Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Boswell"/1) | (@(roleclean,performerclean) "Mr Boswell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
5661 results for: Keyword - Mr Boswell
We found 4270 matches on Event Comments, 1139 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

101
05 August 1763 @ Haymarket Theatre

Performances

Mainpiece Title: The Englishman Returnd From Paris

Afterpiece Title: The Mayor of Garratt

Dance: I: The Venetian Gardeners-Rogier, Miss Street; II: The Provincial Dance-Master Clayton, Miss Street (Apprentices to Mr Gerhardi)

102
03 April 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Musical Lady

Entertainment: II: King, as Mr Prattle, will (for this night only) open a Packet of News-King; End: King, by Desire" will repeat a Comic Paraphrase on the Seven Ages of Shakespear-King

Dance: III: A Hornpipe-Miss Baker; End Comic Paraphrase: The Irish Lilt, as17630922

103
27 September 1770 @ Haymarket Theatre

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Vintner Tricked

Entertainment: IV: Tragical Imitations-Miss Rose (By Particular Desire); End of Play: Imitations of Mr and Mrs Cadwallader-Mas. Frank, Miss Rose; Between the Acts of the Farce: The Picture of a Playhouse; or, Bucks have at ye all-Death

104
15 February 1771 @ Drury Lane Theatre

Performances

Mainpiece Title: Samson

Music: First Violin-Mr Barthelemon; Concerto on Organ-Stanley; Solo on Violincello-Duport

105
04 November 1771 @ Covent Garden

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Author

Dance: End: A New Comic Dance, call'd The Jovial Gardners-Sga Manesiere, Miss Hamoir, Mr Drouville[, being his 1st appearance. [See17630312.

106
19 September 1774 @ Covent Garden

Performances

Mainpiece Title: Alls Well That Ends Well

Afterpiece Title: Thomasand Sally

Dance: End: A Comic Dance, The Italian Gardeners-Mr and Miss West (Late pupils of Sg Grimaldi) [their first appearance on this stage. [See dl 9 Dec. 1760.

107
03 March 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: Organ Concerto-Stanley; Part II: Violin Concerto-Barthelemon; After the Second Song in Part III: a Concerto on the Hautboy-Mr ThomasVincent (who has not performed in Public for several years)

108
07 March 1704 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Concert

Afterpiece Title: Britains Happiness

Music: Singing in Italian and English-Mrs Tofts

Dance: As17040222

109
13 April 1716 @ Drury Lane Theatre

Performances

Mainpiece Title: Cato

Afterpiece Title: La Guinquette

110
20 April 1716 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: La Guinquette

Dance: A new Italian Night Scene-Sorin, Baxter; La Caprice, as17160411

111
23 April 1716 @ Drury Lane Theatre

Performances

Mainpiece Title: The Northern Lass

Afterpiece Title: La Guinquette

Dance: As17160420

112
30 April 1716 @ Drury Lane Theatre

Performances

Mainpiece Title: The Funeral

Afterpiece Title: La Guinquette

Afterpiece Title: Dido and Aeneas

113
02 March 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

114
05 March 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

115
08 March 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: New Dance call'd The Sheep Shearers-Grimaldi, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

116
12 March 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Dance: The Sheep Shearers, as17640308 The Faggot Binders, as17640308 Dance, as17640308

117
19 March 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 but _Grimaldi, Lauchery; II: The +Shepherdesses, as17640113; End Opera: A Dance, as17640301 but _Grimaldi, Tassoni

118
17 November 1790 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews and Frederick Reynolds; based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by the Duke of Leeds; Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses and Decorations. The Scenery designed and executed by Greenwood. Gazetteer, 18 Nov.: At the rehearsal of the new comedy on Tuesday the Duke of Leeds, Major Scott, Mr Angerstein [the banker] and Mr Boswell were in the boxes. Mr Boswell said an epigrammatic thought had struck him...and he brought the following Impromptu into life: Andrews, your play is safe enough; For noble Leeds endures it; Boswell and Scott are pledged to puff, And Angerstein ensures it. World, 13 Dec. 1790: To-morrow will be published Better Late than Never (1s. 6d.). Receipts: #240 14s. (206.7; 32.6; 2.1)

Performances

Mainpiece Title: Better Late Than Never

Afterpiece Title: Don Juan

Dance: As17901026

119
10 December 1663 @ Whitehall or St. James's

Event Comment: Charles II to Madame, 10 Dec. 1663: I am just now going to see a new play (C. H. Hartmann, Charles II and Madame[1934], p. 89). The Duke's Company. W. J. Lawrence, in a review of Boswell, The Restoration Court Stage, in Modern Language Review, XXVIII (1933), 103, suggests that it was The Step-Mother which was given on this occasion. The edition of 1664 lists: The Prologue to the King at the Cockpit at White-Hall. The Epilogue to the King

Performances

Mainpiece Title: The Step Mother

120
04 November 1697 @ Whitehall or St. James's

Event Comment: In L. C. 5@152, pp. 202, 220--see Boswell, Restoration Court Stage, p. 105--is a reference to a performance given jointly by both companies. As this was the customary date of the celebration of King William's birthday, this musical work was probably given on this day. The BM copy has a MS date of 29 Nov. 1697; and a dialogue from this work was noticed in the Post Boy, 30 Nov.-2 Dec. 1697. The music was composed by John Eccles

Performances

Mainpiece Title: Europes Revels For The Peace

121
16 June 1789 @ Covent Garden

Event Comment: [Afterpiece in place of Midas, advertised on playbill of 15 June.] Account-Book: Tickets delivered by Brandon, Green, Robson, Egan, Clarridge, Blurton, Coombs, Wilkins, Wyatt, Rock, Gray, Doe, Watts, Boswell, Iredale, Turtle, Dosel, Helme will be admitted. Receipts: #371 2s. 6d. (34.7.6; 4.14.0; tickets: 332.1.0)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Farmer

Ballet: End: The Wapping Landlady. Jack in Distress-Blurton; Orange Woman-Mrs Watts; Landlady-Mr King

122
16 November 1682 @ Drury Lane Theatre

Performances

Mainpiece Title: Title Unknown

123
30 November 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fathers Or The Good Naturd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

124
15 October 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Waterman

125
14 November 1696 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Anatomist Or The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus