SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Box"/1) | (@(roleclean,performerclean) "Mr Box")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 6775 matches on Event Comments, 1160 matches on Performance Comments, 555 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Books of the Opera to be sold at the Theatre. Nothing under FULL PRICE can be taken. Opera not perform'd this season. [A riot this night in which the benches were torn up. Led by Fitzpatrick against the abolishment of the custom of admitting at half-price after the third act. See previous disturbance at Drury Lane. No more plays at cg until 3 March 1763 while repairs were being made to theatre. See Gentleman's Magazine, Feb. 1763, Historical Chronicle, Th. 24: A riot happened at Covent Garden theatre occasioned by a demand being made for full prices at the opera Artaxerxes. The mischief done was the greatest ever known on any occasion of the like kind; all the benches of the boxes and Pit being entirely tore up, the glasses and chandeliers broken, and the linings of the Boxes cut to pieces. The rashness of the rioters was so great, that they cut aWay the wooden pillars between the Boxes, so that if the inside of them had not been iron, they would have brought down the Galleries upon their heads. The damages done amount to at least #2000. Four persons concern'd in the riot have been committed to the gatehouse. The Beauties of All Magazines Selected, for March 1763 (p. 142) reprinted from the Ledger a humorous account of this riot as told by a sailor in fabricated seaman's language: As soon as the foresheet was clewed up...As to my 5s., why the owners are welcome to it towards repair, for you stripp'd plank, timbers, and scantlings,-you gutted her; she look'd like a French prize, after a yard-arm engagement."

Performances

Mainpiece Title: Artaxerxes

Dance: I: A New Comic Dance-Granier, Miss Valois; II: La Provenciale-Sga Manesiere

Event Comment: Paid Blandford (tallow chandler) 4th bill #34 6s. 6d.; Paid Colthorpe on acct for half season #157 10s.; Paid John Palmer for Spermacetti candles #118 14s. 6d.; Paid Daniel Malthus Esq one year's rent #30 7s. 6d.; Gave the Knight's Marshall men Xmas boxes 10s. 6d.; Duke of Cumberland's Footmen Xmas box, #2 2s.; Beadle and Watchmen Xmas Box 12s. 6d.; the Bricklayer man 2s. 6d.; Paid Roberts, shoemaker, on account #3 3s. (Treasurer's Book). Receipts: #139 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: Benefit for Mrs Vincent, Mrs Green, and Miss Vincent. Charges #64 7s. [Deficit to beneficiaries #1 2d. apiece, covered by income from tickets: Mrs Vincent #59 1s. (Box 88; Pit 129; Gallery 177); Mrs Green #36 13s. (Box 56; Pit 103; Gallery 72); Miss Vincent #30 6s. (Box 72; Pit 82).] (Account Book). Receipts: #61 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Miss in Her Teens

Dance: II: The Female Archer, as17661215; End I Farce: Double Hornpipe-Fishar, Sga Manesiere

Ballet: End I Farce: The Wapping Landlady. As17670427

Event Comment: Benefit for Bryan (prompter), Hallam, Buck. Mainpiece: By Desire. Charges #64 5s. [Deficit to beneficiaries #16 4s. This deficit was paid by Hallam and Buck. Bryan seems to have had his ticket money clear. From Tickets, Bryan #16 16s. (Box 10; Pit 46; Gallery 74); Hallam #30 9s. (Box 22; Pit 91; Gallery 113); Buck #47 7s. (Box 17; Pit 188; Gallery 140).] (Account Book). Receipts: #48 1s. (Account Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Chaplet

Dance: III: The Village Romps, as17661008; End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Event Comment: Benefit for Green and Ansell (box-keepers). Charges #81 5s. [Deficit to Green and Ansell #25 11s. 6d. apiece, covered by income from tickets: Green #134 8s. (Box 417; Pit 179; Gallery 33); Ansel #106 18s. (Box 312; Pit 162; Gallery 46).] Rec'd from Condell in full for fruit rent this season #20 (Account Book). Receipts: #30 2s. (Account Book)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Devil to Pay

