SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Ant Walker"/1) | (@(roleclean,performerclean) "Mr Ant Walker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4348 matches on Event Comments, 2226 matches on Performance Comments, 639 matches on Performance Title, 24 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Macklin. Afterpiece: A Comedy in 2 acts written by Foote, with Prologue and Epilogue by him. Miss Macklin did Calista and a part in the farce,-all went well (Cross). A Comedy in answer to the French Farce A Frenchman in London, with a Dialogue Prologue, spoken by Macklin & his wife. Epilogue spoken by Miss Macklin. All by Foote. Part of Pit laid into the boxes, with an amphitheatre on stage, all at 5s. Full Prices (Winston MS 8). The Englishman at Paris has been better recev'd that I expected. Garrick, &c., &c....say kinder things of it than modesty will permit me to repeat. Upon the whole it was damnably acted, Macklin miserably imperfect in the words and in the character (a stain to Comedy). You might have seen what I meant,--an English Buck, by the power of dulness instantaneously transformed into an Irish chairman. Miss Roach, accompany'd by some frippery French woman occupy'd, to the no small scandal of the whole house, the Prince's box, whilst the duchess of Bedford &c., &c. were oblig'd to take up with seats upon the stage. The piece will be printed the 25th instant, which I will enclose to you (Samuel Foote to Mr Delaval, MS in Folger Shakespeare Library, written either 24 March, or, perhaps more likely, 24 April, since Foote states later in the letter he is leaving for foreign parts the first of May)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Englishman in Paris

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant

Afterpiece Title: A Duke and no Duke

Dance: I: A New Dance-Mlle Auguste; II: A Masquerade Dance-M Gerard first appearance from Paris, never appeared in England; III: A New Pierrot Dance-Devisse, Mlle Auguste; IV: The Matelot Basque-Ferrere; after the Country Dance-; The Louvre and Minuet-Devisse, Mlle Auguste

Performances

Mainpiece Title: Acis And Galatea

Music: Organ-Stanley; First Violin-Sig Giardini

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Bayes in Petticoats

Dance: II: A Comic Dance, as17530402 IV: L'Entree de Flore, as17530324 End Farce: Le Matelot Basque, as17521005

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Lieutenant Actor: Mozeen

Afterpiece Title: The Mock Doctor

Dance: III: A Comic Dance, as17530402 V: A Hornpipe-Mathews, a Child of five years old his scholar

Performances

Mainpiece Title: Merope

Afterpiece Title: The Double Disappointment

Performances

Mainpiece Title: The Merchant Of Venice

Cast
Role: Antonio Actor: Sparks

Afterpiece Title: The What D'ye Call It

Dance: IIl Pastore, as17521219; Grand Scots Ballet, as17521216

Performances

Mainpiece Title: [the Non Juror

Afterpiece Title: The Chaplet

Dance: [I: A +Hornpipe-the Little Swiss, a child 5 years old; II: A Grand Ballet-Devisse, Mlle Auguste; III: A Serious Dance-Janeton Auretti; V: The Louvre, Minuet-Mathews, Janeton Auretti

Ballet: [IV: +La Chacone des Characters. Harlequin-Mlle Auretti; Punch-Devisse

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Englishman in Paris

Dance: II: Grand Scots Ballet, as17521216

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Lethe

Dance: III: Dutch Dance, as17521125; V: Country Amusements, as17530412

Song: I: A Cantata-Beard

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Performances

Mainpiece Title: Theodosius

Cast
Role: Aranthes Actor: Usher

Afterpiece Title: The Oracle

Dance: III: Two Pierrots, as17530501; V: Grand Scots Ballet, as17521216

Performances

Mainpiece Title: Alfred The Great

Music: In which will be introduced a new solemn dirge- in honor of the heroes who die in the service of their country

Event Comment: To begin exactly at 6:00 o'clock. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Mr Varney at the Stage door. [Repeated throughout the season.] Ye Naturalizing Bill having made some Noise against the Jews, some people call'd out for ye Merchant of Venice, & a Letter was thrown upon ye Stage desiring that play instead of the Opera, but we took no Notice of it, some little hissing but it dy'd away (Cross). [Sometime in the calendar year 1753, Lacy and Garrick drew up a mortgage on the Drury Lane property for #10,000, to be amortized to James Clutterbuck over a period of twenty-one years at the rate of #4 per acting night, and permission to grant free seats in any part of the theatre (except the stage, scenes and orchestra) to forty persons. These latter to be named and seats assigned ten days prior to the opening of any season. This thirteen-page document, which describes accurately the bounds of the 13,134 square feet of land on which the ten buildings comprising Drury Lane Theatre stood, contains protective clauses for Clutterbuck, to the effect that Garrick and Lacy will exhibit nowhere else in London without the #4 nightly payment and for Garrick and Lacy, to the effect that arrears in payment could be collected solely from Drury Lane property, and not from the individual incomes of the mortgagees. It was not signed, so apprently was not executed. (See Havard, Collection of Documents dealing with affairs of Drury Lane, No 2, fMS, Thr 12.)] Receipts: #150 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Wou'dbe-Sparks; Elder Wou'dbe-Ryan; Trueman-Anderson; Richmore-Ridout; Balderdash-Wignel; Subtleman-White; Fairbanks-Redman; Constable-Dunstall; Mrs Clearaccount-Mrs Dunstall; Midnight-Mrs Bambridge; Teague (with Song in Character)-Barrington; Alderman-Arthur; Clearaccount-Collins; Aurelia-Mrs Dyer; Constant-Mrs Vincent.
Cast
Role: Constant Actor: Mrs Vincent.

