SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Charles Powel"/1) | (@(roleclean,performerclean) "Mr Charles Powel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4755 matches on Event Comments, 2697 matches on Performance Comments, 2431 matches on Author, 608 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: London Gazette,No 3021, 12-15 Nov. 1694: A Consort of Musick composed by Mr Grabue, will be performed on Saturday next, at Mr Smiths in Charles-street, Covent-Garden, between the Hours of Seven and Eight

Performances

Mainpiece Title: Concert

Event Comment: James Brydges, Diary: I went to ye Playhouse in Covent Garden where I met Mr Knight, after wch I went to yr other playhouse, & there saw Sr Charles Barinton, & Mr Mildmay; before ye play was done, I came hence home (Huntington MS St 26)

Performances

Performances

Mainpiece Title: P Ormio

Performance Comment: By the young Gentlemen of Mr Stodherd's Academy in Charles-street, St. James's .
Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Mr Congreve. Daily Advertiser, 13 Dec: Charles Mecklin was try'd for the Murder of Mr Hallam the Player, and found Guilty of Manslaughter

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Harlequin Restor'd

Dance: I: Ballet by Mlle Anne Roland. II: Revellers by Essex, Mrs Walter, &c

Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None

Related Works
Related Work: None Are So Blind as Those Who Won't See Author(s): Charles Dibdin
Event Comment: [Litchfield, who is identified in European Magazine, Jan. 1794, p. 50, had made his 1st appearance on the stage at Richmond, 7 Sept. 1793, billed as "A Young Gentleman" (Charles Mathews, Memoirs, 1838-39, I, 70, and Thespian Magazine, Supp. 1793, p. 401). Not. Dram. states that "A person under the name of Litchfield but as I am informed in reality a Mr Holland Nephew to Mr Holland formerly of Drury Lane appeared 1st time at the HM in Richard III." But Holland was at this time acting at Bath, and did not appear in London until 31 Oct. 1796, at Drury Lane.]

Performances

Mainpiece Title: The Life And Death Of King Richard The Iiid

Performance Comment: As17930930, but Richard-A Gentleman (1st appearance [Litchfield]); Duke of Norfolk-Dignum; Sir R. Ratcliff-Maddocks; Sir R. Brackenbury-Cooke//Elizabeth-Mrs Powell; Duchess of York-Mrs Hopkins .

Afterpiece Title: MY GRANDMOTHER

Event Comment: The play is not known, but Powell spoke a Prologue there on this date: The Prologue Spoken by Mr Powel at Oxford, July the Tenth. 1682. Luttrell's copy (Huntington Library) bears his acquisition date of 3 Aug. 1682. The Prologue is reprinted in Wiley, Rare Prologues and Epilogues, pp. 126-27

Performances

Event Comment: Mainpiece Never Acted there before. The Characters to be New Dress'd after the Manner of the Old English Comedy. And the Pieces of Music before the Play, and between the Acts, will be selected from the Old English Masters. Cross: The play went off with 'toll: success. [See contemporary comments in D@@ry L@@ne P@@yh@@se Broke Open. In a letter to Mr G@@@@(London, 1748) pp. 17-18.] Receipts: #150 (Cross); #152 19s. 6d. (Powel)

Performances

Mainpiece Title: Albumazar

Event Comment: CCross: (Pam: publish'd). Play dislik'd. Hiss'd much. [The pamphlet referred to was "Mr Garrick's Conduct as Manager of TRDL considered in a Letter Addressed to him," by E. F. 18 Oct.: As a manager, Sir, it is your business not only to prepare the Evening's Entertainment, but to prepare it in the best manner you are able; and the manager who does otherwise uses his customers ill." The burden of the author's complaints was: (1) the theatre has been operating for a month yet Garrick has appeared in only one character; (2) that he should buy himself off with speaking a prologue only, then sell that to the public at 6d. shows vanity, avarice, and lack of managerial responsibility; (3) that plays such as Albumazar (simple and poorly cast) and Scornful Lady, (with irreligious and atheistical parts) should not have been passed off on the public, whose expectations were raised high at the thought of Garrick's management. Macklin even had to apologize to the audience as he played the part of Sir Roger in the latter play. E. F. closed by urging: "Get up the best of our English Tragedies and Comedies; encourage the rising Wits and be under no apprehesion of the want of success." If you use common sense in casting your actors, as your former managers did (with all their other faults) in casting you, you will not yourself have to play every night. Above all remember your responsibility to the public.] Receipts: #100 (Cross); #127 4s. 6d. (Powel)

