Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Abraham Cowley"/1) | (@(roleclean,performerclean) "Mr Abraham Cowley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
5901 results for: Keyword - Mr Abraham Cowley
We found 4255 matches on Event Comments, 1155 matches on Performance Comments, 529 matches on Performance Title, 296 matches on Author, and 0 matches on Roles/Actors.

1
01 August 1712 @ Drury Lane Theatre

Event Comment: Not Acted these Ten Years. Written by the late Mr Abraham Cowley

Performances

Mainpiece Title: The Guardian; Or, The Cutter Of Coleman Street

Related Works
Related Work: The Guardian Author(s): Abraham Cowley
Related Work: The Cutter of Coleman Street Author(s): Abraham Cowley

2
16 December 1661 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Related Works
Related Work: The Cutter of Coleman Street Author(s): Abraham Cowley
Related Work: The Guardian Author(s): Abraham Cowley

3
05 October 1702 @ Lincoln's Inn Fields

Event Comment: That Famous Comedy. Written by the Ingenious Mr Cowley

Performances

Mainpiece Title: The Guardian; Or, The Cutter Of Coleman Street

Related Works
Related Work: The Guardian Author(s): Abraham Cowley
Related Work: The Cutter of Coleman Street Author(s): Abraham Cowley

4
19 February 1778 @ Drury Lane Theatre

Event Comment: Hamlet [announced on playbill of 18 Feb.] is obliged to be deferred on account of the Indisposition of a principal Performer. Afterpiece [1st time; CO 3, by Abraham Portal. Larpent MS 445; not published]: The Overture and Music [by Thomas Linley Jun.] entirely new. With New Scenes, Dresses and Decorations. Words of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 19 Feb. 1778: This Day at Three will be published the Songs in The Cady of Bagdad (6d.). Receipts: #180 0s. 6d. (130.9.0; 49.7.6; 0.4.0)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Cady of Bagdad

Related Works
Related Work: The Cady of Bagdad Author(s): Abraham Portal

Dance: In II: Masquerade Scene Dancing-Blurton, Henry; End III: The Provincalle, as17780128

Song: Masquerade Scene As17771031

5
07 May 1702 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

6
17 December 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Cutter Of Coleman Street

Related Works
Related Work: The Cutter of Coleman Street Author(s): Abraham Cowley
Related Work: The Guardian Author(s): Abraham Cowley

7
18 December 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Cutter Of Coleman Street

Related Works
Related Work: The Cutter of Coleman Street Author(s): Abraham Cowley
Related Work: The Guardian Author(s): Abraham Cowley

8
19 December 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Cutter Of Coleman Street

Related Works
Related Work: The Cutter of Coleman Street Author(s): Abraham Cowley
Related Work: The Guardian Author(s): Abraham Cowley

9
20 December 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Cutter Of Coleman Street

Related Works
Related Work: The Cutter of Coleman Street Author(s): Abraham Cowley
Related Work: The Guardian Author(s): Abraham Cowley

10
21 December 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Cutter Of Coleman Street

Related Works
Related Work: The Cutter of Coleman Street Author(s): Abraham Cowley
Related Work: The Guardian Author(s): Abraham Cowley

11
26 November 1735 @ Swan Tavern

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

12
24 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Rover

Afterpiece Title: The Lover His Own Rival

Related Works
Related Work: The Lover His Own Rival Author(s): Abraham Langford

Dance:

13
10 February 1736 @ Goodman's Fields

Event Comment: Afterpiece: A New Ballad-Opera. [By Abraham Langford. Airs set by Stanley.]

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lover His Own Rival

Related Works
Related Work: The Lover His Own Rival Author(s): Abraham Langford

Dance: In V: Scot's Dance by Haughton, Mrs Bullock, &c

14
05 April 1753 @ Covent Garden

Event Comment: Benefit for Lowe. Afterpiece: A Ballad Opera (never perform'd there) by Abraham Langford

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lover His Own Rival

Related Works
Related Work: The Lover His Own Rival Author(s): Abraham Langford

Song: New Cantata call'dThe Court of Comus set by Worgan-Lowe

Dance: GGrand Scots Ballet, as17521216

15
13 April 1736 @ Goodman's Fields

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: The Lover His Own Rival

Related Works
Related Work: The Lover His Own Rival Author(s): Abraham Langford

Dance: II: Minuet and Louvre (at the Desire of several Persons of Quality) by Vallois and Mrs Bullock. III: French Peasant by Vallois and Mrs Bullock. V: Pierrots by Vallois and Delagarde. End of Afterpiece: Dutch Skipper by Vallois and Mrs Bullock

Song: IV: Italian Song by Mrs Chambers

16
14 December 1669 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Mr Anthony

17
January 1682 @ Dorset Garden Theatre

Performances

Mainpiece Title: Mr Turbulent; Or, The Melanchollicks

18
08 September 1701 @ Richmond Wells

Performances

Mainpiece Title: Concert

Music: Mr Abell; having had the Honour lately, to Sing to the Nobility and Gentry of Richmond and the Neighbouring Towns, thinks himself bound in Gratitude...to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe

19
22 February 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Afterpiece Title: Britain's Happiness

Song: Singing in Italian and English-Mrs Tofts

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs Campion, Mrs Mayers, Devonshire Girl

20
01 August 1730 @ Tottenham Court

Performances

Mainpiece Title: Mad Tom Of Bedlam; Or, The Distress'd Lovers: With The Comical Humours Of squire Numscul

Song: Mr Corse, age 12

Dance: DDutch Skipper-Sandham; Drunken Man-Wilcox; (On 8 Aug. and there after:) Mad Dance, Pierrot-Le Sieur Labisle, from France

21
24 February 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

22
15 March 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 II: The Shepherdesses, as17640113; End Opera: Dance, as17640301

23
11 April 1716 @ Drury Lane Theatre

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: La Guinquette; or, Harlequin Turned Tapster

Dance: An Entertainment of Mimick Dancing, call'd, La Caprice-Harlequin (in Imitation of Mlle Provost, the Famous Dancer in the Opera at Paris)

24
20 February 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Connoisseur; Or, Every Man In His Folly

25
27 February 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Hunters, as17640224; The Faggot Binders, as17640224; End Opera: A Dance, as17640224