SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr C F Badini"/1) | (@(roleclean,performerclean) "Mr C F Badini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5454 matches on Event Comments, 2000 matches on Performance Comments, 665 matches on Performance Title, 443 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Wife's Relief; Or, The Husband's Cure

Afterpiece Title: The Cheats of Scapin

Dance: II: (By Desire) Hornpipe-Poitier Jr

Entertainment: End: A Comic Lecture; or, Tea a-la-Mode, in the manner of Foote-Wilkinson; The Cries of London-Shuter; End Afterpiece: the Origin, Nature, and Progress of the Order of British Bucks-Mr Shuter; with the whimsical behaviour of Choice Spirits, and Mons Thurot's Trip to Carrickfergus-

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The King and the Miller

Dance: II: Hornpipe-Master Cape (Scholar to Walker); IV: Hearts of Oak, as17620421

Song: III: If o'er the Cruel Tyrant Love, as17620513

Entertainment: New Sketch of his own picture drawn from the life by way of Epilogue-Mr Tomlinson, his second time of attempting to speak on the Stage

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Double Disguise

Dance: End of mainpiece a new Comic Ballet, The Return of the Hunters, by Mr and Miss Hamoir. [Beginning with the 3rd performance, on 11 Mar., this was entitled The Sportsmen's Return.]

Performances

Mainpiece Title: Deception

Afterpiece Title: The Padlock

Dance: End of Act IV of mainpiece a New Dance incident to the Piece by Mr and Miss Hamoir

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Caldron; or, Pantomimical Olio

Dance: In afterpiece, by Mr and Miss Hamoir, Mills, Miss Stageldoir. [The dances were included, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: King Henry Ii; Or, The Death Of Fair Rosamond

Afterpiece Title: The Humours of Sir John Brute

Entertainment: Monologue End: The Monody on the Death of Mr Henderson (3rd time at this theatre)-Baker

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Naval Pillar

Dance: In afterpiece: New Dance (composed by Bologna Jun.)-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years)

Song: The Songs written or selected for the afterpiece: Black Ey'd Susan-Incledon; When Britain first her Flag uprear'd-Incledon, Johnstone, Linton; An hungry Fox one day did spy (Old Welsh tune)-Munden; When Peace smiles around-Mrs Martyr; Sir Sydney Smith-Fawcett; When a Tar returns home-Fawcett, Munden, Mrs Martyr; Mr Speaker tho' 'tis late--Incledon, Johnstone, Townsend, Linton; A Bundle of Proverbs-Munden; In praise of the Pars who have leathered the World-Johnstone; +The Navy and Army of Britain forever-Townsend; The Embarkation-Incledon; Glee and Chorus [We come, ye guardians of our isle]-Mrs Martyr, Miss Sims, Miss Wheatley, Mrs Sydney; Recitative and Finale [Britons, your country's gratitude behold]-Mrs Chapman, Incledon, Johnstone, Townsend, Linton

Opera: End IV: Solemn Dirge. The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Girl in Style

Dance: As17861117

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Bonds without Judgement; or, The Loves of Bengal

Dance: As17870217

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Irishman in London; or, The Happy African

Dance: I: a Fair Scene-; Statute Dance-; End: As17920410

Song: In afterpiece: a Planxty, descriptive of Ireland If you travel the wide world all over (Morning Herald, 23 Apr.)-Johnstone in Character

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Restor'd

Music: In II: Violin Solo by Charke

Dance: I: English Maggot by Villeneuve, Mrs Walter, &c. II: The Rover by Essex, Mrs Walter, Miss Mann, &c. III: New Serious Dance by Denoyer, Mlle Anne Roland, &c. IV: Revellers by Essex, Mrs Walter, &c

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Harlot's Progress; or, The Ridotto Al' Fresco

Dance: I: Grand Serious Ballet by Essex, Mrs Walter, &c. II: Le Badinage de Provence by Poitier, Mlle Roland, &c. III: Russian Sailor by Denoyer and others. V: Le Chasseur Royal by Denoyer, Mlle Roland, &c

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Restor'd

Music: In II: Solo on Violin by Charke

Dance: II: New Serious Dance by Denoyer, Mlle Anne Roland, &c. III: Revellers by Essex, Mrs Walter, &c. IV: French Peasants by Poitier, Mlle Roland, &c

Performances

Mainpiece Title: The Messiah 0

Music: End I: concerto on the violoncello-C. Ashley

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Plot

Dance: Poloncse by Essex, Mrs Walter, &c

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: The Lottery

Dance: I: Russian Sailor by Denoyer, &c. II: By Denoyer's Apprentice. III: Shepherd's Mount by Denoyer, Mlle Salle, &c, with a new Scene, and New Habits. V: Minuet (in modern Habits) by Denoyer and Mlle Salle

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Mock Lawyer

Music: First Musick: A Concerto for Hautboys, &c. Second Musick: A Concerto of Geminiani. Third Musick: Overture to Ariadne. The Act Tunes for French Horns, Trumpets, &c. V: Handel's Water Musick

Dance: I: Tambourine by Miss Rogers. Flanderkins by Duke and Mrs Ogden. III: Two Pierrots by Duke and Delagarde. IV: Richmond Maggot by Le Sac and Miss Rogers

Song: V: As17350422

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Dance: II: Le Badinage de Provence by Poitier, Mlle Roland, &c. V: French Peasants by Poitier, Mlle Roland, &c

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Devil to Pay

Dance: I: Revellers by Essex, Mrs Walter, &c. III: Tambourine by Mlle Roland. V: Venetian Gondolier and Courtezan by Denoyer, Mlle Anne Roland, &c

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Restor'd

Music: In II: Solo on Violin by Charke

Dance: III: Le Badinage by Poitier, Mlle Roland, &c. IV: Le Ballet d'Amour (new) by Denoyer, Mlle Anne Roland, &c

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Restor'd

Music: As17360211

Dance: II: Rover by Essex, Mrs Walter, Miss Mann, &c. III: Le Badinage de Provence by Poitier, Mlle Roland, &c

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Restor'd

Music: As17360211

Dance: II: Rover by Essex, Mrs Walter, Miss Mann, &c. III: Russian Sailor by Denoyer, &c

Performances

Mainpiece Title: Volpone

Afterpiece Title: The Devil to Pay

Music: Select Pieces

Dance: In I: Venetian Gondolier by Denoyer, Mlle Anne Roland, &c. II: Les Rigadoons a la Provencale originale by Roland, Father of Mlle Roland and Mlle Anne Roland. In In: Biscaien (new) by Denoyer, Mlle Anne Roland, &c. IV: German Peasant by Roland. V: By Denoyer's Prentice

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Divorce

Dance: In Act I of mainpiece a Dance of Spirits by Miss Armstrong, &c.; In Act III a Dance of Fantastic Spirits [performers not listed. These were danced, as here assigned, in both subsequent performances]. In Act IV a Dance by Henry, Miss Armstrong, &c

Performances

Mainpiece Title: Zara

Afterpiece Title: Hurly-Burly; or, The Fairy of the Well

Dance: In afterpiece, by Hamoir, Williamson, Miss Stageldoir, Mrs Sutton, &c. [The dance was included, as here assigned, in all subsequent performances.]