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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Bull"/1) | (@(roleclean,performerclean) "Mr Bull")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5702 results for: Keyword - Mr Bull
We found 4248 matches on Event Comments, 1198 matches on Performance Comments, 533 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

876
04 May 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Relapse

Performance Comment: As17511231, but Young Fashion-Mozeen; Worthy-Blakes; Sir John-_; Page-_; Tailor-_; Bull-_; Shoemaker-_.
Cast
Role: Bull Actor: Burton

Afterpiece Title: The Lying Valet

Dance: II: A Hornpipe-the Little Swiss; V: A Comic Dance-Shawford Jun, Miss Shawford

Song: IV: Master Vernon

877
12 February 1754 @ Covent Garden

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Performance Comment: Foppington-Cibber; Loveless-Smith, 1st time; Young Fashion-Dyer; Sir Tunbelly-Martin; Coupler-Arthur; Worthy-Ridout; Seringe-Shuter; Lory-Stevens; Varole-Bencraft; Shoemaker-Paddick; Bull-Stoppelaer; Amanda-Mrs Barrington; Hoyden-Miss Baker; Nurse-Mrs Pitt; Berinthia-Mrs Bland; Occasional Prologue-.
Cast
Role: Bull Actor: Stoppelaer

Afterpiece Title: The Mock Doctor

Dance: Granier, Mlle Camargo

878
06 November 1754 @ Covent Garden

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Performance Comment: Foppington-Cibber; Loveless-Smith; Young Fashion-Dyer; Sir Tunbelly-Marten; Coupler-Arthur; Worthy-Ridout; Seringe-Shuter; Lory-Stevens; Varole-Bennet; Shoemaker-Paddick; Bull-Stoppelaer; Amanda-Mrs Elmy; Hoyden-Mrs Green; Nurse-Mrs Pitt; Berinthia-Mrs Woffington.
Cast
Role: Bull Actor: Stoppelaer

Afterpiece Title: Harlequin Skeleton

879
29 November 1754 @ Covent Garden

Performances

Mainpiece Title: The Relapse

Performance Comment: As17541106, but Lory-Cushing; Shoemaker-Costollo; Bull-_; Varole-_.
Cast
Role: Bull Actor: Stoppelaer

Afterpiece Title: Harlequin Skeleton

880
25 April 1763 @ Covent Garden

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Performance Comment: Lord Foppington-Woodward; Loveless-Smith; Young Fashion-Dyer; Lory-Cushing; Worthy-Ross; Sir Tunbelly-Marten; Bull-Lewis; Sir John Friendly-Davis; Taylor-Perry; Varole-Holtom; Coupler-Hayes; Shoemaker-Costollo; Page-Mas. Roger; Syringe-Shuter; Amanda-Mrs Vincent; Nurse-Mrs Pitt; Miss Hoyden-Miss Hallam; Berinthia-Miss Elliot.
Cast
Role: Bull Actor: Lewis

Afterpiece Title: The Rape of Proserpine

881
20 March 1770 @ Covent Garden

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Performance Comment: Foppington-Woodward; Loveless-Smith; Worthy-Hull; Coupler-Quick; Lory-Cushing; Syringe-Shuter; Young Fashion-Dyer; Sir Tunbelly-Dunstall; Miss Hoyden-Mrs Mattocks; Bull-Saunders; Nurse-Mrs Pitt; Amanda-Mrs Vincent; Berinthia-Mrs Bellamy; With Sir John Vanbrugh's Original Epilogue in the Character of Foppington-Woodward.
Cast
Role: Bull Actor: Saunders

Afterpiece Title: Harlequin's Jubilee

882
30 April 1776 @ Covent Garden

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Man of Quality

Performance Comment: Foppington-Woodward; Young Fashion-Lee Lewes; Sir John Friendly-Young; Bull-Booth; Lory-Cushing; Coupler-Thompson; Porter-Fearon; Shoemaker-Jones; La Varole-Wewitzer; Taylor-Bates; Mendlegs-Ledger; Sir Tunbelly Clumsy-Wilson; Nurse-Mrs Pitt; Sempstress-Mrs White; Miss Hoyden (with a Song)-Mrs Wilson , first appearance that stage.
Cast
Role: Bull Actor: Booth

Dance: End: Mirth and Jollity, as17760102

883
08 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Performance Comment: Townly-Staunton; Beggar-Blissett; Waiter-Barrett; Carpenter-Kenny; Signior Scrapelli-Delpini; Signior Trebletti-Painter; Signior Vermicelli-R. Palmer; Mons Cabry-Wewitzer; Violon-Dorion; John Bull-Webb; Prompter-Bannister Jun.
Cast
Role: John Bull Actor: Webb

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

884
03 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Performance Comment: Townly-Staunton; Beggar-Usher; Waiter-Barrett; Carpenter-Kenny; Signior Scrapelli-Delpini; Violon-Dorion; John Bull-Webb; Signior Trebletti-Painter; Signior Vermicelli-R. Palmer; Mons Cabry-Wewitzer; Prompter-Bannister Jun .
Cast
Role: John Bull Actor: Webb

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

885
20 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Performance Comment: Townly-Williamson; Beggar-Blissett; Waiter-Barrett; Carpenter-Kenny; Signior Scrapelli-Delpini; Violon-Gaudrey; John Bull-Gardner; Signior Trebletti-Painter; Signior Vermicelli-R. Palmer; Mons Cabry-Wcwitzer; Prompter-Bannister Jun .
Cast
Role: John Bull Actor: Gardner

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn

886
22 November 1785 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Performance Comment: As17851103, but Sir John Bull-Booth .
Cast
Role: Sir John Bull Actor: Booth
Role: Lady Bull Actor: Mrs Webb

Afterpiece Title: Retaliation

Dance: As17851112

887
20 May 1789 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Performance Comment: As17880926, but Sir John Bull-Fearon; Mrs Casey-Miss Stuart; Rosa-Mrs Billington; Nanette-Mrs Watts.
Cast
Role: Sir John Bull Actor: Fearon
Role: Lady Bull Actor: Mrs Webb
Role: Miss Dolly Bull Actor: Mrs Mattocks.

Afterpiece Title: The Flitch of Bacon

Dance: As17881021

Song: Mainpiece: With an additional song by Shield-; the Bravura Song from Erifile, by Sacchini-; accompanied on the hautboy-W. Parke; Auld Robin Gray-Mrs Billington

888
16 September 1789 @ King's Head Inn, Borough High Street, Southwark

Performances

Mainpiece Title: Inkle And Yarico

Entertainment: Vaudeville End Opera: [The Last new Squeeze for St. Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous

Performance Comment: Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous., Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous.
Cast
Role: consisting of Spanish Bull Actor: baiting, and several other Diversions-Pope

889
22 April 1790 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Performance Comment: As17900218, but Celia (1st time)-Mrs Mountain; Miss Dolly Bull (for that night only)-Mrs Martyr (1st appearance in that character).
Cast
Role: Miss Dolly Bull Actor: Mrs Martyr
Role: Sir John Bull Actor: Powel
Role: Lady Bull Actor: Mrs Webb

Afterpiece Title: The Padlock

Dance: As17900323

Song: End I afterpiece: The Knife Grinder's Song, composed and to be sung in character-Reeve

Entertainment: Monologue. After Dancing: A New Occasional Prologue-Bernard

890
03 May 1791 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Performance Comment: As17901015, but Sir John Bull-Powel; Col. Epaulette's new song-_; New Epilogue Address-Mrs Mattocks.
Cast
Role: Sir John Bull Actor: Powel
Role: Lady Bull Actor: Mrs Webb
Role: Miss Dolly Bull Actor: Mrs Mattocks.

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Afterpiece Title: The Intriguing Chambermaid

891
07 June 1793 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Performance Comment: As17921003, but Sir John Bull-Powel.
Cast
Role: Sir John Bull Actor: Powel.
Role: Lady Bull Actor: Mrs Webb
Role: Miss Dolly Bull Actor: Mrs Mattocks.

Afterpiece Title: The Prisoner at Large

892
04 December 1797 @ Haymarket Theatre

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Bull; Portius-Wilkinson; Marcus-Thomas; Sempronius-Williams; Syphax-Minton; Lucius-Dawson; Decius-Cameron; Mutineers-Barnet, Duncan; Juba-Bellamy (from the Theatre Royal York); Lucia-Miss Parker; Marcia-Miss Herbert.
Cast
Role: Cato Actor: Bull

Afterpiece Title: The Citizen

Song: End: a celebrated Scotch Ballad-

Entertainment: Monologue.Before: [the original Address-; [i.e. Prologue] [written by Pope, with four concluding lines from Prologue of Agis- [by John Home]

893
28 May 1798 @ Covent Garden

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Starboard Watch

Afterpiece Title: Harlequin and Faustus; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Machinery and Decorations: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Flagetus (designed and executed by Richards; music by Shield), in which scene is introduced The Serpentv (invented by Rich). Pillardoc-Clarke; Asmodous-Gray; Lucifer-Dyke; Orchus-Blurton; Belial-Linton; Ades-Street; II. The Study of Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-Simmons; III. Landscape and Water-Mill (painted by Walmsley). Harlequin-Simpson; Pierrot-Follett; Miller-Hawtin; Miller's Wife-Miss Leserve; Colombine-Mlle St.Amand; Philidel (the Celestial Spirit)-Miss Wheatley. IV. A View of a Country Inn. Trick Bull and Dog. V. View of Smithfield on a Market Day. VI. The Garden of Faustus (painted by Pugh). Festoons of Flowers ascend. A Dance of Statues. VII. A Street. Two Trick Sedan Chairs (invented by Hodgins). VIII. A Farm Yard, which changes to a Chinese Bridge, in which will be introduced the celebrated Piece of Machinery, The Peacockv (conducted by Sloper). IX. A Tobacco Warehouse, which changes to a Golden Equestrian Figure (by Roubiliac). X. The Infernal Regions, and a Shower of Fire. XI. The Temple of Glory.
Cast
Role: Philidel Actor: Miss Wheatley. IV. A View of a Country Inn. Trick Bull and Dog. V. View of Smithfield on a Market Day. VI. The Garden of Faustus

