SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Bannister sen"/1) | (@(roleclean,performerclean) "Mr Bannister sen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4486 matches on Event Comments, 3200 matches on Performance Comments, 700 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A Burletta, Benefit for Sg & Sga Paganini, [Who] being desirous of returning to Italy...take this Opportunity to express their most grateful Sense of the many Favours with which they have been honoured in this Kingdom; and being willing that the Necessitous should share in that Bounty which they owe more to the Generosity of the English Nation than to their own Merits, they have allotted a fourth part of the Profits which may arise from the above Burletta (free from all Expense whatever) towards the carrying on and extending the Utility of the Asylum or House of Refuge for Female Orphans...and another Part of the aforesaid Profits will be given towards relieving old Signor Cataneo, who, during forty Years was useful to the Operas, but is now in extreme Distress; and the Manager, who is at the Expence of this Benefit, has chearfully consented to the Disposition here mentioned. As it is intended to apply the whole Profits which may arise from letting out the Servants Gallery [at 2s. 6d. each person] for the Benefit of the Asylum, over and above what was before alloted to it, 'tis humbly hoped that the Nobility, Gentry, etc. will not take it amiss if their Servants are not admitted that Night, as has been the Practice at this Theatre on Occasions of Charity. Tickets will delivered out for this Benefit, this day at the Opera Office, and signed by Mr Crawford, and all Monies given for Tickets above their usual Price, is to be shared in the Charity abovementioned. Tickets delivered for 23 March will be taken

Performances

Mainpiece Title: Il Mercato Del Malmantile

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Musical Lady

Entertainment: IV: The Brass Prophecy, as17620330

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Duke and no Duke

Dance: II: The Taylors, as17620107

Song: I: (By Particular Desire) a Hunting Song in Apollo and Daphne-Mrs Vernon in the character of Diana

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Chaplet

Dance: LLes Sabotiers, as17620419

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Old Maid

Dance: IV: New Hornpipe-Miss Baker

Performances

Mainpiece Title: The Funeral

Afterpiece Title: High Life below Stairs

Dance: II: Comic Dance-Miss Rogers; III: The Camp Alarm'd, as17610926. *uġdl End: The Farmer's Return from London. As17620320

Performances

Mainpiece Title: The Orators

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Contrivances

Dance: III: The Pleasures of Spring, as17620212; End Play: The Taylors, as17620107

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Englishman in Paris

Dance: II: Hearts of Oak, as17620421 End: Dancing-Baltazar, Miss Dawson

Performances

Mainpiece Title: Arianna E Teseo

Performances

Mainpiece Title: The Lyar

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Old Maid

Dance: End: Hornpipe-Vincent

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: High Life below Stairs

Dance: HHearts of Oak, as17620925

Performances

Mainpiece Title: Il Tutore E La Pupilla

Performances

Mainpiece Title: Love In A Village

Dance: II: The Jealous Woodcutter, as17621023

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Contrivances

Dance: II: Pleasures of Spring, as17621202; End: The Jealous Woodcutter, as17621023

Event Comment: The good sense of the audience condemned this piece to oblivion, after, we think, two representations (Biographia Dramatica). [Contrived by Guerini (Nicoll, Eighteenth Century Drama, p. 355). Victor says Guerini played Pantaloon (History of Theatre, III, 48.] Sunday 2 January, Mr Pritchard Died (Cross Diary)

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: The Magician of the Mountain

Performances

Mainpiece Title: The Discovery

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Sketch of a Fine Lady's Return from a Rout

Song: End of Farce: A Mimic Comic Italian Song from the Opera of Il Filosopho di Campagna-Mrs Clive

Dance: End of Play: The Cow@Keepers, as17630315

Performances

Mainpiece Title: The Discovery

Afterpiece Title: Miss in Her Teens

Dance: HHornpipe-Miss Dawson

Performances

Mainpiece Title: The Cure Of Saul

Music: The Orchestra to be led by-Sg Giardini; Between acts: a Concerto on the Violin, Concerto on the violincello by Cervetto-Sg Giardini

Event Comment: Benefit for Tenducci. Pit and Boxes will be laid together at 5s. Mr Tenducci humbly requests Ladies and Gentlemen to send servants by 3 o'clock

Performances

Mainpiece Title: Artaxerxes

Dance: I: A New Comic Dance, as17630224; II: The Sicilian Peasants, as17621125

Performances

Mainpiece Title: King Lear

Afterpiece Title: Polly Honeycomb (Winston MS 9)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Miss in Her Teens

Dance: IV: The Irish Lilt, as17621023