SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Box"/1) | (@(roleclean,performerclean) "Mr Box")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6775 matches on Event Comments, 1160 matches on Performance Comments, 555 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for Boxes to be taken of Mr Hobson at the stage door of the Theatre. To begin exactly at six o'clock (General Advertiser). [This customary notice for all subsequent bills will not be mentioned further this season.] Receipts: #80 (Cross); #88 7s. 6d. (Powel)

Performances

Mainpiece Title: The Busie Body

Afterpiece Title: The Lottery

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin exactly at six o'clock. No persons to be admitted behind the scenes, nor any money to be return'd after the curtain is drawn up. Places for the boxes to be taken of Mr Page at the Stage door (General Advertiser). [This notice appears on subsequent bills this season but will not be repeated further here.

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Mock Doctor

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s, Upper Gallery 1s. No persons to be admitted behind the scenes, nor any money to be returned after the curtain is drawn up. Places for the Boxes to be taken of Mr Page at the stage door of the theatre. To begin exactly at Six o'clock. [Customary notice repeated for each bill this season.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Damon and Phillida

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Mr Varney at the Stage Door of the Theatre. No persons to be admitted behind the scenes, nor any money to be returned after the Curtain is drawn up. [Notice repeated throughout the season.] Receipts: #100 (Cross)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The King and the Miller of Mansfield

Song: III: The School of Anacreon-Beard

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin exactly at Six o'clock. Places for the Boxes to be taken of Mr Crudge at the Stage Door of the theatre. [Customary notice for succeeding bills.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Mr Crudge at the Stage Door. [This customary notice for all succeeding bills will not be repeated.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The King and Miller of Mansfield

Event Comment: Boxes 5s. Pit 3s. First GallerY 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Varney at the Stage Door. No Persons to be admitted behind the Scenes, nor any money to be returned after the Curtain is drawn up. [Customary note in bills throughout the season.] House Open'd. Receipts. #160 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Anatomist

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Crudge at the Stage Door. [This notice appears on subsequent bills and will not be repeated further.] Receipts: #32 6s. [Paid] Dall (scene painter) a week's salary, #1 10s. (Account Book)

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Manor

Afterpiece Title: The Contrivances

Event Comment: Boxes 5. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Crudge at the stage-door of the theatre. To begin exactly at six o'clock. [These customary announcements on all playbills will not be noted again; only significant differences will be noted during remainder of season.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Devil to Pay

Event Comment: Boxes, 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for Boxes of Mr Johnson at the stage door. No persons may be admitted behind scenes or into orchestra. No money to be returned after curtain is drawn up. [Usual note not to be further recorded.] Theatre newly painted and decorated (Winston MS 9)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant at the Stage-Door of the Theatre. No Persons to be admitted behind the Scenes. Nor any Money to be return'd after the Curtain is drawn up. To begin exactly at six o'clock. [Usual note unless otherwise stated.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Old Maid

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant at the Stage Door of the Theatre. No money to be return'd after the curtain is drawn up. To begin at 6 o'clock. No persons to be admitted behind Scenes. [Customary notice on each bill. Only significant differences will be noted hereafter. Special notice appeared on all Bills this season from 19 Sept.-19 Nov. 1763]: Whereas many Complaints have been made of Interruptions, in the performances at this theatre, occasion'd, by the Admission of Persons behind the Scenes; in Order to prevent the Like for the Future, it is humbly hop'd, no Nobleman or Gentleman, will insist on a Privilege so displeasing to the AUDIENCE in General; whose APPROBATION it is the DUTY, as well as the INTEREST, of the Managers, to endeavour, on all Occasions, to deserve

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for boxes to be taken of Mr Sarjant at the Stage Door of the Theatre. No money to be receiv'd at the Stage Door, nor any returned after the curtain is up. To begin exactly at 6 o'clock. [Customary notice on all subsequent bills.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (ONLY) Book-Keeper, at the Stage-Door of the Theatre. No Person can be admitted behind the Scenes. Nor any money returned after the curtain is drawn up. To begin exactly at 6 o'clock. [Customary note repeated on each bill.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No Persons to be admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Places for Boxes to be had (only) of Mr Sarjant at the Stage Door. The Doors to be opened at 5 o'clock. To begin exactly at 6 o'clock. [Customary footnote to all Bills.] Receipts: #177 13s. 6d

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Miller of Mansfield

Dance: II: A Comic Dance-Fishar, Sga Manesiere [See17671106]

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No Persons to be admitted behind the scenes, nor any money returned after the Curtain is Drawn up. Places for the boxes to be had (only) of Mr Sarjant at the Stage Door. The Doors to be opened at Five o'clock. To begin exactly at Six o'clock. Vivant Rex & Regina! [Customary note for each bill. Only significant changes will be further noted. The company was weakened by the loss of Woodward (see 23 Oct.) who accompanied Foote to Edinburgh, and of Mrs Bellamy who was not engaged. Miss Catley, however, returned from Ireland after an absence of 9 years. And Ross returned after four years.

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Chaplet

Dance: The Dutch Milkmaid-Mas. Burton, Miss Besford. [See17691111.

Event Comment: Boxes 5s. Pit 4s. First Gallery 3s. Upper Gallery 2s. Tickets and places for Boxes to be taken of Mr Sarjeant (only) at the Stage Door. Books of the performance sold at the Theatre. Doors to be opened at Five o'clock. To begin exactly at Half past Six

Performances

Mainpiece Title: Judas Macchabeus

Music: End Part I: A Solo-; End Part II: A Concerto on Violin-Sga Lombardini Sirmen

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. [Customary footnote for subsequent bills. Only significant variations will be noted further. The Westminster Magazine this month (p. 557) remarked upon Woodward's Prologue, "in part a parody on the celebrated speech of Cato in Addison's Tragedy....He informed the audience that they had assembled their Theatrical troops against the approaching winter; and that their leaders had met in council to consider the best method of supporting their campaign; but as their forces were numerous and strong, he hoped the town would not refuse them sufficient subsidies especially...as their Gods must aat, and without money could not even raise a Devil."] Receipts: #184 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for Boxes to be taken of Mr Jewell. To begin at 7:00 p.m

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Author

Dance: End: A Dance-

Event Comment: Boxes 7s. 6d. Pit 5s. First Gallery 3s. Second Gallery 2s. Places for Boxes to be taken of Mr Sarjeant (only) at the stage door. Books of the Oratorios to be had at the Theatre. Doors opened at Half past Five. To begin at Half past Six. [This note recurrs on all Oratorio bills this season. It will not be repeated here.

Performances

Mainpiece Title: Judas Maccabaeus

Music: First Violin-Lamotte; after I: Concerto on German Flute-Florio; Part II: Violin Concerto-Lamotte

Event Comment: Boxes #25 17s. 6d. Paid Mr Payne for his playing to the practices of Dancing 12 days ending Dec. 29th, by order of Mr Beard #2. (Account Book). Receipts: #130 2s. 6d. (Account Book)

Performances

Mainpiece Title: Comus

Afterpiece Title: A Duke and no Duke

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Drury Lane--New Painted and Decorated. Miss Pope's good acting is said to have made up for her deficiency in singing (Genest, V, 314). On Sept. 19 Fisher, Musician, married the widow of the late Powell, Patentee of cg (Winston MS 10). Rec'd Mrs Johnston's 1 year's rent to Lady Day Last #6; Paid Mr French on Acct per order Mr G. G. #20. Paid Renters #8. [This payment occurs each playing night throughout the season, and is not noted further.] The total amounted to #1576 (Drury Lane Treasurer's Book). Receipts: #188 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: High Life below Stairs

Dance: II: A Comic Dance-Daigville, Sga Vidini

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [Note repeated in subsequent bills. Larpent MS 337 casts the Prelude as follows: Manager-Dyer; Prompter-$Younger; Author-$Kniveton; Carpenter-$Davis; Mr Reinhold-$Mr Lewes; Chairmen-$Saunders, $Fox; Young Lady, her first appearance; servant.] Receipts: #199 5s

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Deuce Is in Him

Dance: End: The Fingalian Dance with Double Hornpipe-Mas. Blurton, Miss Besford

Monologue: Preceded: New Occasional Prelude. The Principal characters-Dyer, Kniveton, Younger, Davis, Cushing, Wignell, Saunders, Fox, a Young Lady Miss Barsanti her first appearance on any stage

Event Comment: Mr G. never better. monstrous Applause (Hopkins Diary). Paid Mr J. French, on Acct #20.; Christmas Box as per part[ners] #15 9s. Receipts: #284 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: A Trip to Scotland

Event Comment: Mr Salomon having insinuated that he alone is in possession of a correct Score of this celebrated Oratorio, I feel compelled, in justice to myself, to state that the Oratorio was published by subscription at Vienna, and that the printed Copy, from which I had the Parts transcribed, was delivered by Dr Haydn to a subscriber in Vienna, and brought from thence expressly for me, and on which is the Doctor's initials. The accuracy with which it was performed, and the enthusiasm with which it was received, are, I hope, convincing proofs that no other directions are necessary to "produce the effect required by the Author." I should not thus have obtruded myself, but I conceived it requisite to justify myself from the imputation of having attempted to impose a spurious production upon that public to whom I am under so many obligations. I am, with the greatest respect and gratitude, their most obedient servant, John Ashley. March 29. [On 29 Mar. the following card had appeared in most of the daily newspapers: Mr Salomon having received from Dr Haydn an early Copy of his New Oratorio called The Creation of the World, and having been favoured by him exclusively with particular directions on the style and manner in which it must be executed, in order to produce the effects required by the Author, begs to acquaint the Nobility and Gentry, that he means to perform it on Monday, the 21st of April next, at the King's Theatre. The performance took place on that date in the Ancient Music Room, i.e. the large concert-room situated inside the King's, on the east side, level with the first tier of the boxes. The reason for this change was, states the playbill, "the present Performances in the Opera House not allowing sufficient time to erect an Orchestra on the Stage." The principal singers were Mme Mara, Mme Dussek, Small, Page, Denman, Bartleman. Samuel Wesley presided at the organ and at the piano forte.

Performances

Mainpiece Title: The Creation; Grand Selection 0

Music: End I: concerto on the clarionet-John Mahon; End II: concerto on the violin-C. Ashley