SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Benj May"/1) | (@(roleclean,performerclean) "Mr Benj May")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5678 matches on Event Comments, 1309 matches on Performance Comments, 607 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Ray, George Burton, Mrs Pitt. Mainpiece: Not acted these 8 years. [See 16 May 1744.] Tickets and places to be had of Hobson at the stage door. N.B. Tickets sold by the Orange@women at the doors will not be admitted. Receipts: #150 (Cross); charges, #63 (Powel)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: Anatomist

Music: Between the acts: Flute-the Child

Dance: Between the acts: Hornpipe-the Little Swiss

Song: Between the acts: George Burton

Event Comment: YYeates's Company of Comedians. At the New Wells, Shepherd's Market, May Fair. An Historical Play

Performances

Mainpiece Title: Dorastus And Fawnia; Or, The Royal Shepherd And Shepherdess

Song: I: Mrs Dodson; End Droll: Green

Dance: II: Adams

Event Comment: By Yeates's Company of Comedians, an Historical Play at the New Wells, Shepherd's Market, Mayfair. To begin at 2, 5, and 7, and end at nine. The Fair ends this day. [See 10 May.

Performances

Mainpiece Title: Dorastus And Fawnia

Dance: Adams

Song: Mrs Dodson, Green

Event Comment: A Concert, etc. At the New Wells, Shepherd's Market, May Fair. 6 p.m. (Daily Advertiser)

Performances

Mainpiece Title: The Unhappy Favourite

Afterpiece Title: The Mock Doctor

Song: Between the Acts: Singing-

Event Comment: t the chapel of the Foundling Hospital. Above 100 voices in performance. Tickets, 10s. 6d. [There] were present their Royal Highnesses the Prince and Princess of Wales....and a prodigious Concourse of the Nobility and Gentry (Deutsch, Handel, pp. 671, 672, from London Evening Post). 1,300 Tickets printed (Deutsch, Handel, p. 668, from Minutes of Hospital). Audience above a thousand (Deutsch, Handel, p. 670, from Gentleman's Magazine for May).

Performances

Mainpiece Title: A Grand Performance Of Vocal And Instrumental Music

Event Comment: [See 27 May.] Benefit of a Grammar School Master. Terence's Andria in the original Language, with a New Latin Prologue, and an Occasional English Epilogue. After which will be spoken in English an allegorical Eulogy called Mimus. It is hoped the late disappointment (as it was in all its circumstances unaviodable) will be no detriment to the performance

Performances

Mainpiece Title: Andria

Event Comment: LLondon Post: We hear that the French Players will (barring Accidents) open at the Little theatre in the Haymarket next Saturday. 'Tis added that the Italian Company of Comic Strolers will exhibit the Week after next; but as they have lost three of their ablest performers, the Connoisseurs are in great Pain about those who are to supply their Places. Possibly some Foreigners may think, that the worst Dramatic Offals are good enough for the vitiated Palates of the E-sh No-y and Gen-ry. 'Tis further expected, that the Company of Gallo-English Players, who made the Town laugh so heartily last Winter, are preparing to entertain them this. Why all these unnatural Fooleries?...and for what Y-ke are we preparing? [Schedule of Nights on which the Turkish Dancer Caratha rented the Haymarket in the fall of 1749: 1, 2, 3, 4, 6, 8, 10, 13, 16, 22, 23, November; 3 December. See Winston MS Calendar of the Haymarket, Harvard Theatre Collection.

Performances

Mainpiece Title: None

Event Comment: Paid to Sun Fire Office Insurance #15; Paid for a poker and shovel 5s. (Treasurer's Book). [This policy was doubltless similar to No 109085 dated 29 July 1747 issued to James Lacy and David Garrick Esq. Patentees of His Majesties Company of Comedians of the Theatre Royal Drury Lane, for #4,000: "On the Goods and Furniture, Wardrobe Apparel, Machines and Scenes, not valued as pictures, in the House, Dressing Rooms, Wardrobe, and Scene Rooms, of the said Theatre Royal, adjoining togethe r and situate in Drury Lane aforesaid and not elsewhere, not exceeding #4,000...Note: Except such Loss and Damage as may happen by any Fire occasioned by means of any representation in any Play or Farce or in any Rehearsal of the same." (From copy of original policy, by courtesy J. A. Miller, Esq. General Manager, Sun Insurance Office Ltd., sent me in ltr. dated 5 July 1951.)] Receipts: #110 (Cross). #104 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Dance: As17491220

Song: III: Master Mattocks

Event Comment: [M$Mr Carata the Turk, 2nd Week's salary #26 5s. A Dancer on the slack rope. Met general approbation in London two years earlier. Engaged this season at the Haymarket, where he first perform'd "after the Turkish Manner with surprising execution on the slack wire" 31 Oct. 1749. Rich took him over in December and kept him on the payroll at #26 5s. weekly for thirteen weeks until 10 May 1750. His salary included pay for this equipment and apparently a small company of assistants, as the Account Book refers to him often as Carata the Turk & Co.] Receipts: #105 14s

