SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.
Event Comment: Receipts: #168 0s. 6d. (122.3.0; 44.7.6; 1.10.0)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Smith; Richmond-Brereton; Buckingham-Aickin; Tressel-Davies; Lord Stanley-Chaplin; Norfolk-Fawcett; Catesby-Packer; Lieutenant of the Tower-R. Palmer; Ratcliffe-Wright; Lord Mayor-Philimore; Prince Edward-Master Pulley; King Henry-Bensley; Lady Anne-Mrs Robinson; Dutchess of York-Mrs Davenett; Queen-Mrs Hopkins.

Afterpiece Title: Harlequin's Invasion

Performance Comment: Harlequin-Wright; Mercury-Davies; Snip-Parsons; Simon-Moody; Gasconade-Baddeley; Corporal Bounce-Chaplin; Abram-Waldron; Justice-Wrighten; Forge-Burton; Bogg-Holcroft; Taffy-R. Palmer; Old Woman-Mr Davies [i.e. doubled Mercury]; Mrs Snip-Mrs Bradshaw; Sukey Chitterlin-Mrs Davies; Dolly Snip-Miss Pope.
Event Comment: Benefit for Henderson. Ode: With the Songs, Chorusses, &c. The Music by Dr Arne. "When I recited Mr Garrick's Ode in a private room, I felt what I said, and I believe gave it some effect. Very different was it upon the stage. My feelings were weakened and confounded by the band, my voice lost its scale, and was overpowered by the music in the orchestra" (Ireland, p. 47). Public Advertiser, 26 Feb.: Tickets to be had of Henderson at his house, Great Buckingham-street, York Buildings. [His 1st appearance as Sir John Brute was at Bath, 1 Jan. 1774.] Receipts: #234 13s. 6d. (charge:#105). Account-Book notes that Henderson sold 319 tickets for the boxes and 85 for the pit, together worth #92 10s., and that tickets sold at the doors were worth #142 3s. 6d

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John Brute-Henderson (1st appearance in that character [in London]); Heartfree-Aickin; Col. Bully (with a song)-Mattocks; Razor-Brunsdon; Lord Rake-Robson; Justice-Thompson; Taylor-Jones; Constant-Wroughton; Lady Fanciful-Mrs Mattocks; Belinda-Mrs Lewis; Mademoiselle (1st time)-Mrs Whitfield; Lady Brute-Mrs Bulkley.

Afterpiece Title: An Ode by Garrick

Performance Comment: Upon dedicating a Building, and erecting a Statue to Shakespeare, as originally performed at the Jubilee, at Stratford upon Avon (on 7 Sept. 1769), recited-Henderson; Principal Vocal Parts-Reinhold, Mrs Morton, Mrs Kennedy.

Dance: As17790922

Event Comment: Benefit for Wilson. 1st piece [1st time; PREL I, probably by Richard Wilson, altered from Illumination, by Frederick Pilin. Author of Epilogue unknown]. 2nd piece: Not acted these 28 years [acted 9 May 1763]. 3rd piece [1st time; F 2, by Henry Man. Text 1st published in his Miscellaneous Works, 1802, Vol. II, which does not assign the parts, and also lists Mr Carlton, Ralph, Butler. Prologue by the author (London Chronicle, 3 May)]. Public Advertiser, 15 Apr.: Tickets to be had of Wilson, at Stars Acres, upper end of Bow Street. Receipts: #277 19s. 6d. (13.4.6; tickets: 140.15.0) (charge: #105)

Performances

Mainpiece Title: A Gazette Extraordinary; Or, The Illumination

Performance Comment: Characters by Lee Lewes, Wilson, Brunsdon, Miss Green, Mrs Pitt. [Cast from text of Illumination (G. Kearsley, 1779): Skylight-Lee Lewes; Dip-Wilson; Quillet-Brunsdon; Miss Skylight-Miss Green; Mrs Skylight-Mrs Pitt; Epilogue-Wilson, Lee Lewes. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Pilgrim

Performance Comment: Pedro the Pilgrim-Lewis; Rodorigo-Aickin; Siberto-Wordsworth; Curio-Robson; Mad Scholar-Lee Lewes; Mad Englishman-Booth; Mad Parson-Egan; Mad Taylor-Wewitzer; Master of Mad@house-L'Estrange; Mad Welshman-Edwin; Lopez-J. Wilson; Sancho-Thompson; Alphonso-Wilson; Juletta-Mrs Wilson; Alinda-Mrs Bulkley.

Afterpiece Title: The Elders

Performance Comment: Principal Characters-Wilson, Whitfield, Thompson, Fearon, Wewitzer, Quick, Mrs Morton, Mrs Wilson; [Cast suggested by Genest (VI, 149): Sir Valentine Sedgmore-Wilson; Charles Manley-Whitfield; Humphrey Sedgmore-Wewitzer; Miss Louisa Balmer-Mrs Morton; Kitty-Mrs Wilson; unassigned-Thompson, Fearon, Quick; Prologue-Wilson. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Dance: IV: The Bedlamites-

Event Comment: Receipts: #122 12s. 6d. (91.18.0; 29.19.0; 0.15.6)

Performances

Mainpiece Title: Artaxerxes

Performance Comment: As17801111.

Afterpiece Title: Harlequin's Invasion

Performance Comment: Harlequin-Wright; Snip-Parsons; Simon-Moody; Gasconade-Baddeley; Mercury-Fawcett; Corporal Bounce-Chaplin; Abram-Holcroft; Justice-Wrighten; Forge-Burton; Bogg-Phillimore; Taffy-R. Palmer; Old Woman-Mr Suett; Mrs Snip-Mrs Love; Sukey Chitterlin-Miss Collett; Dolly Snip-Miss Pope.
Event Comment: Receipts: #165 3s. (161.13; 3.10)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: As17801025, but Clara-Miss Kirby; Maid-Mr Waldron.

Afterpiece Title: Robinson Crusoe

Performance Comment: As17810129.

Dance: As17810203

Event Comment: By Particular Desire of their Excellencies the Persian Ambassadors. Benefit for Wild. Wild begs leave to inform his friends Mons. DeLoutherbourg has no concern whatever in the invention or painting any of the above scenes [in Phusimimesis]. Receipts: #288 9s. (210.14; tickets: 77.15) (charge: #105)

Performances

Mainpiece Title: The Farmer's Return From London

Performance Comment: As17810502.

Afterpiece Title: All for Love

Performance Comment: Marc Anthony-Wroughton; Dolabella-Whitfield; Alexas-Booth; Serapion-L'Estrange; Officers-Robson, Thompson; Ventidius-Aickin; Octavia-Mrs Yates; Cleopatra-Miss Younge.

Afterpiece Title: Phusimimesis; or, Resemblances of Nature

Performance Comment: SCENE I. Morning, a Landscape. The Rising of the Sun. Hunters preparing for the Chace. When Phoebus the tops of the hills, as17810425; SCENE II. A View of the Rock of Gibraltar, with the Fleet sailing to its Relief; The Storm-Reinhold; [SCENE III. Thunderstorm, Tempest and Shipwreck. Stand to your guns my hearts of oak-Bannister [of dl]; [SCENE IV. A Town Besieged (Painted by Carver; taken from Harlequin Every-where). The Enemies' Attack; the Destruction of the Fort; and an Engagement of the Troops, represented by Moving Figures. O what a charming thing's a battle-Cubitt; [After which a Grand Transparency, representing the famous Battle of Cressy, with the taking of the Bohemian standard by Edward the Black Prince, painted by Cipriani. To conclude with a trio-Davies, Mrs Morton, Mrs Martyr.

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Performance Comment: Jupiter (in the character of Harlequin)-W. Bates; Doctor-Baker; Mercury-Robson; Clown-Stevens; Old Woman-Mr Wewitzer; Colombine-Miss Matthews.

Song: End II 2nd piece: The Huntsman's Sweet Halloo, as17810226; 4th piece: The Early Horn-Cubitt; Scene I: When Phoebus the tops of the hills, as17810425

Event Comment: [2nd piece in place of The English Merchant; 3rd piece of The Agreeable Surprise, both announced on playbill of 31 Aug.

Performances

Mainpiece Title: A Preludio

Performance Comment: As17810808, but Beggar-Usher.

Afterpiece Title: The Beggar's Opera

Performance Comment: As17810827, but Mrs Slammekin-Mr Davis.

Afterpiece Title: Medea and Jason

Performance Comment: As17810808.
Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Performance Comment: Oroonoko-Bannister Jun.; Blandford-Aickin; Governor-Farren; Captain Driver-Wrighten; Stanmore-R. Palmer; Hotman-Williams; Daniel-Suett; Jack Stanmore-Norris; Aboan-Palmer; Widow Lackit-Mrs Hopkins; Charlotte Weldon (1st time)-Miss Collett; Lucy Weldon-Miss Simson; Imoinda-Miss Farren .

Afterpiece Title: The Gentle Shepherd

Performance Comment: Principal Characters by Mrs Cargill, Du-Bellamy, Moody, Aickin, Suett, Dodd; Mrs Wells, Mrs Love, Mrs Booth, Miss Wheeler. [Cast from London Chronicle, 30 Oct.: Patie-Mrs Cargill; Roger-Du-Bellamy; Symon-Moody; Sir William Worthy-Aickin; Glaud-Suett; Bauldy-Dodd; Jenny-Mrs Wells; Mause-Mrs Love; Madge-Mrs Booth [not listed in London Chronicle, but see17821016]; Peggy-Miss Wheeler.] hathi. hathi.

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Performance Comment: [This was danced, as here assigned, in all subsequent performances.] hathi.
Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe; MS: Larpent 577; not published. The following season this was altered, and acted successfully as The Castle of Andalusia]: With new Scenes, Dresses and Decorations. A new Overture, and the whole of the Music under the Direction of Dr Arnold. Books of the Songs to be had at the Theatre. Public Advertiser, 29 Nov.: The admirable first scene, the subterraneous Receptacle of the Banditti, is the production of the ingenious Mr Richards. Receipts: #182 10s. (180/12/6; 1/17/6)

Performances

Mainpiece Title: The Banditti; Or, Love's Labyrinth

Performance Comment: Principal Characters by Wroughton, Mattocks, Reinhold, Quick, Edwin, Wilson, Whitfield, Davies, L'Estrangc, Robson, Fearon, Leoni; Mrs Kennedy, Mrs Mattocks, Mrs Inchbald, Mrs Pitt, Miss Harper. [Cast from Songs (T. Cadell, 1781): Marquis de Quintano-Wroughton; Fernando-Mattocks; Ramirez-Reinhold; Spado-Quick; Pedrillo-Edwin; Francisco-Wilson; Ricardo-Whitfield; Sanguino-Davies; Calvette-L'Estrange; Rapino-Robson; Gambo-Fearon; Phillipo-Leoni; Pepina-Mrs Kennedy; Victoria-Mrs Mattocks; Marchioness de Quintano-Mrs Inchbald; Agnes-Mrs Pitt; Inesilla-Miss Harper.] hathi. hathi.

Afterpiece Title: The Apprentice

Performance Comment: As17811016.
Event Comment: Benefit for Brett

Performances

Mainpiece Title: The Spanish Barber

Performance Comment: As17830603.

Afterpiece Title: A Fete

Performance Comment: A favourite Overture by Haydn, scene I. A Forest. The Death of the Stag. Sportsmen, Horses and Dogs returned from the Chace. No Sport to the Chace can compare (the Music by Dr Arnold) by Brett, scene II. The Cave of Echo. They say there is an Echo here (composed by Herschel) by Brett, Wood, Gaudrey and others, scene III. A Wood. The Triumph of Diana. With Horns and with Rounds (the Music by Boyce) by Miss George. SCENE IV. A Sea Shore and Cottage. The celebrated Sequel to Auld Robin Gray, taken from the Movement of Haydn's Overture, by Brett and Miss Morris. Scene V. A Cobler's Cottage. The Loves of John and Jane (the Music by Dibdin) by Wilson. Scene VI. Description of a Battle. Stand to your Guns, my Hearts of Oak (the Music by Carter) by Bannister, scene VII. A Palace and Banquet. Come, honest Friends (singers not listed'). The Dances by Mr and Miss Byrne. Principal Attendant Genius-Miss Painter .

