathews, Miss George, Mrs Bannister; Night. A Country Church-yard My Lucy alas is no more-Chapman, Mrs Forster, Mrs Edwards; dance Fairies Sporting-young D'Egville, Giorgi's Scholars, Miss DeCamp; Musical Epilogue-Meadows, Chapman, Mathews, Mrs Edwards, Mrs Gaudry, Mrs Forster.
Cast
Role: A Country Church Actor: yard My Lucy alas is no more-Chapman, Mrs Forster, Mrs Edwards

856
21 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Dr Last's Examination

Afterpiece Title: The Follies of a Day

Afterpiece Title: The Day

Performance Comment: Morning. Champaign Country. The Village Delight-Mrs Bannister, Mrs Forster; Hunting Song-Chapman; The Early Horn-Miss George; Noon. Skirts of a Wood. Prithee Susan-Meadows, Mrs Forster; dance, Shepherd's Wedding-Byrn, Mrs Goodwin, the two Miss Simonets; Afternoon. How merrily we live-Davies, Meadows, Mrs Bannister; Where the Bee sucks-Davies, Mathews, Mrs Forster, Mrs Bannister; Night. A Country Church-yard. Sweet Echo-Mrs Bannister; dance, Fairies Sporting-young D'Egville, Giorgi's Scholars, Miss DeCamp; Poor Thomas Day-Edwin, Davies, Chapman; Musical Epilogue-Meadows, Chapman, Mathews, Mrs Edwards.
Cast
Role: A Country Church Actor: yard. Sweet Echo-Mrs Bannister

Entertainment: Imitations End 2nd piece: As17870807

857
03 March 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Ariadne)-; Happy Iphis-Miss Poole (Jephtha); The many rend the Skies-Chorus (Alexander's Feast); The Lord is a man of war-Griffiths, Sale (Israel in Egypt); O come let us worship-Harrison (Coronation? Anthems); Behold the Monster Polypheme-Chorus (Acis and Galatea); Ye Men of Gaza-Miss Poole (Samson); Bless the true Church and save the King-Saville, Chorus (Athalia); The Mansion of Peace-Harrison (composed by Webbe).
Cast
Role: Bless the true Church and save the King Actor: Saville, Chorus

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17900224

858
05 March 1790 @ Covent Garden

Performances

Mainpiece Title: Judas Maccabaeus; Grand Selection 0; Messiah

Performance Comment: As17900226, but End of Part I Bless the True Church and Save the King-Chorus (Athalia), which was encored by the whole House on Wednesday.
Cast
Role: End of Part I Bless the True Church and Save th Actor: Chorus

Music: As17900224

859
17 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Atalanta)-; Sin not O King against the youth-Miss Romanzini [Saul]; Bless the true Church and save the King-Gore, Chorus Athalia]; [Funeral Scene from Samson: Glorious Hero may thy Grave-Reinhold; The virgins too-Sga Storace; Bring the laurels bring the bays-Chorus of Virgins; May every Hero fall like thee-Sga Storace; Bring the laurels bring the bays-Full Chorus; Dead March (Saul)-; My faith and truth-Mrs Crouch [Samson]; Mad Bess-Sga Storace (composed by Purcell; 1st time and for that night only); Gird on thy sword-Chorus [Saul].Saul].
Cast
Role: Bless the true Church and save the King Actor: Gore, Chorus Athalia

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

860
24 May 1790 @ Covent Garden

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: An Harmonic Festival

Performance Comment: In which the Performers of the Concert of Ancient Music have obligingly offered their Assistance. The Wooden Walls of Old England (composed by Reeve)-Darley; As I saw fair Clora-Johnstone, Bannister; September 13th; or, The Siege of Gibraltar-Bannister; Poor Thomas Day-Edwin, Blanchard, Bannister; How stands the glass around-Johnstone; Bless the true Church and save the King- (composed by Handel).
Cast
Role: Bless the true Church and save the King Actor:

Afterpiece Title: Rosina

Song: End II: a Nicketerotion at the Meeting of Antony and Cleopatra-; Vocal Parts-Bannister, Johnstone, Darley, Duffey, Mrs Warrell, Mrs Masters, Mrs Gray, Mrs Mountain

Dance: With Grand Dance-Byrne, the two Miss Simonets

861
25 March 1791 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast; Grand Selection 0