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: Perseus and Andromeda

Event Comment: Benefit for Mrs Pritchard. Mainpiece: Not acted these 7 years [see 2 May 1744]. Tickets and places of Mrs Pritchard, at her house next the chapel in Great Queen St., Lincoln's Inn Fields, and of Hobson at the Stage Door. Five rows of Pit will be rail'd into the Boxes. [Stage as of 10 March.] Paid Blandford (Tallow Chandler) #18 17s. 3d.; Paid Blakes for 2 wiggs #3 3s.; Paid Mrs Pritchard for a ticket as per agreement #10 10s.; Norton 1 chorus 5s. (Treasurer's Book). Receipts: #220 (Cross); charges, #60 (Treasurer's Book)

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: The Chaplet

Dance: I: Comic Dance-Mathews, Miss Baker; II: The Venetian Peasant-Grandchamps, Mlle Auretti

Event Comment: Benefit for Beard. Part of Pit will be rail'd into Boxes, where servants may keep Places and on the Stage. Tickets to be had of Beard at his House in New North St., Red Lion Square, and of Hobson at the stage door. Rec'd front Cash #67 12s., plus #132 13s. in tickets. Total #200 5s. Paid Hobson for 2 suits of cloaths #21; Salary list #203 7s.; Norton for 1 chorus 5s. (Treasurer's Book). Receipts: #205 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Related Works
Related Work: The Suspicious Husband Author(s): Benjamin Hoadly

Afterpiece Title: The Chaplet

Dance: III: L'Entree de Flore-Mlle Auretti

Event Comment: Benefit for Jones. A Serenata. Books of which may be had at the theatre. To begin at twelve o'clock promptly (General Advertiser). To the Publick: Walking in St James's Park the other day, I followed two young Gentlemen along the Mall, and overheard one of them say to the other, "shall we go and offer sacrifice to the Manes of Milton?" To which the other reply'd "with all my heart." I must own I had some curiosity to know in what this ceremony would consist, and determined to observe them. I accordingly followed them at some distance, into Dodsley the Bookseler's in Pall Mall; where to my great satisfaction I found that this most acceptable sacrifice was only an offering of Charity to the Granddaughter of Milton; who on account of her age, her poverty, and her relation to that great Man, is to have a Benefit at Drury Lane Theatre on Wednesday next. I willingly joined in their devotions, and rejoice with the Publick on their having an opportunity of shewing their gratitude and Veneration to a man whose Genius reflects a lustre on the British Literature, and whose sentiments have added strength to the British liberties; to an author whose works have been the delight of our Fathers, and will be the Admiration of our sons: latest posterity; to an Englishman who is not only the Glory of our Country, but the Honour to Human Nature. This fair Opportunity of paying a respect to his Memory (the last of the kind that can be offered to us, as Mrs Foster is the only surviving branch of his family) must certainly be embraced with Eagerness and pleasure; all who have any pretence to an Elegant Taste, all lovers of Liberty, and every friend of the Muses, will surely crowd to the house on this distinguish'd night, and give at once an instance of the politeness of their manners, and the goodness of their hearts, I am, &c. A Lover of Milton (General Advertiser)

Performances

Mainpiece Title: Solomon

Music: CConcerto on Violincello-Jones

Event Comment: Benefit for Master Mattocks and Mlle L'Contri. Paid Salary List #296 10s. 6d.; Mrs Hobson a bill 3s. (Treasurer's Book). [The George Garrick Treasurer's Book breaks off at this point. It records for 165 nights, a total income of #17,296 9s. as against a total outlay of #12,055 14s. 5d. Cross, who jots down receipts in round figures, and is almost always high, indicates the income from the 164th to the 174th and last night to be #1,446, but since all except one night (11 May) were benefits, the theatre probably received only about #800 (At #63 per benefit). Total income for this season is estimated to be, therefore, #18,096 9s. It is difficult to estimate end of season expenditures. At least #789 10s. 6d. went out in the three final pay days of the season and probably another #500 went out in bills before the books were closed at Midsummer. From this it appears that the profits to the managers that year came to about #4,600.] This day is Publish'd The Actor at 3s. In One Volume (dedicated to the Managers of the British Theatre. A treatise on the art of playing, interspersed with theatrical anecdotes, critical remarks on plays and occasional observations on audiences Printed for R. Griffiths (General Advertiser). Receipts: #120 (Cross). [Income missing from Treasurer's Book.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Lethe

Song: I: The Highland Lad (set by Master Arne)-Master Mattocks; III: Singing-Master Mattocks

Dance: II: La Sabotiere-Master Maltere, Miss Foulcade; IV: Les Fantasies de la Dance-Mlle DelaContri; End: Minuet-Mathews, Mlle Contri

Event Comment: To begin at Twelve noon. The Gentlemen are desired to come without swords and the Ladies without hoops (Deutsch, Handel, p. 688). The seating capacity of the Hospital was 1,000. There was a tremendous crush and confusion...a number of distinguished people drove up at the last moment, many without tickets, and found it impossible to gain admission (R. H. Nichols and F. A. Wray, History of the Foundling Hospital (London 1935), p. 202). Handel offered to give a repeat performance to accomodate those disappointed. [See 15 May.

