SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Box"/1) | (@(roleclean,performerclean) "Mr Box")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6775 matches on Event Comments, 1160 matches on Performance Comments, 555 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Morris and Perry. Charges #68 10s. 6d. Deficit to Perry and Morris #5 4s. 6d. each, cover'd by income from tickets: Perry, #34 3s. (Box 32; Pit 109; Gallery 98); Morris, #62 16s. (Box 44; Pit 178; Gallery 251). Receipts: #58 1s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Mother Shipton

Dance: III: Comic Dance (with Allemande), as17711031

Event Comment: Benefit for Gardner and R. Smith. Mrs Gardner's Indisposition preventing her from performing this evening, she hopes she shall be excused by her friends. [She was to have played Catherine in Afterpiece according to advance notice of 4 May.] Charges #64 10s. Deficit to each benefiticiary #15 6s. 6d., cover'd by income from tickets: Gardner, #61 1s. (Box 118; Pit 101; Gallery 164); Smith, #64 19s. (Box 35; Pit 264; Gallery 166). Paid half year's Land Tax for the Theatre due Lady day last, #61 5s.; paid ditto for window lights, #6 10s. 6d.; Paid ditto for House in Bow Passage #2 3s. 9d. and for its window lights 15s. Receipts: #33 17s. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Catherine and Petruchio

Dance: III: Comic Dance, as17711031; IV: A Tambourine, as17720501

Event Comment: Benefit for Stoppelaer and Phillips. Charges #76 15s. 9d. [made up from half-house and wardrobe charge #33 2s. 9d. plus half-value of tickets #43 13s. House also received half the ready receipts, #41 14s. 9d. By paying over the other half of the ready money receipts, Stoppelaer still owed #35 1s., which was cover'd by the income from his tickets, #87 6s. (Box 98; Pit 278; Gallery 211). Phillips bore no expense and his tickets were gratis. He rec'd #16 12s. from them (Box 61; Pit 9).] Receipts: #83 9s. 6d. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin Dr Faustus

Dance: II: The Drunken Peasant(Peasant)-Phillips,(who has not appeared on that stage these 20 years; Clown) Banks. [See17650429.

Event Comment: Benefit for Mrs Vincent and Mrs Pitt. Charges #64 5s. Deficit to the ladies #9 18s. 9d. apiece, cover'd by income from tickets: Mrs Vincent, #64 16s. (Box 86; Pit 208; Gallery 121); Mrs Pitt; #55 16s. (Box 22; Pit 218; Gallery 176). Receipts: #44 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Country Madcap

Song: II: Ailen Aroon-Mrs Woodman, as17720429

Dance: IV: Minuet-Fishar, Mrs Bulkley; End: A Tambourine, as17720501

Event Comment: Benefit for Sarjant (Box-book and House-keeper). Charges #84 6s. Profit to Sarjant #13 9s., plus #149 4s. from tickets: (Box 423; Pit 243; Gallery 70). Receipts: #70 11s. 6d. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: Mother Shipton

Dance: End: A Tambourine, as17720501

Event Comment: Benefit for Wignell and Davis. Charges #64 10s. Deficit to each #7 12s. 3d., cover'd by income from tickets: Wignell #83 1s. (Box 80; Pit 311; Gallery 164); Davis, #61 5s. (Box 26; Pit 287; Gallery 117). Receipts: #49 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Apprentice

Dance: II: The Lilt, as17720326

Event Comment: Benefit for Miss Catley. Neither piece acted this season. Part of Pit will be laid into Boxes. Fifth Night of She Stoops will be Thursday next. Charges: #77 4s. Profit to Miss Catley #76 5s., plus #118 10s. from tickets (Box and Pit 474) Paid Dall on acct of his salary #31 10s. (Account Book). [Miss Catley was the highest paid actress at cg this season.] Receipts: #153 9s

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Devil to Pay

Dance: End Opera: New Dance, as17730206

Song: After Farce: By particular desire, The Wanton God, from Comus-Miss Catley

Event Comment: Benefit for Smith. [See note for 6 March.] Part of Pit laid into Boxes. Ladies send servants by half past 4 o'clock, and those who have taken places in the Pit requested to come early to prevent Confusion in getting to their seats. Tickets deliver'd for Lady Jane Grey will be taken. Charges #65 10s. Profit to Smith #84 6s. 6d., plus #172 15s. from tickets (Box 640; Pit 85). Paid Blanchville Clark as per certificate from Sir John Fielding 10s. (Account Book). Receipts: #149 16s. 6d

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Man and Wife

Dance: End: The Irish Lilt, as17721028

Event Comment: Benefit for Fishar (ballet master) and Sga Manesiere. [The Lady identified as Mrs Sage by Kemble note on playbill.] Charges #65 10s. 6d. Profit to each beneficiary #18 6s. 3d., plus income from tickets: Fishar #61 14s. (Box 104; Pit 150; Gallery 132); Sga Manesiere, #66 12s. (Box 125; Pit 179; Gallery 85) (Account Book). Receipts: #002 3s