Song: In course: The High Mettled Racer (composed by Dibdin)-Incledon; Patents all the Rage-Munden; The Beggar, as17980525; Duetto-Mrs Martyr, Mrs Mountain; The Wind blew fresh and fair-Townsend

Music: In course of Evening: solo on the Union Pipes-Murphy; accompanied on the Harp-Weippert

Entertainment: Vaudeville.In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith

894
23 June 1660 @ The Red Bull Theatre

Event Comment: This performance is known by the Prologue and Epilogue printed in Thomas Jordan's A Nursery of Novelities or Variety of Poetry. The Prologue is dated 24 June 1660, but as this date falls on Sunday, the performance has been entered as Saturday 23 June 1660, for in this same work (p. 19) Jordan mentions: A Speech by way of Epilogue to those that would rise out of the Pit at the Red Bull in the last Scene, and disturb the conclusion by going on the Stage, June 23d 1660. [The Prologue and Epilogue have been reprinted in the Shakespeare Society Papers, IV (1849), 140-42, and in Sprague, Beaumont and Fletcher on the Restoration Stage, pp. 9-10. See also the list at the beginning of the season 1659-1660.

Performances

Mainpiece Title: The Tamer Tamed

895
03 August 1660 @ The Red Bull Theatre

Event Comment: Pepys, Diary: So that I could not do as I had intended, that is to...go the the Red Bull Playhouse, but I took coach and went to see whether it was done so or no, and I found it done

Performances

896
07 August 1660 @ no theater listed

Event Comment: On this date John Rogers petitioned the King concerning his right to keep the peace at the playhouses. In Herbert, Dramatic Records, p. 84, three companies, those at the red bull, cockpit, and salisbury court, are named as currently performing

Performances

897
14 August 1660 @ The Red Bull Theatre

Event Comment: In Herbert, Dramatic Records, p. 82, is a list of the plays acted by the Red Bull actors: The Humorous Lieutenant. Beggars Bushe. Tamer Tamed. The Traytor. Loves Cruelty. Wit without Money. Maydes Tragedy. Philaster. Rollo Duke of Normandy. Claricilla. Elder Brother. The Silent Woman. The Weddinge. Henry the Fourthe. Merry Wives of Windsor. Kinge and no Kinge. Othello. Damboys [Bussy D'Ambois]. The Unfortunate Lovers. The Widow. This list (see Hotson, Commonwealth and Restoration Stage, p. 203) apparently concerns plays revived by this company, some before 10 Sept. 1660, some afterward. (See also the list of plays at the opening of the season and also 6 and 23 June 1660.

Performances

898
20 August 1660 @ no theater listed

Event Comment: A draft of a proposed order, i Hotson, Commonwealth and Restoration Stage, p. 201, specifies the companies acting at this time: Forasmuch as wee are advertis'd, that divers persons, and Companies have assembled, and doe dayly assemble themselves together at the Play-Houses called the red bull, in St. Johns Street, the cockpit in Drury Lane, and a certaine Play-House in Salisbury Court, and at other places within our Citty of London and County of Middlesex, without the least Colour of Authority, and doe there act, performe and shew in publique, Comedies, Tragedies, and other Entertainments of the Stage

Performances

899
08 November 1660 @ Theatre in Vere Street

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (Killigrew's), now removed from the red bull to Gibbons' Tennis Court in Vere Street. Probably Clun acted Falstaff. (See An Elegy Upon the Most Execrable Murther in A Little Ark, ed. G. Thorn-Drury, pp. 30-31.

Performances

Mainpiece Title: Henry The Fourthe Part I

900
03 July 1661 @ Lincoln's Inn Fields

Event Comment: On the assumption that the run began on 28 June and extended twelve days (as Downes states), it would continue through 11 July. On 3 July a group of players entitled the Red Bull Company began a series of performances at Oxford. The performances are known through the entries in Anthony Wood's journal. For a discussion of the problems as to what actors these were, see Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713", Review of English Studies, XIX (1943), 366. On this day the players acted Tu Quoque, in which, according to Richard Walden (Io Ruminans, 1662) Anne Gibbs acted Gertrude

Performances

Mainpiece Title: The Siege Of Rhodes, Part I