SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr C Rich"/1) | (@(roleclean,performerclean) "Mr C Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5610 matches on Event Comments, 1943 matches on Performance Comments, 688 matches on Author, 666 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Ladies send servants by 5 to keep Places and prevent Confusion. Doors will be opened at half after five o'clock. To begin at half after 6 o'clock (playbill). Mr G. Voice and Spirits was never finer he never wanted Spirit or Voice thro' the whole part and Convinced the Audience that those Amazing powers he has always possess'd are now as brilliant as ever. Never was a part play'd with greater Propriety nor an Audience more lavish of their Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] [A full column letter for the Morning Chronicle this date from Theatricus to Garrick protested the fact that his announced benefit for the Theatrical Fund on the 30th of May would be all sold out to the highest bidders for tickets; that a nobleman offering ten Guineas for four box seats would get them in preference to the tradesmen who offered only a pound, the stated price of the tickets. Since charity was the cause this writer suggested that Garrick give a second benefit night to the Fund, with the hopes (1) that the Fund would be thereby vastly increased, and (2) that opportunity might be given for twice as many People to see a Garrick final performance. It was, perhaps, in response to this public request that Garrick gave a second Benefit night for the Fund on 10 June. The Morning Post, 29 May, noted: "The concourse of servants assembled yesterday morning at seven o'clock, at Drury Lane Stage Door, to take places for the approaching benefit, in which it is said Mr Garrick will again play Richard III , was astonishing, amounting to many hundreds, three fourths of which were not able to Succeed in their embassies' (Hampden, Journal).] Receipts: #307 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17751212, but Richard-Garrick, first time in 5 years; Catesby-Packer; King Henry-Reddish; Lady Anne-Mrs Siddons, first time; Prince Edward-Miss P. Hopkins.
Cast
Role: Richard Actor: Garrick, first time in 5 years
Role: Richard III Actor: Smith
Role: Richmond Actor: Palmer

Afterpiece Title: The Devil to Pay

Event Comment: House (Hopkins Diary). Last time of Garrick's performing Richard . Ladies desired to send their Servants a little after Five to keep places, to prevent Confuson. It is Vanity to endeavor to describe Mr G. Merits they beggar all Descripiton, suffice it to Say he was what he represented (Hopkins Diary). [MacMillan's note from Kemble conservatively toned down.] Paid Sg Como and Crispi in full #3 8s. 3d. Mr Hurd ditto 7s. 6d. Receipts: #284 10s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17760527, but Richmond-Lacy.
Cast
Role: Richmond Actor: Lacy.
Role: Richard Actor: Garrick, first time in 5 years
Role: Richard III Actor: Smith

Afterpiece Title: The Anatomist; or, The Sham Doctor

Event Comment: Paid Lampmen #3 18s.; Tailors #11 2s. 10d.; Mantua Makers #3 14s. 6d.; Carpenters #16 15s. 6d.; Printer [of playbills] #19 5s. 6d. The Hypocrite and Christmas Tale in three Acts was advertised for to-morrow. This Morning at Rehearsal Lacy came and told Sheridan that he could not be off from his Agreement with Mr Langford and Captain Thomson. Sheridan told him, if he did agree, that he would withdraw himself from the Management of the Theatre--accordingly at eight this Evening he sent me with a Letter to Lacy confirming what he told him, and ordered me to receive my orders from Mr L and that he withdrew the Christmas Tale, as he had altered, for a Farce, it was his Property. This put us all into confusion--Sent to Mrs Abington to know if she would play in the Hypocrite, as it was advertised--Her answer was, that she had made her Agreement with Sheridan only, and would play under no other Manager. About twelve at night we got Richard the third settled, and sent Bills accordingly (Hopkins Diary). [For further remarks concerning this situation see 15 Oct.] Receipts: #173 6s