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Padlock

Dance: I: A New Comic Dance, call'd The Cumberland Corn@thrashers-Mas. Blurton (Apprentice to Fishar), Miss Mathews; II: (By Particular Desire) a Minuet-Fishar, Sga Manesiere; III: A Hornpipe, first time-Miller (Scholar to Fishar)

Monologue: IV: a New Grand Ballet (that night only) called The Festival of the Black Prince(As performed at Paris by Fishar with universal applause). Black Prince-Fishar; Favourites-Sga Manesiere, Miss Twist; Pages-Mas. Blurton, Miller; Dancers and Attendants-Hussey, Petrie, Dumay, Settree, King, Merrifield, Curtat, Holloway, Miss Capon, Mrs Willems, Miss Stede, Mrs Inuill, Miss Matthews, Miss Bassan, Sodi, Mrs Holloway. With dresses in the mode

Ballet: V: First time this season The Wapping Landlady. Jack-Fishar; Landlady-Banks; Nosegay Woman-Sga Manesiere; with a New Hornpipe-Fishar, Mas. Blurton, Sga Manesiere, Miss Twist, Miss Capon, Miss Besford (Six principal dancers)

Event Comment: Benefit for Miss Twist and Miss Wewitzer. Tomorrow (Eleventh Night) the New Comedy of She Stoops to Conquor. Charges #69 6s. 6d. Profit to each beneficiary #13, plus income from tickets: Miss Wewitzer #41 4s. (Boxes 45; Pit 123; Gallery 115); Miss Twist #42 6s. (Boxes 77; Pit 83; Gallery 106). Paid Whitefield for cloaths bought #53 17s. 6d. (Account Book). Receipts: #96 4s. 6d

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Harlequin Sorcerer

Song: I: A Song-Miss Twist

Dance: I: A Minuet-Aldridge, Miss Twist; II: The Old Ground Young, as17720928; Epilogue. End Opera: The New Occasional Epilogue written by Dr Goldsmith, will be spoken-Lewes

Event Comment: Benefit for Perry and Morris. Charges #64 5s. Deficit to each beneficiary #7 6s. 6d., cover'd by income from tickets: Perry #68 4s. (Box 33; Pit 231; Gallery 253); Morris #61 5s. (Box 39; Pit 158; Gallery 278) (Account Book). Receipts: #49 12s

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Man and Wife

Dance: End: The Irish Lilt, as17721028; End II of Comedy: A Double Hornpipe-Blurton, Miss Besford

Event Comment: Benefit for Gardner and R. Smith. Tickets deliver'd for the tragedy of Julius Caesar will be taken. Charges #71 16s. 6d. Deficit to each beneficiary #4 9s. 7d., cover'd by income from tickets: Gardner, #46 8s. (Box 83; Pit 82; Gallery 131); R. Smith, #39 4s. (Box 17; Pit 161; Gallery 131). Rec'd from Mrs Bulkley for cash advanc'd last season #130 (Account Book). Receipts: #62 17s

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Apprentice

Dance: End: The Old Ground Young, as17720928

Event Comment: Benefit for Sarjant (box-book and house-keeper). Tickets deliver'd out for The Miser will be taken. Charges #98 19s. Deficit to Sarjant #9 11s. 6d., cover'd by tickets: #156 3s. for (Box 414; Pit 311; Gallery 60) (Account Book). Receipts: #78 7s. 6d

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Sorcerer

Entertainment: Epilogue.After the Play: Goldsmith's Epilogue-Lewes

Event Comment: Benefit for Condell, Potter and Evans (Box-Keepers). Tickets sold at the doors will not be admitted. Charges #81 5s. Deficit to each beneficiary #13 8s. 6d., cover'd by income from tickets. Receipts: #40 19s. 6d. (Account Book). @Tickets Box Pit Gallery Value@Condell 186 145 57 #73 19s.@Potter 130 80 99 #54 8s.@Evans 174 233 93 #87 15s.

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Commissary

Dance: III: A Hornpipe-Miller, scholar to Fishar; IV: A New Dance-Langrish, Miss Besford, as17730426

Music: End: Concerto on Harpsichord-Master Condell

Event Comment: Benefit for Smith. Mainpiece: Not acted these 16 years. Part of Pit will be laid into the Boxes. Tragedy by Samuel Pordage. Charges #64 12s. Profit to Smith #62 19s. 6d., plus #110 from tickets (Box 380; Pit 68; Gallery 48) Receipts: #127 11s. 6d. (Account Book)

Performances

Mainpiece Title: Herod And Mariamne

Afterpiece Title: Cross Purposes

Dance: End: The Old Ground Young, as17740205; with an Allemande, as17740205

Event Comment: Benefit for Gardner and Davis. Charges #66 16s. 6d. Profit to each #2 19s. 9d., plus income from tickets: Gardner #59 (Box 87; Pit 139; Gallery 164); Davis #55 4s. (Box 44; Pit 208; Gallery 130). Receipts: #72 16s. (Account Book)

