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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Box"/1) | (@(roleclean,performerclean) "Mr Box")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6775 matches on Event Comments, 1160 matches on Performance Comments, 555 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Garton (treasurer). Charges #69 15s. Balance to Garton #35 13s. plus #116 10s. from tickets (Box 222; Pit 312; Gallery 142) (Account Book). Receipts: #105 8s

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Rape of Proserpine

Dance: IV: The Whim, as17691123

Event Comment: Benefit for Miss Miller. Mainpiece: Not acted these 4 years. [See 2 Jan. 1767.] Charges #68 16s. 6d. Balance to Miss Miller #29 17s. plus #59 9s. from tickets (Box 215; Pit 38) (Account Book). Receipts: #98 13s. 6d

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: The Rape of Proserpine

Dance: III: The Old Ground Young, as17700501; with Allemande, as17700501

Event Comment: Benefit for Sga Grassi who most humbly entreats the kind protection of the Nobility and Gentry, and hopes that subscribers to the Boxes will not think her remiss in not waiting on them in person, she being a stranger in the method how to proceed

Performances

Mainpiece Title: L'olimpiade

Event Comment: Benefit for Johnston (Housekeeper and Box-bookkeeper)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Padlock

Dance: I: As17700428 V: Comic Dance, as17690926

Event Comment: Tickets deliver'd by Saunders will be taken. Half House charge, plus half extras and half value of tickets came to #63 9s. 6d. [This minus half the receipts left a deficit to Saunders of #37 11s. 9d., just covered by] income from tickets #53 17s. (Box 89; Pit 158; Gallery 79); William Gard and Singleton rec'd usual pay [see 15 Feb.] (Account Book). Receipts: #51 14s. Half value of tickets received from Ellis, Stephenson, Bushell and Francis

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Harlequin's Jubilee

Event Comment: Benefit for increase of a Fund established for the support of Decay'd Musicians, or their Families. Pit and Boxes Half a Guinea. Gallery 5s. Upper Gallery 3s. 6d. To begin at 6:30 p.m. [The Governors announce #738 6s. 8d. spent during the past year.

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Music

Event Comment: Benefit for Mrs Barry. Part of Pit laid together with Boxes. Send servants at half past Four

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: High Life below Stairs

Dance: End: Daigville, Sga Vidini

Event Comment: Benefit for Mrs Yates. Mainpiece [by R. Glover, Esq]. Pit and Boxes will be laid together. Ladies send Servants by 4 o'clock, and come as early as possible to prevent Confusion

Performances

Mainpiece Title: Medea

Afterpiece Title: The Padlock

Dance: End: The Reel, as17701103

Event Comment: Benefit for Reddish. Afterpiece (musical): Taken from Dryden's Don Sebastian by Bickerstaffe. Part of the Pit paid into the Boxes. Ladies send servants at 4 o'clock. Mainpiece [by Edward Moore]: Not acted in 15 years. [See 5 April 1753.

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Captive

Dance: I: Cunning Love, as17710204

Event Comment: Benefit for Miss Catley. Ladies send servants by 4 o'clock. Part of Pit laid into Boxes

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Padlock

Song: I: The Soldier Tir'd of War's Alarms-Miss Catley; II: The song Cease Gay@Seducer- to the favourite Scotch air; End Opera: Water parted from the sea-Miss Catley after the manner of the original

Dance: II: An Allemande-Aldridge, Miss Twist

Event Comment: Benefit for Mrs Abington. Mainpiece: Not acted in 4 years. [See 17 March 1768.] Pit and Boxes thrown together. Ladies are earnestly intreated to come early and prevent any difficulty and confusion in getting to their Seats

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: High Life below Stairs

Dance: V: Comic Dance, as17701025

Event Comment: Benefit for Yates. Part of Pit laid into Boxes. Ladies send servants by 4 o'clock

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Author

Dance: End Play: The Old ground Young, as17710318 with Allemande, as17710318

Event Comment: Benefit for Miss Pope. Afterpiece: By Particular Desire. Part of Pit laid into Boxes

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Afterpiece Title: Harlequin's Invasion

Event Comment: Benefit for Barry. Barry did not act Doubtless ill (Winston MS 10). Tickets delivered for All for Love will be taken. On Account of the extraordinary demand for places, most part of the Pit will be laid into the Boxes. Send servants by half past 4 o'clock

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: A Peep behind the Curtain

Dance: V: Comic Dance, as17700922

Event Comment: Benefit for Mrs Mattocks. Last time of performing till Easter Holidays. And last time of Miss Catley's appearing this season. Part of Pit laid into Boxes

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Padlock

Dance: End Opera: The Whim, as17701024

Event Comment: By Permission and Particular Desire. Benefit for Mrs Weichsel. Tickets Boxes 5s. Pit 4s. Gallery 3s. Upper Gallery 2s. To begin at 6:30 p.m

Performances

Mainpiece Title: Judas Maccabeus

Music: I: Solo on Violincello-Duport; II: Concerto on Violin-Fisher; in Course of the performance will be introduc'd a new Song-Mrs Weichsel (set by Hook); with Solo accompaniments for the Piano Forte-Hook; Hautboy-Parke; Bassoon-Baumgarten

Event Comment: Benefit for Guadagni. Boxes 10s. 6d. First Gallery 5s. Second Gallery 3s

Performances

Mainpiece Title: Grand Concert Of Vocal And Instrumental Music

Event Comment: Benefit for Mrs Lessingham. Mainpiece: (Never Perform'd) alter'd from Gay [The Distress'd Wife].Afterpiece: (By Particular desire and for the last time this season). Part of Pit will be laid into Boxes. Ladies send servants by half past 4 o'clock. [See afterpiece again on 6 May.

Performances

Mainpiece Title: The Modern Wife

Afterpiece Title: Love a-la-Mode

Dance: III: The Tartars, as17701003

Event Comment: By Order of the Grand Buck. Benefit for Wignell and Barnshaw. Places will be kept in the Boxes for the Brethren of the Most Noble Order, who are desired to meet the Grand Buck and his Council at the Shakespeare's Head, in the Great Piazza, Covent Garden; by Five o'clock, in order to proceed from thence to the Theatre in Procession

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Deuce Is in Him

Dance: End Opera: Comic Dance, as17701017

Event Comment: Benefit for Sarjant (box-book and house-keeper)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Harlequin Dr Faustus

Dance: IV: Comic Dance, as17701017

Event Comment: Benefit for Johnston (Box-book and Housekeeper)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Miss in Her Teens

Dance: II: The Medley-Scholars of Giorgi

Event Comment: Benefit for Coldell [sic. Query: Condell?], Potter and Evans (Box-keepers). Tickets deliver'd for The Jovial Crew will be taken

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Author

Dance: II: Comic Dance, as17701017

Music: End of Opera: Concerto on the Harpsichord-Mas. Condell, his first performance in public

Event Comment: Benefit for Green and Ansell (box-keepers). Afterpiece: By Desire

Performances

Mainpiece Title: He Good-natured Man

Afterpiece Title: The Padlock

Dance: End of Play: Dutch Milkmaid, as17700924

Event Comment: The Doors to be opened at Five o'clock. To Begin exactly at Six o'clock. [Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s.] Vivant Rex et Regina. [Customary footnote for each succeeding Bill. Only significant variations will be noted further. Criticism: For contemporary comment on performances and plays this season see John Potter's Theatrical Review, or New Companion to the Playhouse. 2 vols. London, 1772, a day by day account of Plays and actors at Drury Lane and Covent Garden theatres for the season 1771-72. He is rather severe in his comments on most of the actors at cg. The four relatively constant expenditures set up for each night this season include music: averaging #7 5s.; wardrobe charges of from 1 to #3; properties 7s. to #1; and renters, paid to Garton, the treasurer, #10. Extras, when they occur, which is almost nightly, for such things as kettle drum, side drum, bagpipes, chorus singers, supernumeraries, together with all repair bills paid advances to actors, &c. are duly recorded. I include only what appear to be significant ones which illustrate the theatre as a show business.] Receipts: #186 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Commissary

Dance: End of Play: The Dutch Milkmaid-Mas. Blurton, Miss Besford. [See17700924.

Event Comment: Timanthes and the Citizen oblig'd to be deferr'd on account of Indisposition of Mrs Yates and Mrs Mattocks. Benefit for the increase of a Fund, for the support of such actors and their families who through age or infirmity are oblig'd to retire from the stage (playbill). Charges #70 12s. 6d. Profit to the Fund #68 1s. 6d. plus [apparently] #10 from sale of 40 Box Tickets (Account Book). Receipts: #138 14s. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Catherine and Petruchio

Monologue: Entertainment True Blue. As 14 Dec