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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Bullock jun"/1) | (@(roleclean,performerclean) "Mr Bullock jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8924 results for: Keyword - Mr Bullock jun.

We found 4483 matches on Event Comments, 4169 matches on Performance Comments, 1279 matches on Performance Title, 260 matches on Author, and 0 matches on Roles/Actors.

1601
18 May 1703 @ Hampstead

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; particularly a Song-[Hughes] [before Her Majesty, in Congratulation of Her Majesty's Happy Accession to the Crown; [Also several Entertainments-Mr Dean, Signior Francisco; [And three New Songs [never perform'd anywhere-Mr Hughs; [And that much celebrated Song for the Trumpet[, perform'd originally-Mr Pate [in The Island Princess, beginning Rouse ye Gods of the Main; [Also a Sonata for two Trumpets-; [and positively there will be perform'd an Extraordinary Entertainment on the Arch/Lutes-an Eminent Master [who never perform'd there before; accompanied-Mr Dean, others

1602
11 December 1703 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Entirely new, composed by Mr Keller,the best Hands; With several Sonatas on the Violin-Signior Gasperini; And a piece of Musick composed for Flutes-Mr Paisible, Mr Banister; And a piece for Hautboy and Violin-Mrs Hodgson, Mr Cook

1603
20 March 1713 @ Caverley's Academy

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; With a new Dialogue between Honour Faction and Peace; by Mr Weldon;-Mr Leveridge, Mr Twiselton, a Gentlewoman, that never sung in Publick; Likewise several Pieces of Musick proper for the Trumpet-; particularly a Sonata- by Signior Corelli, on purpose for Mr Twiselton when he was at Rome

1604
07 April 1737 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: The Vocal Part-Mr Waltz, young Cook (a Youth of ten Years of Age, Scholar to Mr Waltz); The Youth will accompany several new Duettoes- to Mr Waltz; accompanied on the Harpsichord-the Youth; The Concert will be finish'd With a Grand Piece composed by Mr Handel, for two Trumpets two French Horns and Kettle Drums-; the Kettle Drums-young Cook

1605
03 March 1738 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: Consisting of several Select Pieces by Mr Handel and other Eminent Masters, and taken from the most favourite Operas-; The Vocal Parts-Mr Beard, Mrs Clive; being several Favourite Songs in Italian and English-Mr Beard, Mrs Clive; A Preamble on the Kettle@Drums-Master Ferg; with two New Minuets-; Chorus out of Atalanta for French@Horns and Trumpets-, the two French-Horns two little Negro-Boys (Scholars to Mr Charles, who never perform'd before); Concluding with the Anthem, God save the King-

Dance: WWooden Shoe Dance-Master Ferg; Shepherd's Mount (a ballet)-

1606
01 May 1738 @ Covent Garden

Performances

Mainpiece Title: The Way Of The World

Song: nd the added Songs in Masonry as usual,% I: Come let us prepare-Mr Oates; III: On on my dear Brethren-Mr Oates; IV: Let Masonry be now my Theme-Mr Oates; V: Ye Brethren of the Ancient Craft-Mr Oates

Dance: I: Serious Dance-Villeneuve, Miss Oates; III: Peasant Dance-Master and Miss Oates; IV: Je ne scai quoi-Tench, Villeneuve, Miss Oates; V: Grecian Sailors-Glover

Music: II: Solo on the Violin-Master Oates

1607
19 March 1773 @ Covent Garden

Performances

Mainpiece Title: A Pasticio With Concertos

Music: I: Concerto on violin-Barthelmon; II: a Serenata Beauty and Virtue-; translated from Metastasio and composed by Dr Arne; II: Concerto on Organ-Mr Arne; III: (Never Performed) The Thunder Ode written on the Hurricanes of the West Indies, by Mr Arne, Principal singers-Miss Catley, Mrs Mattocks, Miss Venables, Sg Ristorini, Mrs Barthelemon, Mr Reinhold; The concertos-Barthelemon, Spandau, Mr Arne

1608
04 May 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Lying Valet

Dance: II: A Hornpipe-the Little Swiss; V: A Comic Dance-Shawford Jun, Miss Shawford