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Braganza

Afterpiece Title: The Rival Candidates

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Cross Purposes

Dance: As17761015

Performances

Mainpiece Title: The Conscious Lovers

Related Works
Related Work: The Conscious Lovers Author(s): Richard Steele

Afterpiece Title: A ChristmasTale

Song: II: Mrs Scott

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Related Works
Related Work: The Funeral, or, Grief a la Mode Author(s): Richard Steele

Afterpiece Title: The Jubilee

Dance: As17770215

Performances

Mainpiece Title: The Provok'd Husband

Cast
Role: Squire Richard Actor: Burton

Afterpiece Title: The Milesian

Performance Comment: Principal Characters by Vernon, Dodd, Bannister, Aickin, Burton, R. Palmer, Everard, Moody, Miss Collett, Mrs Davies, Mrs Booth, Mrs Baddeley. [Cast from text (J. Wilkie, 1777), and London Chronicle, 21 Mar.: Belfield-Vernon; Charles Marlove-Dodd [in text: Lamash (see17770403)]; George Belfield-Bannister; Mr Belfield-Aickin; La Flure-Burton; Richard-R. Palmer; Waiter-Everard; Capt. Cornelius O'Gollagher-Moody; Melinda-Miss Collett; Patty-Mrs Davies [in text: Miss Platt (see17770403)]; Mrs Belfield-Mrs Booth; Caroline O'Gollagher-Mrs Baddeley.
Cast
Role: Richard Actor: R. Palmer

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Bon Ton

Dance: As17761128

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Country Wife

Dance: End: All in the Downs, as17770425

Song: As17770505

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: True-Blue

Afterpiece Title: Three Weeks after Marriage

Dance: End III: As17761123; In interlude: Langrish

Song: End I: a favourite air (composed by Dr Arne)-Mrs Farrell

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Deserter

Dance: End I: The Corn Thrashers, as17770419; End II: a Hornpipe-Master Staples (scholar of Blurton)

Ballet: End: The Wapping Landlady. Jack in Distress-Blurton; Wapping Landlady-Mr Griffiths; Orange Woman-Mrs Sutton

Performances

Mainpiece Title: The Minor

Performance Comment: Smirk, Mrs Cole-Foote; The Minor-Aickin; Shift-Bannister; Sir William Wealthy-Egan; Mr Richard Wealthy-Fearon; Loader-T. Davis; Transfer-Jackson; Dick-Stevens; Lucy-Mrs Jewell.
Cast
Role: Mr Richard Wealthy Actor: Fearon

Afterpiece Title: The Author

Dance: End: The Merry Lasses, as17770611

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Waterman

Dance: As17770707

Performances

Mainpiece Title: The Maid Of Bath

Afterpiece Title: The Mayor of Garratt

Dance: End: The Venetian Regatta, as17770611

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Duenna

Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Afterpiece Title: The Minor

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Mother Shipton

Dance: In: As17770929; In afterpiece: Langrish, Miss Besford [who danced in all subsequent performances]

Song: End IV: Solemn Dirge, as17770929, but _Reinhold, Battishill

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Sacred Canons

Music: End Part I: concerto on the German flute-Florio; End of Part III: concerto on the piano forte-Miss Weichsel; concerto on the hautboy-LeBrun; concerto on the violin-Master Weichsel

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: Belphegor

Dance: As17780409

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Old Maid

Song: End III: a new Cantata, suitable to the occasion, composed by Barthelemon,-Mrs Barthelemon

Music: End: concerto on the violin-Barthelemon; in which Grammacree with variations-

Performances

Mainpiece Title: The London Merchant; Or, George Barnwell

Afterpiece Title: The Old Maid

Dance: As17780601

Song: As17780608

Performances

Mainpiece Title: The Fashionable Lover

Related Works
Related Work: The Fashionable Lover Author(s): Richard Cumberland

Afterpiece Title: Cross Purposes

Song: As17780529

Entertainment: Monologue.End: Bucks have at ye All-Middleton (1st appearance on any stage)