SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Box"/1) | (@(roleclean,performerclean) "Mr Box")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6775 matches on Event Comments, 1160 matches on Performance Comments, 555 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Bellamy. Mainpiece: By Particular Desire. Tickets delivered for The Humorous Lieutenant will be taken. Receipts: #113 5s. Charges #63. Income from Tickets #152 5s. (boxes 339; pit 364; gallery 129). Profit to Mrs Bellamy #202 10s. [Her daily salary was #2 2s.; on this night she cleared more than 4 months' wages at 24 acting days per month.] Two New Renters came in: Solomon Paul Juliot and Francis Wilson at 1 share each. Rec'd of Benj. Read for 6 Box tickets for the 2nd inst. #1 10s. (Account Book)

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: The Englishman Returned from Paris

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Benefit for Woodward. Mainpiece: Not acted in 20 years. [See 27 Jan. 1744.] With the Humours of Sir John Falstaff. Pit and Boxes laid together, and the Stage formed into a commodious amphitheatre. Boxes, pit, and Stage 5s. Ladies send servants by 3 o'clock; otherwise, Woodward cannot be responsible for any mistake. Places with tickets to be had of Woodward at his house in the Piazza, cg. This Day Publish'd, The Dramatic Execution of Agis. Price 6d. Receipts: #300 (Cross)

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: The Male Coquette

Event Comment: Mainpiece: By Shakespear. Not acted these 7 years. Benefit for Bencraft and Vincent. Receipts: #50 4s. Charges: #63. Deficiencies of #6 8s. apiece covered by income from tickets; Benecraft, #55 14s. (boxes 123; pit 151; gallery 23); Vincent, #62 1s. (boxes 78; pit 213; gallery 106) (Account Book)

Performances

Mainpiece Title: King John

Afterpiece Title: Catherine and Petruchio

Ballet: Judgment of Paris. As17580413

Dance: likewise a newClikewise a newComic Dance-Lucas, Mlle Capdeville

Event Comment: Benefit for Costollo and Mrs Green. Tickets sold at the Doors will not be admitted. Receipts: #56 0s. 6d. Charges: #63. Deficiency of #3 9s. 9d. each covered by income from tickets: Costollo, #92 17s. (boxes 72; pit 367; gallery 198); Mrs Green, #37 7s. (boxes 55; pit 106; gallery 77). Paid Robertson for working the Ostridge in [Harlequin] Sorcerer 6 nights at 2s. 6d. per night, 15s. (Account Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Statue

Dance: A Tambourine-Miss Vallois

Event Comment: Benefit for Dunstall and Miss Ferguson. Tickets sold at the doors will not be admitted. Receipts: #37 1s. Charges: #63. Dunstall paid the whole deficiency of #25 19s. from his tickets: #140 5s. (boxes 108; pit 685; gallery 105). Miss Ferguson cleared from her tickets #20 15s. (boxes 1; pit 68; gallery 103) (Account Book)

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: The Englishman Returned from Paris

Dance: A Tambourine-Miss Vallois; a Comic Ballet-Guerin, Lucas, Rochford, Dumay, Gosly, Miss Dawson, Miss Viviez, Mrs Guerin, Mlle Jansolin