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The Double Disappointment

Dance: II: Dance-Cooke

Event Comment: MMrs Cibber Play'd (Cross). The Letter sign'd E. L. written in the Name of several Persons of Distinction, is receiv'd; and the Play of King Lear will be acted there, as soon as Mr Garrick is able to perform so long a Character (note "From the Theatre Royal Drury Lane" inserted in the General Advertiser). Receipts: #160 (Cross); #156 17s. 6d. (Powel)

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Afterpiece Title: The Double Disappointment (Cross)

Event Comment: PPrince &c. (Cross). Lost on Wednesday Night the 21st Instant at Drury Lane Playhouse. A Steel and Gold Sword, with a Silver Gripe, the maker's name Fleaureau. Whoever has taken it up, and will bring it to Mr Fleaureau, Swordcutler in the Haymarket, shall have a Guinea and a half reward, and no Questions asked. N. B.: No greater reward will be offered (General Advertiser). Receipts: #190 (Cross); #176 5s. (Powel)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Virgin Unmask'd

Dance: DDance-Cooke

Event Comment: KKing & P. (Cross). By His Majesty's Command. ["Mr Garrick's Conduct as Manager &c." publish'd at 6d. (query: 2nd edition?).] Receipts: #193 (Cross); #165 16s. 6d. (Powel)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Miss in Her Teens

Event Comment: Not acted in 7 years, alter'd from Shakespear by Mr Dryden. [See 15 May 1741.] Receipts: #160 (Cross); #156 18s. 6d. (Powel)

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Event Comment: CCross: Mr Garrick first play'd Jaffier very fine-G: Applause. Genest, IV, 237: Barry's figure was pleasing and commanding in Pierre beyond description; but in a critical view he was not suited to the character. Receipts: #195 (Cross); #190 11s. 6d. (Powel)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lying Valet

Event Comment: Cross: Mr Garrick taken ill, wch prevented ye Foundling being done as design'd. Receipts: #50 (Cross); #62 4s. (Powel)

Performances

Mainpiece Title: As You Like It

Cast
Role: Charles Actor: I. Sparks

Afterpiece Title: The Virgin Unmask'd

Dance: I: Tambourine-Anne Auretti; III: Savoyards, as17471215; V: Dutch Dance, as17471128

Event Comment: Benefit for Cooke. Part of Pit laid into Boxes. Stage form'd into front and side Boxes. Tickets and Places to be had of Cooke at Mr Clark's, an Upholsterer, in James Street, Covent Garden; and of Hobson at the Stage Door. Receipts: #200 (Cross); house charges, #60 (Powel); cash, #55 17s.; tickets,124 3s. (Clay MS)

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Lying Valet

Dance: I: Polish Dance, as17471109; III: Dutch Dance, as17471128; IV: Pastoral Dance-Cooke, Janeton Auretti; V: A Ball Dance, call'd The Louvre-; concluding with: a Minuet-Cooke, Anne Auretti

Event Comment: Benefit for Yates. Stage form'd into Front and Side Boxes. Tickets to be had of Yates next door to Mr Walsh's in Catherine St., Strand. Last time of acting the mainpiece this season. Jack Laguerre dy'd (Cross). Receipts #160 (Cross); house charges, #60 (Powel); cash, #72 19s.; tickets, #66 19s. (Clay MS)

Performances

Mainpiece Title: The Stratagem

Cast
Role: Sir Charles Freeman Actor: Blakes

Afterpiece Title: A Will and No Will

Song: II: Mrs Mozeen

Dance: III: Savoyards, as17471215; IV: Dance-Cooke, Janeton Auretti

Event Comment: Benefit for Mrs Elmy. Tickets and Places of Mrs Elmy at the corner of Tavistock St. next Southampton St., Covent Garden; and of Hobson at the stage door. Being the last time of acting till the Holidays. Cash, #92 12s.; tickets, #56 8s.; total, #149 (Clay MS page reproduced in Oct. 1926 issue of Connoisseur, p. 93). A few days ago arriv'd in Town Mr Sheridan, Manager of the Theatre Royal in Dublin, and we hear as his stay is to be but short, he intends to perform only once, for the benefit of the poor sufferers by the late Fire (General Advertiser). [The fire happened the 25th in "Exchange alley (London) and in the space of 10 hours consumed a great number of houses occupied by persons in middling circumstances and with large families." Subscriptions were raised and distributed by a committee of ten bankers. See General Advertiser.] Receipts: #160 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Intriguing Chambermaid