Afterpiece Title: Alexander's Feast 1

Afterpiece Title: Alexander's Feast 2

Afterpiece Title: PART III

Performance Comment: A Grand Miscellaneous Act. ; Overture and Dead March (Saul)-; Balmy sweetness-Harrison (Boyce); Thou shalt bring them in-Mrs Piele (Israel in Egypt); Disdainful of danger-Harrison, Incledon, Sale (Judas Maccabaeus); The Soldier tir'd of war's alarms-Mrs Billington (Dr Arne); Bless the true Church and save the King-Incledon, Chorus (Athalia); There in myrtle shades-Miss Poole (Hercules); But bright Cecilia, As from the power of sacred lays-Mrs Billington; The dead shall live-Chorus (Dryden's Ode).
Cast
Role: Bless the true Church and save the King Actor: Incledon, Chorus

862
04 January 1796 @ Covent Garden

Performances

Mainpiece Title: The Ghost

Afterpiece Title: The Widow of Malabar

Afterpiece Title: Merry Sherwood [and see17951221]

Performance Comment: Principal Vocal Characters: First Bowman, Friar Tuck-Bowden; Tinker-Knight; Cryer-Rees; Beggar Man-Townsend; Tanner-Richardson; Allen@o'@Dale-Gray; Martha-Mrs Mountain; Damsel-Mrs Clendining; Witch of Nottingham Well-Mrs Martyr; [Principal Pantomimic Characters: as17951221 Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; [Part I. Scene I. A View in Sherwood Forest; Archers regaling on Venison Song-Follett; [Robin entering, receives a challenge from Marian, the Sheriff of Nottingham's Daughter, to shoot the Deer. The Sheriff and Arthur-o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-; [Scene III. A Hall in the Sheriff's House; Sheriff introduces Marian to Arthur-o'-Bradley, her [sic] intended Bride-Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight; [seated at a Table, which changes to the Town Stocks in which they are confined-Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining; [imploring Robin Hood's aid to rescue the Princess. Scene X. The Earl of Nottingham, his Daughter, and the Count discovered-Giants, Pigmies-Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-; [Part II. Scene I. A View in Fountain Dale. Story of the Curtal Fryar Song-Bowden; [Robin's skill in Archery-Arthur-o'-Bradley changed to a Tree-shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-; [Robin procures his Garments to rescue Will Scarlet. Scene III. Nottingham Castle. Scarlet attended by the Sheriff, his Guards, led to Execution. Scene IV. Nottingham Market-Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-; [the Marriage of Allen and Martha Martha's song to Allen o'Dale-Mrs Mountain; [Harlequin changes the Scene to Scene VI. A View of the Sea and Scarborough Cliffs, with a Cottage. Harlequin changes the Cottage to a Ship-a French Vessel appears in view, which he changes to a cart-and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII [sic]. Birksley Monastery. The renovation of Robin by the Witch of Nottingham Well Witches Recitative-Mrs Martyr; [Scene VII [sic]. Clouds with Angels supporting Wreaths-which changes to Scene VIII. Representing the Triumphs of Archery, as17951228. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Cast
Role: Nottingham Market Actor: Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-
Role: Arthur Actor: o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-
Role: o' Actor: Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-
Role: Bradley by a Lanthorn of Fire Actor: The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-

863
22 November 1678 @ Essex Buildings

Event Comment: London Gazette, No 1356, 18 Nov. 1678: On Thursday [sic] next, the 22 of this instant November, at the Musick School in Essex Buildings, over against St Clement's Church in the Strand, will be continued a Consort of Vocal and Instrumental Musick, beginning at five of the Clock every evening. Composed by Mr John Bannister

Performances

Mainpiece Title: Concert

864
25 November 1678 @ Essex Buildings

Event Comment: London Gazette, No 1358, 21-25 Nov. 1678: This present Monday, at the Musick School in Essex Buildings, over against St Clements Church in the Strand, will be continued a Consort of Vocal and Instrumental Musick, beginning at Five of the Clock every evening. Composed by Mr John Bannister

Performances

Mainpiece Title: Concert

865
09 January 1679 @ Essex Buildings

Event Comment: London Gazette, No 1371, 6-9 Jan. 1678@9: At the Musick School in Essex Buildings near St Clements Church in the Strand, will be continued a Consort of Vocal and Instrumental Musick; beginning at six of the clock every evening. Composed by Mr John Bannister

Performances

Mainpiece Title: Concert

866
27 February 1697 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. James Brydges, Diary: About 2. I came home to dinner, where I found Lady Hussy, & Cozzen Betty, & Mrs Howard, about 5. After dinner I went to Lord Pembroke's who being abroad, I went to Lord Arundell of Treryce, who not being at home, I went to Ld. Allinton's, but he not being within, I went to Mr Pitts, who being abroad, I went to ye Dean of Peterborough's but he being at church I went to ye playhouse in Lincolns inn fields, where I met Dr Davenant & Ld. Rumny (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

867
01 April 1698 @ Clark's School, Paul's Alley

Event Comment: Post Boy, 29-31 March 1698: To morrow being the First of April, in Paul's Alley, near St. Paul's Church-Yard, at Clark's School, will be perform'd a new Consort of Vocal and Instrumental Musick, compos'd by Mr Henry Simsons, beginning at Seven of the Clock exactly. Price of coming in 2s. 6d

Performances

Mainpiece Title: Concert

868
05 September 1724 @ Southwark Fair

Event Comment: At Mr Penkethman's Great Booth, above Bird-Cage Alley, over against St. George's Church

Performances

Mainpiece Title: Valentine And Orson

Song: Mrs Willis

Dance: Mrs Willis

Entertainment: Tumbling-

869
20 January 1749 @ Drury Lane Theatre

Event Comment: [P$Potter reprinted his letter of 18 Jan., and added the footnote: "The person who took the House was a man of genteel appearance, said his name was William Nicholls, and directed letters to be left for him at the Bedford Coffee House, Covent Garden."] [The Prologue and Epilogue spoken by the children of the Prince of Wales on their performing Cato at Leicester House, printed in the General Advertiser.] [This day published] A Letter to Mr G-k, relative to his treble Capacity of Manager, Actor, and Author; with some remarks upon Lethe. All Three! All three! Gay. Sold by W. Reeve in Fleet St.; and A. Dodd, at the Peacock opposite St. Clements Church in the Strand (General Advertiser). [This day published] Lethe, A Dramatick Satire, by David Garrick as it is perform'd at Drury Lane. Printed for P. Vaillant, facing Southampton Street in the Strand. Receipts: #140 (Cross); #144 17s. 6d. (Powel)

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Virgin Unmask'd

Music: I: By Desire, a piece of Music-the Child

Dance: II: Savoyards, as17480920; V: New Scotch Dance, as17490118

870
21 December 1753 @ Drury Lane Theatre

Event Comment: Benefit for a family in Distress (Cross). Tickets to be had at the Sword-Blade Coffee House, Birchin Lane, Lombard St.; Prince of Orange Coffee House in the Haymarket; Joe's Coffee House, Mitre Court, Fleet St.; Smyrna Coffee House, Pall Mall; the Swan Tavern, Grafton St.; Warwick-St. Coffee House near Golden Square; the Feather's Tavern, opposite St Clement's Church in the Strand; and of Mr Varney at the stage door. Receipts: #212 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: II: New Dutch Dance, as17531117; V: Gipsey Tambourine, as17531012

871
04 January 1760 @ Covent Garden

Event Comment: Benefit for the Unhappy Sufferers by the late Dreadful Fire that happened in King Street, Covent Garden. Places for boxes to be taken, and tickets to be had of Mr Sarjant, at the Stage Door of the Theatre; where, if any persons are so charitably disposed as to send more than the price of the ticket, a receipt will be given him to the person who brings it. And the profits arising from such Benefit Play, will be paid into the hands of the Church Wardens of St Paul's, cg, and St Martins in the Fields, to be distributed by them for the purposes intended. And as there has been no interest made for this benefit, more than arose from the Advertisements in the public Play-Bills, it is hop'd the Inhabitants of the above parishes will favour this charity with their personal appearances at the said Theatre this Night. Receipts: #128 13s. in cash plus #42 5s. (169 Box tickets). Total Income #170 18s. Charges #64

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: A Duke and no Duke

Dance: TThe Plowman, as17591121; a Comic Dance-Granier, Miss Hilliard

872
02 April 1762 @ Drury Lane Theatre

Event Comment: Benefit for the Composer [Dr Arne]. At the Desire of several Persons of Quality. Boxes (by desire) Half a Guinea. Pit 5s. First Gallery 3s. Upper Gallery 2s. Tickets to be had of Dr Arne, in the Piazza, next the Church, in Covent Garden. Places to be taken of Mr Johnston at the Stage Door

Performances

Mainpiece Title: Judith