Dance: III: Double Hornpipe, as17670427 End: By Desire, New Pantomime Ballet(5th time)-Mas. Blurton, Miss Besford, as17670427

Ballet: III: The Wapping Landlady. As17670427

Event Comment: Benefit for Weller, Murden, Lewes. Afterpiece for 52nd and last time this season. Tickets deliver'd for Friday the 15th will taken. Tickets sold at the Door will not be admitted. Charges #65 10s. [Deficit to each beneficiary #1 14s. 4d., covered by income from tickets. Weller #41 14s. (Box 7; Pit 145; Gallery 182); Murden #41 12s. (Box 31; Pit 111; Gallery 172); Lewes #61 10s. (Box 45; Pit 239; Gallery 144).] Paid the Duke of Bedford half year's ground rent due Lady Day last for the theatre #41 13s. 4d. (#50 minus half year's Land Tax #8 6s. 8d.). Paid Duke of Bedford half year's ground rent for the New Building adjoining the theatre #12 10s. (#15 minus half year's Land Tax #2 10s.). (Account Book). Receipts: #60 1s. (Account Book). At 5 went to Covent Garden to see Conscious Lovers &c....Got a bad place hn the First Gallery...Lewis did Harlequin, but not so well as Woodward; and Miss D. Twist did ye Miller's Bride, Miss Wilford's Character. Mrs Mahon does the jealous fellow's wife (Neville MS Diary)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Dr Faustus

Dance: IV: Double Hornpipe, as17670427

Ballet: IV: The Wapping Landlady. As17670427

Event Comment: Benefit for Redman, Casey, Dumai and Bates. Charges #64 12s. Deficit to beneficaries #25 10s. 6d. covered by individual incomes from tickets: Casey #14 4s. (Box 18; Pit 34; Gallery 46); Redman #25 6s. (Box 5; Pit 77; Gallery 125); Dumay #56 12s. (Box 106; Pit 182; Gallery 103); Bates #17 10s. (Pit 48; Gallery 103) (Account Book). Receiv'd of Fransdorf 1!2 value of his tickets 28th inst....#4 2s. 6d. Receipts: #39 1s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Duke and no Duke

Dance: II: By Particular Desire, a Minuet-Dumai, a Young Lady his scholar; End: The Highland Reel, as17680307

Event Comment: Benefit for Greene and Ansell (box-keepers). Tickets deliver'd for 25 May will be taken. Charges #81 10s. Deficit to Greene and Ansell #56 6s. 6d. covered by #129 14s. to Green from tickets (Box 414; Pit 148; Gallery 40) and #98 15s. to Ansell from his tickets (Box 281; Pit 174; Gallery 24). Total House of #253 12s. 6d. that night. Rec'd of Sarjant for his deficiency 30 May...#24 11s. 6d. Rec'd of Ellis for his 1!2 value of tickets 28 May...#2 2s. Receipts: #25 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Thomasand Sally

Dance: End: The Merry Sailors, as17671009

Event Comment: Benefit for Mrs Clive, being the last time of her appearing on the Stage. Pit and Boxes laid together. N.B. No tickets have been given out, but to those Ladies and Gentlemen who have their places secured, in the Pit or Boxes, and to prevent any mistakes or confusion, no Box tickets will be admitted into the Gallery; Mrs Clive begs favour of those who have places in the Pit to ba there by half an hour after Five, and to let their servants come to keep them a quarter before Four. [Epilogue is Larpent MS 295.

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Lethe

Event Comment: Benefit for Davis, Holtom and Merrifield. Afterpiece: By Particular Desire. Charges: half house charge to Davis #32 5s. minus half Receipts, deficit to Davis #18 12s. 9d.; half house charge to Holtom and Merrifield 32 5s. minus half Receipts, deficit to Holtom #9 6s. 4 1!2d.; deficit to Merrifield #9 6s. 4 1!2d.; covered by income from tickets: Davis #76 10s. (Box 97; Pit 259; Gallery 134); Holtom #28 17s. (Box 25; Pit 110; Gallery 61); Merrifield #45 16s. (Box 93; Pit 114; Gallery 57) (Account Book). Receipts: #27 4s. 6d

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Miss in Her Teens

Ballet: End: The Wapping Landlady, Double Hornpipe,. As17700420

Event Comment: Benefit for Condell, Potter, Hussey. Tickets sold at the Doors will not be admitted. Charges #81 10s. Deficit to the beneficiaries #18 1s. 10d. apiece. Covered by income from Tickets: Condell #71 12s. (Box 186; Pit 122; Gallery 68); Potter #48 14s. (Box 116; Pit 74; Gallery 86); Hussey #64 4s. (Box 118; Pit 152; Gallery 119); Walters, Dixon, Reed, and Wooley paid up half values of tickets (Account Book). Receipts: #24 4s. 6d

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Thomasand Sally

Dance: I: A Hornpipe-Dyer (Scholar to Fishar); III: The Irish Lilt, as17700402 End: A Minuet-Hussey, Miss Twist

Event Comment: Benefit for Ansell and Green (Box-keepers). Tickets sold at Doors will not be admitted. Charges #82 17s. Deficit to each #29 5s. 9d., covered by income from tickets: Ansell #117 12s. (Box 355; Pit 173; Gallery 29); Green #132 12s. (Box 436; Pit 128; Gallery 44); Deficiencies and half value paid up by Wild, Potter, Mrs Lampe & Mrs Jones, Mrs Paddick and Sharratt (Account Book). Receipts: #24 5s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Spanish Lady

Dance: IV: The Whim, as17691123

Event Comment: Benefit for Owenson and Branson. Tickets deliver'd by Rose will be taken. Charges #72 10s. Deficit to each, #4 6d., cover'd by income from tickets: Owenson #26 13s. (Box 48; Pit 59; Gallery 58); Branson #57 7s. (Box 65; Pit 53; Gallery 141). [Rose seems to have received his tickets gratis #20 6s. (Box 39; Pit 53; Gallery 26).] Receipts: #64 9s. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Englishman in Paris

Dance: End: New Dance, as17720409

Event Comment: Benefit for Miss Macklin. Each piece for only time this season. [But see 24 May.] Part of Pit will be laid in Boxes. Mainpiece: By Particular Desire. Charges #64 10s. Profit to Miss Macklin #87 10s. 6d., plus #131 from 524 Box and Pit tickets sold at Box prices (Account Book). [The payroll this night is the highest for the season, #613 11s., due largely to the fact that Ross appears on it for what seems to be a whole season's pay in one sum: #255 15s.] Receipts: #152 6s

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love-a-La-Mode

Dance: II: Minuet-Fishar, Miss Macklin; IV: The Bird Catchers, as17721207; End: A Double Hornpipe, as17730218

Event Comment: By Order of the Grand Buck for the Benefit of Wignell and Davis. N.B. Places will be kept in the front boxes for the brethren of the Mcst Noble Order, who are desired to meet the Grand Buck and His Council at the Shakespeare's Head in the Great Piazza, by 5 o'clock, from thence to proceed to the theatre, and bring the ensigns of the Order with them (playbill). Charges #66 3s. 6d. Deficit to beneficiaries #4 6s. 3d. apiece, cover'd by income from tickets: Wignell #78 4s. (Box 82; Pit 290; Gallery 142); Davis #74 4s. (Box 59; Pit 281; Gallery 173) (Account Book). Receipts: #57 11s

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Citizen

Dance: End: The Whim, as17730426

Event Comment: Benefit for Green and Ansell (box-keepers). Tickets sold at the Doors will not be admitted. Charges #81 5s. Deficit to each #27 1s. 9d., cover'd by income from tickets: Green #134 10s. (Box 470; Pit 80; Gallery 50); Ansell, #121 5s. (Box 341; Pit 214; Gallery 39) (Account Book). Receipts: #27 1s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Commissary

