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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Charles Davenant"/1) | (@(roleclean,performerclean) "Mr Charles Davenant")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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10311 results for: Keyword - Mr Charles Davenant
We found 4485 matches on Event Comments, 4128 matches on Author, 2248 matches on Performance Comments, 607 matches on Performance Title, and 0 matches on Roles/Actors.

5176
08 December 1762 @ Covent Garden

Event Comment: Mainpiece: Never acted before, a New Dramatic Opera [Bickerstaffe] the Music by Handel, Boyce, Arne, Howard, Baildon, Festing, Geminiani, Galluppi, Giardini, Paradies, Agus, Abos; with a New Overture composed by Mr Abel. Full Prices. Books of the Opera sold at theatre. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 22-36: Compares Bickerstaff's opera at length with Charles Johnson's Village Opera.

Performances

Mainpiece Title: Love In A Village

Dance: II: The Jealous Woodcutter, as17621023

5177
17 September 1763 @ Drury Lane Theatre

Event Comment: MMrs Love play'd Mrs Peachum very bad. Her fit seem'd a very Aukward Imitation of Mrs Pritchard in the Jealous Wife (Hopkins). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money received at the Stage Door. None returned after the curtain is up. Play to begin exactly at 6 o'clock. Places may be had of Mr Johnston at the Stage Door. Vivat Rex et Regina. [Customary notice, which will not be repeated here, Sept. 15 David Garrick & his Lady set out for Italy from his house in Southampton St. Covent Garden (Winston MS 9). Winston also refers to a Sept. 9 Letter from T. Davies, cg, to the poet Charles Churchill begging he would not introduce so unimportant a person as himself in his Smithfield Rosciad.] Receipts: #248 9s. (Cross Diary)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Miss in Her Teens

5178
23 May 1764 @ Covent Garden

Event Comment: Benefit for Condell, box-keeper, and Charles Sarjant, book and house-keeper. Mr Ross having, by a fall from his horse, hurt himself so much as to be incapable of performing, the Play is oblig'd to be chang'd; and the Tickets deliver'd out for King Lear will be taken this night

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Apprentice

Dance: III: A Hornpipe-Miss Pitt; End: Venus Reveng'd, as17631222

5179
26 April 1765 @ Drury Lane Theatre

Event Comment: Benefit for Lee and Miss Slack. Comedy never performed, Alteration of Wycherley's play into two acts by Lee (Genest, V, 69). Tickets and places to be had of Lee at LaGrange's Medicinal Warehouse, in New St., Covent Garden; of Miss Slack, at Mr Bates', Charles St., Covent Garden; and at Stage door

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Country Wife

Dance: End: New Tambourine, as17640929

5180
31 July 1789 @ Haymarket Theatre

Event Comment: Benefit for Mr and Mrs Iliff. Afterpiece: Not acted these 10 years [not acted since 30 July 1778]. Diary, 28 July: Tickets to be had of Iliff, No. 20, Charles-street, Westminster

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Portrait

Entertainment: Imitations End: Theatrical Imitations Serious, Comic, Vocal, and Rhetorical,-Rees; Duologue End afterpiece: Hobby@Horses Describing the Statesman's Hobby, the Ladies' Hobby, the Lawyer's Hobby, the Physician's Hobby, the Manager's Hobby, and R. Palmer's own Hobby,-R. Palmer, Iliff

5181
02 June 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

5182
16 May 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

5183
27 May 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

5184
24 October 1768 @ Covent Garden

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

5185
11 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Related Works
Related Work: The Roman Bride's Revenge Author(s): Charles Gildon
Related Work: The Wives Revenged Author(s): Charles Dibdin

Afterpiece Title: Taste

5186
June 1697 @ Dorset Garden Theatre

Performances

Mainpiece Title: The World In The Moon

5187
18 April 1707 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; viz. A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester

5188
03 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

5189
20 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn

5190
25 September 1744 @ Haymarket Theatre

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Foppington-Cibber; Morelove-Charles; Sir Charles-Mills, first on this stage in twelve years; Lady Betty-Mrs Mills, never here before; Lady Easy-Mrs Bailey, from Dublin; Lady Graveairs-Mrs George; Edging-Mrs Chetwood; prologue-Mrs Mills.
Cast
Role: Morelove Actor: Charles
Role: Sir Charles Actor: Mills, first on this stage in twelve years

Music:

5191
20 August 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Lord Russel

Performance Comment: Characters are as follows: King Charles II, James Duke of York, Earl of Bedford, Lord Russel, Algernon Sidney, Lord Howard, Sir George Jefferies, Father Peters, Hubert, Lieutenant of the Tower; Lady Russel. Which are kindly undertaken to be represented by Ladies and Gentlemen, who never performed on any Stage. [Cast from text (no pub. [c. 1794]): King Charles II-Capt. Harriett (of the Navy); James Duke of York-Hyanson (a Yorkshire Attorney, Brother to Mrs McNally); Earl of Bedford-Laurence [sic] (Father to the celebrated Painter); Lord Russel-Horne (of the Temple); Algernon Sidney-another Laurence (not the Painter); Lord Howard of Eserick-Supple; Sir George Jefferies-A Young Lawyer of the Temple; Father Peters-Major Sykes; Hubert, Preceptor to Lord Russel-Henry Lucas, Esq. (Son of the late celebrated Dr Lucas) (who also wrote and spoke the Prologue); Kirk, Lieutenant of the Tower-Elliot; Lady Russel-Mrs Batiere (who also wrote and spoke the Epilogue).] Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug . Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug .
Cast
Role: : King Charles II Actor: Capt. Harriett

5192
28 December 1793 @ Covent Garden

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: As17930927, but Boniface-Powel; Sullen-Davies; omitted: Sir Charles Freeman . omitted: Sir Charles Freeman .
Cast
Role: Sir Charles Freeman Actor: Evatt

Afterpiece Title: HARLEQUIN AND FAUSTUS

5193
07 April 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Lilt, as17630922

5194
27 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

5195
08 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

5196
08 October 1660 @ The Cockpit in Drury Lane

Event Comment: Possibly on this day, Davenant and Killigrew, with a united company, began acting at this theatre. In L. C. 5@137, p. 332 (6 Oct. 1660) is a list of His Majesty's Comedians: Burt, Hart, Mohun, Robert Shatterell, Lacy, Wintershell, Clunne, Cartwright, Edward Shatterell, Baxter, Loveday, Kynaston, Betterton. (See Nicoll, Restoration Drama, p. 294; Hotson, Commonwealth and Restoration Stage, p. 204.) Hotson, p. 205, states that the company acted daily from 8 to 16 Oct. 1660

Performances

5197
05 November 1660 @ The Red Bull Theatre

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

5198
15 November 1660 @ Salisbury Court

Event Comment: Possibly Davenant opened Salisbury Court on this date, but no certain evidence exists. (See Spencer, Shakespeare Improved, pp. 37-39; Nicoll, Restoration Drama, p. 300.)

Performances

5199
March 1663 @ no theater listed

Event Comment: In the Prologue to The Cheats (mid-March 1663) are allusions to three plays which apparently were popular on the stage at this time: Jonson's The Silent Woman ("Sir Poll"); Jonson's The Devil is an Ass ("No little Pugge, nor Devil"); and Davenant's The Siege of Rhodes ("No tedious Sieges in the Musick-room")

Performances

5200
May 1663 @ no theater listed

Event Comment: It is possible that Katherine Phillips' Pompey, which was given in Dublin in February 1662@3, may have been presented in London in the late spring of 1663. Sir William Davenant's The Playhouse To Be Let, which apparently appeared in London in the late summer of 1663, has in Act V some elements of travesty upon Pompey. It is unlikely that its appearances in Dublin would make satire upon it have much point to London audiences without a performance in London; the spring of 1663 would be the most likely time for a presentation in London

Performances