SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Charles Williams"/1) | (@(roleclean,performerclean) "Mr Charles Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 13664 matches on Author, 4780 matches on Event Comments, 3630 matches on Performance Comments, 656 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box, and a Box for the Maids Honor at Don Sebastian King of Portugal. See also Nicoll, Restoration Drama, p. 352. There is no certainly that this is the first performance. The play was entered in the Stationers' Register, 15 Dec. 1689. See also Charles E. Ward, The Life of John Dryden (Chapel Hill, N. C., 1961), pp. 242-46. Preface, Edition of 1690: I am...to acknowledge, with all manner of gratitude, their civility; who were pleas'd to endure it with so much patience....Above twelve hundred lines have been cut off from this tragedy since it was first deliver'd to the actors. They were indeed so judiciously lopt by Mr Betterton, to whose care and excellent action I am equall y oblig'd, that the connexion of the story was not lost. Does a cryptic remark by Huygens, 3 Dec. 1689 OS, refer to this play: Dat dat geklap met de handen in comedie, onlanxgebeurt, als er gesproken wierd van een Coning, die wederom quam in sign rijck, van seer quade consequentie was. Dat voorseker de Con. too mercifull was, en dat er mosten exempelen gestatueert werden (Journal van Constantijn Huygens, Dutch Historical Society Transactions, New Series, XXIII [Utrecht, 18-212)

Performances

Mainpiece Title: Don Sebastian

Performance Comment: Edition of 1690: Prologue [Sent to the Author By an Unknown Hand-Mrs Mountfort [Dressed like an Officer; Prologue-a Woman; Don Sebastian-Williams; Muley Moluch-Kynaston; Dorax-Betterton; Benducar-Sandford; Mufti-Underhill; Muley Zeydan-Powell Jr; Don Antonio-Betterton [an error; corrected in 1692 edition to Mountfort]; Don Alvarez-Bowman; Mustapha-Leigh; Almeyda-Mrs Barry; Morayma-Mrs Montfort; Johayma-Mrs Leigh; Epilogue-Antonio, Morayma.
Cast
Role: Don Sebastian Actor: Williams
Related Works
Related Work: The Captive Author(s): Charles Dibdin
Event Comment: Mainpiece: Never acted before, a New Dramatic Opera [Bickerstaffe] the Music by Handel, Boyce, Arne, Howard, Baildon, Festing, Geminiani, Galluppi, Giardini, Paradies, Agus, Abos; with a New Overture composed by Mr Abel. Full Prices. Books of the Opera sold at theatre. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 22-36: Compares Bickerstaff's opera at length with Charles Johnson's Village Opera.

Performances

Mainpiece Title: Love In A Village

Dance: II: The Jealous Woodcutter, as17621023

Event Comment: Original Weekly Journal, 2 Aug.: On Wednesday last, the Deceas'd Mr Keene was carried from his House in Cook's Court, by Lincoln's-Inn-Fields, to the Parish Church of St. Clement Danes; the Pall was held up by 3 Gentlemen from each Theatre, viz. Mr Booth, Mr Mills, and Mr Johnson, from the Old House; and Mr Bullock, Sen. Mr Spiller, and Mr Corey: Mr Charles Bullock appear'd as chief Mourner, the rest of the Actors from both Houses follow'd the Corpse to the Church, where was sung a very fine Anthem. 'Tis said Mr Walker, a Gentleman of that Profession, has made a very Pretty Elegy in Blank Verse upon the Occasion

