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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Box"/1) | (@(roleclean,performerclean) "Mr Box")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8100 results for: Keyword - Mr Box
We found 6775 matches on Event Comments, 1160 matches on Performance Comments, 555 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

5151
14 December 1782 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Public Advertiser, 10 Dec: Tickets to be had of Mrs Siddons, No. 149 in the Strand. [The most famous "point" in this play was the parting of Belvidera and Jaffier in Act III, and her words, "Remember twelve!" Boaden, Siddons, 1, 354, refers to Mrs Siddons's "querulous melancholy of tone, partaking of doubt, though still hoping for the best," in uttering these words.] Receipts: #335 5s. (157/15/0; 4/0/6; 0/12/6; tickets: 172/17/0) (charge: free). [Thus, officially, the Account-Book, but Mrs Siddons's total profit, from presents and from additional sums being added by her admirers to the usual price of her tickets, was, according to Public Advertiser, 25 Dec, over #800. This figure is almost certainly an accurate reckoning.]

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Bon Ton

Dance: End of mainpiece, as17820917

5152
14 December 1782 @ Covent Garden

Event Comment: Mainpiece [1st time; T 4, but published in 5, by Richard Bentley. The assignments of Fearon, Booth, Mahon (who are not listed in the text) are my own conjecture. Prologue and Epilogue by Richard Bentley Jun. (Public Advertiser, 18 Dec.)]: New Dresses, &c. Words of the Epithalamium will be given at the Box Doors. Public Advertiser, 11 Jan. 1783: This Day is published Philodamus (1s. 6d.). Afterpiece: Never performed at this Theatre. Receipts: #203 2s. (198/16/6; 4/5/6)

Performances

Mainpiece Title: Philodamus

Afterpiece Title: The Quaker

Dance: End of mainpiece Diversion a-la-Mode, as17821211 in which The Devonshire Minuet, as17821129

Song: In Act III of mainpiece an Epithalamium by Mrs Kennedy and Mrs Martyr

5153
14 January 1783 @ Drury Lane Theatre

Event Comment: Paid McMillan for Paper Machi to ornament the King's Box [on 9 Jan.] #5 18s. 6d. Receipts: #280 8s. 6d. (271/4/0; 8/14/6; 0/10/0)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Englishman in Paris

Dance: As17821206

5154
14 March 1783 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Miss Linley still continuing so ill [see 7 Mar.] as not to be able to perform this Evening, Mrs Bannister has been so kind as to undertake to supply her Place. Tickets to be had and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre, at half a guinea each. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: The Coronation Anthems

Music: End of Part II of oratorio concerto on the organ by Stanley

5155
18 March 1783 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons [who had 1st acted Zara at Liverpool, 21 Oct. 1776]. Mainpiece: Not acted these 2 years. Part of the Pit will be laid into Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Receipts: #329 16s. 6d. (154/17/0; 3/4/6; 0/0/0; tickets: 171/15/0) (charge: #108 17s. 4d.)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: All the World's a Stage

5156
25 March 1783 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Receipts: #326 14s. (142/12/0; 6/14/6; 0/7/6; tickets: 177/0/0) (charge: #67 4s. 6d.)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Divorce

5157
29 March 1783 @ Drury Lane Theatre

Event Comment: Benefit for Palmer. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Receipts: #145 17s. (140/0/0; 5/9/6; 0/7/6; tickets: none listed) (charge: #66 7s. 4d.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Citizen

Dance: End of mainpiece, as17821016

5158
01 April 1783 @ Covent Garden

Event Comment: Benefit for Henderson. [In afterpiece the playbill retains Mrs Webb as Glumdalca, but on the Kemble playbill a MS annotation substitutes Miss Platt.] Receipts: #280 12s. (154/1; tickets: 126/11) (charge: #105). [Henderson sold 439 tickets in boxes, 74 in pit, 57 in gallery.]

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Tom Thumb

Dance: As17821231

5159
03 April 1783 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Public Advertiser, 29 Mar.: Tickets to be had of Miss Pope at her house in Great Queen-street. Receipts: #278 3s. (86/14; 21/9; 0/10; tickets: 169/10) (charge: #106 5s. 10d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Bon Ton

Dance: As17830329athi

5160
08 April 1783 @ Drury Lane Theatre

Event Comment: Benefit for Bensley. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Receipts: #315 5s.(133/11/0; 5/6/6; 0/2/6; tickets: 176/5/0) (charge: #108 1s. 6d.)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Who's the Dupe

5161
10 April 1783 @ Drury Lane Theatre

Event Comment: Benefit for Brereton. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. "I could wish an actor of Brereton's merit would avoid tones in speaking which approach to something like singing" (Davies, m, 251). Receipts: #311 7s. (131/15/0; 6/9/6; 0/1/6; tickets: 173/1/0) (charge: #106 10s. 6d.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: A Trip to Scotland

5162
07 May 1783 @ Drury Lane Theatre

Event Comment: Benefit for Fosbrook, box-book and housekeeper. Receipts: #291 10s. (20/5; 14/11; 0/3; tickets: 256/11) (charge: #107 4s. 3d.)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Gentle Shepherd

Dance: End of Act iv of mainpiece The Butterfly, as17830426

5163
19 May 1783 @ Drury Lane Theatre

Event Comment: Benefit for a Fund for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. [Mainpiece in place of Isabella, announced on playbill of 17 May.] Receipts: #292 (146/5/0; 10/12/6; 0/12/6; tickets: 134/10/0) (charge: free)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Too Civil by Half

5164
19 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: A Fete

Performance Comment: Overture from Thomasand Sally, by Dr Arne. scene I A Forest. Sportsmen, Horses and Dogs, returning from the Chace. Give round the word, dismount, dismount, the Music by Dibdin, sung by Doyle, scene II. The Cave of Echo. They say there is an Echo here, I'll try, I'll try, I'll try by Davies, Mahon, Darley, Doyle, scene III. A Camp. The Duetto of the Tobacco Box, Though the Fate of Battle. Tom-Brett; Kate-Miss Morris. SCENE IV. A Wood. Tally ho!, as17830516. scene v. A Sea Piece. The Description of a Battle, Stand to your Guns, my Hearts of Oak by Bannister, scene vi. A Pantomimical Interlude, The Skeleton (Taken from The Royal Chace). Harlequin-W. Bates; Pierrot-Stevens; Pantaloon-Thompson, scene VII. When Phoebus, &c., as17830517. scene VIII. A Banquet. Come, my Friends and jovial Boys (jingers not listed). To conclude with a Grand Ballet. Also Coalition. Principal Characters by Quick, Davies, W. Bates, Wewitzer; Mrs Martyr, Miss Morris, Mrs Webb, Mrs Bannister. [Larpent MS lists the parts: Sir Chian Cucumber, Pert, Rigdoon, Capt. Sentry; Letitia, Fanny, Mrs Pandar, Priscilla. Morning Herald, 21 May, assigns: Sir Caian Anchovy-Quick; French Marquis-Wewitzer.] hathi. hathi.

5165
26 May 1783 @ Covent Garden

Event Comment: Benefit for Brandon, box-book and house-keeper. Receipts: #319 17s. (80/4; tickets: 239/13) (charge: #105)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Three Weeks after Marriage

Dance: End of mainpiece The Humours of Newmarket by Harris, Ratchford, Byrne, Miss Byrne, Miss Matthews

Song: End of Act II of mainpiece Tally bo!, as17830516; End of Act IV Kate of Aberdeen by Master Bartheiemon

5166
30 May 1783 @ Covent Garden

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets sold at the Doors will not be admitted. Receipts: #347 3s. 6d. (51/2/6; tickets: 296/1/0) (charge: #105)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Poor Vulcan

