SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Arne Sr"/1) | (@(roleclean,performerclean) "Mr Arne Sr")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4426 matches on Event Comments, 1827 matches on Performance Comments, 986 matches on Author, 728 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Virgin Unmask'd

Dance: I: La Pieraite-Leviez, Miss Thompson; II: Punch-Master Ferg; In III: Hornpipe-Philips; V: Flanderkins-Master Ferg, Miss Wright; End Afterpiece: Saraband-Miss Wright, Miss Morrison

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Colombine Courtezan

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Dragon of Wantley

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Harlot's Progress

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Colombine Courtezan

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Colombine Courtezan

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Harlot's Progress

Dance: HHornpipe-Phillips

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Robin Goodfellow

Cast
Role: Spinnage Actor: Carney

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Dragon of Wantley

Dance: As17381102

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Cheats of Scapin

Dance: CComic Dance-Richardson, Miss Cantrel; Serious Dance-Villeneuve, Miss Oates; Scots Dance-Glover, Mlle Roland

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Robin Goodfellow

Cast
Role: Spinnage Actor: Carney

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Robin Goodfellow

Cast
Role: Spinnage Actor: Carney

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Necromancer

Dance: A Hornpipe (by Desire)-Taylor

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Fall of Phaeton

Related Works
Related Work: The Fall of Phaeton: With Harlequin a Captive Author(s): Thomas Arne

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Fall of Phaeton

Related Works
Related Work: The Fall of Phaeton: With Harlequin a Captive Author(s): Thomas Arne

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Robin Goodfellow

Cast
Role: Spinnage Actor: Carney

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Ballet: III: Double Jealousy. As17381108

Dance: V: Moors Dance-Muilment, Mrs Walter