Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr C Cibber"/1) | (@(roleclean,performerclean) "Mr C Cibber")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
11084 results for: Keyword - Mr C. Cibber
We found 5585 matches on Event Comments, 3817 matches on Performance Comments, 2761 matches on Author, 644 matches on Performance Title, and 0 matches on Roles/Actors.

8451
16 December 1735 @ King's Theatre

Event Comment: Daily Advertiser, 15 Dec: The Opera of Adriano, now performing with great Applause, particularly for some fine Songs in it, compos'd for Signior Farinello, having been thought by the King to be rather too long, M. Veracini has shorten'd it, and his Majesty has declar'd his Intention of being present at it [Tuesday 16]. We hear, that after this Opera has had its run, there will be a new one call'd Mithridates, the Drama of which is wrote in English by Colley Cibber, Esq; Poet Laureat, and translated from thence into Italian

Performances

Mainpiece Title: Adriano

8452
11 February 1737 @ Drury Lane Theatre

Event Comment: For Occasional Prompter XXI (on Cibber and King John), see Daily Journal, 11 Feb

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The King and the Miller of Mansfield

8453
03 March 1737 @ Drury Lane Theatre

Event Comment: Benefit the Author. At the particular Desire of several Ladies of Quality. Founded on Shakespear's Much Ado About Nothing. By the Author of the Man of Taste. [For an Epilogue designed to be spoken to King John, as amended by Colley Cibber, see Grub St. Journal, 3 March.

Performances

Mainpiece Title: The Universal Passion

Dance: Muilment

8454
17 September 1737 @ Drury Lane Theatre

Event Comment: Mainpiece: Taken from Plautus, Moliere. Egerton 2320: Receipts: #82. Hamlet Posted for a week but put off upon Mrs Cibber's refusing to do Ophelia for which she was forfeited five pounds--the Miser play'd instead of it

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

8455
24 October 1739 @ Covent Garden

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh, and Colley Cibber Esq; Poet-Laureat

Performances

Mainpiece Title: The Provok'd Husband

Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): Colley Cibber

Afterpiece Title: The Necromancer

8456
12 January 1740 @ Covent Garden

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh, and Colley Cibber, Esq; Poet-Laureat

Performances

Mainpiece Title: The Provok'd Husband

Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): Colley Cibber

Afterpiece Title: Perseus and Andromeda

Dance: TTambourine-French Girl; Miller and His Wife-French Boy and Girl

Ballet: GGrand Dance in Momus. As17400110

8457
18 December 1740 @ Covent Garden

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Rylands MS.: Cibber sick, I did Bayes. Bayes-I .

Afterpiece Title: Orpheus and Eurydice

8458
09 December 1741 @ Goodman's Fields

Event Comment: Written by Shakespear. Garrick to Peter Garrick (Dec. 1741): You perhaps would be glad to know what parts I have play'd, King Richd-+Jack Smatter in Pamela-Clody fop's fortune-Lothario fair Penitent-Chamont Orphan-Ghost Hamlet-& Shall soon be ready in Bays in ye Rehearsal-and in ye part of Othello-Both of which I believe will do Me and Cibber">Giffard great Service-I have had great Success in all, & 'tis not yet determin'd whether I play Trajedy or Comedy best-$Old Cibber has spoke with ye Greatest Commendation of my Acting, as to playing a Harlequin 'tis quite false-Yates last Season was taken very ill & was not able to begin ye Entertainment so I put on ye Dress & did 2 or three Scenes for him, but Nobody knew it but him & Giffard; I know it has been Said I play'd Harlequin at Covent Garden but it is quite false.-Little, Pineapples, pp. 28-29

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

8459
23 February 1743 @ Covent Garden

Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson

8460
09 April 1743 @ Lincoln's Inn Fields

Event Comment: MMrs Tame (see 15 April hay) had announced for her benefit this night The Old Batchelor, with Cibber as Fondlewife, Giffard as the Old Batchelor, and Mrs Giffard as Laetitia, to be followed by Tom Thumb, with Mrs Tame playing Tom Thumb, but a notice of 11 April states that Mrs Tame was ill and the performance had to be deferr'd

Performances

8461
18 October 1743 @ Drury Lane Theatre

Event Comment: The Relapse is deferr'd on account of the sudden indisposition of Cibber

Performances

Mainpiece Title: Cato

Afterpiece Title: The Lying Valet

Song: II, IV: Sullivan

Dance: As17431015

8462
05 September 1744 @ Haymarket Theatre

Event Comment: In a puff announcing opening the following week, Knerber is listed as the First Violin, and an allusion is made to those who have seen Miss Jenny Cibber rehearse the character of Juliet

Performances

8463
06 November 1744 @ Drury Lane Theatre

Event Comment: TTamerlane is oblig'd to be deferr'd on account of Mrs Cibber's indisposition

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Fortune Tellers

8464
10 November 1744 @ Haymarket Theatre

Event Comment: Announced as 1 Nov., but not performed as theatre was closed by order of the Lord Chamberlain. See T. Cibber's letter in the Daily Post, 12 Nov., cited by Hogan, Shakespear in the Theatre, I, 69

Performances

Mainpiece Title: Cymbeline

8465
26 December 1744 @ Haymarket Theatre

Event Comment: By the Queen of Hungary's Company of Comedians. Side Boxes 4s. Front boxes 3s. Pit 2s. Gallery 1s. Note: Tickets deliver'd out for Romeo and Juliet, for Miss Cibber's Benefit, that could not come on Monday the 17th, will be taken on Wednesday the 26th and Thursday the 27

Performances

Mainpiece Title: The Beggar's Opera

8466
09 January 1745 @ King's Theatre

Event Comment: MMrs Cibber being perfectly recovered of her late indisposition will certainly perform on Saturday next in Hercules

Performances

8467
25 January 1745 @ Haymarket Theatre

Event Comment: Benefit the Widow. [See a curious allusion to Colley Cibber for not helping out in the present exigency, in today's Daily Advertiser.

Performances

Mainpiece Title: The Beggar's Opera

8468
18 February 1745 @ Covent Garden

Event Comment: Author's Day [i.e., Benefit Cibber]

Performances

Mainpiece Title: Papal Tyranny

Related Works
Related Work: Papal Tyranny in the Reign of King John Author(s): Colley Cibber

8469
01 March 1745 @ King's Theatre

Event Comment: A letter in Daily Advertiser 4 March complains of Mrs Cibber's absence from this revival

Performances

Mainpiece Title: Samson

8470
26 September 1745 @ Drury Lane Theatre

Event Comment: MMrs Cibber to Garrick, 26 Feb. 1746: I despise your vanity when you imagine my danger was as great from Mrs Copin, as yours from Perkin Warbeck; my rival met with disgrace the first night of her appearance; and my not naming her when I writ you about Perkin Jan. 1746] was a piece of generosity scarcely to be met with in the female sex, for my rival was then dismissed the house.--Boaden, Private Correspondence of Garrick, I, 39

Performances

Mainpiece Title: The Recruiting Officer

Song: I: Lowe; IV: Colin and Phebe-Lowe, Mrs Arne

Dance: II: Grand Serious Dance-M and Mlle Mitchel (lately arrived from Paris); V: A New Grand Comic Dance-M and Mlle Mechel

8471
09 December 1745 @ Covent Garden

Event Comment: There will be no play 'till tomorrow on account of one to be performed this evening at the other theatre; the receipt of which is to be subscribed to the Veteran Scheme at the Guildhall. We hear Mrs Cibber is soon to perform the part of Polly, three nights at cg, and the Proprietor has agreed to lend his house, free of all charges; and we hear the company will contribute their pay on those days, that the performance may be entirely charge-free; the receipts of each night to be subscribed to the Veteran's scheme at Guildhall

Performances

8472
05 December 1746 @ Drury Lane Theatre

Event Comment: WWalpole to Sir Horace Mann: We have operas but no company at them; the Prince and Lord Middlesex Impresarii. Plays only are in fashion; at one house the best company that perhaps ever were together, Quin, Garrick, Mrs Pritchard, Mrs Cibber: at the other Barry, a favorite young actor and the Violette, whose dancing our friends don't like: I scold them, but all the answer is "Lord! you are so English."-Horace Walpole's Correspondence with Sir Horace Mann, II, 42

Performances

Mainpiece Title: Othello

Dance: The German Camp, as17461204; The Vintage, as17461204

8473
17 November 1747 @ Drury Lane Theatre

Event Comment: Mainpiece: At the Particular Desire of some Persons of Quality. [The song, apparently by Cibber, upon the victory off Cape Finisterre displeased Cross the night before, but met with sufficient popular appeal to have a run.] Receipts: #82 (Cross); #88 14s. 6d. (Powel)

Performances

Mainpiece Title: Albumazar

Dance: II: The Gardner's Revels-Cooke, Mathews, Mrs Addison

Song: fter the dance, an Entertainment of singing and dancing call'd The Sailors Rendezvous at Portsmouth-. [See17471116]

8474
21 March 1748 @ Covent Garden

Event Comment: Benefit for Beard. Afterpiece: A Masque of Music, reviv'd, in two Interludes, preform'd at the end of the 3rd and 5th Acts. Written by Colley Cibber. Servants will be allow'd to keep Places on the stage, which (for the better accommodation of the Ladies) will be form'd into an Amphitheatre, illuminated and enclos'd, as at an Oratorio. Tickets for Boxes and Stage to be had of Beard at his house in Red Lyon Square, and of Page at the Stage Door. Ladies desired to send servants to keep Places by three o'clock (General Advertiser)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Venus and Adonis

Related Works
Related Work: Venus and Adonis Author(s): Colley Cibber

8475
08 April 1749 @ Drury Lane Theatre

Event Comment: Being the last time of acting the Mainpiece this season. Mrs Cibber Sick. Mrs Pritchard play'd Sullen (Cross). Receipts. #180 (Cross); #149 2s. (Powel)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Tit for Tat with Additions

Dance: DDutch Dance, as17481203; IV: Scotch Dance-Cooke, Anne Auretti