SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Box"/1) | (@(roleclean,performerclean) "Mr Box")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6775 matches on Event Comments, 1160 matches on Performance Comments, 555 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Beard. Afterpiece: By Particular Desire. Tickets at Beard's lodgings at Mrs Coleman's in East St., Red Lyon Square, and at the Stage Door. Part of Pit laid into Boxes. Receipts: #280 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Devil to Pay

Song: I: Rise Glory, in the Opera Rosamond, by Arne-Beard; II: A Song-Miss Thomas; III: (By desire) a Ballad-Beard; IV: A Pastoral Dialogue by Arne-Miss Thomas, Beard

Event Comment: Benefit for Cooke. Part of Pit will be laid into boxes. Tickets delivered out for the 22nd will be taken

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Lying Valet

Dance: II: Italian Peasants, as17531120; IV: Les Charboniers, as17540307 End of Play: (By Particular Desire) Louvre and Minuet-Cooke, Miss Hilliard

Event Comment: Benefit for the Box-Keepers Evans and Plummer. [Usual notice about fraudulent tickets.

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Contrivances

Dance: DDutch Dance, as17531018

Entertainment: EEpilogue Riding on an Ass-Shuter

Event Comment: Benefit for the Box-Keepers Condell and Green. [Care taken about fraudulent tickets.

Performances

Mainpiece Title: The City Wives' Confederacy

Afterpiece Title: The Lying Valet

Song: I: No Never-Lowe, Mrs Chambers; III: If Love's a Sweet Passion-Mrs Chambers

Dance: DDutch Dance, as17531018

Event Comment: Benefit for the Box-Keepers, Lawrence and Vaughan. Mainpiece: Acted but once these seven years

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Double Disappointment

Dance: IItalian Peasants, as17531120

Event Comment: Benefit for the Lock Hospital. Prices Box and Pit half a Guinea. First Gallery 5s. Upper Gallery 3s. 6d. At the Particular Desire of several Persons of Quality

Performances

Mainpiece Title: L'allegro And Il Penseroso

Afterpiece Title: Ode to St Cecelia's Day

Afterpiece Title: First Violin Concerto

Performances

Mainpiece Title: Mrs Midnight's New Carnival Concert; Or, The Old Woman's Oratory

Performance Comment: Set for a Smoking Pipe, a Tankard, a Bassoon, a Pair of Tongs, two Wooden Spoons, a Salt Box, and a Pair of Slippers, by the best Italian masters, viz.: Sig Zappino, Sig Sallybotino, Sig Diavolino, Sig Ferrareni, Sig Cochinino, Sig Batterino, Sig Ciavartino, several others (just arrived from the Republic of San Marino).

Afterpiece Title: La Pantomime du Charpentier

Dance: An Extraordinary Original who will not touch the Ground either with his hands or feet-

Event Comment: At Phillips's Great Theatrical Booth, Bowling Green. To begin each day at 12 Noon. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. During the time of the Fair the Town will be entertain'd with an excellent droll, The Distress'd Merchant...Mr Phillips has been at great Expense in getting proper Machinery, Habits, and Decorations

Performances

Mainpiece Title: The Distress'd Merchant; Or, The Jew Of Venice

Afterpiece Title: The Escapes of Harlequin; or, Fribble Trick'd

Dance: Comic Dance,%Humours of Cloth Fair-

Event Comment: At Yeates's Booth. Afterpiece: Not performed before. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. Acted from 12 Noon to 10 p.m

Performances

Mainpiece Title: The Tender Husband; Or, The Artful Wife

Afterpiece Title: Harlequin Barber; or, Mezzetin in the Suds

Event Comment: At Cleopatra's Cataract between the several acts of her concert, will be pour'd upon the Town a cataract of Originals and Amazing Geniusses, brought by that antient Soverign from Anamamboo, Upper Egypt, and the renown'd Kingdom of Abyssinia. These being an entire new set of performers will exhibit that evening in a new manner sever strange and surprising Feats of an Egyptian Broomstick, the Ghosts, Witches, Imps, modern Saints, Ballad Singer, Conjuror, and Elizabeth Canning. Boxes 5s. Pit 3s. Gallery 2s. To begin at 6 p.m. [A cryptic "puff" in the Daily Advertiser suggests that Mrs Midnight has abdicated in favour of Cleopatra, who will now take over the Haymarket.