Event Comment: TThe London Chronicle 1758 (p. 461): Having already read the play [The London Cuckolds] it was no wonder if my inclinations to attend the exhibition of it were very small; however, being in some measure oblig'd to perform that penance, I paid my money and sat down in the pit, where I underwent three hours entertainment, if I may call it so, only to be rooted in a former opinion, that the author of this comedy deserved to be hanged; and that the only excuse which could be made for suffering it to be acted would be invincible stupidity. This monstruous production of nonsense and obscenity, is the spawn of one Ravenscroft, a writer whose wit was as contemptible as his morals were vitious. He does not seem to have had one sentiment either of a man of Genious of a gentleman, at least if we may judge by the characters he has daubed, which are a pack of reprobates of the lowest kind. Nor are the things which look like incidents in this play the produce of his own invention, but the squeezings from an extravagant novel of Scarron, and two or three ill-chosen fables of LaFontaine; of which ingredients he has contrived to mix up a sort of hog-wash, sweetened with a few luscious expressions and a large portion of the grossest lewdness, to the palates of swine, or what is the same thing, men like them; but which must be odious to, and nauseated by all people of delicate taste, or common modesty. The three gallants in this comedy, Townly, Ramble and Loveit, never make their appearance upon the stage but to talk bawdy, and that in terms very little different from the most vagabond inhabitants of Covent Garden, nor do they make their exit but with a professed intention to commit adultery with one woman or another, who walks off with him very contentedly for that purpose. I must here observe that adultery is committed no less than seven times during the five acts. [The play an insult to the London aldermen and their wives.] There were several men of distinction in the boxes at this play, and I think about eight ladies. What their inward feelings might be I know not; but if one might judge of their thoughts by the gravity of their looks, they were rather mortified than diverted. But of the women of the town, who as we suppose were unwilling to let slip so fair an opportunity of getting a supper and a bed-fellow, there were crowds both in the pit and green boxes...

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Double Disappointment

Dance: As17581016

Event Comment: With new Additions and Alterations. Pit and Boxes to be laid together, and no person to be admitted without Tickets, which will be delivered this day at the said Office in the Theatre at Half a Guinea each. First Gallery 5s. Upper Gallery 3s. 6d. The Doors to be open at Half an Hour after Four o'clock, Pit and Boxes at Five, to begin at Half an Hour after Six. This day is published Price 1s. Solomon, An Oratorio, with New Additions and Alterations

Performances

Mainpiece Title: Solomon

Event Comment: Pit and Boxes to be put together. No Person to be admitted without tickets, which will be deliver'd this day at the Office in the Theatre, a Half a Guinea each. First Gallery 5s. Upper Gallery 3s. 6d. Galleries to be open'd at Half an Hour after Four O'clock. Pit and Boxes at Five. To begin at Half an Hour after Six

Performances

Mainpiece Title: Samson

Music: A Concerto on the Organ-Stanley

Event Comment: Benefit for Barrington and Mrs Lampe. No building on Stage. Receipts: #24 6s. 6d. in cash. Charges #64 5s. Deficit to each beneficiary, #19 19s. 3d., covered by income from tickets: Barrington #48 9s. (Boxes 66; Pit 188; Gallery 69); Mrs Lampe #40 10s. (Boxes 34; Pit 107; Gallery 128). Total income #113 5s. 6d. [At this point in the benefit season the house shows profitable balance on the books of only #225 5s.

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: Lethe

Dance: III: Fingalian Dance-Miss Hilliard; End: The Threshers-Leppie, Granier, Mlle Capdeville

Event Comment: Benefit for Collins and Miss Dawson. Receipts: #84 9s. 6d. plus income from tickets: Collins #69 4s. (Boxes 36; Pit 298; Gallery 155); Miss Dawson #74 (Boxes 122; Pit 194; Gallery 144). Charges #64 5s. Total income #227 13s. 6d

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Harlequin Statue

Entertainment: E+Extravaganza.Between Play and Farce: Shuter will entertain the audience (for the last time) with A Day of Taste, as17600320

Event Comment: Benefit for Roberts, and Sarjant, House Keeper. Receipts: #46 7s. 6d. Charges #64 5s. Deficit to each #16 16s. 3d., covered by income from tickets: Sarjant #45 14s. (Boxes 50; Pit 178; Gallery 65); Roberts #82 9s. (Boxes 100; Pit 293; Gallery 135). Total income #174 10s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequin Statue

Dance: II: The Threshers, as17591005; IV: The Lamp Lighters, as17600318

Song: III: Song-Roberts

Music: III: accompanied on the Harp-Evans; after which, By Desire, A Lass that was Laden with Care, with variations -Evans