Performances

Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Performances

Mainpiece Title: The Marriage hater Matched

Event Comment: MMr Barbaut's Second Subscription Oratorio, taken from the First Book of Milton's Paradise Regained and set to music by Mr Charles Barbant in two parts with a solo upon the Violin by Signor Marella; a solo upon the German Flute by Mr Tacet; a Concerto on the Lute by Mr Servi?; a Hautboy concert by Mr Barbant; and an organ concerto ditto; and a Great Concerto with Clarinets, French Horns and Kettle-Drums, composed by Mr Barbant. Boxes and Pit put together at Half a Guinea each, Gallery 3s. Tickets to be had at Mr Barbant's, at Mr White's in Marshall St., Carnaby-Market; and at Mr Browne's Stationer [sic], facing the Opera House, Haymarket. To begin at half an Hour after six. N.B. the Books of the Oratorios stitched in Blue Paper at 1s. each are sold at Mrs Browne's [sic] in the Haymarket, and at the House on the night of the performance

Performances

Mainpiece Title: Oratorio From First Book Of Paradise Regained

Event Comment: Luttrell, A Brief Relation, II, 437: This being the queen s birth day, a new ode was sung before her upon the occasion: the nobility and gentry, with the lord mayor and aldermen of this citty, attended to compliment thereon. Gentleman's Journal, May 1692: The 30th of April, being Her Majesties Birth-day, was observ'd with all the usual Solemnity. I design'd to have sent you an Attempt of mine in Verse, on that noble Subject: But having happily obtain'd a Copy of those writ by Sir Charles Sidley, it would have been an unpardonable Crime, to have joyn'd my weak Essay to a Piece by so great a Master. [The Ode, Love's Goddess Sure, the music by Henry Purcell, is in Purcell's Works, Purcell Society, XXIV (1926), i.

Performances

Mainpiece Title: Concert

Performance Comment: An Anniversary Ode sung before Her Majesty...the Words by Sir Charles Sidley: Set by Mr Henry Purcell-.

Performances

Mainpiece Title: The Foundling

Performance Comment: Garrick, Barry, Macklin, Havard, Yates, Sparks, Mrs Woffington, Mrs Cibber. Young Belmont-Garrick; Sir Charles Raymond-Barry; Faddle-Macklin; Col. Raymond-Havard; Sir Roger Belmont-Yates; Villiard-Sparks; Rosetta-Mrs Woffington; Fidelia-Mrs Cibber; Prologue [by Mr Brooke-Mrs Pritchard; Epilogue [by Garrick-Mrs Cibber [(edition of 1748, but listed in the order in which the actors' names appear in General Advertiser; General Advertiser omits notice of Prologue and Epilogue).](edition of 1748, but listed in the order in which the actors' names appear in General Advertiser; General Advertiser omits notice of Prologue and Epilogue).]
Cast
Role: Sir Charles Raymond Actor: Barry

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Garrick, Sir George-Palmer; Sir Francis-Yates; Sir Jealous-Berry; Charles-Havard; Whisper-Vaughan; Scentwell-Mrs Bradshaw; Isabinda-Mrs Davies; Patch-Mrs Clive, 1st time; Miranda-Miss Macklin.
Cast
Role: Charles Actor: Havard

Afterpiece Title: The Anatomist

Dance: TThe Swiss, as17581102

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Ross; Major Oakly-Shuter; Charles-Clarke; Lord Trinket-Dyer; Sir Harry Beagle-Bennet; Capt. O'Cutter-Barrington; Russet-Dunstall; Paris-Holtom; Tom-R. Smith; Harriet-Mrs Lessingham; Lady Freelove-Mrs Vincent; Mrs Oakly-Mrs Ward.
Cast
Role: Charles Actor: Clarke

Afterpiece Title: Florizel and Perdita

Dance: TThe Pleasures of Spring, as17620212

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Archer-Kennedy; Aimwell-Davis; Bonniface-Johnson; Foigard-Lewis; Sullen-Brown; Gibbet-Murden; Sir Charles Freeman-Wallis; Hounslow-Summers; Bagshot-Pierce; Scrub-Weston; Cherry-Miss Read; Dorinda-Mrs Osborne; Gipsey-Mrs Johnson; Mrs Sullen-Mrs Daly.
Cast
Role: Sir Charles Freeman Actor: Wallis

