SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Bullock Sen"/1) | (@(roleclean,performerclean) "Mr Bullock Sen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4423 matches on Event Comments, 2915 matches on Performance Comments, 1217 matches on Performance Title, 260 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Afterpiece Title: The Citizen

Dance: III: The Village Romps, as17661008; End: The Female Archer, as17661215

Event Comment: Benefit for Shuter. Tickets to be had of Shuter at Number 2, in Martlet Court, Bow St. Covent Garden; and of Mr Sarjant, Book-Keeper. Charges: #65 2s. [Profits to Shuter #150 6d., plus #70 11s. from tickets (Box 233; Pit 82).] Paid Miss Elliott the balance of her two nights Jan. 13 and Feb. 18, #90 13s. 6d. and gave her as a present from the managers by deducting the charge of the Farce for her 2nd night, Feb. 18th, #21 (Account Book). Receipts: #215 2s. 6d. (Account Book). About 5 with great difficulty got into the Pit at Covent Garden to see...the benefit for Mr Shuter. Stood all night at the bottom of the Pit in a most disagreeable situation, though I saw very well and heard too, unless when prevented by the noise on occasion of which Shuter very smartly applied the Passage, But if we all speak together, how shall we hear one another," and again when a great noise was made about someone in the Gallery, he cried 'Give him a knock o' the head and make him quiet,' and another bawling Silence," he cried Silence, Silence why don't you be quiet.'At the end of Act II, the Cries of London', with additions by Shuter. In going off he shook his head on hearing it encored, but was oblig'd to comply by repeating the greater part. End of Opera Shuter entertained us with his Serious, Comic Post-Haste Observations in his Journey to Paris, to hear which was a principal reason of my not dining at Holliss's. The Barber in the Upholsterer inimitably played by Woodward (Neville MS Diary)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Upholsterer

Dance: TThe Female Archer, as17661215

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Deuce Is in Him

Dance: III: The Vintage, as17661011

Entertainment: End: Linco's Travels. Particularly in England, a New Humorous Little Piece, that night only,-King; Dorcas-Mrs Bradshaw

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Love a-la-Mode

Performances

Mainpiece Title: Countess Of Salisbury

Afterpiece Title: Miss in Her Teens

Dance: Miss Froment

Event Comment: At 5 went into the Pit at Covent Garden to see Mrs Yates do Lady Townly. Yates is an excellent Sir Francis, but Powell does not shine in Lord Townly....The Entertainment was the new comedy in two acts called the Oxonian in Town, with a prologue by Woodward in the character of a student....It being suspected that a number of sharpers whose characters and practices are laid open in this piece, would attempt to damn it tonight (the 3rd of its being Performed) under pretence of its casting odium on the Irish, bills were dispersed in the House during the play vindicating it from any such intention. Woodward was allowed to speak the prologue, but as soon as the curtain drew up catcalls began. When the performers retired, Powell spoke several times, but was not heard. I was told that the author (Mr Colman) desires to know whom he has offended. The Pros were a very great majority, and at last after a contest of better than 1!2 an hour, the victory was over and the piece was performed. I think it contains many good sentiments, and excellent instruction to young men and is not unworthy of Mr Colman. If vice must not be exposed to hatred and contempt, the usefulness of our theatres is at an end. Only I think the Covent Garden pleasures are represented in too favourable a light. When all was over Powell came on the stage and thanked the audience for their generous protection (Neville MS Diary). Receipts: #212 12s. (Account Book)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: The Oxonian in Town

Dance: II: New Comic Dance, as17671106; End: The Merry Sailors, as17671009

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Oxonian in Town

Dance: End of Opera: The Garland, as17671214

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deuce Is in Him

Song: I: A Trio-Vernon, Miss Young, Mrs Dorman; End: The Albion Song-Vernon

Dance: II: A Minuet-Tassoni, Miss Granier , his Apprentice; IV: The Medley-Tassoni, Mrs King

Event Comment: By Special License from the Lord Chamberlain, For One Night Only. Benefit for Lee. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. Both pieces By Particular Desire. Present, the King of Denmark. Receipts: #244 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Damon and Phillida

Performances

Mainpiece Title: King Richard Iii

Dance: End: A Comic Dance call'd The Wake-Giorgi, Mrs King

Event Comment: Doors opened at 6 o'clock. To Begin (By Particular Desire) exactly at Seven. Mainpiece: By Particular Desire. King of Denmark. Lusignan-Mr Garrick (Cross Diary). For the King of Denmark.--At a Quarter after seven, an Apology was made by Mr Holland--viz.--"The King, being detained longer than he expected, sent word to desire the play might begin as he would not by any means make the publick wait, and he would come as soon as he possibly could,--and he [Holland] desired to know the audience's pleasure whether it should begin before he came."--A great clap and cry'd "No,"--not begin till he comes"--At thirty-five minutes after seven he came, and the play began (Hopkins Diary)

Performances

Mainpiece Title: Zara

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lottery

Event Comment: Mainpiece: By Particular Desire. Neville MS Diary: Saw Douglas by a Mr Brereton, being his 3rd appearance. He is a pretty figure, but wants lemon in his voice, as Mr Garrick calls it. Lady Randolph by Mrs Barry. The Entertainment was Queen Mab, with a new scene representing the late Masquerade at the Opera House, with all the extravagances and intrigue which it occasions. Was very much squeezed in the Pit. Wish I was settled in th country at a distance from these crowded diversions

Performances

Mainpiece Title: Douglas

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Harlequin Dr Faustus

Dance: III: The Wapping Landlady, Double Hornpipe, as17690408

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Lottery

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Lottery

Dance: II: The Wake, as17680929; End: Double Hornpipe-Walker, Miss Ward

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Sheridan (being his first appearance in this Kingdom these six Years); King-Bannister; Laertes-Aickin; Horatio-DuBellamy; Rosencrantz-Strange; Marcellus-Wheeler; Bernardo-Jacobs; Ghost-Sowdon; Gravediggers-Sparks, Castle; Polonius-Arthur; Ostrick-Hamilton; Guildenstern-Kearny; Player King-Vandermere; Priest-Sharpless; Lucianus-Summers; Queen-Mrs DuBellamy; Player Queen-Mrs White; Ophelia-Mr Jewell.
Cast
Role: Rosencrantz Actor: Strange

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Apprentice

Entertainment: SScrub's Trip to the Jubilee (a New Occasional Prologue)-Weston

Event Comment: SSir John Brute, Mr Garrick (Cross Diary). The Fair Penitent was advertised for Wednesday the 11th: a Rehearsal was call'd on Tuesday the 10. About nine o'clock in the morning Mr Barry sent for & told me he was so ill that would be impossible for him to play for sometime & that he would give up his salary till he was able to play (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Register Office

Event Comment: HHopkins MS Memorandum Book: Mrs Barry sent word she was so ill she could not come out for the Pageant [The Jubilee]. If she did she could not play in the Mourning Bride on Monday. I waited on her by the manager's orders & told her they would excuse her playing on Monday if she would come out & do her part in Pageant; & as it was a thing of great consequence to them, they desir'd and expected as she had begun it [as the Tragic Muse] that she would continue it as long as she was able. Her answer was, that as they seem'd to think it of such consequence she would come out & do it tonight & Monday night, but after that desir'd to be excus'd from do[ing] it. On Tuesday Morning Mr Barry sent a note that Mrs Barry was ill in her Bed & could not come out till she was better. Tancred & Sigismunda was call'd, and I did not receive the note till the rehearsal was begun. I also on Saturday deliver'd a message to Mrs Barry from Mr Garrick that he would never ask her to play in anything in which he was particularly interested. Her answer was that was in his Rage. But if his mind should alter, she was ready and willing to do anything he would desire her to do

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Jubilee

Event Comment: TTancred and Sigismunda deferred. Mrs Barry ill. I call'd upon Mr Barry. He was not at home. In the afternoon I sent him a note desiring they would send notice when they were able to perform. He sent me an angry note in answer on Fryday. I, by the managers [orders] answer'd it on Fryday morning, both which letters Mr Garrick has (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Jubilee

Dance: Dagueville, Sga Vidini

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Manor

Afterpiece Title: The Rape of Proserpine