Event Comment: Benefit for Bennet and Legg. Receipts: #32 11s. in cash. Charges #64 5s. Deficit to each beneficiary #15 4s. 6d., covered by income from tickets: Bennet #95 11s. (Boxes 13; Pit 408; Gallery 311); Legge #77 2s. (Boxes 71; Pit 305; Gallery 136). Total income #205 4s

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Flora

Music: II: A Piece on the Harp-Evan Evans

Dance: III: The Drunken Peasant-Miles; Clown-Bennet; IV: The Lamp Lighters, as17600318

Event Comment: Benefit for Wignel, Davis. Receipts: #28 2s. 6d., in cash. Charges #64 5s. Deficit to each #17 8s. 9d. covered by tickets: Wignell #99 9s. (Boxes 58; Pit 401; Gallery 248); Davis #68 19s. (Boxes 90; Pit 199; Gallery 166). Total income #196 10s. 6d

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Lying Valet

Dance: III: A new Comic Dance-Granier, Miss Hilliard; End: The Knife Grinders, as17600417

Event Comment: MMr Larpent...called upon me at Somerset House & went to Drury Lane & see Richard 3rd & Harlequin's Invasion & sat in the front Boxes. It was the first play I have seen this winter & I think I shan't be in a hurry to go again till there is better Co[mpany]y in the Boxes. It was not over till 11, went to the Turk's Head & home (Hailey, Brietzcke Diary, N & Q, Vol. 199, p. 260)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin's Invasion

Event Comment: Both pieces By Command of his Majesty. The Comedy Love for Love design'd to be perform'd this day, is deferr'd till further notice. Present His Majesty and Princess of Wales, Lady Augusta, Princess Louisa, Prince William and Prince Frederick. Boxes #94 7s. 6d. [about 384 persons, nearly the capacity of the Boxes, which was about 560]. Paid Macklin one fifth part of #179 being the surplus after #63 allow'd for the charge as per agreement...#35 16s. Gave the Yeomen of the King and Princess's Guard #2 2s., and the King's Footmen and Chairmen #1 1s. (Account Book). Receipts: #242 (Account Book)

Performances

Mainpiece Title: King Henry Iv, Part I

Afterpiece Title: Love a-la-Mode

Dance: [Unspecified]

Event Comment: By Authority. 7 p.m. Boxes 5s. Pit 3s. Gallery 2s. The little Theatre was at this time enlargening, it being very small before the alteration, and having but one gallery with the way into the pit at each angle of the front boxes (Memoirs of the Life and Writings of Samuel Foote, Esq. [London, 1777]. Printed for J. Brew)

Performances

Mainpiece Title: Patie And Roger

Event Comment: Afterpiece: By Desire. None admitted behind scenes. Boxes #44 2s. 6d. Paid Sarjant a bill for 1400 brushes #3 6s. 6d. Paid Bellamy and Settree, Silk Mercers #33 15s. Paid Hewetson, laceman, sundry Bills from June 1759: #122 4s. (Account Book). [One of these bills was for #56 10s. for Lace for His Majesty's Box.] Receipts: #172 5s. (Account Book)

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Afterpiece Title: Thomasand Sally

Event Comment: Benefit for Smith. Part of Pit will be laid into Boxes. Tickets sold at the Door will not be admitted. The Charges include House charge: #63, plus Wax Candles #1 5s. plus Extra Guards #1 5s. 6d., plus a French Horn and 2 Side drums 7s. Receipts: #83 4s. 6d. plus #174 7s. from tickets (Box 382; Pit 447; Gallery 118) (Account Book). Charges: #65 17s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The English Tars in America; or, The Good Woman Without a Head

Dance: III: A Comic Dance-Poitier Jr, Mlle Capdeville; After Play: An Epilogue on the Humours of tne Age in Imitation of Shakespeare's Stage-Cresswick

