SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Baron"/1) | (@(roleclean,performerclean) "Mr Baron")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4233 matches on Event Comments, 1201 matches on Performance Comments, 548 matches on Performance Title, 20 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Enchanter; or, Love and Magic

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Man of Quality

Dance: V: The Mountaineers, as17730930

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Lottery

Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Performances

Mainpiece Title: The Spanish Fryar; Or, The Comical Discovery

Afterpiece Title: Midas

Afterpiece Title: Mother Shipton; or, Harlequin Gladiator

Song: End of Act II of 1st piece The Pidgeon by Miss Cranford; End of 1st piece Four and Twenty Fidlers all on a Row by Wellman

Monologue: 1785 07 15 End of 2nd song Bucks have at ye all by Benson

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Love in a Camp

Performances

Mainpiece Title: The Mask'd Friend

Afterpiece Title: The Way to Get Un-Married

Afterpiece Title: The Farmer

Song: In 2nd piece: The Sportman's snug little Cot-Incledon

Entertainment: Monologues, with Songs.End: The Barber's Petition-Fawcett (1st time); [with a song in character, Wigs [including His Own Wig, The Lover's Wig, Doctor's Wig, Coachman's Wig, Counsellor's Wig-Fawcett; End 2nd piece: A Ramble to Bath (1st time) [with a descriptive song in the character of Jacob Gawkey [in The Chapter of Accidents]-Knight

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: The Deserter of Naples

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

Performances

Mainpiece Title: Circe

Performances

Mainpiece Title: Constantine The Great

Performances

Mainpiece Title: Cuckolds-haven; Or, An Alderman No Conjurer

Performances

Mainpiece Title: A Commonwealth Of Women

Performances

Mainpiece Title: The Widow Ranter; Or, The History Of Bacon In Virginia

Performances

Mainpiece Title: The Wives' Excuse; Or, Cuckolds Make Themselves

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part Ii

Performances

Mainpiece Title: The She-gallants

Performances

Mainpiece Title: Pausanius, The Betrayer Of His Country

Performances

Mainpiece Title: The Spanish Wives

Performances

Mainpiece Title: The Female Wits; Or, The Triumvirate Of Poets At Rehearsal

Performances

Mainpiece Title: Cinthia And Endimion; Or, The Loves Of The Deities

Performances

Mainpiece Title: Boadicea Queen Of Britain

Performances

Mainpiece Title: The Way Of The World