SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Burney Jr"/1) | (@(roleclean,performerclean) "Mr Burney Jr")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4348 matches on Event Comments, 2041 matches on Performance Comments, 1129 matches on Performance Title, 138 matches on Author, and 0 matches on Roles/Actors.
Event Comment: At Hickford's Room, Brewer St. Benefit for Mme Cuzzoni. Burney, II, 848-49: [Giardini's] first performance in public was at a benefit concert for Cuzzoni, May the 18th...where, as this was her third arrival in this country, and she was grown old, poor, and almost deprived of voice, by age and infirmities, there was but little company; yet, when Giardini played a solo of Martini of Milan's composition, the applause was so long and loud, that I never remember to have heard such hearty and unequivocal marks of approbation at any other musical performance

Performances

Mainpiece Title: A Concert

Event Comment: By desire the Musick composed by Perez. [But see 12 April; Burney, II, 853, follows the Perez attribution.

Performances

Mainpiece Title: Ezio

Event Comment: A new Comic Opera--Music by Galuppi. [Text--Goldoni. First performance in England. The text notes music originally by Baldassar Galuppi called Buranello, and perfected by Gioacchino Cocchi. Burney (History of Music, II, 860) notes the extreme popularity of this piece, and the success of the Paganinis as singers in it.

Performances

Mainpiece Title: Il Filosofo Di Campagna

Dance: New Dances , as17601216-Gherardi, Mlle Asselin, Polly Capitani, Tariot

Event Comment: GGarrick reported to be at [?] cg & that Powell & Holland had borrowed #25,000 at 5 0@0 interest to purchase Garrick's Share (Winston MS 9, from Burney news cuttings)

Performances

Mainpiece Title: The Clandestine Marriage

Performances

Mainpiece Title: Dido

Performance Comment: Parts-Holland, Powell, Havard, Bensley, Bransby, Strange, A Young Gentlewoman, Mrs Lee, Mrs Yates, Packer, Aickin, Fawcett; Prologue-King; Epilogue-Mrs Abington Aeneas-Powell; Cephales-Bensley; Gyas-Bransby; Sagertus-Fox; Norbal-Holland; Bilius-Havard; Adoam-Strange; Dido-Mrs Yates; Anna-Mrs Lee; Barce-Miss Simson (Winston MS 9, from Burney's News Cuttings).

Afterpiece Title: Daphne and Amintor

Event Comment: Last time of performing the afterpiece before the Benefits. A duel with pistols between George? Garrick and Baddeley on account of G. Garrick remon[stratin]g with Baddeley on [receiving] his wife's salary. Baddeley fir'd then G. G. fir'd in the air, and a reconciliation took place (Winston MS 10, from Dr Burney's News Clippings). [See full and humorous acct Town and Country Magazine, March, pp. 157-58 with woodcut of duel.

Performances

Mainpiece Title: Othello

Afterpiece Title: The Jubilee

Event Comment: Benefit for Mrs Barry. Part of pit laid into boxes. ["On 25 March Mrs Baddeley set off for Dublin, induced by her husband's behaviour" (Winston MS 10, from Dr Burney's News Clippings). But she was advertised as singing the part of Rhodope in the afterpiece the night of the twenty-sixth.

Performances

Mainpiece Title: Zenobia

Afterpiece Title: A Peep behind the Curtain

Dance: V: Comic Dance, as17690926

Event Comment: Benefit for Champnes and Mrs W. Barry (playbill). [N.B. Winston suggests Cymbeline this night, but all extant playbill evidence favors Cymon. "Sir Joshua Reynolds purchased portrait of Garrick as Abel Drugger by Zoffany for #100" (Winston MS 10, from Burney News Clippings).

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Minor

Dance: III: As17700428

Event Comment: Benefit for Bransby and Burton ["Died Miss Weller, aged 19, pupil of Dr Arne, appeared at dl as Polly, and Carissa, in School for Fathers" (Winston MS 10, from Dr Burney's Newspapers)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: A Peep behind the Curtain

Dance: II: As17700428 I of the Farce: A Double Hornpipe-Walker, Miss Ward

Entertainment: V: Bucks Have At Ye All-Mas Cape

Event Comment: Afterpiece: By Desire. Garrick return'd last night from Bath (Dr Burney's News Clippings-Winston MS 10)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Elopement

Performances

Mainpiece Title: Concerto Spirituale

Performance Comment: Part I. An Overture-Sg. Piccini; Milton's Morning Hymn-; The Music selected from the works of the following eminent composers, viz. Piccini, Jomelli, Pergolesi, Carrissime. This Hymn was set many years since by Galliard. Part II. Consisted of Miserere mei Die by Burney">Galuppi-; This celebrated composition is performed in the Holy Week, in the Hospital of Incurables in Venice. This is the Miserere so particularly mentioned by $Dr Burney, in his Account of the Present State of Music in France and Italy lately publish'd. The Melodies of the airs are pleasing, the chorusses Grand, and the composer has shown great taste and invention in the conduct of the whole. Part III. Dixit Dominus. The Music-Sg Pergolesi...a solemn and Grand Performance (Theatrical Review, p. 222).
Event Comment: Both pieces By Command of their Majesties. Present Their Majesties. Gave Yeomen of Guards #2 2s. (Account Book). [Winston MS 10 suggests (from Burney Actor's MS) that Wignell died this day. If so his name is carried in the Bill for the Sylphs until 26 Jan., and he appears regularly upon the payroll through Sat 29 Jan. On this latter occasion he is marked for only half his customary salary, and does not appear thereafter. He would seem to have died in the middle of the week of 22-29 Jan. 1774.] Receipts: #243 1s. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Sylphs

Event Comment: To the writer of the letter signed Hotspur in the Morning Chronicle 13 Jan. 1774; Sir: I solemnly disavow myself the writer of any anonymous letter in this or any other Newspaper relative to the School for Wives and as to the villainous accusation respecting any personal insult offered me at Liverpool I pronounce it to be a notorious lie. I now call on you to stand forth with your name and your proofs or the world will be convinc'd you are an infamous malignant assassin. Thursday Nt. Jan. 13 1774. James Reddish (Winston MS 10, from Dr Burney News Cuttings). Receipts: #255 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Anatomist

Event Comment: Boxes 5s. Gallery 3s. Pit 2s. Upper Gallery 1s. Doors open at half past five. Play begin at half past six. [Repeated.] Before the Play a new Overture and New Occasional Prelude (Public Advertiser). The House has been quite alter'd since last Season and is now fitted up in the most elegant manner Possible by the Adam's etc. and is the most Compleat of any Theater in Europe. Great applause to the House before the Curtain. The Theatrical Candidates is wrote by D. G. Esq and was received with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. In Judging the popularity of a play in terms of box receipts for this season one must be aware of the fact that the treasurer's account books here differ from those of the five preceding years in not recording the income from the tickets delivered out for benefit nights. Hence on those nights the stated income reflects only the money taken at the door the night of the performance, and does not indicate the larger amounts which the actors received for their tickets. Deficits to various actors listed on the following pages were all paid up, presumably from the ticket receipts. Each actor doubtless at least broke even on his benefit.] Ceiling rais'd 12 feet. Old side Boxes top and bottom remov'd. New passages to Boxes. Entrance Bridges St. Light pillars to support Boxes inlaid with plate glass on green and crimson ground. Old chandeliers remov'd. Gilt branches with two candles each on pillars. Four new chandeliers in front. No slit i Curtain. Adam architects. 4,000 guineas. Persons not employed in the night's amusement ordered not to come behind the scenes--performers by that means go cross stage (Winston MS 11, from Dr Burney's News Cuttings). Paid Renters #8; Supernumeraries and Drum #1 16s.; taylor's Bill #10 11s. 6d. (Treasurer's Book). [For the 188 acting nights of the season and for 11 Oratorio nights the Renters were paid a total of #1,692. The Supernumeraries were paid an average of #5 per night or #940 for the season. No further account of these items will be made. Full account of the new look given to Drury Lane by the Adam's brothers in the Westminster Magazine for Sept. along with an approving review of the Meeting of the Company.] From Lloyd's Evening Post, 25 Sept., "On the New Front of Drury Lane Theatre": @Garrick asham'd to poke his nose@Too sheepishly beneath the Rose:@And fearing, poor man, what were Worse,@His bashfulness might hurt his purse;@Resolves this year to push a front,@And put a better face upon't.@Not surely meaning to give o'er@His Art, and make no faces more.@Yet, fair as tis, I'd have him know@If tis the last he means to show.@This face will never make amends,@For turning tail upon his friends;@Who own, by general consent,@His face the best Stage ornament.@ (In Folger Library, David Garrick Verses, Prologues and Epilogues, MS, p. 86.) Receipts: #208 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Miller of Mansfield

Event Comment: Mainpiece [1st time; PAST 3]: Taken from [The Winter's Tale, by] Shakespeare [altered by George Colman elder]. Afterpiece: Likewise taken from [A Midsummer-Night's Dream, by] Shakespeare. Books of both pieces to be had at the Theatre. The Musick of both pieces by the most eminent Composers [i.e. Michael Arne, Dibdin, Dr Burney, Hook, Theodore Smith, Dr Arnold]. The Characters new dressed

Performances

Mainpiece Title: The Sheep-shearing

Afterpiece Title: The Fairy Tale

Dance: With aPastoral Dance (incident to the [main]piece)-; End: As17770707

Event Comment: Benefit for Mme LeBrun. Tickets to be had of Mme LeBrun, No. 36, Great Suffolk-street. "In the year 1781, Pacchierotti had been heard so frequently, that his singing was no impediment to conversation, or even to animated narrative and debate; but while the elder Vestris was on the stage, if during a pas seul, any of his admirers forgot themselves so much as to applaud him with their hands, there was an instant check put to his rapture by a choral hu-sh! For those lovers of music who talked the loudest when Pacchierotti was singing a pathetic air, or making an exquisite close, were now thrown into agonies of displeasure, lest the graceful movements du dieu de la dance, or the attention of his votaries, should be disturbed by audible approbation" (Burney, II, 893)

Performances

Mainpiece Title: Zemira And Azor

Dance: End I: The Pert Country Maid, as17810113; End II Grand Serious Ballet, as17801216, but Mlle _Baccelli, Mme Simonet; with a +Pas@Solo-Vestris Sen.; accompanied with the oboe-LeBrun; a Pas de Deux-Vestris Sen., Mme Simonet; to finish with a Grand Chaconne-Vestris Jun.; End Opera: The Rural Sports, as17810123

Music: II: a concerto on the piano forte-Mme LeBrun

Song: a song by LeBrun-Mme LeBrun; accompanied with the hautboy-

Event Comment: Mainpiece [1st time; c 5, ascribed to Frances Burney (see Boaden, Siddons, 1, 272). MS: Larpent 596; not published; synopsis of plot in London Magazine, July 1782, p. 312. Prologue by George Colman, the elder (Colman, Prose, III, 235). The play is anonymous.]

Performances

Mainpiece Title: The East Indian

Afterpiece Title: None are so Blind as Those Who Won't See

Dance: As17820613

Event Comment: Benefit for Mrs Brereton. [As afterpiece the playbill announces The Sultan, but "The Public are most respectfully informed, that, in consequence of Mrs Jordan's sudden Indisposition, The Lyar will be performed this Evening instead of The Sultan" (printed slip attached to BM playbill: Burney 937. C.I.). Public Advertiser, 11 Apr.: Tickets to be had of Mrs Brereton, No. 15, Catherine-street, Strand. Receipts: #231 14s. 6d. (85.3.0; 19.9.0; 1.2.6; tickets: 126.0.0) (charge: #106 4s. 6d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Lyar

Event Comment: The Public is most respectfully informed that in consequence of the sudden Indisposition of Mrs Jordan the New Comedy is unavoidably deferred. [The original playbill and Public Advertiser both announce the 6th night of Better Late than Never (see 29 Dec.). The above is from a second playbill for this night in BM (Burney 937.c.7). "Mrs Jordan's Illness defers...Better Late than Never" (Kemble Mem., which lists the substitutes play).] Receipts: #123 5s. (83.19.0; 33.4.6; 6.1.6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Island of St

Event Comment: Receipts: #439 11s. 6d. (391.15.6; 45.7.0; 2.9.0). A tally sheet in BM (Burney 937. c. 10) for this night itemizes the number of spectators and the receipts as follows: 1st Account Boxes 660, #198.0.0 Pit 745, #130.7.6 Gallery 634, #63.8.0 Total 2,039, #391.15.6 Half Price Boxes 215, #32.5.0 Pit 27, #2.14.0 Gallery 208, #10.8.0 Total 450, #45.7.0 Boxes 875, #230.5.0 Pit 772, #133.1.6 Gallery 842, #73.16.0 Total 2,489, #437.2.6 The total receipts here set forth do not include the After Money of 2.9.0

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Miller of Mansfield

Event Comment: [The BM Burney Collection (937. c. 10) contains a receipted bill from T. Lowndes for printing throughout this week: playbills nightly #1 12s. 6d.; 100 half price cards 2s.; 200 half-sheet office accts. 8s., totalling #10 5d.] Receipts: #272 4s. (226.8; 44.12; 1.4)

Performances

Mainpiece Title: At King's The Pirates

Afterpiece Title: The Mayor of Garratt

Event Comment: [As mainpiece the playbill announces The School for Scandal, but "The Public is most respectfully informed that, in consequence of the sudden indisposition of King, The School for Scandal is unavoidably postponed. This Evening [will be acted] The Heiress" (printed slip attached to BM playbill (Burney 937.c.II)). Thespian Magazine, Feb. 1793, p. 193, also notes this change.] Receipts: #131 15s. (82.15; 45.8; 3.12)

Performances

Mainpiece Title: At King's The Heiress

Afterpiece Title: Richard Coeur de Lion

Song: Probably as17921016

Event Comment: The Public is most respectfully informed that in consequence of the sudden Indisposition of Mrs Jordan the New Comedy is unavoidably deferred. [The original playbill and Public Advertiser both announce the 6th night of Better Late than Never (see 29 Dec.). The above is from a second playbill for this night in BM (Burney 937.c.7). "Mrs Jordan's Illness defers...Better Late than Never" (Kemble Mem., which lists the substitutes play).] Receipts: #123 5s. (83.19.0; 33.4.6; 6.1.6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Island of St

Event Comment: [True Briton announces Nina, but "The Public are most respectfully acquainted that, on account of Mme Banti's sudden illness, Nina...is unavoidably postponed; and the favorite opera of L'Arbore di Diana will be performed in its stead" (printed slip attached to BM playbill, Burney 937. c. 15).

Performances

Mainpiece Title: L'arbero Di Diana

Dance: As17961220

Performances

Mainpiece Title: Wits Led By The Nose; Or, A Poet's Revenge