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: Harlequin Sorcerer

Dance: Grandchamps, Madam Camargo

Event Comment: A tragedy written by Mr Glover, great Applause-but a thought dull (Cross). Never Acted before. [Mainpiece complimented left-handedly by Murphy in Gray's Inn Journal, 8 Dec. The music and scenery were both suited to the piec e, and the acting of it, were there no other inducement, should be sufficient to draw numerous audiences...I cannot but remark that the applause it met with, was scarcely warm enough for such fine writing...I am convinced that this Tragedy will prove an elegant Closet-companion to every reader of taste."] Receipts: #230 (Cross)

Performances

Mainpiece Title: Boadicia

Performance Comment: Parts-Garrick, Mossop, Havard, Burton, Bransby, Davies, Mozeen, Jefferson, Mrs Pritchard, Mrs Cibber. Dumnorix-Garrick; Aenobarbus-Mossop; Flaminius-Havard; Tenantius-Burton; Ebrancus-Mozeen; Roman Ambassador Icenians and Trinobanitans-Bransby, Davies, Jefferson; Boadicia-Mrs Pritchard; Venusia-Mrs Cibber; [With new pieces of music- [between the acts, adapted to the play; Prologue-Mossop; Epilogue-Havard [(Edition of 1753).].(Edition of 1753).].
Cast
Role: Tenantius Actor: Burton

Music: With new pieces of Between the Acts: Music , adapted to the play, and by Dr Boyce-

Performances

Mainpiece Title: The Refusal

Performance Comment: Sir Gilbert Wrangle-Macklin; Frankly-Palmer; Witling-Yates; Granger-Davies; Cook-Blakes; Charlotte-Miss Macklin, 1st time; Lady Wrangle-Mrs Macklin; Betty-Miss Minors; Sophronia-Mrs Clive; In Act IV The Cantata proper to the play,-Beard; A Farewell Prologue-Macklin.

Afterpiece Title: The Englishman in Paris

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: II: New Dutch Dance, as17531117; V: Gipsey Tambourine, as17531012

Event Comment: New Scenes, Music, Habits, Decorations, Machines &c. Nothing under Full Prices. A new Pantomime-went off with great Applause (Cross). [The afterpiece dealt with in high irony by Murphy in Gray's Inn Journal (29 Dec.): It is writ entirely upon the Grecian plan, so much admired by the French critics, and of course does not bid very fair to please the multitude in this country, whose taste is too much vitiated by Shakespeare's monstruous irregularity, to relish the simplicity of this piece. Mr Ranger will only observe that he is highly pleased with the Fable, the Morality, the University, and Integrity of it, and as the writing is equal all through, he looks upon it to be one of the best Pantomimes in the English language.] Receipts: #180 (Cross)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Fortunatus

Performance Comment: Harlequin Fortunatus-Woodward; Others-Philips, Blakes, Clough, Miss Minors, Mrs Jefferson, Mlle Mariet; The Dances-Devisse, Mlle Auretti, Mlle Auguste, Dennison, Mlle Lussant, others.

Song: I: Beard

Related Works
Related Work: Blue Beard; or, The Flight of Harlequin Author(s): Carlo Antonio Delpini

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Fortunatus

Event Comment: FFoote play'd Ben , Miss Macklin Miss Prue , Mrs Clive Mrs Frail . Foote cou'd not sing ye Song in Ben, so said two or three times, I can't do it & upon a little Hissing, said, Gentlemen I have no talents for singing-ye whole play Hum (Cross). [Opposed to Cross's summary of the effect of the performance appeared in Gray's Inn Journal the Murphy account (19 Jan.): The excellent Comedy of Love for Love has been revived here this week, the humorous and diverting Part of Ben, the sailor, was performed with great pleasantry by Mr Foote, who showed by his manner and his looks, that he had entered into the secret of the character, tho' twas visible at the same time, that his powers were greatly suppressed by his solicitude for his first appearance in a new character. It may be said of Miss Macklin, tho perhaps better qualified for spirited genteel comedy, that she acquitted herself with great applause in a part in which Mrs Clive has displayed so many inimitable strokes of humour."] Receipts: #160 (Cross)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Chaplet

Dance: III: A Hornpipe-Granier

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin Skeleton