Dance: Cooke, Anne and Janeton Auretti

Event Comment: Benefit for Lee and Matthews. Tickets and places to be had of Lee at Mr Oliphant's Exeter St., and of Matthews, at the Golden Ball in Duke's, late Earl's Court, Drury Lane. Receipts: #150 (Cross); house charges, #63 (Powel); cash, #77 2s.; tickets, #82 7s. (Clay MS)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The School Boy

Dance: I: Tambourine-Anne Auretti; II: New Dance-Matthews, Mrs Addison; III: Dutch Dance, as17471128; IV: Savoyards, as17471215; V: Hornpipe (By Desire)-Matthews

Event Comment: [Benefit for Berry and Mrs Green. Stage form'd into Front and Side Boxes. Tickets of Hobson at stage door; or Berry at his lodgings in Little Bridges St., Covent Garden; and Mrs Green at her Lodgings at the Green Canister in Great Shier Lane, Carey St., Lincolns Inn. [This day one B. B. (presumably Macklin) inserted a letter to the author of the General Advertiser in that paper framing the historical background for the Lover's Melancholy, to be performed as benefit for his wife on 22 April. It gave a short account of the author (John Ford), his works in general, and of that dramatic piece in particular, and sought to align Ford as an intimate and profess'd admirer of Shakespeare. See comment for 23 April]. Receipts: #207 (Cross); house charges, #63 N.B.: Mr Berry paid, but at the rate o 60 pounds for his benefit, therefore I must make a draw back of #1 10s. for his half (Powel); cash, #88 9s. tickets, #118 12s. (Clay MS)

Performances

Mainpiece Title: The Suspicious Husband

Related Works
Related Work: The Suspicious Husband Criticized; or, The Plague of Envy Author(s): Charles Macklin

Afterpiece Title: [The Virgin Unmask'd

Dance: [II: Savoyards, as17471215; V: Gondoliers-Cooke

Event Comment: Benefit for Arne. Mainpiece: By Desire. Afterpiece: A Grand Musical Masque, written by Congreve, set to music by Arne. By Particular Desire. Tickets to be had of Arne at Mr West's, a Frame Maker in Duke St., near Lincoln's Inn Fields. Receipts: #140 (Cross); house charges, #63 (Powel); cash, #80 4s. 6d.; tickets, #75 10s. (Clay MS)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Judgment of Paris

Dance: Cooke, Janeton Auretti

Event Comment: Play By Particular Desire. Last time of acting the Mainpiece this season. The Play of the Lover's Melancholy, and the Farce of the Club of Fortune Hunters, which were to have been acted this evening, for the Benefit of Mrs Macklin, are deferr'd till Thursday the 28th, on account of the Indisposition of Mr Barry; when tickets deliver'd out for the 22nd instant will be taken. Tomorrow, King Lear for the benefit of the suffers by the late fire. Receipts: #28 (Cross); #24 16s. 6d. (Powel)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: A Will and No Will

Dance: II: The Savoyards, as17471215; V: Dutch Dance, as17471128

Event Comment: Benefit for myself and Wife (Cross). As my business at the theatre requires a constant attendance I beg the favour of those Ladies and Gentlemen, who intend to honour me with their company at my Benefit, to send for tickets to my Lodgings, opposite the Rose Tavern in Russel St., Covent Garden; or to Mr Hobson at the Stage door, where places for the Boxes may be taken. Last time of performing the Mainpiece this season. Receipts: #107 (Cross); house charges, #60 (Powel); cash, #59 17s. 1d.; tickets, #47 1s. (Clay MS)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Dragon of Wantly

Dance: II: Pastoral Dance, as17480326 III: Savoyards, as17471215; V: By Desire Les Characters de la Dance-Anne Auretti

Event Comment: Benefit for Mr Hobson. Receipts: #200 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Lying Valet

Dance: III: Comic Dance, as17480506; V: Pastoral Dance, as17480326

Event Comment: TThe Fair Penitent is deferr'd, on account of Mr Barry's Indisposition, till tomorrow. Receipts: #110 (Cross); #95 (Powel)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Miss in Her Teens

Dance: As17481019

Music: As17481019