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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Charles Deering"/1) | (@(roleclean,performerclean) "Mr Charles Deering")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8859 results for: Keyword - Mr Charles? Deering?
We found 4461 matches on Event Comments, 2431 matches on Author, 2235 matches on Performance Comments, 607 matches on Performance Title, and 0 matches on Roles/Actors.

526
15 February 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Runaway

Performance Comment: Parts by: Smith, Bensley, Palmer, Parsons, Aickin, Brereton, Bannister, Fawcett, Carpenter, Everard, Kear, Cubitt, Garland, Yates, Mrs Hopkins, Mrs Wrighten, Mrs Siddons, Miss P. Hopkins, Miss Younge. Hargrave-Smith; Drummond-Bensley; Jarvis-Palmer; Justice-Parsons; Morley-Aickin; Sir Charles Seymour-Brereton; First Hunter-Bannister; Hargrave-Yates; Gentlemen Hunters, Servants-Fawcett, Everard, Carpenter, Kear, Cubitt, Garland; Lady Dinah-Mrs Hopkins; Susan-Mrs Wrighten; Emily-Mrs Siddons; Harriet-Miss P. Hopkins; Bella-Miss Younge; Prologue-Brereton; Epilogue-Miss Younge (Genest, V, 489).
Cast
Role: Sir Charles Seymour Actor: Brereton

Afterpiece Title: May Day

527
07 October 1776 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Marriage a la Mode [i

Performance Comment: e. Three Weeks after Marriage]; or, What we must all come to. Sir Charles Racket-West; Drugget-Lewis; Lovelace-Smith; Woodley-Johnson; Mrs Drugget-Mrs Ross; Nancy-Miss Taylor; Dimity-Mrs Wilks; Lady Racket-Mrs West (1st appearance in that character).
Cast
Role: Sir Charles Racket Actor: West
Related Works
Related Work: Marriage a-la-Mode Author(s): Charles Boden

Song: II: the grand chorus, See the conquering Hero comes-; Between Acts: Singing, as17760925

Entertainment: Monologue.The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell

528
21 April 1780 @ Covent Garden

Performances

Mainpiece Title: A Gazette Extraordinary; Or, The Illumination

Afterpiece Title: The Pilgrim

Afterpiece Title: The Elders

Performance Comment: Principal Characters-Wilson, Whitfield, Thompson, Fearon, Wewitzer, Quick, Mrs Morton, Mrs Wilson; [Cast suggested by Genest (VI, 149): Sir Valentine Sedgmore-Wilson; Charles Manley-Whitfield; Humphrey Sedgmore-Wewitzer; Miss Louisa Balmer-Mrs Morton; Kitty-Mrs Wilson; unassigned-Thompson, Fearon, Quick; Prologue-Wilson. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Cast
Role: Charles Manley Actor: Whitfield

Dance: IV: The Bedlamites-

529
29 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Performance Comment: Young Marlow-Marriot; Hardcastle-Sidney; Hastings-Russel; Sir Charles Marlow-Young; Diggory-Wilson; Stingo-Sterne; Tony Lumpkin (with songs)-Simpson; Mrs Hardcastle-Mrs Fowler; Miss Neville-Mrs Simpson; Maid-Miss Fowler; Miss Hardcastle-Mrs Sterne.
Cast
Role: Sir Charles Marlow Actor: Young

Afterpiece Title: Bon Ton; or, High Life above Stairs

Entertainment: Monologue. Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot

530
28 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Sir John Cockle, At Court

Afterpiece Title: The Village Lawyer

Performance Comment: [Principal Characters by Edwin, Bannister Jun., Moss, Lawrence, Parsons, Mrs Brown, Miss Francis, Mrs Webb. Cast adjusted from text (no pub. [pirated], 1795, and London Chronicle, 29 Aug.: Sheepface-Edwin; Scout-Bannister Jun.; Justice Mittimus-Moss; Charles-Lawrence; Snarl-Parsons; Kate-Mrs Brown; Mrs Scout-Mrs Webb; unassigned-Miss Francis.
Cast
Role: Charles Actor: Lawrence

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

531
17 September 1788 @ Covent Garden

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-Lewis; Stockwell-Aickin; Major O'Flaherty-Duncan (1st appearance on this stage); Captain Dudley-Hull; Charles-Farren; Fulmer-Thompson; Stukely-Gardner; Varland-Quick; Louisa-Miss Tweedale; Lady Rusport-Mrs Webb; Lucy-Miss Stuart; Mrs Fulmer-Mrs Davenett; Charlotte Rusport-Mrs Duncan (1st appearance on this stage).
Cast
Role: Charles Actor: Farren

Afterpiece Title: Midas

532
07 March 1791 @ Haymarket Theatre

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lee Lewes; Sir Francis Gripe-Wewitzer; Sir Jealous Traffic-Frost; Whisper-Gull; Charles-Everard; Sir George Airy-Fennell; Patch-Mrs Lee Lewes; Isabinda-Mrs Day; Miranda-Miss Atherton (1st appearance on any stage).
Cast
Role: Charles Actor: Everard

Afterpiece Title: The Advertisement; or, A New Way to Get a Husband

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes

533
29 April 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Performance Comment: As17901027, but Orlando-Barrymore; Touchstone-Bannister Jun.; Corin-Waldron; Sylvius-Bland; William-Burton; Charles-Phillimore.
Cast
Role: Charles Actor: Phillimore.

