SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Box"/1) | (@(roleclean,performerclean) "Mr Box")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6775 matches on Event Comments, 1160 matches on Performance Comments, 555 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Boxes 5s. Pit 3s. 6d. First Gallery 2s. 6d. Upper Gallery 1s. 6d. Receipts: For Mr Arne

Performances

Mainpiece Title: Deraminta

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places to be taken of Mr Page at the Stage Door of the Theatre. [A customary notice each night. It will not be repeated further here.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Damon and Phillida

Event Comment: Boxes: #25 (Account Book). Mr Hook and I went to the Revels & see the best part of Harlequin Skeleton. Dives was there with Charlotte Hayes (Hailey, Brietzcke Diary, N & Q, Vol. 199. p. 261). Receipts: #108 16s. (Account Book)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Harlequin Skeleton

Dance: As17601013

Event Comment: Boxes #18 10s. Bought of Mr Ledley 10 doz. candles at 31s. per-#15 10s. Paid 12 months subscription to St George's Hospital #5 5s. (Account Book). Receipts: #123 14s. (Account Book)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Catherine and Petruchio

Dance: As17601014

Event Comment: Boxes #23. Paid to Mr Redhead & Co (silk mercers) sundry Bills from Feb. last. #208 11s. (Account Book). Receipts: #97 14s. (Account Book)

Performances

Mainpiece Title: King John

Afterpiece Title: Thomasand Sally

Event Comment: Boxes #28 2s. 6d. Rec'd of Rev'd Mr Smith in full for his share of Tickets ye 9th Inst. #2 12s. 6d. (Account Book). Receipts: #117. (Account Book)

Performances

Mainpiece Title: Comus

Dance: The Dances incident to the masque-Poitier Jr, Mlle Capdeville, Granier, Leppie, Desse, Rochford, Dumai, Gosley, Hussey, Balthazar, Mrs Granier, Mrs Jansolin, Mrs Mariane, Mrs Crawford, Mrs Welch, Miss Daw

Event Comment: Boxes #17 2s. 6d. Paid Mr Younger a Bill for writing Parts #3 1s. 7d. (Account Book). Receipts: #153 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Event Comment: Box #43 17s. 6d. Paid Mr Blackmore a Bill for sundries and expenses in taking the inventory of the Men's Wardrobe #26 2s. 6d. Bought three men's outfits #68. Gave the King's footmen and Chairmen #4 4s., and Prince of Wales' Footmen and Chairmen #2 2s. Gave the Porters of the several Inns #3 14s. (Account Book). [The Gentlewoman who played Bertha was Miss Fielding. See notation of payment to her for acting this part, 10 Jan.] Receipts: #176 16s

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Afterpiece Title: The Rape of Proserpine

Event Comment: Boxes #84 12s. 6d. Macklin's fifth part of surplus came to #30 14s. 9d. Paid Pattinson, Tallow Chandler #52 2s. Paid Coal Merchant in Full as per bill #71 13s. Paid Mr Rich #5 5s. to give to Miss Fielding for her performance in the part of Bertha in the Royal Merchant of the 7th Inst. (Account Book). Receipts: #216 14s

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: Sg Maranesi, Mlle Capdeville

Event Comment: Boxes #35 15s. Mr Sutton enter'd from the 17th inclusive at 3s. 4d. (Account Book). Receipts: #115 2s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Duke and no Duke

Dance: As17600924; and a New Comic Dance-Sg Maranesi, Mlle Capdeville

Event Comment: Boxes #32 2s. 6d. Mr Younger's salary advanced 1s. 8d. per day from 7 Feb. (Account Book). Receipts: #112 5s. (Account Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Thomasand Sally

Event Comment: Boxes #78 7s. 6d. Paid Mr Leverton, bricklayer, in full of a bill #30 15s. (Account Book). Receipts: #216 16s. 6d. (Account Book)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Event Comment: Boxes #60. Paid to Mr Forrest Sr [attorney?] of a Bill deliver'd ending Christmas last #100 (Account Book). Receipts: #180 3s. 6d. (Account Book)

Performances

Mainpiece Title: Comus

Afterpiece Title: Catherine and Petruchio

Event Comment: Boxes #23 15s. Paid Mr Forrest Sr, in full his bill ending Nov. last #97 10s. Paid Wilkinson on account #50. Paid Bingley two bills for wax candles #9 14s. Paid Bosworth a bill for Mrs Latter's Board for 8 weeks. #1 16s. (Account Book). Receipts: #116 6s. (Account Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Rape of Proserpine

Event Comment: Boxes #58 15s. paid Mr Luppino in full for making dancing dresses #53. Paid Rich on Account #21 (Account Book). Receipts: #155 11s. (Account Book)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money taken at Stage Door. No Money returned after Curtain is drawn up. [Customary note on subsequent bills.] Yates and Mrs Yates not engag'd. They went to Covent Garden Theatre. Mr Barry and Mrs Dancer engag'd (Winston MS 10). For performances at HAY and MARLY, 12-21 September, see close of Season 1766-1767, pp. 1264-65

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Daphne and Amintor

Event Comment: Mr Davies from the Norwich Company a tolerable figure a bad voice & speaks tolerable may be useful pretty well receiv'd (Hopkins Diary). Ld Aimwoth, A Gentleman (Cross Diary). Mainpiece: Not played in two years. [See 27 April 1769.] Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [Repeated.

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: A Trip to Scotland

Dance: I: A Dance-Daigville, Sga Vidini

Event Comment: Boxes 5s. Gallery 3s. Pit 2s. Upper Gallery 1s. Doors open at half past five. Play begin at half past six. [Repeated.] Before the Play a new Overture and New Occasional Prelude (Public Advertiser). The House has been quite alter'd since last Season and is now fitted up in the most elegant manner Possible by the Adam's etc. and is the most Compleat of any Theater in Europe. Great applause to the House before the Curtain. The Theatrical Candidates is wrote by D. G. Esq and was received with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. In Judging the popularity of a play in terms of box receipts for this season one must be aware of the fact that the treasurer's account books here differ from those of the five preceding years in not recording the income from the tickets delivered out for benefit nights. Hence on those nights the stated income reflects only the money taken at the door the night of the performance, and does not indicate the larger amounts which the actors received for their tickets. Deficits to various actors listed on the following pages were all paid up, presumably from the ticket receipts. Each actor doubtless at least broke even on his benefit.] Ceiling rais'd 12 feet. Old side Boxes top and bottom remov'd. New passages to Boxes. Entrance Bridges St. Light pillars to support Boxes inlaid with plate glass on green and crimson ground. Old chandeliers remov'd. Gilt branches with two candles each on pillars. Four new chandeliers in front. No slit i Curtain. Adam architects. 4,000 guineas. Persons not employed in the night's amusement ordered not to come behind the scenes--performers by that means go cross stage (Winston MS 11, from Dr Burney's News Cuttings). Paid Renters #8; Supernumeraries and Drum #1 16s.; taylor's Bill #10 11s. 6d. (Treasurer's Book). [For the 188 acting nights of the season and for 11 Oratorio nights the Renters were paid a total of #1,692. The Supernumeraries were paid an average of #5 per night or #940 for the season. No further account of these items will be made. Full account of the new look given to Drury Lane by the Adam's brothers in the Westminster Magazine for Sept. along with an approving review of the Meeting of the Company.] From Lloyd's Evening Post, 25 Sept., "On the New Front of Drury Lane Theatre": @Garrick asham'd to poke his nose@Too sheepishly beneath the Rose:@And fearing, poor man, what were Worse,@His bashfulness might hurt his purse;@Resolves this year to push a front,@And put a better face upon't.@Not surely meaning to give o'er@His Art, and make no faces more.@Yet, fair as tis, I'd have him know@If tis the last he means to show.@This face will never make amends,@For turning tail upon his friends;@Who own, by general consent,@His face the best Stage ornament.@ (In Folger Library, David Garrick Verses, Prologues and Epilogues, MS, p. 86.) Receipts: #208 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Miller of Mansfield

Event Comment: Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Second Price 6d. No Money to be returned. Places for the Boxes to be taken of Fosbrook at the office in Russel Street. The Doors t be opened at 5:30. To begin at 6:30 [see 4 Dec.]. Printed by C. Lowndes next the Stage-door. The Public are respectfully informed that the Entrances to the Pit are now removed from Bridges Street to Russel Street and Wooburn Street. In Wooburn Street the Lower Saloon is opened for the accomodation of the Frequenters of the Pit, previous to Opening the office Doors of admission. Many complaints having been made by the Frequenters of this Theatre respecting the application of the Box and office keepers and other Servants of the Theatre for Benefit Tickets, Christmas Boxes, &c., the Public are respectfully informed that a full compensation being made by the Proprzetors to all the said Persons in lieu of all such emoluments, no Benefit, Gift, or Perquistite will in future be permitted to the servants of this Theatre on any pretence whatever. [On Kemble playbill Kemble has written, "See June 14th and 15th for the Benefit of the Boxkeepers, and the perpetuating of this Ruse, if it is one at all."] Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #324 8s. 6d. (227.19.0; 94.13.6; 1.16.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Children in the Wood

Song: In III: a song-Dignum

Performances

Mainpiece Title: Alonzo

Afterpiece Title: A Peep behind the Curtain

Event Comment: Boxes 8s. Two Benches in the Pit next the Boxes rail'd in, the same Price. Pit 5s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. Stage Boxes half a Guinea. No Person to be admitted to keep Places in the Pit. At 6 p.m

Performances

Mainpiece Title: Pyrrhus And Demetrius

Event Comment: Boxes 8s. Pit 5s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. The two Benches in the Pit to be railed in at the Price of the Boxes. The Boxes upon the Stage half a Guinea

Performances

Mainpiece Title: Almahide

Event Comment: Boxes 8s. Pit 5s. Gallery 2s. 6d. Stage Boxes half a guinea. To be admitted on the Stage One Guinea. N.B. The Communication from the Stage to tne Side Boxes on Market-Lane Side being taken off, the Admittance to them will be through the Passage that leads to the Pit on the Left Hand

Performances

Mainpiece Title: Radamistus

Event Comment: Box and Pit 10s. 6d. 1st Gallery 5s. Upper Gallery 3s. 6d. Pit and Boxes will be put together and no persons to be admitted without tickets, which will be delivered this day at the Office in the Theatre. Galleries opened at half an hour after Four. Pit and Boxes at Five. To begin at Half past Six

Performances

Mainpiece Title: Alexander Balus

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: The Miller of Mansfield