SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Ch M Rich"/1) | (@(roleclean,performerclean) "Mr Ch M Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4562 matches on Event Comments, 1194 matches on Performance Comments, 676 matches on Author, 561 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: According to Sir Edward Smith's bill--see Hotson, Commonwealth and Restoration Stage, p. 308--Rich's Company acted 161 days from 6 Oct. 1697 to 19 May 1698, 41 days from that date to 10 July 1698, and the young actors played 24 days from 10 July 1698 to 10 Oct. 1698

Performances

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's Company acted 209 times from 9 Oct. 1698 to 9 July 1699, after which the young actors performed 27 times from 9 July 1699 to 10 Oct. 1699

Performances

Event Comment: According to the Flying Post, 18-20 Oct. 1698: On Tuesday October 18, 1698, the Penny Lottery began at the Theatre Royal in Dorset Garden with the first draw. [On 28 Sept. 1698 James Brydges, Diary reported that he had gone into dg to see the "engine" for the lottery.] The Post Boy, 18-20 Oct. 1698: There is now Acting at the Theatre Royal in Dorset Garden a Tragy-Comedy called The Wheel of Fortune, or The Fools Expectation. And 'tis thought the Author will have a good Sixth Day. According to the Post Boy, 20-22 Oct. 1698: On Monday next will be publish'd, a Comical and Satirical Prologue and Epilogue, intended to be spoken at the Acting of the new Invented Farce, call'd, the Wheel of Fortune, or the Fools Expectation. [The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 305-10.] It seems probable that the lottery was dignified, for satiric purposes, by being given the title of a play, with a satirical Prologue and Epilogue. Post Man, 20-22 Oct. 1698: The Entertainment performed at the Theatre Royal in Dorset Garden, at drawing the Lottery, called the Wheel of Fortune; being the Speeches addrest to the Spectators, as Prologues and Epilogues. During a Symphony of Musick the Curtain rises slowly, and discovers two wheels upon the Stage; then two Figures, representing Fortunev and Astraea the Goddess of Justicev, descend over each Wheel, in two rich Chariots gilt with Gold

Performances

Mainpiece Title: Entertainments

Event Comment: James Brydges, Diary: About 5 my Coz: Roberts & I went to ye Playhouse in Covent Garden, but not liking ye play, wee went to that in Lincolns inn fields, & staid till 'twas done. I saw Ld Normanby, Ld Willouby, Sir Rich. Samford &c. here (Huntington MS St 26)

Performances

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's company acted 218 times between 6 Oct. 1699 and 26 July 1700, and the young actors played 15 times from 26 July 1700 to 12 Oct. 1700

Performances

Event Comment: London Post, 4-6 Dec. 1699: At the Request of several Persons of Quality, on Thursday next, being the 7th Inst. at the Theatre in Dorset Garden, the Famous Kentishmen, Wm. and Rich. Joy, design to show to the Town before they leave it, the same Tryals of Strength both of them, that Wm. had the Honour of showing before His Majesty, and their Royal Highnesses, with several other Persons of Quality; for which, he receiv'd a considerable Gratuity....Beginning exactly at 2, and Ending at 4. The Boxes 4s. the Pit 2s. 6d. 1st Gallery 2s. Upper Gall. 1s

Performances

Mainpiece Title: Entertainments

Event Comment: [By Richard Steele. Date of premiere unknown. Published 20 Dec.] Colley Cibber: I remember [Rich] once paid us nine Days in one Week: This happen'd when the Funeral...was first acted, with more than expected Success.-Apology, I, 263

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Related Works
Related Work: The Funeral, or, Grief a la Mode Author(s): Richard Steele
Event Comment: At the Desire of several Persons of Quality. Newly Corrected. Katherine Tofts, in Daily Courant, 8 Feb.: I was very much surpriz'd when I was inform'd that Ann Barwick, who was lately my Servant, had committed a Rudeness last Night [5 Feb.] at the Playhouse, by throwing of Oranges, and hissing when Mrs l'Epine, the Italian Gentlewoman Sung. I hope no one can think that it was in the least with my Privity, as I assure you it was not. [The statement, addressed to Christopher Rich, was dated 6 Feb.

Performances

Mainpiece Title: The Chances

Dance: As17040124

Song: As17040129

Performances

Mainpiece Title: The Basset Table

Performance Comment: Edition of 1706 lists: Lord Worthy-Mills; Sir James Courtly-Wilks; Lovely-Biggerstaff; Sir Rich. Plainman-Bullock; Captain Hearty-Estcourt; Sago-Johnson; Buckle-Penkethman; Lady Reveller-Mrs Oldfield; Lady Lucy-Mrs Rogers; Valeria-Mrs Mountford; Mrs Sago-Mrs Cross; Alpiew-Mrs Lucas; Prologue-Penkethman; Epilogue-Estcourt.
Event Comment: Benefit the Author. [In the Preface to the 1709 edition D'Urfey thanks Rich for allowing him to be the first to raise the admission prices for his benefit.

Performances

Mainpiece Title: The Modern Prophets

Song: With a New Song by the Author, on the ensuing Campaign, for the Entertainment of his Friends-

Event Comment: [Opening night, under the management of John Rich.] By the Company of Comedians under Letters Patents granted by King Charles the Second. Beginning exactly at Six. No Persons are to be admitted behind the Scenes, nor any Money to be return'd after the Curtain is drawn up. Receipts: #143. Weekly Packet, 18 Dec.: This Day the New Play-House...is to be open'd...by the Company that act under the Patent; tho' it is said, that some of the Gentlemen who have left the Theatre in Drury-Lane for that Service, are order'd to return to their Colours, upon Pain of not exercising their Lungs anywhere; which may in Time prove of ill Service to the Patentee; that has been at vast Expence to make his Theatre as convenient for the Reception of an Audience as any one can possibly be

Performances

Mainpiece Title: The Recruiting Officer

Event Comment: Benefit Henry Rich, Pit Officekeeper. At the Desire of several Ladies of Quality. Tickets for the New Medley will be taken. Receipts: #124 1s. 6d

Performances

Mainpiece Title: The Jew Of Venice

Afterpiece Title: The City Ramble

Dance: delaGarde, Mrs Bullock; Scaramouch-a Gentleman for his Diversion

Event Comment: At the Desire of several Ladies of Quality. [Rich's Register lists Lady Jane Gray.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The What D'ye Call It

Event Comment: Benefit John and Chr. Rich. At 6 p.m. Notice concerning scenes and machines essentially as 3 Dec. 1715. Receipts: money #35 10s. and tickets #45 16s

Performances

Mainpiece Title: The Fatal Vision

Event Comment: Benefit Henry Rich, Pit Officekeeper. At the Desire of several Persons of Quality. Receipts: money #24 14s. and tickets #55 13s

Performances

Mainpiece Title: The Plain Dealer

Dance:

Event Comment: In Daily Courant, 9 Feb., The Rehearsal is announced, but Rich's Register has it marked out and Othello superimposed

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: Benefit Henry Rich, Pit Officekeeper. Receipts: money #15 4s. 6d.; tickets #43 2s

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Dance: Moreau, Thurmond Jr, Mrs Schoolding, Miss Smith; particularly Moreau's last new dance-Moreau, Miss Schoolding

Event Comment: Benefit John Rich. Receipts. #71 9s. 6d

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Mars and Venus

Dance: Dupre, Moreau, Boval, Thurmond Jr, Tully, Cook Sr, Newhouse, Pelling, Cook Jr, Mrs Bullock, Mrs Schoolding, Mlle Gautier, Mlle Corail, Miss Smith, Miss Schoolding Jr; particularly Dupre's Harlequin-Dupre, Mlle Gautier; and a new French Peasant-Moreau, Mrs Bullock

Event Comment: Benefit Arlequin [Francisque, according to Rich's Register]

Performances

Mainpiece Title: Arlequin Esprit Folet

Afterpiece Title: Les Filles Errantes

Entertainment: Vaulting, Tumbling-

Event Comment: Macbeth with cast as 27 Nov. 1718 was advertised in the Daily Courant, but Rich's Register lists The Mourning Bride. On 14 Jan. The Mourning Bride is advertised with the heading: Acted but twice these Two Years, suggesting either that it was not given on 13 Jan. or that the bill, already made up, was not changed for the printer, an unlikely event

Performances

Mainpiece Title: Macbeth or The Mourning Bride

Event Comment: Not advertised in Daily Courant, but listed in Rich's Register

Performances

Mainpiece Title: The Distrest Mother

Event Comment: Benefit Knapp. Not Advertised in DC, but listed in Rich's Register

Performances

Mainpiece Title: The Devil Of A Wife; Or, A Comical Transformation

Performances

Mainpiece Title: The Quaker's Wedding

Afterpiece Title: The Cheats

Performance Comment: Harlequin-Lun [J. Rich]; Scaramouch-Duffield; Punch-Pelling.
Related Works
Related Work: The Cheats; or, The Tavern Bilkers Author(s): John Rich

Dance: As17200120; particularly Dutch Burger@Master and his Frow-

Event Comment: Benefit John Rich, Author of the Afterpiece. At the particular Desire of several Ladies of Quality. Receipts: money #113 6s. 6d.; tickets #10 8s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Magician

Related Works
Related Work: The Magician; or, Harlequin a Director Author(s): John Rich
Event Comment: Benefit John Rich. Receipts: #34 17s

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Afterpiece Title: The Magician

Related Works
Related Work: The Magician; or, Harlequin a Director Author(s): John Rich