Dance: End of mainpiece The Rival Nymphs, as17830524

5167
03 June 1783 @ Covent Garden

Event Comment: Benefit for Curteen, Condell, and Colborne, box-keepers. [In mainpiece Booth doubled Rosencraus and the 1st Gravedigger.] Receipts: #227 14s. 6d. (72/7/6; tickets: 155/7/0) (charge: #105)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Golden Pippin

Dance: As17830530

Song: End of Act II of mainpiece Tally ho.', as17830516

5168
22 December 1783 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons. Mainpiece: Not acted these 3 years. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Mrs Siddons's 1st appearance as Lady Randolph was at Manchester, 5 Feb. 1777.] "The Siddons, younger and more rich in natural Gifts, certainly offers much to the Mind, and yet much more to the Eye. The Crawford, by some means or other, offers more to the Heart" (Public Advertiser, 24 Dec). Receipts: #303 8s. 6d. (156/2/0; 10/13/0; 0/13/6; tickets: 136/0/0) (charge: free)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Lyar

Dance: As17831020

5169
27 February 1784 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Tickets to be had and Places for the Boxes to be taken of Fosbrook, at the Stage Door, for Half a Guinea each. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: L'allegro Il Penseroso

Afterpiece Title: The Coronation Anthems

5170
03 March 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Oratorio: Composed by the late Dr Arne. At Playhouse Prices [see 10 Mar.]. The Doors to be opened at 5:30. To begin at 6:30. Tickets for the Boxes to be had at Messrs Longman and Broderip's, in Cheapside and the Haymarket; and at the Stage Door of the Theatre, in Suffolk-street, where Places may be taken

Performances

Mainpiece Title: Judith

Music: End of Act I concerto on the organ (composed by Dr Arne) by [Michael] Arne; End of Act II concerto on the violin by Barthelemon

5171
10 March 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: Samson

Music: As17840303athi

5172
11 March 1784 @ King's Theatre

Event Comment: Benefit for Mme Simonet. There being a few Boxes to be disposed of, those who would wish to be accomodated are requested to direct their commands as above, as soon as possible. Tickets, half a guinea each, to be had of Mme Simonet, No. 33, Pall-mall

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

5173
18 March 1784 @ King's Theatre

Event Comment: Benefit for D'Auberval, ballet-master. Opera: An entirely new Species of Entertainment, after the French style [1st time; ser 3, by Antonio Andrei]. The Music entirely new, composed by Rauzzini. [Libretto (H. Reynell, 1784) is entitled Alina; o sia, La Regina di Golconda.] The Scenery and Decorations devised and painted by Novosielski. The Dresses in character, and entirely new by Lupino. Tickets, half a guinea each, to be had of D'Auberval, No. 5, Great Pultney-street, Golden-square. To prevent all manner of confusion, the Subscribers are most respectfully entreated to give early notice, addressed as above, of their intention concerning their Boxes

Performances

Mainpiece Title: La Regina Di Golconda

Dance: Three new ballets composed by D'Aubcrval. End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages

5174
22 March 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Cuyler. [Kean is identified on HAY playbill of 26 Aug. 1784.] 1st and 2nd pieces: Both written by George Colman, Esq. 3rd piece: Written by the late David Garrick. Not acted these 12 years. Tickets to be had of Mrs Cuyler, No. 7, St. Alban's-street; at the bar of George's Coffee-house; and of Rice, at the Theatre, where places for the boxes may be taken. Tickets delivered for the 15th will be admitted

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The English Merchant

Afterpiece Title: The Lying Valet

Monologue: 1784 03 22 End of 2nd piece Shuter's Post-haste Observations on his Journey to Paris by Dutton

5175
25 March 1784 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Part of the Pit [Public Advertiser, 26 Mar.: 4 rows] will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Receipts: #321 3s. (160/2/0; 9/3/6; 0/7/6; tickets: 151/10/0) (charge: #67 11s. 11d.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Deserter

Dance: As17840320athi