SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr C Cibber"/1) | (@(roleclean,performerclean) "Mr C Cibber")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5585 matches on Event Comments, 3817 matches on Performance Comments, 2761 matches on Author, 644 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A School For Widows

Afterpiece Title: The Highland Reel

Performances

Mainpiece Title: The Fugitive

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: WHO'S THE DUPE

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Related Works
Related Work: The Lady's Last Stake, or, The Wife's Resentment Author(s): Colley Cibber

Afterpiece Title: The Wicklow Mountains

Event Comment: Mainpiece: By Desire. This Morning at Ten will be publish'd at 6d. An Epistle from Mr The. Cibber to David Garrick, Esq; to which are prefix'd some occasional verses, Petitions, &c.: @Lowliness is young Ambition's ladder,@Whereto the Climber upwards turns his face;@But when he once attains the upmost Round,@He then unto the ladder turns his back,@Looks in the clouds, scorning the base degrees@By which he did ascend.@Shakespeare@"Let them not say in their hearts, Ah, so we would have it; let them not say, we have swallow'd him up," Ps. XXXV. v.25. Printed for R. Griffiths. [A thirty-five-page apologia, and bitter attack upon Garrick for supposed complicity in prohibiting the license of the Haymarket to him.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: For the Relief of Mr Chetwood, late Prompter at the Theatre-Royal in Drury-Lane, and now a Prisoner in the King's Bench. Receipts: money #219; seals #15 (Account Book); #250 Rylands MS.). [William Shenstone saw Cibber act on 12, 13, or 14 Jan. See Letters of William Shenstone, pp. 14-15.

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Fondlewife-Cibber Sr; Heartwell-Bridgwater; Bellmour-Ryan; Vainlove-Rosco; Sharper-Hale; Setter-Jones; Sir Joseph-Neale; Bluff-Mullart; Belinda-Mrs Bellamy; Araminta-Mrs Hale; Sylvia-Mrs Vincent; Laetitia-Mrs Woffington; With an Occasional Epilogue upon Himself,-Mr Cibber.

Dance: Mechel, Mlle Mechel

Event Comment: At Cibber's Histrionic Academy on the Bowling Green, A Public Rehearsal, gratis. With out Gain, Hire or Reward. The Rehearsal must begin punctually at 6 p.m. No Money will be taken, nor any Persons admitted without Pass Tickets, which will be given by Mr Cibber to particular Patrons, Friends and Customers. The Cephalick Snuff is to be had at the Above Academy, at the following Prices, viz., First sort 3s., second sort 2s., third sort 1s., none sold under. [Play not given. See Public Advertiser, 14 Dec. "Southwark. Some sudden Disappointments (as unexpected as unforeseen) compel me to defer opening my Histrionic Academy." Advance advertisement had also appeared in the Daily Advertiser, 6 Dec.

Performances

Mainpiece Title: The Busy Body

Performance Comment: . The parts-Mr Cibber, his Assistants, Pupils; several of whom never appeared in public before. An occasional prologue-.

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: An Address-Cibber; Comic Oration-Miss Dorothy Midnight; Hooley and Farley, a Scots song-Lauder; Blindman's Buff-; Comic Lectures-Cibber; Lilliputian Taylors-Master Settree, Miss Twist; Wounded Gizzard-Lauder; Grand Concerto for French Horns-; Kitty-Miss Gaudry; Auction-Cibber; Italian Air-Signora Mimicotti as17570902; Italian Peasants-Joly, Madam Dulisse as17570902; The Marine Boys Marching to Portsmouth-as17570617; Handel's Water Musick-Mother Midnight; Dialogue-Mr Gaudry, Miss Gaudry; Speech of Old Time to the People of Great Britain-; Minuet-Master Settree, Miss Twist; Miss Midnight, for this Night only, will give Caudle; Comic Epilogue-Miss Midnight riding on an Ass; Prussians March to Bohemia-; Colin and his Rival Lassies-.