Event Comment: Benefit for Miss Macklin. Mainpiece: Not acted these 2 years. [See 24 May 1759.] Part of Pit will be rail'd into Boxes. Ladies send servants by 3 o'clock. Tickets deliver'd out for the Constant Couple will be taken this night. Receipts: #47 5s. plus #73 17s. from tickets (Box 235; Pit 84; Gallery 75) (Account Book). Charges: #63 (Account Book)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Love a-la-Mode

Dance: III: A Comic Dance-Poitier Jr, Mlle Capdeville; End: Minuet-Poitier Jr, Miss Macklin

Event Comment: Benefit of Mattocks and Hull. Tickets deliver'd for The Busy Body will be taken. No Building on Stage. [Playbill suggests Beard and Mattocks took the parts of Sailor and Squire for the 1st time this night. According to Genest they had performed them since 28 Nov. 1760, i.e., for 23 times this season. Possibly their parts were originally reversed.] Receipts: #79 17s. 6d. plus income from tickets: Mattocks #40 6s. (Box 37; Pit 159; Gallery 72); Hull #42 1s. (Box 80; Pit 111; Gallery 54) (Account Book). Charges: #64 6s. (Account Book)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Thomasand Sally

Dance: Last New Comic Dance-Maranesi, Mlle Capdeville

Event Comment: Benefit for Collins, and Younger, Prompter. Receipts: #38 8s. plus income from tickets: Collins, #51 6s. (box 26; Pit 258; Gallery 161); Younger, #55 14s. (Box 50; Pit 152; Gallery 104) (Account Book). Charges: #63 (Account Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Devil to Pay

Dance: End: The Waggoners, as17610228; End IV: A Hornpipe-Mrs Crawford

Event Comment: Benefit for Legg and Bennet. Receipts: #34 13s. 6d. plus income from tickets: Bennet #102 19s. (Box 37; Pit 418; Gallery 310); Legg #64 10s. (Box 34; Pit 248; Gallery 188) (Account Book). Charges: #63 17s. (Account Book)

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Englishman Returned from Paris

Dance: III: Last New Comic Dance-Maranesi, Mlle Capdeville; End: By Desire Heart of Oak (the Song)-Legg; with a Hornpipe in character-Poitier Jr

Event Comment: Benefit for Wignell and Mrs Lee. No building on Stage. Receipts: #38 10s. plus #134 17s. from tickets: Wignell #90 14s. (Box 52; Pit 324; Gallery 291); Mrs Lee #44 3s. (Box 94; Pit 107; Gallery 46) (Account Book). Charges: #63 10s. (Account Book)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The School-Boy

Dance: II: Hornpipe (2nd time)-Mlle Capdeville; IV: The Provincial Sailors, as17610508

Event Comment: To begin each Day (for the short time of the Fair) at One o'clock, and end at Eleven. At Yates's Great Theatrical Concert Hall, in the Greyhound Inn, West Smithfield. Performed by a company of Comedians from both Theatres. Prices for this droll: Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. There is a commodious way to the Boxes and Pit at the upper end of Cow Lane (Public Advertiser). [This may be an advance notice. It appears again on Th., F., S., and Mon. (Sept. 3, 4, 5, 7).

Performances

Mainpiece Title: The Fair Bride; Or, The Unexpected Event

Afterpiece Title: The British Tar's Triumph over M Soup-Maigre

Entertainment: of singing and dancing.of singing and dancing

Event Comment: [No analysis of Box income.] Expenses #46 16s. 5d. Paid Bill for velvet and White sattin for their Majesties' and the Prince of Wales's Box #138 10s. Bill for Crimson Duchess Velvet & White Sattin used in Coronation #107 16s. Paid Linen Draper's Bill [for 11 April 1759-14 Nov. 1761) #106. Receipts: #231 6s. (Winston Theatrical Record)

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Coronation