SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Broad"/1) | (@(roleclean,performerclean) "Mr Broad")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4278 matches on Event Comments, 1139 matches on Performance Comments, 529 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Wishes; Or, Harlequin's Mouth Opened

Dance: Master Rogier, Miss Capitani

Performances

Mainpiece Title: Philaster

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Institution of the Garter

Dance: II: Comic Dance, as17710921

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Witches

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: May Day

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Foote, Weston, and Shuter in the Shades

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrne

Monologue: 1784 08 26 As 10 Aug

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Deserter

Song: End of Act II of mainpiece song by Mrs Kennedy; End of Act IV song by Mrs Martyr

Monologue: 1786 05 06 End of mainpiece A Description of the Tombs in Westminster Abbey by Edwin

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Blue Beard

Event Comment: Benefit for King. [This was Smith's last appearance on the stage, from which he had officially retired on 9 June 1788.] Broadside in Kemble playbills announcing this benefit: Mr King most respectfully informs the Public that his Night is fixed for Friday the 18th of May, when will be presented The School for Scandal. Mr King has the pleasure to add that Mr Smith, who was so long and so worthily applauded by the Public, and was the original performer of Charles Surface in the above, distinguished Comedy, at the particular request of Mr King, backed by a strong assurance from many admirers and encouragers of the Drama that it will not only add to Mr King's emolument but highly gratify the Town, has kindly consented to return to the Theatre for one night, and resume his favourite Character. "We had been told that Smith pourtrayed the Manners of a finished gentleman with more delicacy and characteristic propriety than any actor of his day; but this did not appear to us to be his particular excellence; he stands too wide to be graceful, and his deportment gains no advantage from a perpetual application of his hand to the lower part of the waist. These habits are far from elegant. His Charles, however, is a favourable specimen of that sort of acting which commonly falls under the denomination of the old school: light, airy, and natural; which excites applause without any anxious endeavour to produce it; which suffers the points to tell of themselves, and does not place them as so many traps to ensnare the injudicious part of the audience" (Monthly Mirror, May 1798, p. 299). "He was received with the most heart-felt gratulations by an audience who did not expect any apology for such acting, though he saw fit to deliver one at the conclusion of the play" (Monthly Visitor, May 1798, p. 72). Times, 4 May: Tickets to be had of King at his house, New Store-street, Bedford-square. Receipts: #674 6s. (388.0.6; 55.17.6; 2.0.0); tickets: 228.8.0) (charge: #212 5s. 6d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Son-in-Law

Song: In III 1st piece: song-Dignum

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performances

Mainpiece Title: The Careless Lovers

Performances

Mainpiece Title: Alphonso King Of Naples

Performances

Mainpiece Title: The Husband His Own Cuckold

Performances

Mainpiece Title: Neglected Virtue; Or, The Unhappy Conquerors

Performances

Mainpiece Title: Entertainments

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Measure For Measure; Or, Beauty The Best Advocate

Performances

Mainpiece Title: Cato

Afterpiece Title: Trick for Trick

Dance: Amorous Swain, as17350327

Performances

Mainpiece Title: Parnasso In Festa

Performances

Mainpiece Title: Love And Friendship

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid