SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Benj May"/1) | (@(roleclean,performerclean) "Mr Benj May")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5678 matches on Event Comments, 1309 matches on Performance Comments, 607 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Rooker, and Saunderson (machinist). No Building on Stage. [The Theatrical Review; or, Annals of the Drama (Volunteer Manager section for 1 May 1763, p. 212) comments upon a stage tradition of having the Mouse Trap" Play presented on stage with the players' backs to Claudius and Gertrude. The author wishes Garrick and Beard to revise this absurdity and bring the whole in more accord with reality. The same paper criticises Mrs Cibber as Ophelia. "I hope you will not let so flagrant an outrage to the decorum of the stage as the following pass unnoticed. As [Mrs Cibber] sat upon the stage, with Hamlet at her feet, in the third act, she rose up three several times, and made as many courtiess, and those very low ones, to some ladies in the boxes. Pray good Sir, ask her in what part of the play it is said that the Danish Ophelia is acquainted with so many British Ladies?" See similar comment on her Belvidera, 17 March 1760.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Fortunatus

Event Comment: [Mainpiece advertised as for the last time this season and By Particular Desire.] Afterpiece: By Desire. [See 5 May the performance inserted there in the Winston MS probably is this one.

Performances

Mainpiece Title: King Lear

Afterpiece Title: Polly Honeycomb

Event Comment: [Note of 21 May repeated.

Performances

Mainpiece Title: Morning Lectures

Event Comment: [Note of 31 May on sale of Burletta materials continued.

Performances

Mainpiece Title: Orione, O Sia Diana Vendicata

Event Comment: This Day being positively the last. [Note as 21 May.

Performances

Mainpiece Title: Morning Lectures

Event Comment: MMiss Cheney Rose for the 1st time (Hopkins). Mainpiece: Not Acted these 4 Years. [See 21 May 1760.] Receipts: #217 7s. (MacMillan)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Rites of Hecate

Dance: III: A New Comic Dance call'd, the The Shepherdesses, or, La Faux a Veugle-Mas. Clinton, Miss Street, Miss Ford. scholars to Gerhardi

Event Comment: Afterpiece: Not perform'd these 13 years. [See 10 May 1750.] Decorated with new Cloaths and Scenes

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Perseus and Andromeda; or, the Cheats of Harlequin

Event Comment: Mainpiece: Not acted these two years. [See 13 May 1762.

Performances

Mainpiece Title: The City Wives Confederacy

Afterpiece Title: Perseus and Andromeda and the Arcadian Nuptials

Event Comment: Mainpiece: Not acted these two years. [See 21 May 1762.

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Perseus and Andromeda and the Arcadian Nuptials

Event Comment: Benefit for Holtom, Buck, Dibdin and Miss Sledge. Mainpiece: Not acted in 3 years. [See 11 May 1762.] Afterpiece: Music by Dibdin

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Shepherd's Artifice

Event Comment: Benefit of Miss Mozart of eleven, and Master Mozart of seven Years of Age, Prodigies of Nature. At the Great Room, Spring Garden, St James's Park. Tickets at half a guinea each. By Permission of the Lord Chamberlain. [For Wolfgang Amadeus Mozart and his sister. Their father had brought them to visit London in May. See hay 21 Feb. 1765. They remained through July 1765. See also Grove's Dictionary of Music and Musicians, III, p. 539 (3rd edn. New York, 1947).

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Musick

Music: FFirst Violin solo-Barthelemon; Violincello Concerto-Ciri; Harpsichord and Organ-Miss Mozart, Master Mozart

Event Comment: Mainpiece: Not acted these 5 years. [See 8 May 1760.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Thomasand Sally

Dance: III: The Jealous Woodcutter, as17641101

Event Comment: Benefit for Mrs Ward. Mainpiece: Not acted this season. Afterpiece: A comedy of one act by Mrs Cibber not acted these 12 years. [See 2 May 1753.] None admitted behind Scenes

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Afterpiece Title: The Oracle

Dance: III: The Sicilian Peasants, as17641001; End: A Hornpipe-Miss Pitt

Event Comment: Benefit for Miss Pope. [Farce revived; see 1 May 1758.

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Frenchified Lady never in Paris

Dance: III: The Medley, as17641120; End: The Irish Lilt, as17641011; End Farce: A Minuet-Sg Giorgi, Miss Pope

Event Comment: Benefit for Davis, Hallam, Mrs Dyer. None admitted behind Scenes. Afterpiece: Not acted these three years. [See 2 May 1763.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Harlequin Statue; or, The Jealous Farmer Outwitted

Dance: I: A New Scotch Dance, as17650429 II: A New Hornpipe-Miss Snow (in character of a sailor) 1st appearance on any stage; End: The Jealous Woodcutter, as17641101

Event Comment: The Fourth Day [sic]. The Ceiling of the Gallery is raised, and Ventilators fixed in proper Places, that the House may be kept as cool as possible. [Notice repeated in subsequent bills.

