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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Box"/1) | (@(roleclean,performerclean) "Mr Box")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8100 results for: Keyword - Mr Box
We found 6775 matches on Event Comments, 1160 matches on Performance Comments, 555 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

1476
20 April 1767 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Palmer. Part of Pit laid into boxes. House charges #64 4s. [Profit to Mrs Palmer #167 17s.] Receipts: #232 1s. (Treasurer's Book). Fifteen minutes past 4 went into the Pit at Drury Lane...even the lowest characters in this play well performed here. Holland being suddenly taken ill, Bensley played Sir John Melville. I like his figure better than Holland's, tho he's well suited to the characters he usually plays. At the end of the play we had a minuet by Mr Georgi and Mrs Palmer, the dancing very graceful. Then Vernon presented the Cries of London (an imitation of Shuter) in which he introduced of his own a description of the Tombs in Westminster Abbey. The thought of the statues of those, who never prayed while living, praying most devoutly, is good. In the character of Friendly, Vernon introduced a sketch of Ancient and Modern Hospitality. I suppose this is Vernon's first attempt at an imitation of Shuter. He did tolerably but Shuter's figure is of great advantage to him. After dinner bought the Public Advertiser of the 18th for the Playbills and the Atheist a pretty good fable in verse by J. Oakman (Neville MS Diary)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Flora

Dance: End: By Particular Desire, a Minuet-Giorgi, Mrs Palmer; After which Cries of London, in which will be introduc'd a Description of the Tombs in Westminster Abbey-Vernon

1477
21 April 1767 @ Covent Garden

Event Comment: Benefit for Miss Poitier. Afterpiece: Alter'd from Addison. The Music entirely new set by Mr Arnold. [Original three acts reduced to two.] To be performed for this night only. Charges #75 14s. [Profit to Mrs Thompson #59 7s. 6d. plus #48 9s. from tickets (Box 135; Pit 98) (Account Book). As indicated by the name Mrs Thompson in the Account Book, Miss Poitier was already married by this time, although she does not appear in the Bills under the name Mrs Thompson until 16 Sept. 1767. She was first married to Vernon, the singer at Drury Lane.] Receipts: #135 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: Rosamond

1478
24 April 1767 @ Covent Garden

Event Comment: Benefit for Gibson. Mainpiece: Not acted these 25 years. Written originally by Shakespeare, and reviv'd and adapted to the stage by Mr Theobald. Charges #66 5s. [Profit to Gibson #37 18s. 6d. plus #30 15s. from Tickets (Box 79; Pit 74).] Paid one year's Rector's Rate for the Theatre #8 6s. 8d., and for House in Bow Passage, due at Lady Day 8s. 4d. (Account Book). [Neville attended, noted the information contained in the playbill, but could not hear well from his 2s. seat in the Gallery.] Receipts: #104 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Double Falsehood; Or, The Distrest Lovers

Afterpiece Title: Midas

Dance: III: The Sicilian Peasants, as17670411

1479
09 December 1767 @ Covent Garden

Event Comment: Benefit for Theatrical Fund, instituted by Persons of this theatre. Mainpiece: Acted there but once. Such of the Nobility, Gentry, etc. who are pleased to favour this undertaking are desire to send for places, Pit or Box tickets, to Mr Sarjant at the stage-door. [Neville attended at half-past four and read the principal parts of the play, as altered by Colman. Noted that Sga Manesiere did The Sicilian Peasant in boy's clothes.] @Receipts #164 19s.@Charges to House #63@Chorus Singers #1 15s.@Candles #1 5s.@Kettle Drum 5s.@Bag Pipes 5s.@#66 10s.@Dr to the Fund #98 9s.-Account Book@

Performances

Mainpiece Title: Philaster

Afterpiece Title: Midas

Dance: II: The Merry Sailors, as17671009; III: The Sicilian Peasants, as17671123

1480
21 December 1767 @ Covent Garden

Event Comment: HHull's second Night. House charges #84. Balance to Hull #52 16s. and in addition #1 13s. from disposal of 3 Box and 6 Pit tickets. Paid Mr Buzaglio in full for use of a warming machine #15 15s. (Account Book). Receipts: #136 16s. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Upholsterer

Dance: End of Opera: The Garland, as17671214

1481
05 February 1768 @ King's Theatre

Event Comment: Oratorio written by the late Mr Brown. Benefit for and Increase of a Fund established for the Support of decay'd Musicians and their Families. Pit and Boxes half a guinea. First Gallery 5s. Upper gallery 3s. 6d

Performances

Mainpiece Title: The Cure Of Saul

Music: I: Concerto on Hautboy-Giustinelli; II: Solo on Violin-Pinto (first violin)

1482
15 March 1768 @ Covent Garden

Event Comment: Benefit for Woodward. With two New Scenes in the Afterpiece painted by Richards and Dahl. Mr Woodward, at the particular request of several persons of Quality has changed from the Fair Quaker to The Busy Body. Tickets deliver'd for Fair Quaker will be admitted. House charges with candles and extras #65 15s. Balance to Woodward #102 7s. plus #58 5s. for 233 Box tickets (Account Book). [Public Advertiser, 12 Dec. 1767: "Speedily will be published the Battle of the Wigs, an additional canto to Dr Garth's poem The Dispensary. Occasioned by the Disputes between the Fellows and licentiates of the College of Physicians in London. By B. T. and M. B."] Receipts: #168 2s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Dr Faustus (With a New Additional Scene)

1483
11 May 1768 @ Covent Garden

Event Comment: Benefit for Mr and Mrs DuBellamy. Charges #64 00s. Deficit to the DuBellamys #26 10s., covered by #60 6s. from tickets (Box 93; Pit 205; Gallery 63). Receipts: #37 18s. (Account Book)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: Thomasand Sally

Song: I: Angelic Fair, a new song-DuBellamy; IV: By Particular Desire, the Cantata of Cymon and Iphigenia-DuBellamy

Ballet: End: The Wapping Landlady. As17680416

1484
26 May 1768 @ Covent Garden

Event Comment: Benefit for Stoppelaer. Tickets for The Way of the World will be taken. Charges: 1!2 charge for House #31 10s.; 1!2 charge for candles 12s. 6d.; 1!2 charge Tabor & Pipe 5s. 3d.; 1!2 value of tickets #57 16s.: Total #90 3s. 9d. minus 1!2 Receipts #20 14s. equals #69 9s. 9d. deficiency to Stoppelaer. Covered by #115 12s. from tickets (168 Box; 370 Pit; 181 Gallery) and #20 14s. from Receipts. Profit to Stoppelaer was #86 16s. 3d. Paid to Mr Shropshire for 20,000 brushes #4 10s. Receipts: #41 8s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Orpheus and Eurydice

Dance: II: A Hornpipe-Miss Besford, 2nd time

1485
03 April 1769 @ Covent Garden

Event Comment: Benefit for Mattocks. Charges #68 16s. Balance to Mattocks #82 4s. plus #40 5s. in tickets (Box 83; Pit 130) Paid Mr Hobster for Negus's at rehearsals #2 2s. 8d. Receipts: #151 (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Upholsterer

Dance: End: The Irish Lilt, as17680930

1486
10 April 1769 @ Covent Garden

Event Comment: Benefit for Mrs Ward. Mrs Ward is extremely sorry she is oblig'd to change the Night's Entertainment advertised for her Benefit, but the severe illness of Mrs Mattocks and Mrs Baker, makes it impossible to perform the Opera of Love in a Village, as does Mr Woodward's indisposition the Farce of the Citizen. The Managers have therefore kindly granted her the above tragedy and pantomime. Charges #65 15s. Balance to Mrs Ward #55 5s. plus #53 2s. from tickets (Box 58; Pit 158; Gallery 149). Receipts: #121 (Account Book)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Dr Faustus

1487
02 May 1769 @ Covent Garden

Event Comment: Benefit for Mr and Mrs DuBellamy. Charges #64 10s. Balance due the DuBellamys #1 10s plus #116 13s. from tickets (Box 264; Pit 305; Gallery 49) (Account Book). Receipts: #66 6s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Catherine and Petruchio

