SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Benj May"/1) | (@(roleclean,performerclean) "Mr Benj May")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5678 matches on Event Comments, 1309 matches on Performance Comments, 607 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Pope. Mainpiece: Not acted these 3 years [acted 22 Jan. 1784. Epilogue by John Wolcot (European Magazine, May 1786, p. 369)]. Afterpiece: With Additional Songs, &c., as 28 Apr. Morning Herald, 18 Apr.: Tickets to be had of Pope at his house, Half-Moon Street, Piccadilly. "There is a mellow richness in [Pope's] voice superior to any other performer on the stage" (Candid Strictures, p. 47). Receipts: #255 16s. 6d. (156/13/0; 2/14/6; tickets: 96/9/0) (charge: #105)

Performances

Mainpiece Title: Zenobi A

Afterpiece Title: The April Fool

Dance: End of Epilogue, as17860504

Event Comment: Benefit for Chapman and Williames. Morning Chronicle, 2 May: Tickets to be had of Chapman, No. 5, Prince's-street, Drury-Lane; of Williames, No. 2, Duke's Court, Bow-street. Receipts: #283 6s. (59/4/0; 16/11/6; 0/18/6; tickets: 206/12/0) (charge: #109 5s. 7d.)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: Bon Ton

Song: In Act IV of 1st piece song by Chapman

Event Comment: Benefit for Mrs Martyr. 1st piece: Never performed here. [Miss Thornton is identified by MS annotation on Kemble playbill. Address by Horatio Edgar Robson (European Magazine, May 1786, p. 369).] 2nd piece: Not acted these 7 years. 3rd piece: Written by Henry Fielding. Morning Herald, 19 Apr.: Tickets to be had of Mrs Martyr, No. 31, Tavistock-street, Covent Garden. Receipts: #280 6s. 6d. (138/15/6; 3/6/0; tickets: 138/5/0) (charge: #105)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Country Mad Cap; or, Miss Lucy in Town

Dance: End of 2nd piece The Drunken Sailor Reclaim'd, as17860424

Song: End of Act II of 1st piece a new song, Toung Henry, by Mrs Martyr

Monologue: 1786 05 09 Before 1st piece a new Occasional Address spoken by Holman

Event Comment: Benefit for Staunton and Wright. Morning Chronicle, 3 May: Tickets to be had of Staunton, No. 54, Drury-Lane; or Wright, Bennet-street, Westminster. Receipts: #227 (49/3; 25/8; 0/0; tickets: 152/9) (charge: #105 15s. 2d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Virgin Unmask d

Song: End of Act IV of mainpiece Collin cur'd of roving by Miss George; End of mainpiece Bucks of the Field by Dignum

Event Comment: Benefit for Hull. Mainpiece: A New Alteration [by Thomas Hull], from Shakespeare and Shadwell. With characteristic Habits, Scenes and Decorations. [Mrs Duill is identified in Lyons, Collectanea.] Public Advertiser, 2 May: Tickets to be had of Hull, Duke's Court, near Dean's-yard, Westminster. Receipts: #80 10s. (77/5; 3/5; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Tom Thumb

Dance: In Act II of mainpiece a Banquet and Masquerade Dance [performers not listed]; End of mainpiece Leap Year, as17851010

Performances

Mainpiece Title: Virginia

Performance Comment: Announced, but not performed. "On Saturday night the opera was that King's scene of confusion and distress that no serious opera, with all its cantabile faintings, rapes, battles and murders ever produced. On the drawing up of the curtain it was not a Roman legion in marshal array that caught the eye. No, it was a corps of the sons of the feather and fashionâ??British bucksâ??British beaus . . . Off! Off! was the cry from every part of the house. To this admonishing shout they were all Atlases ... By no efforts could the opera be put in train. The manager and his friends exerted themselves in vain to appease the fury ... This scene of tumult and disorder continued for upwards of three hours and a half, when the audience retreated, some discontented, and others more pleased than ever they were at a regular entertainment" (Morning Herald, 15 May) .
Event Comment: Benefit for Booth. 1st piece: In Act II the Grand Triumphal Entry of Alexander into Babylon. 3rd piece: Never performed there. Morning Chronicle, 2 May: Tickets to be had of Booth, No. 18, Broad Court, Long Acre. Receipts: #105 12s. 6d. (99/8/6; 6/4/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Annette and Lubin

Afterpiece Title: Piety in Pattens

Dance: As17860426

Event Comment: [Opera in place of Virginia, announced in Public Advertiser, 15 May.]

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: As17860429 throughout. [The playbill includes the Sequidilla, as17860427]

Event Comment: Benefit for Stevens and Miss Besford. Tickets delivered for The Brothers will be admitted. Morning Chronicle, 13 May: Tickets to be had of Stevens, No. 54, Drury-Lane; of Miss Besford, No. 5, Bow-street, Covent Garden. Receipts: #167 15s. (75/16; 6/17; tickets: 85/2) (charge: #105)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Country Mad Cap

Dance: End of 2nd piece The trapping Landlady, as17860426

Event Comment: [Opera in place of L'Inglese in Italia, announced in Public Advertiser, 17 May.]

