SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Arne"/1) | (@(roleclean,performerclean) "Mr Arne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4387 matches on Event Comments, 1387 matches on Performance Comments, 892 matches on Author, 672 matches on Performance Title, and 88 matches on Roles/Actors.

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Padlock

Performances

Mainpiece Title: New Brooms

Afterpiece Title: The Runaway

Afterpiece Title: The Elopement

Performances

Mainpiece Title: A Bundle Of Prologues

Afterpiece Title: Twelfth Night

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Norwood Gypsies

Dance: As17771229

Performances

Mainpiece Title: The Humours Of Oxford

Afterpiece Title: A Mirror for the Ladies

Performance Comment: Lieutenant Generous-Harricks; Mr O'Carney-Holmes; Mr McLofty-Bate; Mr Sheffery Flintshire-Swords; Monsieur-Helme; Fanny-Miss Shelbourne; Miss Diamond-Miss Harris.
Cast
Role: Mr O'Carney Actor: Holmes

Afterpiece Title: The Wrangling Lovers

Song: End III: Hunting Song-Miss Harris

Monologue: Vaudeville.Between Acts 3rd piece: a few Pantomimical Scenes. Harlequin-Best; Columbine-Miss Dudley

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Afterpiece Title: The Double Amour

Music: With an entire new Scotch Overture-, composed by JonasBlewitt; End: songs-Mrs Bayley; between the Acts of the Farce: songs-Mrs Bayley, composed by JonasBlewitt

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: The Enchanted Castle

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Midas

Afterpiece Title: The Dreamer Awake or The Pugilist Matched

Song: End I 1st piece: Say Bonny Lass: Highland Lad-Mrs Martyr, Highland Lassie- Mrs Mountain; End I 3rd piece: The Musical Courtship-Incledon, Mrs Martyr

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: Next Door Neighbours

Afterpiece Title: The Author

Cast
Role: Carney Actor: Barrett

Performances

Mainpiece Title: The Welch Heiress

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Bank Note Or Lessons For Ladies

Afterpiece Title: The Sailors Prize or May Day Wedding

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Battle Of Hexham Or Days Of Old

Afterpiece Title: The Poor Sailor

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: The Prisoner

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: Knave Or Not

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: The Deserter

Entertainment: Vaudeville In II afterpiece: Military Manoeuvres-; [the Dead March-; [the Ceremony used in Shooting a Deserter-. [These were included in all subsequent performances.

Event Comment: With Additional Songs by Miss Arne. 7 p.m

Performances

Mainpiece Title: Amelia

Event Comment: Set to Musick after the Italian Manner. The Habits and Decorations entirely New. [Probably by Eliza Haywood and William Hatchett, with music by Arne.] 7 p.m. 5s., 3s., 2s

Performances

Mainpiece Title: The Opera Of Operas Or Tom Thumb The Great

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Thomas Arne

Performances

Mainpiece Title: Concert

Music: In which will be introduc'd Adonis Chace, consisting of two Aubaden for four French Horns. Compos'd by Seedo and Lampe. Singing by Miss Arne

Performance Comment: Compos'd by Seedo and Lampe. Singing by Miss Arne .

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Don Quixote in England

Related Works
Related Work: Squire Badger Author(s): Thomas Arne

Dance: I: Prince of Wales's Saraband and Minuet by Davenport and Miss Brett. III: Les Bergers Heureux by Davenport and Miss Brett. V: The Black Joke by Davenport and Miss Brett

Song: In II: Lempio Rigor del Fato by Miss Jones. IV: Was ever Nymph like Rosamond by Miss Jones. End Afterpiece: A Dialogue by Master Arne and Miss Jones

Performance Comment: IV: Was ever Nymph like Rosamond by Miss Jones. End Afterpiece: A Dialogue by Master Arne and Miss Jones .
Event Comment: Benefit Arne and Allen, Numberers, and Wright. Mainpiece: Written by the late Sir John Vanbrugh. [Tickets for Hewitt and Foxall taken.]

Performances

Mainpiece Title: The Relapse

Afterpiece Title: An Old Man Taught Wisdom

Music: Select Pieces between the Acts composed by Handel, Geminiani, and others. First Musick: A Concerto for two Hautboys composed by Dr Pepusch. Second Musick: The third Concerto of the first Opera of Geminiani. Third Musick: Handel's Overture composed for the Opera of Ariadne

Dance: I: Drunken Peasant by Le Brun. II: English Maggot by Villeneuve and Mrs Walter. III: Black Joak by Nivelon and Miss Mann. V: Amorous Swain, as17350327

Song: rv: Mock Italian-English Ballad by Roberts

Performances

Mainpiece Title: Rosalinda

Afterpiece Title: Davids Lamentation over Saul and Jonathan

Performance Comment: See17400229, but Mrs Arne, Beard, Russel, Rheinhold.

Music: Violin-Festing?; Violoncello-Caporale?; Several Concertos-