Dance: IV: The Irish Lilt, as17721028

Event Comment: Benefit for Mrs Lampe, Mrs Jones, Redman, and Harris. Doors open at half past 5. To Begin at half past 6. Charges #65 3s. Deficit Mrs Lampe & Mrs Jones at 1 1!2, #8 16s. 7 1!2d.; to Redman at 1, #5 17s. 9d., to Harris at 1 1!2, #8 16s. 7 1!2d., cover'd by income from tickets: Mrs Lampe and Mrs Jones combined #66 3s. (Box 144; Pit 135; Gallery 99); Redman #24 9s. (Box 27; Pit 68; Gallery 75); To Harris, #50 10s. (Box 141; Pit 71; Gallery 46). Receipts: #41 12s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Cross Purposes

Dance: I: A New Double Hornpipe-Harris, Miss Besford; II: The Pilgrim, as17740416 End Opera: The Recruits, as17740217, but Miss _Twist, Miss Besford

Event Comment: Benefit for Green and Ansell (box keepers). Tickets deliver'd for The Kind Imposter, will be taken. Charges #81 12s. 6d. Deficit to each #24 13s. 3d., cover'd by income from tickets: Green, #111 5s. (Box 389; Pit 78; Gallery 23): Ansell, #124 7s. (Box 362; Pit 195; Gallery 46). Receipts: #32 6s. (Account Book)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Chaplet

Dance: End: The Recruits, as17740513

Event Comment: Benefit for Mrs P. Green, Hussey and Morris. Last time of performing till the holidays. Charges #64 10s. Deficit to each #8 18s. 8d., cover'd by income from tickets: Mrs Green #44 2s. (Box 53; Pit 137; Gallery 103); Hussey, #59 18s. (Box 162; Pit 92; Gallery 56); Morris, #46 19s. (Box 39; Pit 114; Gallery 201). [The Account Book indicates that The Padlock was substituted as the afterpiece at the last minute.] Receipts: #37 14s. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Commissary

Dance: II: A Hornpipe-Blurton; IV: A Minuet-Hussey, Mrs Stephens; Cotillons-Hussey, Dumay, King, Curtat, Mrs Inville, Miss Bassan, Miss Matthews, Mrs Hartle, as17740518; End: A Comic Dance-Aldridge, Mrs Stephens, as17740517

Event Comment: Wash &c. left out of the title (Winston MS). The farce went off very well till the second act when Capt. Roper and another Gentleman came into the boxes very Drunk hiss'd and kept a great Noise 'till at last the Pit and Gallery began to hiss them he struck at Somebody in the Pit--the Gentleman that came with Capt. Roper Jump'd out of the Stage Box upon the Stage immediately Several out of the Pit and Boxes follow'd and Some blows ensued and I thought they would have pull'd the House down this lasted about half and hour and then it all grew quiet and we finished the Farce (Hopkins Diary). Paid salary list 5 days #520 5s. 5d.; Mrs Garrick for sundry stage trimmings #7 8s. 6d. Receipts: #197 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Blackamoor

Event Comment: 1st piece [1st time; prel i,by Leonard Macnally. MS:Larpent 601; not published; synopsis of plot in Public Advertiser, 24 Sept.]. Places for the Boxes to be taken of Brandon (only) at the Stage-door. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors will open at 5:30. To begin at 6:30 [see 4 Nov.]. The Only Entrance to the Upper Gallery is in the Passage which leads from the Piazza to Hart-street, and the Two Shilling Gallery communicates with the Passage in Bow-street, as well as with that from the Piazza. The Passages to the Pit and Boxes remain as before. Receipts: #314 18s. (313/18; 1/0)

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Busy Body

Afterpiece Title: The Upholsterer

Event Comment: Benefit for Mrs Siddons [whose 1st appearance as Imogen was at Bath, 15 Apr. 1779]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. Public Advertiser, 13 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. "The exact receipts of Mrs Siddons's house on Monday were #332 [actually #335 5s., excluding the 2nd account and after-money], which, with bank notes for side-boxes, and gold tickets through all the boxes, raise the total to about #650 or #700. This benefit is clear of the nightly charges of the house" (Morning Chronicle, 1 Feb.). Receipts. #344 17s. 6d. (161.10.0; 9.11.6; 0.1.0; tickets: 173.15.0) (charge: free)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Dance: II: a Masquerade Scene-; with Dancing-Ferrere, Menage, Miss Stageldoir; End III: La Soiree Provencalle, as17870113

