SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Bullock Sen"/1) | (@(roleclean,performerclean) "Mr Bullock Sen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4423 matches on Event Comments, 2915 matches on Performance Comments, 1217 matches on Performance Title, 260 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The True Briton

Dance: In Act III of mainpiece a Hornpipe, as17820314mitations. End of mainpiece, by Bannister Jun

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Harlequin's Invasion

Dance: As17820318athi

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Flitch of Bacon

Dance: End of Act II of mainpiece, as17820223

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Linco's Travels

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpicce a Minuet and Gavot by Zuchelli and Miss M. Stageldoir

Song: In Act II of mainpiece a song by Du-Bellamy; End of Act III The Soldier tir'd of War's Alarms, as17820420

Event Comment: Afterpiece: Written by the Author of The Son-in-Law [John O'Keeffe]. The Overture and New Musick composed by Dr Arnold. "The same person who, in the play, performed the school-fellow of the Nabob with a great deal of nature, and original humour, here acted the part of the school-master; his name is Edwin, and he is, without doubt, one of the best actors of all that I have seen ... [He], in all his comic characters, still preserves something so inexpressibly good tempered in his countenance, that notwithstanding all his burlesques, and even grotesque buffoonery, you cannot but be pleased with him . . . Nothing could equal the tone and countenance of self-satisfaction, with which he answered one who asked him whether he was a scholar? 'Why, I was a master of scholars.' A Mrs Webb represented a cheesmonger, and played the part of a woman of the lower class, so naturally, as I have no where else ever seen equalled. Her huge, fat, and lusty carcase, and the whole of her external appearance seemed quite to be cut out for it" (Carl Philipp Moritz, Travels in England in 1782, London, 1924, pp. 73-74)

Performances

Mainpiece Title: The Nabob

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Genius of Nonsense

Performance Comment: Harlequin, Vocal and Rhetorical-Bannister Jun.; Ditto, Mum!-Spencer; Agreeable Companion in a Post-Chaise-Webb; Landlord-Usher; Dame Turton-Edwin; Goody Burton-Wood; Gammer Gurton-Bannister; Pantaloon-Massey; Clown-Delpini; Head Boy of the Marine Society-Master Edwin; Officer in the Camp-Wood [i.e. doubled Goody Burton]; Emperor of the Quacks-Bannister Jun. [i.e. doubled Harlequin]; Columbine-Miss Morris; Ballad Singer-Mr Darley; Chambermaid-Mrs W. Palmer; Goddess of Health, and Genius of Nonsense-Miss Hooke (The Young Lady who performed the part of Polly [on 11 June]) .on 11 June]) .

Dance: As17820606

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: None are so Blind as Those Who Won't See

Performances

Mainpiece Title: The Life And Death Of Common Sense

Performance Comment: Priest-Wilson; Law-Massey; Physick-Staunton; Ghost of Tragedy-Pierce; Ghost of Comedy-Barrett; Whispering Ghost-Painter; Officer-Ledger; Harlequin-Stevens; Attendant-Kenny; Queen of Common Sense-Mrs Lefevre; Maids of Honour-Miss Morris, Mrs [W.] Palmer; Queen of Ignorance-Mr Wewitzer. Characters in the Introduction: Fustian-Bannister Jun.; Trapwit-R. Palmer; Sneer-Swords; Prompter-Kenny; Player-Davis; Prologue to the Tragedy-Staunton; Dancer-Miss Francis .

Afterpiece Title: Tunbridge Wells [recte Walks]; or, The Yeoman of Kent

Afterpiece Title: The Tobacco Box; or, The Soldier's Pledge of Love

Afterpiece Title: The Author

Performances

Mainpiece Title: The East Indian

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece to conclude with a Grand Ballet, in Spanish Characters, by Giorgi, Byrn, Miss Byrn, Sga Vidini, and others

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Teague

Dance: In Act III of mainpiece a Hornpipe [performer not listed]; In afterpiece, as17820826

Song: In afterpiece The Tobacco Box by Brett and Miss Morris

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: As17820917

Song: In Act II of mainpiece song by Miss Field

Monologue: 1782 09 19 As 17 Sept

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Minor

Performances

Mainpiece Title: The Fatal Interview

Afterpiece Title: The Gentle Shepherd

Performances

Mainpiece Title: King Henry The Second; Or, The Fall Of Rosamond

Afterpiece Title: Rosina

Dance: End of mainpiece new Dance, composed by Harris, Damon and Musidora, by Harris, Miss Besford, and others

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Triumph of Mirth

Dance: End of Act II of mainpiece, as17820917

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Triumph of Mirth

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Dance: In Act III of mainpiece a Hornpipe by Miss Besford

Performances

Mainpiece Title: Twelfth Night; Or, What You Will

Afterpiece Title: Tristram Shandy

Song: End of Act III of mainpiece The Pigeon by Mrs Kennedy; End of mainpiece Four and Twenty Fiddlers all on a Row by Edwin

Monologue: 1783 05 07 End of Act I of afterpiece A Description of the Tombs in Westminster-Abbey by Edwin

Performances

Mainpiece Title:

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Ghost

Dance: As17820927

Song: End of Act II of mainpiece The Huntsman's sweet Hollo!, as17830516; End of Dance ThomasDay. Goody Cramp-Bannister; Goody Rheum-Brett; Goody Twitch-Edwin

Event Comment: Benefit for [W.] Bates and Mahon. Afterpiece: With an exact Representation of the Irish Giant [who had recently been exhibited in London: Charles Byrne, 1761-83], and a Leap through a Cask on Fire. Receipts: #132 5s. Receipts: #132 5s. (none listed; tickets: 132/5) (charge: #105)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Royal Chace

Song: End of Act iv of mainpiece Tally Ho!, as17830516

Performances

Mainpiece Title: The Son-in-law

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Genius of Nonsense

Performance Comment: Harlequin, Vocal and Rhetorical-Bannister Jun.; Ditto, Mum!-Spencer; Agreeable Companion in a Post-Chaise-Egan; Landlord-Usher; Dame Turton-Edwin; Goody Burton-Wood; Gammer Gurton-Bannister; Pantaloon-Massey; Clown-Delpini; Head Boy of the Marine Society-Master Edwin; Officer in the Camp-Wood [i.e. doubled Goody Burton]; Emperor of the Quacks-Bannister Jun. [i.e. doubled Harlequin]; Columbine-Miss Morris; Ballad Singer-Mr Wewitzer; Chambermaid-Mrs W. Palmer; Goddess of Health and Genius of Nonsense-Miss Hooke .

Dance: End of Act II of mainpiece, as17830604

Performances

Mainpiece Title: Summer Amusement; Or, An Adventure At Margate

Afterpiece Title: The Genius of Nonsense

Dance: End of Act I of Mainpiece, as17830531

Performances

Mainpiece Title: In A Village

Afterpiece Title: Man and Wife

Performance Comment: Marcourt-Palmer; Kitchen-Massey; Colonel Frankley-Riley; Snarl-Egan; Buck-Davis; Landlord-Usher; Luke-R. Palmer; Fleece-Stevens; Ostler-Swords; Mr Cross-Parsons; Charlotte-Mrs Bulkley; Sally-A Very Young Lady (1st appearance on any stage [Miss Logan]); Landlady-Mrs Love; Passenger-Mrs Poussin; Lettice-Miss Morris; Mrs Cross-Mrs Webb .
Cast
Role: Passenger Actor: Mrs Poussin

Dance: As17830611