Performances

Mainpiece Title: King Henry Iv, Part I

Afterpiece Title: The Padlock

Monologue: Interlude.End: True Blue. As 26 March, but Principal Parts-_Reinhold, Owenson; Dance-Blurton

Event Comment: Benefit for Miss Ogilvie and Miss Twist. Charges #67 11s. Profit to each #9 6d., plus income from tickets: Miss Ogilvie, #43 16s. (Box 90; Pit 98; Gallery 66); Miss Twist, #51 11s. (Box 118; Pit 83; Gallery 96). Paid Jack (blacksmith) #47 7s.; Wright (glazier) #8; Younger for writing parts #7 5s. 4d. Receipts: #85 12s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Mother Shipton

Dance: II: The Whim (1st time this season) [but see17740416-Aldridge, Miss Twist; IV: An Allemande-Aldridge, Miss Twist

Monologue: Interlude.End: True Blue. As 3 May, but Dance-Blurton; Principal Parts-Mrs _Baker, Miss Twist

Event Comment: Benefit for Mrs Pitt and Stoppelaer. Charges #67 15s. Deficit to each #4 6s. 9d., cover'd by income from tickets: Mrs Pitt #53 7s. (Box 48; Pit 185; Gallery 136); Stopplear, #86 5s. (Box 112; Pit 271; Gallery 176). Paid Bates for performing 4 nights in the Sorcerer to 11 Oct. last 10s., 5 nights in Henry VIII to 14 Feb. last #1 5s., and 5 nights in the Fair to 13 Nov. last 5s. Paid half year's Poor's rate for the theatre due Lady day last, #24 15s. 10d., and ditto for House in Bow Passage 17s. 9d. Receipts: #59 1s. 6d. (Account Book)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Dragon of Wantly

Dance: End: The Frolick, as17740416

Event Comment: Benefit for Sarjant (Box-book and House-keeper). Charges #83 16s. Deficit to Sarjant #24 19s., cover'd by income from tickets, #168 14s. (Box 467; Pit 293; Gallery 80). Paid Cooper (printer) #40 15s. and Huddy (rope merchant) #2 11s. Receipts: #58 17s. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Mother Shipton

Event Comment: Benefit for R. Smith and Branson. Charges #66 2s. Deficit to each #10 19s. 9d., cover'd by income from tickets: Smith #45 1s. (Box 25; Pit 176; Gallery 124); Branson #61 14s. (Box 103; Pit 149; Gallery 136). Paid Varley (plumber) #13 8s. Receipts: #44 2s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Cross Purposes

Dance: End: The Frolick, as17740416 but Miss _Capon, Mrs Stephens nee $Capon

Event Comment: Benefit towards raising a Fund for relief of those, who from their infirmities, shall be oblig'd to retire from the stage. Pit and Boxes laid together, and No Admittance into the Pit or Boxes but with tickets. Ladies and Gentlemen are desired to come as early as possible, for their own convenience. Doors open at Half after Five. Play to begin exactly at Half after Six. Charges #17 12s. 6d. [See 26 May 1773]; Profits to Fund: #282 11s. Receipts: #300 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Neck or Nothing

Dance: V: The Sailors Revels, as17730928

Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Twelfth Night

Afterpiece Title: Miss in her Teens

Event Comment: Prelude [1st time; PREL 1, by Arthur Murphy]. Mainpiece: Not acted these 3 years. Afterpiece: Not acted these 5 years [acted 21 Nov. 1772]. The Doors to be opened at 5:3O. To begin at 6:3O [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken of Sarjant (only) at the Stage-door. No persons admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Receipts: #214 17s. 6d. (214.15.O; O.2.6.

Performances

Mainpiece Title: News From Parnassus

Afterpiece Title: The Recruiting Officer

Afterpiece Title: The Mock Doctor

Event Comment: By Command of Their Majesties. Tickets to be had and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre at Half a Guinea each. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Those ladies who have had Boxes for the Oratorios, and intend continuing them, are humbly requested to give notice to Fosbrook

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Coronation Anthems

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-Linley Jun

Event Comment: Mainpiece: The Storm Scene will (by desire) begin the 2d Act. [This notice is included in all subsequent performances.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. No Money to be taken at the Stage-Door, nor any Money returned after the Curtain is drawn up. Places for the Boxes to be had of Fosbrook, at the Stage-Door. The Doors to be opened at 5:30. To begin at 6:30 [see 9 Oct.]. Receipts: #183 4s. (154.2; 27.16; 1.6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: All the World's a Stage

Dance: I: Dance of Spirits-Miss Armstrong; III: Dance of Fantastic Spirits-; [These were danced, as here assigned, in all subsequent performances.] V: a Ballet, Demie Caractere, composed by Gallet, The Double Festival-Gallet, Slingsby, Miss Armstrong, Sga Dupre