Performances

Mainpiece Title: Virginia

Dance: As17860516 throughout

Event Comment: [Afterpiece in place of The Virgin Unmask'd, announced on playbill of 18 May.] Receipts: #155 5s. 6d. (128/10/0; 25/7/0; 1/8/6)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Stolen Heiress or the Salamanca Doctor Outplotted Author(s): Thomas May

Afterpiece Title: The Gentle Shepherd

Dance: As17860223, but Mills in place of Mrs Sutton

Event Comment: By Command of Their Majesties. [Mainpiece in place of Fontainbleau; afterpiece of The Drummer, both announced on playbill of 18 May.] Receipts: #305 4s. (304/12; 0/12)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Omai

Event Comment: The Irish Widow [announced on playbill of 19 May] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #154 7s. 6d. (134/16/0; 16/11/0; 3/0/6)

Performances

Mainpiece Title: Percy

Afterpiece Title: Who's the Dupe

Event Comment: A new Comic Opera [1st time; COM 2], written by Charles Francis Badini, and set to music by Pasquale Anfossi. "The Author has . . . struck out ideas fit to excite the utmost powers of harmony. We do not think that he has been sufficiently seconded by Signor Anfossi. The music evidently labours under a tedious monotony" (General Advertiser, 22 May)

Performances

Mainpiece Title: L'inglese In Italia

Dance: As17860516 throughout

Event Comment: Benefit for Burton and Harwood, prompter. Tickets delivered for a comedy will be admitted. Morning Herald, 11 May: Tickets to be had of Burton, No. 8, Clement's Inn; of Harwood, Little Russel-street, Covent Garden. Receipts: #216 5s. 6d. (34/19/0; 16/6/0; 2/12/6; tickets: 162/8/0) (charge: #106 2s.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Bon Ton

Dance: End of mainpiece The Lucky Return, as17860105, but Ferrere in place of Williamson

Song: End of Act II of mainpiece a favourite Hunting Song (composed by Hook) by Dignum

Event Comment: Benefit for Fawcett and the Widow Butler. Morning Chronicle, 17 May: Tickets to be had of Fawcett, Craven Buildings; of Mrs Butler, next door to the theatre. Receipts: #235 1s. (21/17/0; 16/16/6; 0/6/6; tickets: 196/1/0) (charge: #108 18s. 4d.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Humourist

Dance: As17860522

Event Comment: Benefit for Palmer and Meadows. Morning Chronicle, 20 May: Tickets to be had of Palmer, No. 36, Bow-street, Covent Garden; of Meadows, John-street, Golden-square. Receipts: #208 10s. (36/19/6; 9/11/6; tickets: 141/19/0) (charge: #105)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Quaker

Dance: As17851112. vaudeville. End of Act II of mainpiece a Variety of Imitations of Birds by Meadows

Event Comment: Benefit for Phillimore, Spencer & Danby. Morning Chronicle, 22 May: Tickets to be had of Phillimore, Little Russel-street, Covent Garden; of Spencer, The Garrick's Head, Bow-street, Covent Garden; of Danby, Wardourstreet, Soho. Receipts: #251 15s. (26/9/0; 13/0/6; 0/17/6; tickets: 211/8/0) (charge: #107 8s. 11d.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Deserter

Dance: As17860522

Song: End of Act in of mainpiece a Hunting Duett (composed by J. Danby) by Dignum and [C] Danby

Event Comment: Benefit for Babbini. A Serious Opera [1st time; ser 3, by Giovanni de Gamerra]; the Music entirely new by Michele Mortellari. Public Advertiser, 23 May: Tickets to be had of Babbini, No. 17, Great Pulteney-street, Goldensquare

Performances

Mainpiece Title: Armida

Dance: As17860523 throughout

Event Comment: The Duenna [announced on playbill of 27 May] is obliged to be deferred, on account of Mrs Billington's violent Hoarseness. Receipts: #63 14s. 6d. (59/19/6; 3/15/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Poor Soldier

Dance: As17851112

Song: As17860118

Event Comment: Benefit for Alfred, Brigg, Bourk & Walker. Tickets delivered for the 30th of May will be admitted. Morning Chronicle, 6 June: Tickets to be had of Alfred, No. 2, Middle-Temple-Lane; of Brigg, No. 6, Little Russel-street, Covent Garden; of Bourk, No. 13, Little Russel-street, Covent Garden; of Walker, No. 8, Bedford-street, Bedford-Row. Receipts: #209 15s. (33/9; 18/0; 2/8; tickets: 155/18) (charge: #105 13s. 6d.)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Humourist

Dance: End of Act III of mainpiece Hornpipe by Bourk; End of mainpiece a new Minuet and Quadrille by Hamoir, Brigg, Mrs Sutton, Miss Stageldoir, &c

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 1 May 1787]. Receipts: #202 12s. (161.8; 39.18; 1.6)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Richard Coeur de Lion

Event Comment: Mainpiece: Not acted these 7 years [not acted since 12 May 1779]. Receipts: #210 18s. 6d. (207.4.0; 3.14.6)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Enchanted Castle

Cast
Role: Mayor Actor:
Event Comment: Afterpiece [1st time; CO 2, by Robert Jephson and John O'Keeffe, i.e. an abridgement by O'Keeffe of Jephson's The Campaign (see 12 May 1785). Not in Larpent MS; not published; synopsis of plot in Universal Magazine, Mar. 1787, p. 155]: With new Scenes, Dresses, &c. A new Overture composed by the celebrated Haydn. The Airs by Gretry, Hook, J. C.? Bach, Paisiello, Duny [recte Duni], Carolan, Shield and Tenducci. Books of the Songs to be had at the Theatre. Receipts: #265 11s. 6d. (257.11.6; 8.0.0)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Love and War

Event Comment: Mainpiece: Not acted these 10 years [acted 5 Mar. 1778]. The Doors to be opened at 5:30. To begin at 6:30, and so continue for the remainder of the Season [but see 24 May]. Receipts: #215 14s. (207.1.6; 8.12.6)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Rosina