Afterpiece Title: Harlequin's Frolic

Performances

Mainpiece Title: Jane Shore

Performance Comment: Gloster-Cibber; Hastings-Booth; Jane Shore-Mrs Oldfield; Alicia-Mrs Porter; Dumont-Williams; Bellmour-Wm. Mills.
Cast
Role: Gloster Actor: Cibber

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17460308 but Miranda-Mrs Giffard; Marplot-Cibber; Sir George-Giffard; Sir Francis-Phillips; Whisper-Oates; Patch-Mrs Cross; Scentwell-Mrs Bridges.
Cast
Role: Marplot Actor: Cibber

Afterpiece Title: The Conspiracy Discovered; or, French Policy Defeated

Performances

Mainpiece Title: The Marriage-hater Matched

Performance Comment: Edition of 1692: L. Brainless-Bowman; Sir Philip Freewit-Monfort; Sir Lawr. Limber-Sandford; Capt. Darewell-Hodson; Myn Here Van Grin-Leigh; Bias-Bright; Solon-Dogget; Callow-Bowen; MacBuffle-Trefuse; Thummum-Smeaton; Splutter-Colly Cibber?; Lady Subtle-Mrs Barry; Lady Bumfiddle-Mrs Cory; Phaebe-Mrs Bracegirdle; Berenice-Mrs Lassels; La Pupsey-Mrs Butler; Margery-Mrs Lawson; Prologue Mr Monford Enters, meets Mrs Bracegirdle dressed in Boy's Cloaths, who seeing her him, Endeavours to go back, but he taking hold of her, speaks-Mr Monford; Epilogue-La Pupsey with her Lapdog in Masquerade.
Cast
Role: Splutter Actor: Colly Cibber?

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Event Comment: The United Company. The date of the first performance is not known, but Luttrell's copy (Huntington Library) of the play bears the date of acquisition 3 June [1690, apparently], and the play was advertised in the London Gazette, No 2566, 12-16 June 1690. See Fredson Bowers, A Bibliographical History of the Fletcher-Betterton Play, The Prophetess, 1690, The Library, 5th Series, XVI (1961), 169-75. It seems likely that the opera was first given early in June 1690. An edition of The Vocal and Instrumental Musick of The Prophetess appeared in 1691. See Works of Henry Purcell, Purcell Society, IX. Downes (Roscius Anglicanus, p. 42): The Prophetess, or Dioclesian an Opera, Wrote by Mr Betterton; being set out with Coastly Scenes, Machines and Cloaths: The Vocal and Instrumental Musick, done by Mr Purcel; and Dances by Mr Priest; it gratify'd the Expectation of Court and City; and got the Author great Reputation. [See also R. E. Moore, Henry Purcell and the Restoration Theater (Cambridge, Mass., 1961), Chapter V; and E. W. White, Early Theatrical Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44.] The Muses' Mercury (January 1707, pp. 4-5): This prologue was forbidden to be spoken the second Night of the Representation of the Prophetess. Mrs Shadwell was the occasion of its being taken notice of by the Ministry in the last Reign: He happen'd to be at the House on the first Night, and taking the beginning of the Prologue to have a double meaning, and that Meaning to reflect on the Revolution, he told a Gentleman, He would immediately Put a stop to it. When that Gentleman ask'd, Why he wou'd do the Author such a Disservice? He said, Because while Mr Dryden was Poet Laureat, he wou'd never let any Play of his be Acted. Mr Shadwell informed the Secretary of State of it, and representing it in its worst Colours, the Prologue was never Spoken afterwards, and is not printed in Mr Dryden's Works, or his Miscellanies. Cibber, Apology (ed. Lowe, II, 13-14): A Prologue (by Dryden) to the Prophetess was forbid by the Lord Dorset after the first War in Ireland. It must be confess'd that this Prologue had some familiar, metaphorical Sneers at the Revolution itself; and as the Poetry of it was good, the Offence of it was less pardonable

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Performance Comment: [Edition of 1690: No actors' names. Geta-Cibber, Apology, ed. $Lowe">Leigh (Cibber, Apology, ed. $Lowe, I, 149).] A Prologue by John Dryden was suppressed after the first performance; it appeared in the first edition of the play. Epilogue. A Prologue by John Dryden was suppressed after the first performance; it appeared in the first edition of the play. Epilogue.
Event Comment: Not Acted these Seven Years. Written by Ben Johnson. Daily Advertiser, 1 Nov.: On Saturday Night a great Number of Wax Candles were lighted in the Windows of Mr Cibber's, Mr Booth's, and Mr Wilks's Houses...on account of his Majesty's Birthday

Performances

Mainpiece Title: Bartholomew Fair

Performance Comment: Cokes-Cibber Jr; Waspe-Johnson; Busy-Griffin; Overdo-Shepard; Quarlous-W. Mills; Winwife-Watson; Littlewit-Oates; Edgeworth-A. Hallam; Jordan-R. Wetherilt; Nightingale-Stoppelaer; Goody Trash-Wright; Mrs Grace-Mrs Butler; Mrs Overdo-Mrs Shireburn; Mrs Littlewit-Miss Raftor; Purecraft-Mrs Wetherilt; Ursula-Harper.
Cast
Role: Cokes Actor: Cibber Jr

Afterpiece Title: Cephalus and Procris

Cast
Role: Pierrot Actor: Cibber Jr

Performances

Mainpiece Title: The Confederacy

Performance Comment: Moneytrap-Cibber; Dick-Simson; Clarissa-Mrs Butler; Corinna-Miss Cibber; Flippanta-Mrs Chetwood.
Cast
Role: Moneytrap Actor: Cibber
Role: Corinna Actor: Miss Cibber

Afterpiece Title: The Virgin Unmasked

Dance: III: Welch Buffoons, as17430308 V: Scotch Dance, as17430308

Performances

Mainpiece Title: Friendship In Fashion

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece to conclude with a Grand Ballet in Spanish Characters by Giorgi, Byrn, Miss Byrn, Sga Dagueville and others. [This was danced, as here assigned, at all subsequent performances.]

Song: In Act I of mainpiece a song in character by Miss Hooke

Performances

Mainpiece Title: Seduction

Afterpiece Title: The Gentle Shepherd

Performances

Mainpiece Title: The New Peerage; Or, Our Eyes May Deceive Us

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: The Secret Tribunal

Afterpiece Title: The Shipwreck

Dance: In 3rd piece: Dance, as17951026

Performances

Mainpiece Title: Fun And Frolic

Afterpiece Title: The Birth Day

Afterpiece Title: The Magic Oak

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performances

Mainpiece Title: The City Politiques

Event Comment: Benefit Cibber. At the Desire of several Ladies of Quality. London in 1710 (p. 96): It was a fine piece, and on that account had a large audience

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Wilks; Iago-Cibber [Daily Courant, 20 June, only]; With a new Epilogue (intended to be Humorous) Writ-Mr Cibber[, upon all Mankind's being Actors on the Stage of the World., upon all Mankind's being Actors on the Stage of the World.
Cast
Role: Iago Actor: Cibber
Role: Writ Actor: Mr Cibber

Performances

Mainpiece Title: Elvira

Performance Comment: Principal parts by: Garrick, Holland, Love, Packer, Burton, Ackman, Castle, Fox, Mrs Pritchard, Miss Bride, Mrs Cibber, Prologue and Epilogue. Don Alonzo-Garrick; Don Pedro-Holland; Don Alvarez-Love; Don Roderigo-Packer; Elvira-Mrs Cibber; Queen-Mrs Pritchard; Almayda-Miss Bride; Ambassador (?)-Burton; Ramirez-Ackman; Mendozo-Castle; Courtier-Fox; Prologue-Holland; Epilogue (writ by Garrick)-Mrs Cibber (Edition of 1763).
Cast
Role: Elvira Actor: Mrs Cibber
Role: Epilogue Actor: Mrs Cibber

Afterpiece Title: The Male Coquette