SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Benj May"/1) | (@(roleclean,performerclean) "Mr Benj May")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5678 matches on Event Comments, 1309 matches on Performance Comments, 607 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Siddons [whose 1st appearance as Alicia was at York, 26 Apr. 1777]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by half past Four o'Clock. Public Advertiser, 27 Apr.: Tickets to be had of Mrs Siddons, Gower-street. [In the interim she changed the play. The Announcement of 27 Apr. advertises Romeo and Juliet, by Kemble and Mrs Siddons, in which play she did not appear until May 1789.] Receipts: #337 16s. 6d. (146.1.0; 8.7.6; 0.14.0; tickets: 182.14.0) (charge: #105 16s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Bon Ton

Event Comment: [Afterpiece in place of The Enchanted Castle, announced on playbill of 5 May.] Receipts: #211 18s. (206.19; 4.19)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Love in a Camp

Dance: As17870131

Event Comment: Benefit for Barrymore. [Afterpiece: Prologue by John Dent.] Public Advertiser, 3 May: Tickets to be had of Barrymore, No. 11, Queen-street, Bloomsbury. Receipts: #271 17s. (35.7.0; 14.13.6; 1.2.6; tickets: 220.13.0) (charge: #108 5s. 10d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Too Civil by Half

Dance: As17870115

Event Comment: Benefit for Mrs Wilson. Public Advertiser, 1 May: Tickets to be had of Mrs Wilson, No. 13, King-street, Covent Garden. Receipts: #196 4s. 6d. (30.13.0; 22.10.6; 1.5.0; tickets: 141.16.0) (charge: #106 6s. 11d.)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair-the Miss Stageldoirs

Event Comment: Benefit for Miss Wilkinson. Mainpiece: Not acted these 4 years [acted 21 Apr. 1784]. With a Grand Procession of the Knights of Chivalryv. Public Advertiser, 7 May: Tickets to be had of Miss Wilkinson, No. 15, Martlet-court, Bow-street, Covent Garden. Receipts: #126 18s. (121.14; 5.4; tickets: none listed)

Performances

Mainpiece Title: Cymon

Afterpiece Title: Love and War

Dance: As17870425

Song: In afterpiece: Still the Lark finds Repose-Miss Wilkinson; End I: Tally@ho-Miss Wilkinson

Event Comment: Benefit for Wrighten, prompter. Public Advertiser, 7 May: Tickets to be had of Wrighten, Kennington-lane, near Vauxhall. Receipts: #254 8s. 6d. [64.9.0; 11.13.6; 0.19.0; tickets: 177.7.0) (charge: #106 3s. 9d.)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Stolen Heiress or the Salamanca Doctor Outplotted Author(s): Thomas May

Afterpiece Title: The Humourist

Dance: As17870115

Event Comment: Benefit for Mrs Ward. Public Advertiser, 3 May: Tickets to be had of Mrs Ward, No. 12, Catherine-street, Strand. Receipts: #292 17s. 6d. (65.17.0; 14.1.6; 0.10.0; tickets: 212.9.0) (charge: #106 11s. 4d.)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Sir Benjamin Backbite Actor: Dodd

Afterpiece Title: Who's the Dupe

Song: End II: Stand to your Guns-Bannister

Entertainment: Monologue End: The Picture of a Play@House; or, Bucks have at ye all-Dodd

Event Comment: Benefit for Brandon, box-book and housekeeper. [Afterpiece in place of Love in a Camp, announced on playbill of 15 May]. Receipts: #321 3s. 6d. (45.7.0; 2.17.6; tickets: 272.19.0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Hob in the Well

Dance: End: The Drunken Sailor Reclaim'd- [see17861212]

Event Comment: Mainpiece: Not performed these 5 years. In 3 acts; altered from Dryden. [Both Kemble and Moss were from the Edinburgh theatre. Address by George Colman elder (European Magazine, ibid).] Afterpiece [1st time; CO 2, by Charles Dibdin. London Chronicle, 17 May, refers to it as "from the French"]: The Musick composed by Dibdin. Books of the Songs to be had at the Theatre. Public Advertiser. 7 July: This Day is published Harvest Home (1s.). Places for the Boxes to be taken of Rice, at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: The Spanish Friar

Afterpiece Title: Harvest Home

Entertainment: Monologue End: Occasional Address (in character)-Young Sestini (European Magazine, July 1787, p. 63)

Event Comment: Seduction [announced on playbill of 16 May] is obliged to be deferred, on Account of the Indisposition of a principal Performer. Receipts: #63 2s. (42.10; 18.15; 1.2; tickets not come in: 0.15)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Distress'd Baronet

Dance: As17870126

Event Comment: Benefit for Wild. 2nd piece: In 3 Acts. 3rd piece [1st time; MF 2, by Leonard Macnally. Larpent MS 778; not published; composer of music unknown]. Morning Herald, 22 May: "[The Cantabs] was not heard out by the audience, nor can we differ from the verdict, as it possessed little to entertain, and less to interest." Receipts: #222 16s. 6d. (113.8.0; 7.6.6; tickets: 102.2.0)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Winter's Tale

Afterpiece Title: The Cantabs

Song: II 2nd piece: Come come my good Shepherds-Mrs Martyr; In course Evening: Four@and@Twenty Fidlers-Edwin

Monologue: Vaudeville End 2nd Piece: A Scene in a Masque Ball , with an Illumination. Huntress-Mrs Martyr; Tantivy the welkin resounds-Mrs Martyr; Mad Tom-Darley; song-Johnstone; Highland Lad and Lass-Mrs Kennedy, Mrs Martyr; Say bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr; To conclude with a Grand Dance-

Event Comment: Benefit for Williames and Bates. Public Advertiser, 9 May: Tickets to be had of Williames, No. 2, Duke's-court, Bow-street; of Bates, No. 12, Little Russel-street, Covent Garden. Receipts: #193 18s. 6d. (20.6.0; 10.8.0; 1.3.6; tickets: 162.1.0) (charge: #109 5s. 3d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Deserter

Event Comment: Artaxerxes [announced on playbill of 21 May] is obliged to be deferred on account of the Indisposition of a principal Performer. Afterpiece [1st time; C 3, by Elizabeth Inchbald. Prologue by Henry Sampson Woodfall, Jun. (see text)]: Taken from the celebrated piece called Guerre Ouverte; ou, Ruse Contre Ruse [by Antoine Jean Bourlin, dit Dumaniant]. Public Advertiser, 1 Dec. 1787: This Day is published The Midnight Hour (1s. 6d.). Receipts: #74 5s. (70.2; 4.3)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Midnight Hour

Event Comment: Mainpiece: Never performed here. Public Advertiser, 26 Ma8: As it has been found impracticable to prepare a sufficient Variety of Entertainments, without the Assistance of more Performers, the Theatre is closed 'till further Notice; after which Plays will be continued as usual [see 11 June]. "Sat. May 26th 1787. When the performers assembled t[his] morning, with intent to rehearse, they were acquain[ted] that the Theatre would be shut till the close of Drury? Lane and Covent Garden" (MS annotation on Harvard playbill)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harvest Home

Dance: II: a Masquerade Scene-; with Dancing-

Event Comment: All the out-standing Tickets of this Season will be admitted. Mainpiece: Processionv as 9 May. Receipts: #72 2s. 6d. (69.9.6; 2.13.0)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Devil upon Two Sticks

Dance: As17870131

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: The Poor Soldier

Afterpiece Title: Bonds without Judgement; or, The Loves of Bengal

Performance Comment: Principal Characters by Ryder, Wewitzer, Fearon, Macready, Quick, Mrs Pitt, Mrs Mountain, Mrs Wells. Cast from London Chronicle, 2 May 1787: Japan-Ryder; Congo-Wewitzer; Nankeen-Fearon; Manly-Macready; Colonel Fury-Quick; Governess-Mrs Pitt; Charlotte-Mrs Mountain (i.e. formerly Miss Wilkinson); Sophy-Mrs Wells.
Event Comment: Afterpiece: Not acted these 3 years [acted 14 May 1787]. Receipts: #238 12s. 6d. (233.5.0; 5.7.6)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Citizen

Dance: As17880128

Event Comment: Benefit for Fearon. Public Advertiser, 1 May: Tickets to be had of Fearon, No. 1, Broad-court. Receipts: #181 19s. 6d. (80.5.0; 13.8.6; tickets: 88.6.0)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Poor Vulcan

Dance: End: The Wapping Landlady-[See17880401]

Event Comment: Benefit for Dignum. 3rd piece: To conclude with a Grand Representation of a Regatta. [This was included in both subsequent performances.] Public Advertiser, 7 May: Tickets to be had of Dignum, Red Lion-Square, the corner of Leigh-Street. Receipts: #243 16s. 6d. (62.9.0; 17.18.0; 0.9.6; tickets: 163.0.0) (charge: #107 9s. 3d.)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Stolen Heiress or the Salamanca Doctor Outplotted Author(s): Thomas May

Afterpiece Title: Le Matin, Midi, et le Soir

Afterpiece Title: The Waterman

Song: End II 1st piece: The Race Horse (composed by Dibdin)-Dignum

Event Comment: Benefit for Mrs Webb. [The playbill has, as on 26 Apr., Rosa(1st time)-Mrs Mountain. But this may be a misprint.] Receipts: #145 4s. (72.13.6; 9.13.6; tickets: 63.17.0)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Love in a Camp

Dance: As17871129

Event Comment: Benefit for Mrs Ward. The Clandestine Marriage [advertised on playbill of 9 May] is obliged to be deferred, on Account of the Indisposition of Parsons. Receipts: #209 18s. 6d. (36.13.0; 12.11.6; 0.10.0; tickets: 160.4.0) (charge: #109 15s. 9d.)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Stolen Heiress or the Salamanca Doctor Outplotted Author(s): Thomas May

Afterpiece Title: Comus

Dance: As17880313

Event Comment: Benefit for Phillimore and Spencer. Comus [advertised on playbill of 22 May] is obliged to be deferred, on Account of the Indisposition of Mrs Crouch. Receipts: #261 18s. (18.14; 8.15; 0.15; tickets: 233.14) (charge: #106 6s. 6d.)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: High Life below Stairs

Dance: As17880313

Song: End III: Ma chere Amie-Dignum

Event Comment: The Regent [advertised on playbill of 26 May] is unavoidably deferred, on Account of the sudden and severe Indisposition of Barrymore. Receipts: #47 15s. (39.6; 7.14; 0.15)

Performances

Mainpiece Title: Welfth Night

Afterpiece Title: The First Floor

Event Comment: Benefit for Mme Mara. Public Advertiser, 2 May: Tickets to be had of Mme Mara, No. 64, Pall-Mall. Receipts: #149 17s. 6d. (73.10.0; 9.2.6; 1.5.0; tickets: 66.0.0) (charge: free)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Humourist

Event Comment: Benefit for Leoni. [Master Braham's 1st appearance was at this theatre on 21 Apr. 1787 (also on the night of Leoni's benefit), when he sang two songs.] Public Advertiser, 17 May: Tickets to be had of Leoni, No. 1, Well Close-square. Receipts: #123 17s. 6d. (89.14.6; 3.13.0; tickets: 30.10.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Poor Vulcan