Event Comment: Benefit Taylor, Beau, Cooper, Widow Cook [Rich's Register)

Event Comment: Bene1it H. Bullock, under Misfortunes. [No receipts in Rich's Register.

Event Comment: A new Scene, representing the Ponte Real at Venice. [No receipts in Rich's Register.

Event Comment: Benefit a Gentleman under Misfortunes. At the particular Desire of several Persons of Quality. 6:30 p.m. Being positively the last Time of the Company's performing this Season. [No receipts in Rich's Register.

Event Comment: Benefit Carlo Broschi Farinello. With several Alterations and Additions. Pit and Boxes, Places on the Stage, at Half a Guinea. N.B. Signor Farinello humbly hopes, that the Subscribers will not make use of their Tickets on this Occasion. The Stage will be in the same Manner as in the Assembly with a great Number of Benches. Mrs Pendarves to Mrs Granville, 15 March: Tonight is Farinelli's benefit; all the polite world will flock there, and go at four o'clock, for fear they should not be time enough. I don't love mobbing, and so I shall leave them to themselves. Daily Advertiser, 13 March: 'Tis expected that Signor Farinelli will have the greatest Appearance on Saturday that has been known. We hear that a Contrivance will be made to accommodate 2000 People. His Royal Highness the Prince of Wales has been pleas'd to give him 200 Guineas, the Spanish Ambassador 100, the Emperor's Ambassador 50, his Grace the Duke of Leeds 50, the Countess of Portmore 50, Lord Burlington 50, his Grace the Duke of Richmond 50, the Hon. Col. Paget 30, Lady Rich 20, and most of the other Nobility 50, 30 or 20 Guineas each; so that 'tis believ'd his Benefit will be worth to him upwards of 2000l

Event Comment: No receipts in Egerton 2267. Rich's Register: Dismiss'd

Event Comment: Benefit a Gentlewoman under Misfortunes. [Rich's Register states that it was a benefit for a Gentleman.]

Event Comment: Benefit Glover. [Tickets at Glover's, Chandos Street, cg. See Grub St. Journal, 11 March, for a discussion of Rich as a manager.

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. London Daily Post and General Advertiser, 18 Jan.: Whereas a Bottle was flung out of one of the Galleries into the Pit...on Saturday Night last, during the Time of Performance, which struck a Gentleman on the Head, and very much hurt him, I hereby promise to pay to any one that shall discover the Person who threw the same, so that he may be brought to Justice, the Sum of Twenty Guineas, to be paid on Conviction....John Rich

Event Comment: Mainpiece: By Desire. [See Mlle Auguste's letter to the Public in London Daily Post and General Advertiser, 7 Dec., accusing Fleetwood of putting her name in the bills after she had renounced his employment, and had gone over to Rich. For her actual 1st appearance see cg 7 Dec.] Receipts: #90

Event Comment: [Letter from Mlle Auguste to the Public stated that Fleetwood had refused to answer her letter, whence she had withdrawn and engaged with Rich, of which fact she appraised Fleetwood who still kept her name on the bills. Her reason for leaving Fleetwood was her having heard that on 4 Dec. he had read a letter on the stage at dl to her discredit. See London Daily Post and General Advertiser.] Receipts: #80

Event Comment: The Characters all New Dress'd. A new Comedy [by Dr Benjamin Hoadly] never before acted. [The previous July Garrick had been entertained by the Rev. Dr John Hoadly at Alresford and carried on a pleasant correspondence with him afterwards. In his letter 19 Aug. 1746 (Folger) he wrote]: I had the pleasure of the Doctor's company [brother Benjamin Hoadly] to supper at my lodgings the night before I set out for this place; we talk'd about Ranger, but whether he will appear next winter or sleep forever in ye scritore, is not yet determined: 'tis pit, faith. [That this friendship was exceedingly profitable to Garrick is indicated by the fact that Benjamin Hoadly seems to have turned over the profits from the three author's nights to Garrick. (1) Garrick by a bargain with John Rich received #80 advance cash and promised to pay nightly charges (3rd, 6th, & 9th nights) of #60, and (2) to divide equally the remaining profits on those nights. The agreement was drawn 27 Dec. 1746. Garrick noted on this document]: N.B. the copy of the play is my own, and the profit arising from the printing of it. [Hoadly seems to have received only the #100 given him by George II for dedicating the printed copy to him.] [Settlement for the three performances was made 6 April. Total receipts for those nights (14, 18, 21 Feb.) was #570 11s. Total expenses were #182 2s. (including #2 2s. for the licensing). The profit of #388 9s. was equally divided and Garrick received his #194 4s. 6d. on that day. He had received the other #80 the day before the play opened, 11 Feb. 1747. See documents in Folger, Holograph Letters of David Garrick, p. 38, seemingly Edmund Malone's copy, of BM Add MSS 21508.] Receipts: #205 9s. 6d

Event Comment: Adapted for the stage, as alter'd from Milton's Masque at Ludlow Castle (General Advertiser). Benefit for Beard. Ready Money #94 15s., plus #102 9s. from tickets. Charges #60. Paid Mrs Lane for Rent of Cowley in full to Michaelmas last #41. (Account Books, Egerton 2268) [Cowley was Rich's estate at Uxbridge. Notice about Amphitheatre (see 23 March) repeated.] Tickets of Beard at his house in Red Lyon Square

Event Comment: [M$Mr Carata the Turk, 2nd Week's salary #26 5s. A Dancer on the slack rope. Met general approbation in London two years earlier. Engaged this season at the Haymarket, where he first perform'd "after the Turkish Manner with surprising execution on the slack wire" 31 Oct. 1749. Rich took him over in December and kept him on the payroll at #26 5s. weekly for thirteen weeks until 10 May 1750. His salary included pay for this equipment and apparently a small company of assistants, as the Account Book refers to him often as Carata the Turk & Co.] Receipts: #105 14s

Event Comment: Benefit for Evans and Condell (Box-Keepers) and Page (House-keeper). Charges Evans #35; Condell #20; Page #3 3s. 6d. (taken up by Rich), plus 1!2 value of his tickets or #18 4s. Evans covered his Charges by #105 5s. from Tickets; Condell by #43 16s. from tickets; Page by #36 8s. These Box-Keepers also rec'd #10 each for attendance this season. Receipts: #12 14s

Event Comment: Whereas several Ungenerous aspersions have been cast on me, with respect to an Advertisement published in the London Gazetteer of Tuesday last, directed to the Friends of the Manager of Covent Garden Theatre, I declare that I was in no way consenting, or privy to the said Advertisement. John Rich (General Advertiser)

Event Comment: A Gentleman did Theodosius. First appearance. He played pretty (Cross). He is identified as William? Smith in Rich's Register

Event Comment: Printed books of the opera will be sold at the theatre. Published this day at 1s. Lo Studente A La Moda, dramma comicogiocoso, as it is acted at the Theatre Royal in Covent Garden. With an English Translation. Sold by H. Woodfall...Where may be had Gli Amanti Gelosi, with an English translation. [Opera in there acts in Italian and French. Larpent MS 103. Altered from A. Polomba La Violante. Music by G. B. Pergolesi. Rich applied to the Duke of Grafton (9 Jan.) for license to perform it.

Event Comment: Comic Opera in Italian and French, 3 Acts (Larpent MS 107). Subtitle, O Sia, Il Finto Femmina. La Musica e del Sig Leonardo Leo, Maestro di Capella Napolitano (Edition of 1752, Amsterdam). [Rich had applied for license to Duke of Grafton 8 Feb.] This day at Noon will be publish'd at 1s. L'Amor Costante, Dramma Comico, pe Musica, as it is acted at Covent Garden. With an English translation. Sold by H. Woodfall

Event Comment: [No paper for this day. Rich's Register suggests Romeo and Juliet but gives no afterpiece. Hogan quotes from a Playbill in the Enthoven Collection, Victoria and Albert Museum.