Afterpiece Title: The Citizen

Dance: End I: The Russian Minuet-Master D'Egville, Miss DeCamp

Song: As17901027

534
27 September 1791 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The School for Scandal

Performance Comment: Sir Peter Teazle-King; Joseph Surface-Palmer; Charles Surface-Kemble; Sir Oliver Surface-Aickin; Snake-Phillimore; Rowley-Packer; Moses-Baddeley; Careless-Barrymore; Trip-R. Palmer; Sir Benjamin Backbite-Dodd; Crabtree-Parsons; Lady Teazle-Miss Farren; Lady Sneerwell-Mrs Ward; Mrs Candour-Miss Pope; Maria-Mrs Kemble.
Cast
Role: Charles Surface Actor: Kemble

Afterpiece Title: No Song No Supper

Song: III 2nd piece: a song-Sedgwick

535
24 March 1794 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-Kent; Sir Oliver Surface-A Gentleman from London; Joseph Surface-A Gentleman from London; Crabtree-Morphew; Sir Benjamin Backbite-Baker; Rowley-Cooper; Moses-Parsons; Careless (with a song)-Johnson; Charles-Skerrett//Lady Teazle-Mrs Parsons; Maria-Miss Kent; Lady Sneerwell-Mrs Smith; Maid-Miss Connard; Mrs Candour-Mrs Johnson .
Cast
Role: Charles Actor: SkerrettLady Teazle-Mrs Parsons

Afterpiece Title: WHO'S THE DUPE

536
14 February 1798 @ Covent Garden

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Performance Comment: As17980213, but Charles-Claremont; British Officer-_; from Pageant: Edward and Eleanora, Henry V. from Pageant: Edward and Eleanora, Henry V.
Cast
Role: Charles Actor: Claremont

Music: In afterpiece: The Harp-Weippert

537
31 March 1798 @ Covent Garden

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-Munden; Sir Oliver Surface-Murray; Sir Benjamin Backbite-Knight; Joseph Surface-Pope; Charles Surface-Lewis; Crabtree-Quick; Careless-Clarke; Rowley-Davenport; Moses-Fawcett; Trip-Farley; Snake-Powel; Mrs Candour-Mrs Mattocks; Lady Sneerwell-Miss Chapman; Maria-Miss Mansel; Lady Teazle-Mrs Abington.
Cast
Role: Charles Surface Actor: Lewis

Afterpiece Title: The Raft; or, Both Sides of the Water

Afterpiece Title: Lovers' Quarrels

Song: In III 1st piece: a song-Incledon

538
08 December 1680 @ Dorset Garden Theatre

Event Comment: The Duke's Company. That this date is the premiere is conjectured from the order, dated 11 Dec. 1680, forbidding further acting of this play. See L. C. 5@144, p. 28, in Nicoll, Restoration Drama, p.1 on: Whereas I am informed that there is Acted by you a Play called Lucius Junius Brutus..wherein are very Scandalous Expressions & Reflections upon ye Government these are to require you Not to Act ye said Play again. In the Preface to Charles Gildon's The Patriot (1703) it is stated that Lee's play was banned after the third day's Acting, by the Lord Chamberlain Arlington as an anti-monarchical play." As the order is dated 11 Dec. 1680, the drama was probably presented on 8, 9, and 10 Dec. 1680.

Performances

Mainpiece Title: Lucius Junius Brutus, Father Of His Country

Related Works
Related Work: The Patriot, or The Italian Conspiracy Author(s): Charles Gildon

539
January 1681 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first performance is not known. An entry in L. C. 5@145, p. 120 (see also Nicoll, Restoration Drama, p. 349) lists a performance for 4 April, once thought to be 4 April 1680; but as this date falls on Sunday, it more likely represents a revival on 4 April 1681. As the Epilogue appears to appeal to Parliament (which existed from 15 Oct. 1680 to 18 Jan. 1680@1) to vote funds for King Charles, "Our King of Poets," it seems likely that the play was first performed before the close of Parliament. The play was not entered in the Term Catalogues until June 1681. A song, Phyllis whose heart was unconfined, set by Thomas? Farmer; and another, A pox upon this cursed life, set by Captain Pack, are in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Second Part Of The Rover

540
08 October 1735 @ Goodman's Fields

Event Comment: At the particular Desire of several Eminent Merchants and Citizens. Afterpiece: Written by Mr Carey. London Daily Post and General Advertiser, 9 Oct.: Yesterday, between One and Two o'Clock, died of a Haemorrage . . . Mr Charles Hulett, belonging to [GF], whose natural Qualifications to the Stage, had he the Application of many of less Merit, would have render'd him one of the most considerable Performers now alive