Dance: II: The Lamplighters, as17681101

1488
15 May 1769 @ Haymarket Theatre

Event Comment: Places to be taken of Mr Jewell at the Theatre. No admittance behind the Scenes. Box 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money to be returned after the Curtain is drawn up. The doors will be opened at Six, to begin at seven. Vivant Rex et Regina. [Repeated on bills.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Virgin Unmasked

Dance: Tassoni, Miss Street

1489
18 May 1769 @ Drury Lane Theatre

Event Comment: Benefit for Theatrical Fund, Archer--Mr Garrick (Cross Diary). Pit and boxes together. Play to begin at Half past 6. Doors opened Half past 5

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance: IV: The Wake, as17680929, but Sga Giorgi, Mrs _King

1490
20 May 1769 @ Covent Garden

Event Comment: Benefit for Pilfold, Wooley, and others. Tickets delivered by Ellis, Doe, Reed, Roberts, Singleton, Dixon, Robson, Fransdorf, Norbury, Bassan, Sherrard, and Bushell will be taken. @ Pilfold Box 34@Pit 163@Gallery 56@Value #38 11s.@1!2 Value #19 5s. 6d.@ Wooley 14 28 77 #15 8s. #7 14s.@ Ellis - 7 28 #3 17s. #1 18s. 6d.@ Doe - 16 43 #6 14s. #3 7s.@ Reed 14 18 35 #9 14s. #4 17s.@ Roberts 20 104 61 #26 14s. #13 7s.@ Singleton - 2 7 #1. 10s.@ Dixon 16 48 28 #14. #7.@ Robson 8 75 83 #21 11s. #10 15s. 6d.@ Fransdorf 12 31 55 #13 3s. #6 11s. 6d.@ Norbury 18 41 61 #16 15s. #8 7s. 6d.@ Bassan (Mr) 8 28 35 #9 14s. #4 17s.@ Sherrattt 6 14 14 5 #2 10s.@ Bushell - 16 17 #4 2s. #2 1s.@ Money #50 15s. 150 591 600@Total House Value #236 18s. #93 1s. 6d.@ No charges were made. The House received the 1!2 value of the tickets from each as listed above. Stephenson, Furkins, Rotten (Wroughton), Dumay, Walters, Wilkinson and Eddis are listed as paying up their deficiencies of 1!2 values (Account Book). [1,341 tickets given out.

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Harlequin Dr Faustus

1491
14 October 1769 @ Drury Lane Theatre

Event Comment: The Jubilee consists of Dialogue Singing & Dancing. This Entertainment was written & compil'd by Mr G.-and it was receiv'd with bursts of Applause the Procession of Shakespear's Characters &c. is the most Superb that ever was Exhibited or I believe ever will. There never was an Entertainment produc'd that gave so much pleasure to all Degrees Boxes pit and Gallery (Hopkins Diary). The Music by Dibdin. With New Scenes, Dresses, and Decorations. [On all subsequent bills, though some are shortened, the PAGEANT is advertised in large capitals. Larpent MS 298, includes descriptive notes and stage directions, p. 24: "Here follows the Pageant, with Bells ringing, Fifes playing, Drums beating, and Cannons firing. In The Procession every scene in the different plays represents some capital part of it in action...The last Scene is a magnificent Transparent one in which the Capital characters of Shakespeare are exhibited at full length with Shakespeare's Statue in the middle crowned by Tragedy and Comedy, fairies and Cupids surrounding him and all the banners waving at the upper end. Then enter the dancers." The Pageant appeared at the top of the stage and came forward, Reviewed in Freeholder's Magazine, Oct.

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Jubilee

1492
02 March 1770 @ Drury Lane Theatre

Event Comment: By Command of their Majesties. Tickets to be had and Places for the Boxes to be taken of Mr Johnston at the Stage Door of the Theatre, at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. The doors to be opened at 5 o'clock. To begin at Half past six. [Stanley and Smith carried their Royal Prerogative over to Drury Lane this season.

Performances

Mainpiece Title: Samson

Music: FFirst Violin-Barthelemon; Concerto on Hautboy-Fischer

1493
12 March 1770 @ Haymarket Theatre

Event Comment: Conductor-Dr Arne. The Theatre thoroughly aired a week before the performance. Music of the Interlude composed by Arne. [Advertized as "Mr Foote's Theatre in the Haymarket."] At the Instance of several persons of Quality, by permission of the Noblemen and Gentlemen of the Catch Society at the Thatched House, St James's St. Pit and Boxes 5s. First gallery 2s. Upper Gallery 1s. To begin at 7 p.m. Books of all Catches and Glees and Capochio and Dorinna to be had at the Theatre for 1s

Performances

Mainpiece Title: Concert Of Catches And Glees

Afterpiece Title: Capochio and Dorinna

Music: After Interlude: Concerto on Violin-Barthelemon. *u¶Ãhay Between the acts: an Interlude. Parts-Mas. Brown, Miss Weller

1494
22 March 1770 @ Drury Lane Theatre

Event Comment: Benefit for Mr King. Part of pit laid into the boxes

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: A Peep behind the Curtain

Dance: I: Comic Dance, as17690926

Entertainment: LLinco's Travels-King (with considerable alterations and additions) His remarks on England and the Jubilees

1495
02 April 1770 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. Charges #64 12s. Balance to Mrs Mattocks #37 6s. plus #67 12s. from tickets (Box 199; Pit 119). Paid Mr Simpson for wine &c. for the Orchestra at rehearsals of musical performances #5 5s. Mrs Bellamy's balance paid (Account Book). Receipts: #101 18s

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Citizen

Dance: End: The Irish Lilt-Aldridge, Sga Manesiere. [See17670921.

1496
30 April 1770 @ Covent Garden

Event Comment: Benefit for Younger. Tickets deliver'd by Miss Helme and Mr Branson will be taken. Charges #70 3s. 6d. Balance to Younger #36 10s., plus #116 3s. from tickets (Box 151; Pit 340; Gallery 274) (Account Book). Receipts: #106 13s. 6d

Performances

Mainpiece Title: Cato

Afterpiece Title: The Rape of Proserpine

1497
09 May 1770 @ Covent Garden

Event Comment: Benefit for Mr and Mrs DuBellamy. Mainpiece: Not acted these 3 years. [See 2 May 1767.] Charges #64 5s. Deficit to the DuBellamy's #2 4s. covered by #142 7s. from tickets (Box 314; Pit 393; Gallery 49) (Account Book). Receipts: #62 1s

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: A Duke and no Duke

Dance: End Opera: The Old Ground Young, as17700501; with an Allemande, as17700501

1498
16 May 1770 @ Haymarket Theatre

Event Comment: At the Theatre Royal in the Haymarket. Places to be taken of Mr Jewell at the Theatre. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No Admittance behind the Scenes. No Money to be returned after the Curtain is drawn up. The Doors to be open at Six. To begin precisely at Seven. Vivant Rex et Regina. The Servants to keep Places are desired to be at the House by Five. [Repeated.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Miss in Her Teens

Dance: The Pedlar-Mas. and Miss West, apprentices to Grimaldi

1499
15 May 1771 @ Haymarket Theatre

Event Comment: Tickets Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places to be taken of Mr Jewell at the Theatre. No Money to be returned after the Curtain is drawn up. The Doors to be opened at six. To begin at Seven. Vivant Rex et Regina. [Repeated.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Miss in Her Teens

Dance: I: The Cowkeepers-Mas. West, Miss West

1500
18 September 1771 @ Haymarket Theatre

Event Comment: Positively the last night but one of Mr Foote's company performing this season. By permission of the Lord Chamberlain. A new mock Tragedy of three Acts. Tickets delivered out by Davis and Griffiths will be taken. Twenty box Tickets for the above mock Tragedy being taken out of a lady's pocket at Marybone 27 Aug., those sold at the doors will not be admitted

Performances

Mainpiece Title: Madrigal And Truletta

Afterpiece Title: The Busy Body

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