Performances

Mainpiece Title: Aethiopian Concert

Event Comment: By His Majesty's Command No Persons Whatsoever to be admitted behind the scenes. A new Opera [Altered from Metastasio; Music by Hasse and Lampugnani.] with New Decorations and Dances. To begin at 6 p.m. Pit and Boxes a half guinea. Gallery 5s. [Repeated in the bills.

Performances

Mainpiece Title: L'ipermestra

Dance: Pietro, Isaia Nieri, Arna Conti, Elizabeth Buggiani, Cosimo Marranesi

Event Comment: Benefit for Henry Smith. Concert divided into five parts. To begin at 6:30 p.m. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: Aethiopian Concert

Event Comment: Care has been taken to make the House warmer, by the addition of two more Stoves, one being fixed under the Centre of the Pit, and the other near his Majesty's Box

Performances

Mainpiece Title: Siroe

Event Comment: MMiss Wilkinson has not only complied with the Vulgar Method of printing Bills, but as more elegant Form of Invitation, has sent complimentary Cards to all the Ladies of Distinction. [A debate on the superiority of the fair sex, after which Miss Wilkinson performed on the wire. A Praemium and peroration were spoken by George Alexander Stevens. Well advertised in advance bills. It began at 7 p.m. Boxes 5s. Pit 3s. Gallery 2s. This performance, soon changed to A Short Comic Oratorio and had a run here, almost always advertised as by the particular desire of several ladies of quality.

Performances

Mainpiece Title: The Female Inquisition

Event Comment: Compos'd by Sg Pergolesi. Benefit of the Managers of the Italian Company who played the Burlettas at Covent Garden Theatre this Season. Boxes 5s. Pit 3s. Gallery 2s. To begin at 7 p.m. Will be presented the Second Concert of Vocal and Instrumental Musick...Between the first and second part of the Concert will be given, gratis, an Italian Interlude, called, La Serva Padrona

Performances

Mainpiece Title: La Serva Padrona

Music: First violin-Marella; The rest-the best hands in town

Event Comment: Benefit for Mrs Pritchard (Cross). Mainpiece: Not acted these 30 years. This day publish'd. Price 1s. Reflections upon Theatrical Expression in Tragedy. [By Roger Pickering. This is a defense of the theatrical profession, "which in all countries is considered low and contemptible." Author's thesis: "A master of theatrical expression in all its extensive significancy must be possess'd of such accomplishments, as to set the profession above all contempt." Garrick is mentioned as best example. True tragic expression "requires Genius, Education, Reading, Experience...and a solidity of thought which never accompanies abject morals" (p. 11). Includes an interesting treatise on acting-sections on figure, voice, ear, memory, management of feet and legs. Comments on costume: "Taste in dress demands that an actor be conversant in the mode of dress ancient and modern, in other countries as well as in our own...Alexander and Cato were not masters of the snuff box, nor Greek women of French heels." The appendix asks why all our plays are not dressed in character in point of time and place, and why they do not contain at least one "scene" proper to the country. The author (p. 61) sees need for variety in acting same role, especially when a play has a continuous run of several nights. He calls (p. 77) for creation of appropriate mood for the play by selection of proper music between the acts. Wants a softening of the prompter's bell. Concludes by damning contemporary audience manners, especially those of the stage loungers (pp. 79-81).] Receipts: #314 (Cross)

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Englishman in Paris

Song: II: The Cantata of Cimon and Iphigenia-Beard

Event Comment: Benefit for Mrs Clive (Cross). Music of Afterpiece by DeFesch. Tickets at her lodgings at the Wheatsheaf in Henrietta St., and at the Stage Door. Afterpiece: Never performed but twice. Part of Pit to be laid into the boxes. Receipts: #210 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The London Prentice

Dance: T$Three Sabatinis As17550203

Event Comment: For the Benefit and Increase of a Fund to Support Decay'd Musicians, or their Families. Boxes and Pit at Half a Guinea. Gallery 5s. Tickets delivered to Subscribers to this Charity will admit one Person into any Part of the House