Afterpiece Title: The Contented Cuckold

Dance: Master Clinton, Miss Street

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Holland, first time; Sir Harry-King; Lord Trinket-Obrien; Paris-Baddeley; Major Oakly-Yates; Charles-Palmer; Tom-Clough; Russet-Burton; O'Cutter-Moody; Lady Freelove-Mrs Clive; Harriet-Mrs Palmer; Mrs Oakly-Mrs Pritchard.
Cast
Role: Charles Actor: Palmer

Afterpiece Title: The Genii

Performances

Mainpiece Title: The West Indian

Performance Comment: Parts-King, Aickin, Packer, Parsons, J. Aickin, Wheeler, Moody, Cautherly, Baddeley, Wright, Watkins, Mrs Baddeley, Mrs Hopkins, Mrs Egerton, Mrs Love, Mrs Bradshaw, Mrs Abington. Prologue-Reddish; Epilogue-Mrs Abington; Stockwell-Aickin; Belcour-King; Capt. Dudley-Packer; Charles Dudley-Cautherly; Major O'Flaherty-Moody; Stukeley-J. Aickin; Palmer-Baddeley; Varland-Parsons; Servant-Wheeler; Lady Rusport-Mrs Hopkins; Charlotte-Mrs Abington; Louisa-Mrs Baddeley; Mrs Fulmer-Mrs Egerton; Lucy-Mrs Love; Housekeeper-Mrs Bradshaw. Epilogue written by David Garrick Esq (Edition of 1771).
Cast
Role: Charles Dudley Actor: Cautherly

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: The West Indian

Performance Comment: As17720324 but Charles Dudley-Brereton, 1st time.

Afterpiece Title: The What Dye Call It

Dance: II: A Hornpipe-aYoung Gentlewoman, 1st appearance; V: The Sailors Revels, as17711008

Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow Or Sir Noisy Parrat

Performance Comment: Edition of 1693: The Prologue by Sir Charles Sydly-; Epilogue-Mrs Lassells.
Cast
Role: Sir Charles Sydly Actor:
Event Comment: Impartial Protestant Mercury, 2 May 1682: Mr Charles? Deering? son to Sr Edward D., and Mr Vaughan?, quarrelled in the Duke's Playhouse, and presently mounted the stage and fought, and Mr D. was dangerously wounded, and Mr V. secured lest it should prove mortal. [See also, Wilson, Theatre Notes from the Newdigate Newsletters, p. 80.

Performances

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville and Williams. Mainpiece: Not acted these 5 years. Tickets delivered for the 17th of December will be admitted. Tickets and places to be had of Williams at Mr Spoke's, Tottenham Court; Mr White, Auctioneer, Queen street, Westminster; Messrs Ellis and Scott, Old Bond-street; Mr Hewitt, New Bond-street; Mr Cowcieroy, Great Russell-street, Bloomsbury; and at the Excise Office Coffee-House, Old Bond-street

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: The Irish Widow

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

Event Comment: Wrote by Mr Pope. Mr Barbauld's First Subscription Oratioro,...and set to Musick by Mr Charles Barbault, in Two Parts. One ticket for all three oratorios--one Guinea; for one performance half a guinea; gallery 3s. 7 p.m

Performances

Mainpiece Title: The Universal Prayer

Event Comment: Mainpiece [1st time; C 5, by Edward Morris. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses and Decorations. Morning Chronicle, 14 Mar. 1799: This Day is published The Secret (2s.). Receipts: #371 18s. 6d. (319.17.0; 49.14.6; 2.7.0)

Performances

Mainpiece Title: The Secret

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Stratagem

Performance Comment: Scrub-Norris Sr; Archer-Bridgewater; Aimwell-Chapman; Sir Charles-Williams; Gibbet-Norris Jr; Foigard-West; Boniface-Harper; Mrs Cherry-Mrs Roberts; Countrywoman-Mrs Willis; Mrs Sullen-Mrs Houghton; Dorinda-Mrs Orfeur; Lady Bountiful-Mrs Gulick.
Cast
Role: Sir Charles Actor: Williams

