SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Augustus Smith"/1) | (@(roleclean,performerclean) "Mr Augustus Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4502 matches on Event Comments, 2928 matches on Performance Comments, 760 matches on Performance Title, 52 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: As17720624, but to avoid confusion full cast listed. Foote, Robson, Aickin, Baddeley, F. Gentleman, Davies, Parsons, Weston, Castle, Lloyd, Lings, Dancer, Smith, Vowell, Jacobs, Farrell, Pierce, Mrs Gardner, Mrs Jewell%.

Afterpiece Title: Cupids Revenge

Dance: As17720615

Event Comment: Mrs Smith made her first Appearance in Sylvia a pretty Innocent looking figure a Sweet Voice & very proper for the Character She had vast Applause & very deservedly. (Hopkins Diary). [Macmillan note from Kemble differs slightly in wording.] Receipts: #125 2s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: High Life below Stairs

Event Comment: Benefit for Love. Recd Messrs Stanley & Smith 11 Oratorio Nights at #28 per night Candles Oyl &c. #347 12s.; Paid 11 nights Rent for Oratorios #88 (Treasurer's Book). [The Apology for Apologies is Larpent MS 351. Satire upon "Indispositions" of principal performers, suggests what would happen if other professions (law, medicine) substituted stand-ins with no other apology than is made in the theatrical profession.] Receipts: #168 8s. Charges: #64 12s. Profits to Love: #103 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Intriguing Chambermaid

Entertainment: After: (For that Night only) An Apology for Apologies-King

Dance: The Sailors Revels, as17720919

Event Comment: Louisa Dudley first time Miss Hopkins very well receiv'd (Hopkins Diary). Mrs Smith being hoarse, the Wedding Ring deferr'd. Paid Miss Berkley on note 25 Aug. #2 2s.; Mrs Sykes for women's Cloaths #21. Receipts: #163 16s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Elopement

Event Comment: Paid Burkinyoung (smith) #5 9s. 6d. Receipts: #88 2s. (Account Book)

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Midas

Event Comment: Oratorio by Benjamin Stillingfleet, words adapted from Milton, set to Music by John Christopher Smith (Biographia Dramatica)

Performances

Mainpiece Title: Paradise Lost

Music: As17740218

Event Comment: [The Gentleman who played Hamlet identified by Winston MS 11 (from O. Smith) as Lewis Hallam, from America, brother to Mrs Mattocks.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Druids

Event Comment: Benefit for Mrs Woodman, late of Covent Garden, left a Widow with five Children. By Permission of the Lord Chamberlain. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. [Public Advertiser, 21 Feb., contained a long letter concerning the small attendance on this occasion: "One of the finest Female Singers this Country has for many years produced is now, through a Series of Misfortunes as unavoidable as unforeseen, in a State of Wretchedness scarcely credible. [Her husband, a schoolteacher, died.] Alas! she had five helpless innocent to drink of the same bitter Cup, to harrow up all the Heartstrings of a Mother, and to tear her Soul unavailingly for that Support, of which she herself was depriv'd by the Death of their Father. [The expenses of the benefit performance exceeded the receipts of the house.] Calamity became heaped upon Calamity, and she is now weeping in a Prison, over her unhappy little ones, for a Sum not exceeding #50." Appeal is made for gifts to relieve her. On 23 May, Mrs Woodman released from prison, gave a Benefit Concert at the Crown and Anchor Tavern, concluding with an Occasional Musical Address to the Town called The Grateful Acknowledgment, written and the music compiled from a most eminent Master by Adam Smith, sung by Mrs Woodman.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil to Pay or the Wives Metamorphosed

Dance: II: Hornpipe-Rawlins

Song: End Opera: Aileen a Roon-Mrs Woodman

Event Comment: Mainpiece: A Tragedy [by Edmund Smith] not acted these 20 years. [See 1 Nov. 1756.] The Characters New Dress'd. [The Barrys had revived it at dl the year before.

Performances

Mainpiece Title: Phaedra And Hippolitus

Afterpiece Title: The Upholsterer

Dance: End Tragedy: Rural Merriment, as17741209

Event Comment: Paid Mrs Lowe@and@Co. (glaziers) #17 11s. 6d.; Hatsell, (mercer) #142 3s.; Scott (copper laceman) #16 11s.; Marshall & Co., (plumbers) #27 8s.; Ireland (upholsterer) #43 4s.; Stacy (colourman) #18 16s.; Gardner (shoemaker) #36 11s.; Barrow & Co. (oil) #103, 13s.; Thomson (smith) #27 8s.; Cubitt (tinman) #24 15s. Receipts: #143 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Harlequins Jacket

Dance: II: Grand Provencalle Dance, as17750202

Event Comment: House (Hopkins Diary). Last time of performing the Mainpiece this season. Mrs Smith's Benefit notice (see 22 April) changed to Love in a Village and the Deserter, with a note that tickets deliver'd for Cymbeline would be taken. Receipts: #137 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Elopement

Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequins Frolicks

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

Event Comment: Braganza [announced on playbill of 15 Apr.] is oblig'd to be deferr'd on Account of Smith's Indisposition. Receipts: #121 14s. (94.12; 25.18; 1.4)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: All the Worlds a Stage

Event Comment: Mainpiece [1st time; PAST 3]: Taken from [The Winter's Tale, by] Shakespeare [altered by George Colman elder]. Afterpiece: Likewise taken from [A Midsummer-Night's Dream, by] Shakespeare. Books of both pieces to be had at the Theatre. The Musick of both pieces by the most eminent Composers [i.e. Michael Arne, Dibdin, Dr Burney, Hook, Theodore Smith, Dr Arnold]. The Characters new dressed