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Honest Yorkshireman

Dance: As17351006

541
31 December 1782 @ Covent Garden

Event Comment: Mainpiece: Not acted these 5 years [not acted since 26 Dec. 1776. Mrs Robinson, who was from the Portsmouth theatre, is identified by MS annotation on Kemble playbill]. Afterpiece [1st time; CO 2, by Frances Brooke, based on Les Moissonneurs, by Charles Simon Favart]: The new Music and overture composed, and the Selected Airs compiled [from Paxton and Sacchini], by Shield. Books of the Songs to be had at the Theatre. Account-Book, 30 June 1784: Paid Shield for composing Rosina #100. Receipts: #158 18s. 6d. (154/5/6; 4/13/0)

Performances

Mainpiece Title: King Henry The Second; Or, The Fall Of Rosamond

Afterpiece Title: Rosina

Dance: End of mainpiece new Dance, composed by Harris, Damon and Musidora, by Harris, Miss Besford, and others

542
23 May 1783 @ Covent Garden

Event Comment: Benefit for [W.] Bates and Mahon. Afterpiece: With an exact Representation of the Irish Giant [who had recently been exhibited in London: Charles Byrne, 1761-83], and a Leap through a Cask on Fire. Receipts: #132 5s. Receipts: #132 5s. (none listed; tickets: 132/5) (charge: #105)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Royal Chace

Song: End of Act iv of mainpiece Tally Ho!, as17830516

543
07 December 1666 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where two acts were almost done when I come in; and there I sat with my cloak about my face, and saw the remainder of The Mayd's Tragedy; a good play, and well acted, especially by the younger Marshall, who is become a pretty good actor, and is the first play I have seen in either of the houses since before the great plague, they having acted now about fourteen days publickly. But I was in Mighty pain lest I should be seen by any body to be at a play. Elegy on that Worthy and Famous Actor, Mr Charles Hart, who departed this Life Thursday August the 18th., 1683: @Such Pow'r He had o'r the Spectators gain'd,@As forc'd a Real passion from a Feign'd.@For when they saw Amintor bleed, straight all@The House, for every Drop, a Tear let fall;@And when Arbaces wept by sympathy,@A glowing Tide of Wo gush'd from each Eye.@ [Reprinted in Thorn-Drury, A Little Ark, pp. 47ff; Sprague, Beaumont and Fletcher, p.38.

Performances

Mainpiece Title: The Maid's Tragedy

544
30 April 1674 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performance Comment: Edition of 1674: Prologue-; Second Prologue-; Epilogue-; Second Epilogue-; According to L. C. 5@15, p. 3 (16 May 1674; see Nicoll, Restoration Drama, p. 356) Charles? Hart and Robert? Turner sang in The Tempest. Trinculo-Underhill?.

545
01 May 1704 @ May Fair

Performances

Mainpiece Title: Entertainments

Performance Comment: By a compleat Company of near 20 of the best Rope/Dancers, Vaulters, Tumblers in Europe, who are all excellent in their several Performances, and do such wonderful and surprizing things as the whole World cannot parallel; where , who gave that extraordinary satisfaction before Charles III, King of Spain on Board the Royal Katherine, performs several new Entertainments-Finley; and where the Lady Mary, likewise shews such Additions to her former admirable perfections, as render her the wonder of the whole World. and where the Lady Mary, likewise shews such Additions to her former admirable perfections, as render her the wonder of the whole World.

546
28 January 1731 @ Drury Lane Theatre

Event Comment: UUniversal Spectator, 6 Feb.: Dy'd, after a lingering Illness in the 38th Year of his Age, Mr Charles? Williams, a celebrated Tragedian belonging to...Drury-Lane

Performances

Mainpiece Title: The Lover

Afterpiece Title: Cephalus and Procris

547
11 February 1736 @ Mercer's Hall

Performances

Mainpiece Title: Concert

Music: Vocals by Miss Cecilia Young, Miss Isabella Young, Miss Esther Young. First Violin by Festing. Concerto on French Horn by Charles. Solo on German Flute by Balicourt. Handel's Water Piece. Preamble on Kettle Drums by Benjamin Baker

Performance Comment: First Violin by Festing. Concerto on French Horn by Charles. Solo on German Flute by Balicourt. Handel's Water Piece. Preamble on Kettle Drums by Benjamin Baker .

548
17 January 1740 @ Covent Garden

Event Comment: Benefit Mr Charles Jones

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: TTambourine, as17400115; Miller and His Wife, as17400115; End Afterpiece: Comic Ballet-Villeneuve, Miss Oates

549
13 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Performance Comment: As17750926, but Rosalind-Mrs King; first appearance there. LeBeau-_; Charles-_; Jaques de Bois-_; Corin-_; William-_.

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Harlequin's Jacket

Dance: I: The Irish Fair, as17751003

550
13 January 1800 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Pope as Charles Stanley, but "The part of Charles Stanley this night devolved upon Claremont. It were to be wised that this gentleman would suffer the austerity of his features to relax, when he acts the lover. A continual frown ill accords with the soft workings of the tender passion" (Dramatic Censor, I, 78).] Receipts: #207 15s. (197.5; 10.10)

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: As17991017, but Charles Stanley-Claremont.
Cast
Role: Charles Stanley Actor: Claremont.

Afterpiece Title: The Volcano