Dance: Houghton, Mrs Willis

Song: A Mimick Song in Praise of the Country Life-Mrs Willis

Performances

Mainpiece Title: The Busy Body

Performance Comment: Sir Francis-Norris Sr; Sir George-Orfeur; Charles-Williams; Marplot-Bridgewater; Whisper-Norris Jr; Miranda-Mrs Houghton; Isabinda-Mrs Gulick; Patch-Mrs Roberts; Scentwell-Mrs Vincent; Sir Jealous-Harper.
Cast
Role: Charles Actor: Williams

Dance: End I: Running Footman's Dance-; III: French Peasant-; IV: Highland Lilt-; V: Union Dance-

Song: Singing in Imitation of Birds and Beasts-

Event Comment: By Permission. Benefit for Williams, Mrs Weston

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Weston (first time that part); Sir George Airy-Whitefield; Charles-Lane; Sir Jealous Traffic-Lewes; Whisper-Everard; Butler-Lloyd; Sir Francis's Servant-Thompson; Sir Jealous's Servant-Jackson; Patch-Mrs Gardner; Isabinda-Mrs Whitefield; Scentwell-Mrs Weston; Miranda-Mrs Williams.
Cast
Role: Charles Actor: Lane
Role: Miranda Actor: Mrs Williams.

Afterpiece Title: The Tobacconist

Entertainment: End I of Farce: Imitations Vocal and Rhetorical-Bannister

Monologue: End: A Scene from The Register Office. Gulwell-Lloyd; Little Girl-Miss Frances; new character-Mrs Gardner

Event Comment: Account-Book: Tickets delivered by Furkins, Bishop, Doe, Strahan, Warwhick, Thompson, Berecloth, Williams, Robson (music porter), Creswell, Simmons will be admitted. Receipts: #296 18s. 6d. (44.10.0; 5.3.0; tickets: 247.5.6)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lewis; Sir George Airy-Holman; Charles Gripe-Whitfield; Whisper-Farley; Sir Jealous Traffic-Thompson; William-Abbot; Sir Francis Gripe-Munden; Isabinda-Mrs Litchfield; Patch-Mrs Mattocks; Scentwell-Miss Cox; Miranda-Mrs Glover.
Cast
Role: Charles Gripe Actor: Whitfield

Afterpiece Title: The Irish Mimic

Performances

Mainpiece Title: Oedipus

Performance Comment: Edition of 1679: Prologue-; Oedipus-Betterton; Adrastus-Smith; Creon-Samford; Tiresias-Harris; Haemon-Crosby; Alcander-Williams; Diocles-Norris; Pyracmon-Boman; Phorbas-Gillo; Ghost of Lajus-Williams; Jocasta-Mrs Betterton; Eurydice-Mrs Lee; Manto-Mrs Evans; Epilogue-.
Cast
Role: Alcander Actor: Williams
Role: Ghost of Lajus Actor: Williams

Performances

Mainpiece Title: Almena

Performance Comment: Parts by: Vernon, Champnes, Giustinelli, Miss Wright, Miss Vincent, Miss Williams, Sga Cremonini. Mahomed-Vernon; Mirza-Giustinelli; Abudah-Champnes; Almena-Miss Wright; Zara-Mrs Vincent; Selima-Miss Williams; Aspatia-Siga Cremonini (Edition of 1764).
Cast
Role: Selima Actor: Miss Williams

Dance: II: New Dance, The Tartar's Festival-Aldridge, Berardi, Giorgi, Lauchry, Sga Giorgi, Miss Baker

Performances

Mainpiece Title: Tartuffe Or The French Puritan

Performance Comment: Edition of 1670: Prologue. No actors' names. Epilogue by Charles Sackville Earl of Dorset-Medbourne.