Performances

Mainpiece Title: The Commissary

Afterpiece Title: The Knights

Dance: End: A Comic Dance, as17650610

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places may be taken from Johnson at the Stage Door. No money will be taken at the stage door. None will be refunded after Curtain is drawn up. To begin at 6 o'clock. [Footnote not further noted. Garrick on his return from the continent first introduced a method of illumination by lights not visible to the audience, thus replacing the huge chandeliers (Genest, V, 86). Published this season, A Critical Balance of the Performers at Drury Lane last Season, a broadside sheet at 1s., printed for C. Moran. This scale of the following twelve values war applied to 43 actors and actresses: (A score of 20 under each heading was perfect.) Figure; Grace; Spirit & Ease, Sensibility & Truth; Dignity & Manners; Expression & Pantomime; Low Humor; Genteel Humor; Elocution and voice; Dress; Dumb show; Noise. Beside each actor was listed his outstanding parts. (See Copy in Huntington Library.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Polly Honeycombe

Event Comment: By Permission of the Magistrates. Deferred from Wednesday 2 Oct. on account of the badness of the weather. The nobility, gentry and all other charitable and humane persons are invited. A collection will be made at the door for the unhappy sufferers by the late distressful Fires at Montreal in Canada, and Honiton in Devonshire. The whole sum collected to be equally divided....The Singers and Band of Music perform gratis. The doors to be opened at 10:00, the Music to begin at 11:30. The company may depend if the weather should continue bad, that the Music will be in the Great Room

Performances

Mainpiece Title: Rehearsal Of New Songs, Full Pieces And Overtures

Event Comment: Mainpiece: By Desire. Afterpiece with alterations and additions. [A song sung in the "New Scene in Harlequin's Invasion" appears in The Jester's Magazine, May 1766, p. 254. Harlequin enters with a Dancing Bear, and sings four stanzas in broken English about the advantages of dancing, for men, women, philosophers, and politicians. Harlequin's speech is Frenchified English.

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Harlequin's Invasion

Event Comment: Mainpiece: Not acted these twenty years. [Additions by Bickerstaffe.] Afterpiece: Not acted these 5 years. [See 26 May 1762.

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Virgin Unmasked

Event Comment: [W+Winston MS 9 notes that Rich's Register names Jane Shore and The Royal Chace for this night. If so, see casts for 9 Oct. (Jane Shore) and 7 Dec. (The Royal Chace). Credence may be given this note by the fact that the next performance of Summer's Tale is listed in playbills as 20 Jan. 1766, the Fifth Day.

Performances

Mainpiece Title: The Summer's Tale

Dance: As17651209

Event Comment: Author's Day. [Publication of the play announced in the Public Advertiser this day, along with the following "puff" by Censor Dramaticus: "Sir: I have just given the new comedy, the Double Mistake, its first reading, and must confess I never was better pleased at a first reading than at present: It is chaste, sententious and genteel in its dialogue, interesting in its plot, the characters all of consequence, strongly marked and happily kept up, and even the virtuoso entertaining without being tiresome. I heartily wish it success, and congratulate the author on such a production, which shows that virtuous principles in high life render the persons that possess them doubly charming, and add real grace and dignity to their appearance in public life....I hope I may be believed when I say I have not the most distant knowledge of the author, and that impartiality shall ever be, and ever was my constant plan in observations of this kind."

Performances

Mainpiece Title: The Double Mistake

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby-King [1st time since his accident, 17 May 1766]; Sir John Melvil-Holland; Sterling-Yates; Lovewell-Powell; Canton-Baddeley; Brush-Palmer; Serj. Flower-Love; Traverse-Hurst; Trueman-Aickin; Miss Sterling-Miss Pope; Fanny-Mrs Palmer; Betty-Mrs Abington; Chambermaid-Miss Plym; Mrs Heidelbery-Mrs Clive; New Epilogue-Miss Pope. [See17661017] .See17661017] .

Afterpiece Title: The Hermit

Event Comment: [G$Genest, V, 119, suggests The Deuce is in Him for afterpiece with King as Prattle and Miss Reynolds as Bell. Treasurer's Book, however, states Queen Mab. Cunning Man-deferred. Mrs Arne Ill. Wonder reviv'd after two years. See 13 May 1765.] Receipts: #103 9s. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder; Or, A Woman Keeps A Secret

Afterpiece Title: Queen Mab

Dance: II: The Vintage, as17661011

Event Comment: Ladies send servants by 3 o'clock. A Comic Opera, Never Perform'd [by Isaac Bickerstaffe]. The Scenes, Dresses and Dances entirely new (playbill). [The playbill does not assign parts. Assignment from Genest and Winston who both identify the Young Gentlewoman as Miss Brickler. The Music compiled from Favourite airs of the most celebrated composers." See note for 27 May relative to dances in this opera.] Receipts: #245 14s. (Account Book)

Performances

Mainpiece Title: Love In The City