Performances

Mainpiece Title: The Sheep shearing

Afterpiece Title: The Fairy Tale

Dance: With aPastoral Dance (incident to the [main]piece)-; End: As17770707

Event Comment: Paid Smith 1 night extra playing at Covent Garden [on 21 Sept.] #2 12s. 6d.; Lampmen #4 10s.; Supernumeraries #5 5s. [Afterpiece in place of The Padlock, announced on playbill of 24 Sept.] Receipts: #148 2s. 6d. (111.6.0; 36.12.0; 0.4.6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Comus

Dance: End I: comic dance, The Cow@keeper-Master Mills, Miss Grimaldi

Song: Afterpiece: As17780917; V: song-Miss Abrams

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: Cymbeline

Performance Comment: Posthumus-Brereton [of dl]; Cloten-Lee Lewes; Cymbeline-L'Estrange; Pisanio-Hull; Bellarius-Clarke; Guiderius-Wroughton; Arviragus-Whitfield; Caius Lucius-Fearon; Philario-Booth; Iachimo-[W.] Smith (of dl); Queen-Mrs Jackson; Imogen-Mrs Crawford [late Mrs Barry] (1st appearance in that character [at this theatre]).late Mrs Barry] (1st appearance in that character [at this theatre]).

Afterpiece Title: The Dutiful Deception

Dance: End III: As17780921

Song: II: Masquerade Scene, with Singing-Mrs Morton

Performances

Mainpiece Title: Venice Preservd

Performance Comment: Pierre-Crawford (1st appearance on any stage); Priuli-Hull; Renault-Clarke; Duke-Mahon; Bedamar-Whitfield; Spinosa-L'Estrange; Elliot-Fearon; Theodore-[R.] Smith; Officer-Booth; Jaffier-The Gentleman who performed Douglas [on 14 Jan.: Rundell]; Belvidera-Mrs Crawford.

Afterpiece Title: Comus

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the Doors will not be admitted. Mainpiece: On account of the additional Airs, contracted into 3 Acts. The Music by Purcell, Smith, Arne & Fisher. [Wright is identified by MS annotation on Kemble playbill. And see 8 May.] Public Advertiser, 7 May: Tickets to be had of Condell, Cross-court, Bow-street, Covent Garden; of Evans, at Bromfield's, trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, Whitefriars

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Tempest

Afterpiece Title: The Upholsterer

Dance: In: Aldridge, Miss Valois

Event Comment: Benefit for Mrs Colles, Miss Abrams & Miss Kirby. Public Advertiser, 4 May: Tickets to be had of Mrs Colles at Smith's No. 10, Bow-street, the corner of Martlet Court, Covent Garden; of Miss Abrams, Little Bridges Street, Covent Garden; of Miss Kirby at Andrews's, No. 70, Long Acre. Receipts: #203 7s. (28.1; 14.16; 1.11; tickets: 158.19) (charge: #90 2s. 6d.)

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Quaker

Event Comment: Tickets delivered by Messink, Cushing, Wewitzer, Jones, Brunsdon, Smith, Ledger, Guard and Miss Green will be admitted. Receipts: #191 9s. 6d. (30.4.0; 2.7.6; tickets: 158.18.0)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Norwood Gypsies

Dance: Dancing, as17800510

Event Comment: [In mainpiece the playbill assigns Hastings to Smith, but on the Kemble playbill his name is deleted and a MS annotation substitutes Brereton's.] Receipts: #225 15s. 6d. (187.5.0; 37.11.6; 0.19.0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Critic

Performances

Mainpiece Title: The Provokd Husband

Cast
Role: Lord Townly Actor: Smith

Afterpiece Title: The Gentle Shepherd

Performance Comment: As17811029, but Holcroft in place of Suett; Mrs Smith in place of Mrs Booth .
Event Comment: Paid Smith for Canvas #32 7s. 6d. Receipts: #148 8s. (116/9/0; 31/16/6:0/2/6)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Luns Ghost

Dance: End of Act II of mainpiece, as17820223; In Act III a Hornpipe by Blurton; In afterpiece, by the Miss Stageldoirs, &c

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Robinson Crusoe

Dance: In Act I of mainpiece a Minuet by Lemercier and Miss Stageldoir. With a Masquerade Dance

Song: Mainpiece: With the Funeral Procession. Vocal Parts by Williames, Chaplin, Fawcett, Phillimore, Helme; Miss Collett, Miss Wright, Mrs Love, Mrs Booth, Miss Barnes, Mrs Smith, Mrs Granger, &c

Performance Comment: Vocal Parts by Williames, Chaplin, Fawcett, Phillimore, Helme; Miss Collett, Miss Wright, Mrs Love, Mrs Booth, Miss Barnes, Mrs Smith, Mrs Granger, &c .

Performances

Mainpiece Title: Imitation Or The Female Fortune hunters

Afterpiece Title: The Ladies Frolick

Performance Comment: Oliver-Dodd; Justice Clack-Waldron; Hilliard-Williames; Vincent-Staunton; Scentwell-Burton; Beggars-Chapman, Fawcett, Wright, Phillimore, Chaplin, Alfred, Spencer, Kenny; Mrs Love, Mrs Smith, Mrs Booth, Mrs Granger, Miss Simson, Miss Hale, Miss Barnes, Miss Tidswell; Meriel-Miss Field; Rachel-Miss Phillips .

Dance: After the Epilogue The Butterfly, as17830426; In Act I of afterpiece the Crutch Dance {performers not listed)

Song: In Act II of mainpiece song on the Knights of St. Patrick, &c. (singer not listed)