SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Bullock Sen"/1) | (@(roleclean,performerclean) "Mr Bullock Sen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4423 matches on Event Comments, 2915 matches on Performance Comments, 1217 matches on Performance Title, 260 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Double Amour

Dance: End IV: a Dance-Allison, Pupils of Allison

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Oscar and Malvina

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Gentle Shepherd

Dance: End 1st song: The Dance in Fetters-Allison

Song: End: The Cries of Edinburgh-Shaw; End I afterpiece: Hark hark to the Woodlands-Miss Thompson (1st appearance)

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Minor

Entertainment: Monologue. Occasional Prologue-Bannister Jun

Performances

Mainpiece Title: The Fugitive

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Irishman in London; or, The Happy African

Dance: I: a Fair Scene-; Statute Dance-; End: As17920410

Song: In afterpiece: a Planxty, descriptive of Ireland If you travel the wide world all over (Morning Herald, 23 Apr.)-Johnstone in Character

Event Comment: 1st piece [1st time; PREL 1, by Richard Cumberland. Larpent MS 958; not published]. Without insisting on the great Expence that has been incurred in re-building this Theatre (in the erecting of which no other Object has been attempted but the greater ease, safety and accomodation of the Spectators) it appears upon the Books that the Annual Disbursements of the past Seasons have gradually been encreasing from Year to Year, under the Direction of the present Proprietor, to nearly the sum of #10,000 per Annum more than the usual Expenditure of any of his Predecessors; it is therefore trusted the Necessity of the following small Advancement of the Prices of Admission to the Boxes and the Pit will be sufficiently apparent to the Justice of that Public whose Liberality has never yet been doubted. E. Barlow, Treasurer. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. No Money to be returned. The Office for taking Places for the Boxes is removed to Hart-street. The principal new Entrance to the Boxes is from the Great Portico in Bow-street; from the Small Portico are Entrances to the Pit and Gallery only. In the Old Passage from the Piazza are new Entrances to the Boxes, Pit, and Gallery. Carriages coming to Bow-street Entrances are desired to set down and take up with the Horses' Heads towards Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 12 Nov.]. [The audience objected vociferously to the increased prices of admission and to the absence of a 2nd gallery (and see under 19 Sept.). "The Prelude passed off without a syllable of it being heard...Two acts of The Road to Ruin displayed the performers' skill in pantomime, for not a word was heard...The Irishman in London then walked over the stag amidst the same riot and confusion which attended the preceding pieces" (Times, 18 Sept.).] Receipts: none listed

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Road To Ruin

Afterpiece Title: The Irishman in London

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Highland Reel

Performances

Mainpiece Title: At King's The Fugitive

Afterpiece Title: Richard Coeur De Lion

Performance Comment: Richard-Kelly; Blondel-Barrymore; Florestan-Caulfield; Sir Owen-Sedgwick; Seneschal-Phillimore; Antonio-Mrs Bland; Guilliot-Suett; Matthew-Fawcett; William-Banks; Pilgrim-Webb; Matilda-Mrs Crouch; Lauretta-Miss Barclay; Dorcas-Mrs Edwin; Julie-Miss Menage; Chorus of Knights-Danby, Cooke, Maddocks, Lyons; Chorus of Soldiers-Fawcett, Alfred, Shaw, Dorion.
Cast
Role: Seneschal Actor: Phillimore

Dance: In afterpiece: Master L. D'Egville, Miss Menage, Miss S. D'Egville. [Danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: Harlequin's Museum

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Commissary

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Tom Thumb

Dance: End: The Wapping Landlady-Blurton, King, Mrs Watts

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The School for Arrogance

Song: In III: a song (in character)-Mrs Clendining

Entertainment: As17931004

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Business and Characters: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas, &c. &c. (design'd and executed by Richards; music by Shield). Lucifer-Cubitt; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Bclial-Linton; Ades-Street. II. The Study of Dr Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-West. III. A Landscape and Water Mill (painted by Walmsley). Harlequin-Boyce; Pierrot-Follett; Miller-Hawtin; Taylor-Simmons; Bridemen-Cranfield, Ratchford, Blurton, Wilde, Rayner, Jackson, &c.//Miller's Wife-Miss Leserve; Bridemaids-Mrs Follett, Mrs Watts, Mrs Ratchford, Mrs Cranfield, Mrs Crowe, Mrs Lloyd, &c.; Colombine-Mme Rossi; Philidel (the Celestial Spirit)-Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog (The Machinery invented by Hodgins). Landlady (with a song in character)-Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne) by Blanchard, Bernard, Davies, Linton, Street, Spofforth, &c. VI. A View of Smithfield on a Market-Day (painted by Hodgins and Phillips). A New Glee (composed by Shield [singers not listed]). VII. The Garden of Faustus (painted by Pugh). Zephyrus-Byrn//Flora-Mlle St. Amand. VIII. A Tobacco Warehouse, which changes to an Equestrian Figure by Roubiliac. IX. A Street, in which is introduced two Irish Sedan Chairs (designed by Hodgins). Harington's Stammering Glee by Blanchard, Townsend, Cubitt. X. A View of a Garden and Tent, which changes to a Canal, in which will be introduced the celebrated piece of machinery, The Peacock. XI. A Farm Yard, which changes to a Chinese Bridge. XII. The Infernal Regiom, with a Shower of Fire. XIII. The Temple of Glory (designed and executed by Hodgins). Aerial Spirits-Byrn, Holland, Mlle St. Amand, Cranfield, Ratchford, King, Blurton, Wilde, Mrs Castelle, Miss Kirton, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Blurton .

Performances

Mainpiece Title: Love's Frailties; Or, Precept Against Practice

Afterpiece Title: HARTFORD BRIDGE

Performances

Mainpiece Title: The Chances

Afterpiece Title: TRISTRAM SHANDY

Afterpiece Title: A DIVERTISEMENT

Dance: In 3rd piece a Ballet by Byrn, Mlle St. Amand, Mme Rossi

Song: In Act II of 1st piece a song by Mrs Mountain

Performances

Mainpiece Title: The Heiress

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Rage

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Johnstone, Incledon, Bernard, Powel, Townsend, Richardson, Mrs Martyr, Mrs Clendining, Mr Rees; [Cast adjusted from playbill of 12 Apr. 1794: Capt. Frederick-Johnstone; Thicket-Incledon; Flambeau-Bernard; Sir Fidget Fearful-Powel; Gregory-Townsend; Clueline-Richardson; Peggy-Mrs Martyr; Sophia-Mrs Clendining; Whim-Mr Rees.] With Dialogue to intrdduce the following favorite Songs, selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter-Bernard; [Peggy Perkins, Let Bards elate-Townsend; [Irish Drinking Song, Of the Ancients its speaking-Johnstone; The Greenwick Pensioner ['Twas in the good ship Rover]-Richardson; [Comic Song, How much I love thee-Powel; [Taffy and Griddy, Abergavenny is fine-Mrs Martyr; [Hunting Song, To Batchelor's Hall, [and Poor Jack, Go Patter to lubbers, [and The Portrait, Come, Painter, with thy happiest flight-Incledon; [To conclude with a Rural Masquerade-; [Indian Song, Dear Yanco say and true be say-Mrs Mountain; [Sea Song, A Sailor's life's a life of woe-Mrs Clendining; [The Masquerade, Sure an't the World a Masquerade-Johnstone, Chorus.

Dance: In afterpiece: a Ballet-Byrn, Mlle St.Amand, Mme Rossi

Performances

Mainpiece Title: Emilia Galotti

Afterpiece Title: The Wedding Day

Song: In afterpiece: In the dead of the night-Mrs Jordan [not listed on playbill, but see BUC, 1061]

Performances

Mainpiece Title: First Love

Performance Comment: Characters by Wroughton, King, Palmer, Bannister Jun., R. Palmer, Suett, Hollingsworth, Trueman, Phillimore, Webb, Mrs Jordan, Miss Farren, Miss Pope, Miss Tidswell, Mrs Heard. [Cast from text (C. Dilly, 1795): Lord Sensitive-Wroughton; Sir Miles Mowbray-King; Frederick Mowbray-Palmer; David-Bannister Jun.; Mr Wrangle-R. Palmer; Billy Bustler-Suett; Robin-Hollingsworth; Servant to Lady Ruby-Trueman; Servant to Mr Wrangle-Webb; Sabina Rosny-Mrs Jordan; Lady Ruby-Miss Farren; Mrs Wrangle-Miss Pope; Mrs Kate-Miss Tidswell; Waiting Woman to Lady Ruby-Mrs Heard; unassigned-Phillimore; Prologue-Palmer; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Lord Sensitive Actor: Wroughton

Afterpiece Title: The Adopted Child

Performances

Mainpiece Title: The Bank Note; Or, A Lesson For The Ladies

Performance Comment: Sir Charles Leslie-Holman; Killeary-Johnstone; Ned Dash-Fawcett; Mr Bloomfield-Middleton; Mr Hall [recte Hale]-Davenport; Father-Hull; Lieut. Selby-Macready; Tim-Townsend; Careful-Powel; Young Bloomfield-Miss Standen; Mrs Bloomfield-Mrs Mattocks; Lady Supple-Mrs Davenport; Sally Flounce-Mrs Mountain; Emma Hall-Mrs Townsend; Miss Russel-Miss Wallis.
Cast
Role: Tim Actor: Townsend
Role: Emma Hall Actor: Mrs Townsend

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: The Rage

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Johnstone, Incledon, Bernard, Powel, Townsend, Richardson, Mrs Martyr, Mrs Clendining, Mr Rees; [Cast from playbill of 29 Oct. 1794: Capt. Frederick-Johnston; Thicket-Incledon; Flambeau-Bernard; Sir Fidget Fearful-Powel; Gregory-Townsend; Clueline-Richardson; Peggy-Mrs Martyr; Sophia-Mrs Clendining; Whim-Mr Rees.] Dialogue-; to introduce the following favorite Songs selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter I'm jolly Dick the Lamplighter-Bernard; [Peggy Perkins, Let Bards elate-Townsend; [Irish Drinking Song, Of the Ancients its speaking-Johnstone; The Greenwich Pensioner ['Twas in the good ship Rover]-Richardson; [Comic Song, How much I love thee-Powel; [Taffy and Griddy, Abergavenny is fine-Mrs Martyr; [Hunting Song, To Batchelor's Hall, [Poor Jack, Go patter to lubbers, [The Portrait, Come Painter with thy happiest flight-Incledon; [To conclude with a Rural Masquerade-; [Indian Song, Dear Yanco say and true he say-Mrs Mountain; [Sea Song, A Sailor's life's a life of woe-Mrs Clendining; [The Masquerade, Sure an't the World a Masquerade-Johnstone, Chorus.

Dance: In afterpiece: Ballet-Byrn, Mlle St.Amand

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: The Fugitive

Afterpiece Title: Harlequin Captive

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: No Song No Supper