SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Bannister sen"/1) | (@(roleclean,performerclean) "Mr Bannister sen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4486 matches on Event Comments, 3200 matches on Performance Comments, 700 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Portal, Shade, Hicks, Palmer Sen. [As afterpiece the playbill announces The Double Disguise, but it was not acted. Its substitute is listed in the Account-Book.] Tickets delivered for The Foundling will be admitted. Receipts: #293 6s. (27.16; 10.6; 0.11; tickets: 254.13) (charge: #105 9s. 4d.)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: All the World's a Stage

Dance: As17870115

Performances

Mainpiece Title: As You Like It

Performance Comment: [Jaques-Palmer; Orlando-$Herrington; Oliver-$Shetfield recte $Shatford]; Touchstone-$Kipling; Duke Senior-$L'Estrange; Duke Frederick-$Hudson; Amiens-$W. Palmer; Adam-$Swendall; Silvius-$Marriot; Rosalind-$Mrs Belfille; Celia-$Mrs Fox; Audrey-$Miss Hale; Phoebe-$Miss Burnett.
Cast
Role: Duke Senior Actor: L'Estrange

Song: Between acts: The Soldier tired of War's Alarms-a little boy [Master Braham]

Entertainment: Monologue Preceding: Occasional Address-Palmer

Event Comment: Mainpiece: With Accompaniments to the Airs, composed by Linley? Sen. Receipts: #117 10s. (83.17.0; 32.16.6; 0.16.6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Junior

Dance: III: a Hornpipe-Mills

Event Comment: Mainpiece: With Accompaniments to the Airs composed by Linley? Sen Receipts: #162 7s. (115.17.0; 45.10.2; 0.19.6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Robinson Crusoe

Dance: In III: Hornpipe-Keen. [This was danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: A Prelude, On The Happy Recovery Of His Majesty

Afterpiece Title: The Triumph of Truth 0

Performance Comment: Selected by Dr Arnold from Works of the following Great Masters: Handel, Purcell, Dr Arne, Corelli, Jomelli, Sacchini, Haydn, Principal Vocal Parts-Reinhold, Dignum, Kelly, Mrs Crouch, Miss Lockhart, Miss Hagley (pupil of Linley? Sen.), Mrs Ambrose; 1st Violin-Shaw. For a detailed account of what was sung, see17880320 .

Performances

Mainpiece Title: A Prelude

Afterpiece Title: Acis and Galatea; Triumph of Truth 0

Afterpiece Title: The Monody on the Death of Garrick

Performance Comment: Recited (1st time in London)-Mrs Siddons; The Music by Linley Sen?.-; To conclude with God save Great George our King-.

Music: As17890311

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Padlock

Performance Comment: Leander-Dignum; Don Diego-Williames; Scholars-Phillimore, Wilson; Mungo-Suett; Ursula-Mrs Hopkins; Leonora-Miss Hagley (pupil of Linley? Sen.; 2nd appearance on any stage). 2nd appearance on any stage).
Event Comment: Mainpiece: With Accompaniments to the Airs composed by Linley? Sen.. Receipts: #165 9s. (113.13; 51.7; 0.9)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin's Invasion

Dance: III: Hornpipe-Keen

Event Comment: Benefit for Morelli. A new Comic Opera [1st time; COM 2, by Giovanni Bertati, adapted by Girolamo Tonioli]; the music composed on purpose for this Theatre by Paisiello. With new Scenes and Decorations painted by Moench; the dresses invented and executed by Lupino [from playbill of 28 June]. Under the direction of Mazzinghi. Tickets to be had of Morelli, No. 12, Poland-street. Morelli is happy in having succeeded to bring forward on his Benefit Night (though at a considerable expense) such an excellent new Opera for the entertainment of those who shall honor him with their presence; soliciting the kind patronage of the Nobility, Gentry and Public accordingly on the occasion. Morning Post, 4 June: The Subscribers and the Public are respectfully informed that the new Comic Opera of La Locanda, written expressly for this Theatre, and the only Opera ever composed by this great Master for an English audience, is some time since arrived, and will be brought out shortly

Performances

Mainpiece Title: La Locanda

Performance Comment: Principal Characters by Lazzarini, Cipriani, Morelli, Sga Calvesi, Sga Schinotti, Sga Casentini. [Cast from libretto (H. Reynell, 1792): Riccardo-Lazzarini; Valerio-Cipriani; Arsenio-Morelli [in libretto: Lipparini Sen.]; Marinetta-Sga Calvesi; Rosaura-Sga Schinotti; Guerina-Sga Casentini.
Cast
Role: Arsenio Actor: Morelli
Role: Guerina Actor: Sga Casentini.

Dance: End I: Divertisement, as17910217; End Opera: Le Siege de Cythere- [see17910517]

Event Comment: [Prologue by John Peter Roberdeau (European Magazine, Aug. 1791, p. 141).] "Of Palmer Sen.'s? acting the chief fault is...a manner by far too juvenile. He has very much the turn of countenance and mode of speech suitable to Falstaff, but his gait has no appearance of debility or infirmity, and is such as any man might use, incumbered by the same dress" (Gazetteer, 21 June)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: King Henry the Fourth [Part I]

Dance: End II: Triple Hornpipe, as17910617

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Divertisement, as17910326but _Vestris? Jun., Casali

Ballet: End II: L'Amadriade. As17910517, but Minuet de la Cour-[as17910606Mlle Dorival, Vestris Sen

Performance Comment: As17910517, but Minuet de la Cour-[as17910606Mlle Dorival, Vestris Sen.as17910606Mlle Dorival, Vestris Sen.
Event Comment: Among the instrumental performers are Shaw, W. Parke, Mason, Parkinson, Hyde, A. Shaw, Archer, Corfe, C. Parkinson, Dressler, Flack Sen., Flack Jun., Zwingman. Under the direction of Linley. At Play-house Prices. No Money to be returned. Boxes 6s. Pit 3s. 6d. Gallery 2s. Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Redemption 0, Selected From The Works Of handel By dr Arnold

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: End I: concerto on the bassoon-Parkinson; End II: concerto on the violin-Master Bridgetower

Event Comment: Instrumental performers as 7 Mar., but omitted: Archer, Corfe, C. Parkinson, Dressler, Flack Sen.

Performances

Mainpiece Title: A Grand Selection 0, Composed By g

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: I Contadini Bizzarri

Performance Comment: Principal Characters by Rovedino, Braghetti, Torregiani, Garelli, Morelli//Sga Pastorelli, Sga De Mira, Sga Casentini [Borghi}. [Cast from libretto (C. Clarke [1794)), and Larpent MS 1007: Tognino-Rovedino; Il Marchese-Braghetti; Mengone-Torregiani; Nardone-Garelli; Cecchino-Morelli//Olivetta-Sga Pastorelli; Sandrina-Sga De Mira; Giannina-Sga C. Borghi.] hathi. hathi.

Dance: End of Act I Divertisement, as17940111; End of Act II Adelaide, as17940111, but added: Favre Guiardele; omitted: Mme M. L. Hilligsberg Sen

Performance Comment: L. Hilligsberg Sen .
Event Comment: 2nd piece: In one act. ["The following Gentlemen of the Chorus absent from this Evening Performance, viz., Messrs Boyce, Hobler, Dixon, Dorion Sen., Annereau; Dancers: Messrs G. D'Egville and Hamoir" (Powell).] Powell: Heiress rehearsed at 10; High life at 12; New Ballet [Glorious First of June] at 12. Receipts: #209 16s. 6d. (143/18/0; 63/7/6; 2/11/0)

Performances

Mainpiece Title: No Song No Supper

Afterpiece Title: HIGH LIFE BELOW STAIRS

Afterpiece Title: LODOISKA

Dance: In 2nd piece A Mock Minuet by Palmer and Miss Pope

Event Comment: ["Dorion Sen. absent from this Evening's Performance" (Powell).] Powell: Bon Ton rehearsed at 11 (Tittup's Scenes); My Grandmother at 11:30 (Vapour's Scenes; Barrymore not being in Town, the rehearsal was dismiss'd); Liar at 12; Children in the Wood at 1 (last Scene). Receipts: #179 4s. (111/5; 64/1; 3/18)

Performances

Mainpiece Title: The Children In The Wood

Afterpiece Title: BON TON

Afterpiece Title: LODOISKA

Event Comment: Afterpiece [1st time; BALL. P 2, by James Byrn. Synopsis of action, somewhat enlarged from that on playbill (H. Macleish, 1794)]: The Music partly new by Shield, and partly selected from Haydn, Mazzinghi, Gluck, Baumgarten, Gretry, Martin? y Soler, Dezede, Eley. With a new Overture for a Double Orchestra composed by Reeve. The Scenery, Machinery, Dresses and Decorations are entirely New. The Scenery painted by Hodgins, Walmsley, Phillips and Lupino Jun., assisted by Hollogan, Byrn, &c. The Dresses chiefly designed by Lupino Sen., and executed under the direction of Dick. "This ballet [is] the most magnificent exhibited on the English stage for many years" (Universal Magazine, Nov. 1794, p. 378). Receipts: #136 13s. 6d. (123.12.6; 13.1.0)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Event Comment: Powell: Miss Davies, Mrs Bramwell, G. D'Egville, Caulfield absent [from afterpiece], all Ill [their substitutes are not listed]; Miss Leak, Messrs Annereau, Bardoleau, Dorion Sen., Horsfall absent from the chorus. Receipts: #254 17s. (177.10; 73.7; 4.0)

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Alexander the Great

Event Comment: [Account-Book: Tickets delivered by Chippendale, Dale Sen., Fisher, Gregson, Rhodes, Stageldoir, Wentworth, Mrs Butler will be admitted.] Receipts: #50.10.6 (28.18.6; 18.5.0; 1.2.0; tickets: none listed; odd money: 2.5.0)

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: The Deaf Lover

Event Comment: [Account-Book: Tickets delivered by Appleby, Bennett, Calkin, Chumbley, Caton, Cawston, Dale Jun.; Fosbrook (door-keeper), Gray, Faux, Humphries, Hough, Massingham Sen., Massingham Jun., Pilsbury, Perry, Powell, Ross, Thompson, Tice, Waterer will be admitted.] The Last Time of the Company's Performing this Season. Receipts: #106 16s. (59.1.0; 28.6.6; 11.18.6; tickets: none listed; odd money: 7.10.0)

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: The Deaf Lover

Event Comment: Benefit for Mrs Mountain. 2nd piece [1st time: CO 2, by James Hook Jun. Larpent MS 1172; not published]: With appropriate Scenery, Dresses, and Decorations. The Overture and Music by James Hook? Sen.. True Briton, 16 May: Tickets to be had of Mrs Mountain, No. 28, Maiden-lane, Covent-Garden. Receipts: #287 3s. (86.4.6; 14.6.0; tickets: 186.12.6)

Performances

Mainpiece Title: Inkle And Yarico

Cast
Role: Mate Actor: Townsend

Afterpiece Title: Diamond Cut Diamond; or, Venetian Revels

Afterpiece Title: Cross Purposes

Song: In: Ma chere Amie-Incledon; End Act I 2nd piece: to conclude with a Grand Serenade-, by Moonlight, on the Water, representing a View in the Bay of Venice, with distant Illuminations; A Madrigal-Incledon, Gray, Linton, which is echoed from various Gondolas, as they pass and repass, sounding their Oars to the Time of the Singers; The Storm-Incledon

Event Comment: Tickets delivered for this Evening [by Wm. Banks, Dale Sen., Chippendale, Gregson, Jacobs, Wells, Thompson, Whitmell, Mrs Byrne, Mrs Butler, Miss Jackson (Account-Book)] will be admitted. Receipts: #305 4s. (17.4.6; 22.0.0; 1.7.0; tickets: 264.12.6)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: No Song No Supper

Dance: End: A Country Dance and Scotch Reel-Thompson, Whitfield, Wells, Banks, Garman, Miss Bourk, Mrs Haskey, Mrs Brigg, Mrs Byrne, Mrs Barrett; The Minuet de la Cour and Gavot-Roffey, Mrs Wild; A Hornpipe-Sga Bossi DelCaro

Event Comment: Account-Book: Tickets delivered by Dale Sen., Palmer Jun., Stokes, Chippendale, Wentworth, Gibbon, Miss Tidswell. Mrs Phillimore will be admitted. 4th piece: To conclude as 11 May. Receipts: #441 13s. (21.1; 35.8; 0.12; tickets: 384.12)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Sylvester Daggerwood

Cast
Role: A Salt Eel for Mynheer Actor:

Afterpiece Title: The Eleventh of June

Cast
Role: A Salt Eel for Mynheer Actor:

Afterpiece Title: Don Juan

Cast
Role: A Salt Eel for Mynheer Actor:
Event Comment: Mainpiece: With the original Music of Matthew Locke, and Accompaniments by Dr Arne and Linley? Sen.. Receipts: #319 4s. (250.16.0; 67.4.6; 1.3.6)

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan (King of Scotland)-Aickin; Malcolm-C. Kemble; Donalbain-Fisher; Macbeth-Kemble; Macduff-Barrymore; Banquo-Packer; Rosse-Holland; Fleance-Master Chatterley; Siward-Sparks; Seyton-Trueman; Physician-Maddocks; Captain-Caulfield; Messenger-Evans; Murderers-Wentworth, Webb; Hecate-Sedgwick; Witches-R. Palmer, Wewitzer, Suett; Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell.
Cast
Role: Messenger Actor: Evans

Afterpiece Title: My Grandmother

Song: In: Chorus of Witches and Spirits-Sedgwick, Dignum, Miss Leak, Miss DeCamp, Miss Arne, Miss Wentworth

Event Comment: 2nd ballet: 1st time; composed by Barre; the Music by Bossi. "Mme Hilligsberg, who possesses the first rank among the dancers of London, is a woman of distinguished merit: she succeeds with peculiar happiness in sportive and jocose expressions, and she is bewitchingly graceful as a Welch or Scotch country girl. Her figure is very handsome; but her arms are somewhat long and thin. The third dancer is Mme Laborie; she possesses an agreeable figure, much animation and native gracefulness. She might become a first-rate dancer [if] she did not trust too much to her natural talents, and bestowed more attention on the art" (Goede, 265). "Les Deux Jumelles, ou la Meprise, pouvoient tres bien faire le sujet d'unjoli divertissement; mais pour un grand ballet, il a fallu y appeller le secours des dieux, & faire descendre ce que nous appelons une gloire de nuages qui se developpent assez mal: c'est la faute du machiniste ou du charpentier. D'ailleurs, cette gloire ne sert a rien, puisque l'Amour vient dans un assez mauvais cabriolet, pousse par des hommes qu'on voit un peu trop distinctement, & s'en retourne de meme a reculons. Nous avons vu souvent le char de l'Amour aller en avant; mais il est rare qu'on le voie reculer, & cette meme gloire eprouve autant de difficulte pour remonter qu'elle en avout eue pour descendre, laissant le spectateur tres convaincu de son inutilite" (Anthony LeTexier, L'Ami des Meres, 1799, I, 192-93). The subscribers are most respectfully intreated to be careful to whom they give their Tickets, as many improper persons have lately presented themselves for admission into the Theatre with those Tickets; and the subscribers are requested to observe that, in future, persons of this description will be conducted directly to the identical Boxes to which such Tickets belong, instead of being admitted into any other part of the Theatre. And the public are intreated to understand that neither Ladies in Undress Hats or Bonnets, nor Gentlemen in Boots will be admitted into the Pit of the Opera

Performances

Mainpiece Title: Ines De Castro

Dance: End I: Peggy's Love, as17981211; End Opera: Les Deux Jumelles; ou, La Meprise-["The pas de deux of Didelot and Rose was particulary admired, and Madames Laborie and Hilligsberg, who appeared as the Twin Sisters, were most happily successful" (Morning Chronicle, 30 Jan.)]