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Event Comment: Benefit for Miss Macklin (Cross). Receipts: #180 (Cross). Ladies to send for tickets for the places they taken at Miss Macklin's, Russel St. next door to Tom's Coffee House. Part of Pit laid into Boxes and Amphitheatre on stage. Afterpiece: By Particular Desire. Last time of Performing till the Holidays. On seeing Miss Macklin in the character of the Mourning Bride: @Should Death (for Oh! what power can save Our tragic heroine from the grave)@At Cibber aim his dart:@Tears should forever speak my moan,@For oh! 'tis she, and she alone@Can melt the feeling heart.@Britannia spake, when Lo! a Voice@Britain be happy, and rejoice,@That, when your Cibber dies@The Gods have yet in store for thee,@A Macklin; and in her you'll see@Another Cibber rise.--Public Adveriser@

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Englishman in Paris

Dance: As17550203

Event Comment: Benefit for Sga Passerini. Pit and Boxes half a Guinea. Gallery 5s. The Overture and some songs composed by his Majesty the King of Prussia. The Remaining songs by the best masters as Quantz, Nichelman, Benda. The Duet and chorus-Graun, chief composer of the court, poetry-Villati. The afterpiece "an Italian Pastoral.

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Charlottenburg Festeggiante

Event Comment: A Scots Pastoral Comedy by Allan Ramsey. For one night only. Boxes 5s. Pit 3s. Gallery 2s. To begin at 7 p.m

Performances

Mainpiece Title: The Gentle Shepherd

Song: Lauder

Event Comment: At the Desire of several Persons of Quality. By Authority....By Bayes's New-raised Company of Comedians....All other parts [of mainpiece] to be attempted by the new Company; Most of whom never appeared on any stage before. Particularly, the part of Miranda , by a Young Gentlewoman. Being positively her first Essay in a Theatrical Capacity. Boxes 5s. Pit 3s. Gallery 2s. To begin at 6:30 P.m. [No concert formula.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mock Doctor

Song: I: The Lover's Rapture-

Dance: II: A New Pierot's Dance-; IV: The Drunken Peasant-; End: A Country Dance-the Characters in the Comedy

Event Comment: By the Widow Yeates's Company of Comedians at the Large Assembly Room, Swan Inn, West Smithfield. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. From 12 Noon to 10 p.m. (Daily Advertiser). [Repeated.

Performances

Mainpiece Title: The Virgin's Wish; With The Humours Of Squire Spoilal And Peter Shackle

Afterpiece Title: The Inchanted Island; or, Harlequin Fortune-Teller

Song: Dennis, Mrs Dennis, Mrs Bicknell

Dance: A Hornpipe-

Event Comment: This night the Riot was very Great, the Gentlemen came with Sticks, & tho' the play went on quiet 'till the last Act, we had there a great Stop, notwithstanding we ended it, & then the rout went on, ye Boxes drove many out of the Pit, & broken heads were plenty on both Sides; the dance began,--was Stop'd--& so again & again--while this was doing numbers were assembl'd in the Passages of the pit, broke down & were getting into the Cellar, but were repuls'd by our Scene men &c.--heavy blows on both sides--Justice Fielding--& Welch came with Constables & a Guard; but without effect, tho' the Justices stood upon ye Stage--I thought ye proclamation must have been read--after ye battle in the Passages numbers went & broke Garrick's Windows in Southhampton Street, --part of ye Guard went to protect it-Garrick was oblig'd to give up the Dancers-& ye Audience disperc'd (Cross). This day publish'd at 1s. The Country Coquet; or, Miss in her Breeches, a Ballad Opera, as it may be acted at Drury Lane. @Men, some to business, some to pleasure take@But every woman is at heart a Rake.@ Pope By a Young Lady. Printed for and sold for J. Major, in Three-Tun Court, leading from the Ship in Ivy Lane into Newgate Market. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Chinese Festival

Event Comment: Several Advertisements in ye Papers this day for meetings to redress Injuries done by the Boxes &c., &c. All quiet at ye Theatre (Cross). Last time of performing the afterpiece this season. Receipts: #120 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Fortunatus