Song: II: Singing-Miss Romanzini [The Dancing was included, as here assigned, in all subsequent performances]

Event Comment: A Grand Serious Opera; the music by Sacchini, with additions and alterations [by Andreozzi and Mazzinghi]. Under the direction of Mazzinghi. The dresses executed from original drawings of Bartolozzi and Tresham, by Lupino. With dances analogous to the Opera. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. There are a number of green boxes which may be taken on application to Lee, at the Theatre; the entrance to which, and to the Gallery, will be in Oxford-street. Subscriptions will be received by Messrs Wright and Co., Henrietta-street, Covent-garden (only) where tickets are delivering daily; and such Ladies as have not compleated their subscriptions to their boxes are intreated to send their names to the office, in order to have the tickets prepared, as no person can be admitted without producing a ticket. The Nobility and Gentry are intreated to give particular orders to their coachmen to set down and take up with their horses' heads towards Hyde-park. The Doors in Blenheim-mews for chairs only. By Command of His Majesty no person can be admitted behind the scenes during the performance. "We fear that [the Pantheon as converted into a theatre] will gratify only the eye. It must undergo still more changes before the ear will be satisfied. Whether it is that the dome is too high and disproportioned to the breadth, or that the orchestra is sunk too low beneath the audience we cannot tell, but the sound does not swell and spread in equal volume; and it is the most inaudible in the best parts of the Theatre: the Pit and the first and second tier of Boxes hear very indistincly...We found this to be the complaint of every judge of music in the place" (Morning Chronicle, 18 Feb.). "The Pantheon has opened, and is small, they say, but pretty and simple; all the rest ill-conducted, and from the singers to the scene-shifters imperfect; the dances long and bad, and the whole performance so dilatory and tedious, that it lasted from eight to half an hour past twelve" (Walpole [18 Feb. 1791], XIV, 377) [and see 19 Feb.]

Performances

Mainpiece Title: Armida

Dance: End I: Divertisement by D'Auberval-

Ballet: End II: an entire new Pantomime Ballet, in I act, composed by D'Auberval, Amphion et Thalie; ou, L'Eleve des Muses. Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer

Event Comment: No Money to be returned. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. The Avenues to the Boxes, Pit and Gallery are all at the Front of the Theatre in the Hay-Market, and the Door in Market-Lane is for Chairs only. "The short time since it had been determined to occupy this theatre had not been sufficient to enable the workmen to perfect what was intended so soon as was expected; nor could they be got out in time for opening the doors in the afternoon: this delay, and the difficulty of finding the way to different parts of the house [see 24 and 27 Sept.], caused some disgust" (Universal Magazine, Sept. 1791, p. 220). 1st piece [1st time; M. PREL 1, James Cobb; music by Storace (Kemble Mem.). Larpent MS 918; not published]. Receipts: #472 8s. 6d. (451.7.6; 20.6.0; 0.15.0)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The Haunted Tower

Afterpiece Title: The Pannel

Event Comment: Receipts: #439 11s. 6d. (391.15.6; 45.7.0; 2.9.0). A tally sheet in BM (Burney 937. c. 10) for this night itemizes the number of spectators and the receipts as follows: 1st Account Boxes 660, #198.0.0 Pit 745, #130.7.6 Gallery 634, #63.8.0 Total 2,039, #391.15.6 Half Price Boxes 215, #32.5.0 Pit 27, #2.14.0 Gallery 208, #10.8.0 Total 450, #45.7.0 Boxes 875, #230.5.0 Pit 772, #133.1.6 Gallery 842, #73.16.0 Total 2,489, #437.2.6 The total receipts here set forth do not include the After Money of 2.9.0

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Miller of Mansfield