Song: IV: Master Vernon

1609
03 February 1755 @ Drury Lane Theatre

Event Comment: Taken from a Midsummer Night's Dream written by Shakespear. The Songs from Shakespear, Milton, Waller, Dryden, Lansdown, Hammond. Music-Smith. [First edition Text by John Christopher Smith; see Garrick to James Murphey French, Dec. 1756; H. Walpole to R. Bentley 23 Feb. 1755.] Besides our own Singers, we had Sg Guadagni, Sga Passerini, Miss Potier [i.e., Mrs Vernon], and Savage's Boys. Very great Applause; Sabatini danced after it and fell down, not hurt (Cross). [See A Midsummer Night's Dream in the Hands of Garrick and Colman, G. W. Stone Jr, PMLA (June 1939).] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fairies

Dance: CComic Dance-Sabatini, Sga Sabatini, Sabatini jun, his first time

1610
22 January 1756 @ Covent Garden

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Contrivances

Dance: Guerin Jun, Mlle Capdeville

1611
01 March 1756 @ Covent Garden

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Englishman Returnd from Paris

Dance: Granier Jun, Mlle Capdeville

1612
30 March 1756 @ King's Theatre

Performances

Mainpiece Title: Ricimero

Dance: End I: New Dance-Signora Banti, Lucas (first time of appearing on this Stage); II: Dancing-Signora Banti, Poitier Jun; III: Minuet-Signora Banti, Bugiani

1613
28 April 1757 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Lethe

Music: By Desire aConcerto on the Violin-Cross Jun

1614
30 July 1764 @ Haymarket Theatre

Performances

Mainpiece Title: The Lyar

Afterpiece Title: The Mayor of Garratt

Dance: I: As17640727 End: A new comic Dance called The Shepherdess and the Faux Aveugle-Gherardi jun, Master Clinton, Miss Street

1615
24 August 1764 @ Haymarket Theatre

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Citizen

Dance: I: The Sicilian Peasants, as17640626 End: The Gypsey in a Village-Gherardi jun, Master Clinton, Miss Street

1616
12 February 1767 @ Drury Lane Theatre

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Neck or Nothing

Music: III: New Concerto on the Harpsichord-Burney Jun

Dance: End of Play: Hearts of Oak-Giorgi, Mrs King

1617
25 April 1767 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: High Life below Stairs

Dance: II: Hearts of Oak, as17670212

Music: End: Concerto on Harpsichord- as17670212Burney Jun

1618
23 May 1767 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: Miss in Her Teens

Music: End: Concerto on Harpsichord-Burney Jun

1619
14 February 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexanders Feast

Afterpiece Title: The Coronation Anthems

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-Linley Jun

1620
06 March 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Principal Vocal Parts-Norris, Webster, Miss Linley, Miss M. Linley, Mrs Farrell, Miss Draper; 1st Violin-Linley Jun.

Cast

Role: 1st Violin Actor: Linley Jun.

Afterpiece Title: Drydens Ode

Song: Between: As there are very few songs in Acis and Galatea that can be adapted for Mrs Farrell's voice, she will sing a cantata The rosy morn with crimson dye=-Mrs Farrell

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-probably Linley Jun

1621
07 May 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Song: As17790503

Entertainment: End: Imitations-Bannister Jun

1622
13 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

1623
12 April 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I New Divertisement, as17821130, but omitted: Slingsby; End of Act II 11 Riposo del Campo, as17830313but Degville Jun. in place of Slingsby

1624
17 January 1784 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Darianna

Dance: End of Act I Friendship leads to Love, as17840103; End of Act II an entirely new dance, connected with the Opera, composed by D'Auberval, The Slaves of Conquering Bacchus, with a Pas de Trots by Mme Rossi, Slingsby, Mme Simonet; a Pas de Deux by Vestris [Jun.], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon

1625
03 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I The Pastimes of Terpsycore, as17831227; End of Opera an entirely new Anacreontic Ballet (1st time), composed by D'Auberval, Le Reveil du Bonheur, by Slingsby, Vestris [Jun.], Mme Rossi, Mme Theodore, Mme Simonet, and Cupid-Miss De Camp. The Music of both dances by Barthelemon