Performances

Mainpiece Title: The Messiah

Event Comment: Whereas Doctor John Francis Croza, late Master of the Company of Comedians at the Opera House in the Haymarket, escaped fro me on Tuesday Evening last: whoever will secure or cause him to be secured, so that I may re-take him, shall have a reward of thirty pounds immediately, paid by me Henry Gibbs, one of the Tipstaffs attending the court of Common Pleas, Southampton St., Covent Garden, Tea Merchant. N.B. The said John Francis Croza is a thin man, about Five feet five inches high, of a swarthy Complexion, with dark brown eyebrows, pitted with the small pox, stoops a little in the Shoulders, is about 50 Years of age, and takes a remarkable deal of Snuff, talks Italian and French, but speaks very little English (General Advertiser)

Performances

Event Comment: At Hickford's Room, Brewer St. Benefit for Mme Cuzzoni. Burney, II, 848-49: [Giardini's] first performance in public was at a benefit concert for Cuzzoni, May the 18th...where, as this was her third arrival in this country, and she was grown old, poor, and almost deprived of voice, by age and infirmities, there was but little company; yet, when Giardini played a solo of Martini of Milan's composition, the applause was so long and loud, that I never remember to have heard such hearty and unequivocal marks of approbation at any other musical performance

Performances

Mainpiece Title: A Concert

Event Comment: Mainpiece: Reviv'd not acted these 3 years. [See 16 May 1748.] Written by Shakespeare. Receipts: #50 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Lying Valet

Dance: I: Hornpipe-Mathews, the Little Swiss

Event Comment: [C$Cross suggests The Intriguing Chambermaid as afterpiece, but it is unsupported by the newspapers.] We hear that the Comedy call'd the Pilgrim is now in rehearsal, and will be acted soon, at the theatre Royal in Drury Lane; and that the Secular Masque written by Dryden and set to music by Dr Boyce will be performed with it. The Epilogue which was inserted in our Yesterday's paper, and copied from the Midwife's Magazine, we fine to be imperfect and not genuine, therefore think ourselves under a necessity of asking the Author's pardon. [Hope in a day or two to give it correctly (General Advertiser). Midwife No II, from which it was copied, adds the note: "This Epilogue was taken in shorthand the night I went to see Miss Jenny Cibber play the part of Alicia...Some few mistakes may therefore have happened which the candid reader will excuse and correct."] Receipts: #50 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Miss in Her Teens

Dance: II: New Running Footman's Dance, as17501020

Event Comment: Mainpiece: Reviv'd. Not acted these 10 years (see 14 May 1744]. Receipts: #80 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Lethe

Dance: II: Country Amusements, as17501102; End: Running Footman's Dance, as17501020

Event Comment: Mainpiece: Reviv'd.Not acted these 6 years [see 14 May 1746]. Afterpiece: Less noise (Cross). Receipts: #60 (Cross)

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: Robin Hood

Dance: IV: Comic Dance, as17501117

Event Comment: MMrs Odell had some Tickets (Cross). The New Masque, entitled Alfred, will be acted for the first time on Saturday next at Drury Lane. The Publisher has earnestly been desired to print the songs by themselves immediately, that the Audience may have them the first night of the representation. They will be published accordingly on Saturday at noon, price 6d. at A. Miller's, over against Catherine Street in the Strand. Receipts: #110 (Cross)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Queen Mab

Dance: Devisse, Mad Auretti

Event Comment: Benefit for Arthur and Mrs Vincent. Mainpiece: Not acted these two years [See 5 May 1749]

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Devil to Pay

Dance: As17500926

Event Comment: Benefit for Guadagni, for profit of Sga Cuzzoni. Tickets for La Forza D'Amore for 23 March will be taken. [See complimentary note dl 1 May.

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Song: Guadagni, Sga Cuzzoni, Sga Frasi

Event Comment: To begin at 12 noon at the Foundling Hospital. There were above 500 Coaches and the tickets amounted to above 700 guineas (Gentleman's Magazine, May 1751)

Performances

Mainpiece Title: The Messiah

Event Comment: Wednesday the Eunuch of Terence was acted by the scholars at the Charter House, to a very polite Audience with Great Applause (General Advertiser). [The London Daily Advertiser and Literary Gazette for 30 May noted: "Publish'd, Epilogue to the Eunuchus of Terence, acted lately by the Charter House Scholars, with great applause, spoken in his own cloaths, by the scholar who acted the part of Thais."

Performances