Afterpiece Title: The Dead Alive

Performance Comment: Principal Characters by Wilson, Wood, Wewitzer, Blissett, Massey, Stevens, Usher, Kenny, Painter, Ledger, Pierce, Edwin; Mrs Webb, Mrs Wells, Mrs Bannister. [Cast adjusted from Songs (T. Cadell, 1781): Sir Walter Weathercock-Wilson; Edward-Wood; Degagee-Wewitzer; Plume-Blissett; Coachman-Massey; Sheers-Stevens; Dennis-Usher; Black-Kenny; Motley-Edwin; Miss Hebe Wintertop-Mrs Webb; Comfit-Mrs Wells; Caroline-Mrs Bannister. Painter, Ledger, Pierce are unassigned.] hathi. hathi.
Event Comment: [In mainpiece the playbill assigns the 1st Gravedigger to Parsons, but "an Apology was made for Parsons, and Suett went through his Part" (Public Advertiser, 2 Oct.). In afterpiece the playbill retains Parsons as Solomon; for Fawcett see 26 Nov.] "We have for so many years been accustomed to see Hamlet dressed in the Vandyke costume, that it may be material to state that Mr Kemble played the part in a modern court dress of rich black velvet, with a star on the breast, the garter and pendant ribbon of an order-the mourning sword and buckles, with deep ruffles: the hair in powder; which, in the scenes of feigned distraction, flowed dishevelled in front and over the shoulders" (Boaden, Kemble, I, 104). Receipts: #285 16s1. (265/14/0; 19/19/6; 0/2/6)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-[J. P.] Kemble (from the Theatre Royal, Dublin; 1st appearance upon that stage); King-Packer; Horatio-Farren; Polonius-Baddeley; Laertes-Barrymore; Ostrick-R. Palmer; Rosencraus-Phillimore; Guildenstern-Williames; Player King-Chaplin; Marcellus-Wrighten; Lucianus-Waldron; Gravediggers-Suett, Burton; Ghost-Bensley; Ophelia-Miss Field; Player Queen-Mrs Hedges; Queen-Mrs Hopkins .

Afterpiece Title: The Quaker

Performance Comment: As17830916, but Solomon-probably Fawcett .
Event Comment: RosiNA [announced on playbill of 2 Oct.] is obliged to be deferred on account of Mrs Martyr's Indisposition. "There are many of Mr Garrick's most favourite characters which [Henderson] appears in with great credit to himself, and applause from the audience; that in which he has been thought to approach the nearest to his predecessor is Hamlet; and, if we oppose the declamatory skill of Henderson-a quality indispensably necessary to the performance of this most difficult character-to the pathos and phrenzy (whether it be assumed or real madness in Hamlet is not here the question) of Garrick; I think it must be allowed that however short of him he may fall in some particulars, in the one I have mentioned, at least, he exceeds him" Qonson, The sad shepherd, ed. Waldron, p. 174). Receipts: #199 4s. 6d. (197/19/0; 1/5/6)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Henderson; King-Clarke; Ghost-Aickin; Horatio-Whitfield; Laertes-Davies; Ostrick-Bonnor; Polonius-Wilson; Player King-Mahon; Marcellus-Fearon; Rosencraus-Booth; Guildenstern-Thompson; Grave-Diggers-Quick, Jones; Queen-Mrs Inchbald; Player Queen-Miss Stuart; Ophelia-Miss Satchell .

Afterpiece Title: The Padlock

Performance Comment: As17830919.
Event Comment: Benefit for Mr and Mrs Ward. Receipts: #135 2s. (23/6; 13/18; 0/5; tickets: 97/13) (charge: #107 12s. 11d.)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Carlos-Kemble (1st appearance in that character); Antonio-Baddeley; Charino-Waldron; Don Duart-Barrymore; Sancho-Suett; Governor-Packer; Monsieur-Burton; Page-Miss Heard; Jaqucs-Wright; Officer-Phillimore; Clodio (alias Don Dismalo Thickscullo de Half Witto)-Ward; Don Lewis (alias Don Choleric Snapshorto de Testy)-Parsons (Their 1st appearance in those characters); Angelina-Mrs Brereton; Elvira-Miss E. Kemble; Honoria-Miss Tidswell; Louisa-Mrs Ward .

Afterpiece Title: A Medley

Performance Comment: Scene I. A Chamber. As Scene III, 7 May. Scene II. As Scene III, 26 Apr. Scene III. A Garden. As Scene IV, 3 May. Scene IV. Inside of a Playhouse. Bucks have at ye all by Ward. To conclude with The Jovial Sailors, as17840320athi .

Afterpiece Title: Duke and No Duke

Performance Comment: As17840503 .

Dance: End of Act I of mainpiece, as17840311athi

Event Comment: Benefit for the Widow and Children of the unfortunate Mr Linton, late of this Theatre. [Linton, a musician belonging to the CG band, had been attacked and killed by footpads on 8 July.] "The band were all dressed in mourning, suited to the occasion, and are entitled to their share of applause" (Public Advertiser, 30 Sept.). Afterpiece: Not acted these 4 years

Performances

Mainpiece Title: Zara

Performance Comment: Lusignan-Henderson; Nerestan-Davies; Orasmin-Fearon; Chatillon-Hull; Melidor-Thompson; Osman-Wroughton; Selima-Mrs Inchbald; Zara-Miss Younge .

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-Lewis; Baptista-Thompson; Biondello-Chalmers; Music Master-Stevens; Hortensio-Helme; Tailor-Jones; Pedro-Gaudry; Haberdasher-Besford; Nathaniel-Ledger; Grumio-Quick; Bianca-Mrs Poussin; Curtis-Mrs White; Catherine-Mrs Bates .
Event Comment: Mainpiece: Not acted these 3 years. The Music by Purcel and Dr Arne, with the additional Airs and Chorusses by the late [Thomas] Linley Jun. [Gazetteer, 9 Nov., notes that the music for the Chorus of Spirits was composed by Purcell, for Ariel's song by Dr Arne, for the storm scene by Linley Jun.] Receipts: #162 11s. (126/10/0; 35/19/6; 0/1/6)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; Gonzalez-Aickin; Alonzo-Wrighten; Antonio-Phillimore; Sebastian-Wright; Francisco-Wilson; Ferdinand-Barrymore; Miranda-Miss Phillips; Ariel-Miss Field. Chorus of Spirits-Chaplin, Fawcett, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Stageldoir, Miss Barnes, Miss Burnett, Mrs Smith, &c . Mrs Love, Mrs Booth, Miss Stageldoir, Miss Barnes, Miss Burnett, Mrs Smith, &c .

Afterpiece Title: Bon Ton

Performance Comment: As17841026.

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

Performance Comment: ; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.] hathi.
Event Comment: By Permission of the Lord Chamberlain. Mainpiece [1st time; C 5, author unknown. MS: Larpent 651; not published]. Places for the Boxes to be taken of Rice at the Theatre; and Tickets to be had of Mrs Williams, the Artificial Flower Warehouse, Store-street, Bedford-square. [Mrs Williams is identified in Morning Post, 11 Feb.]

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Performance Comment: Principal Characters by Jackson, Cartwright, Holland, Osborne, Frederic, Mitchell, Edwards, Porter, Henley, Connell (with a new Irish sons in character); A Young Lady (1st appearance [unidentified]), Mrs Bolton, Mrs Cartwright, Mrs Ponsonby, Mrs Henley, A Lady (2nd appearance [unidentified]). [Larpent MS lists the parts: Sir Gregory Granby, Sir ThomasLoveby, George Granby, Frank Bentley, Solomons, Levi, Waddle, Scandal, Dennis, Robert, Waiter; Eliza Wentworth, Mrs Dornbush, Miss Harcourt, Charlotte Harcourt, Lady Loveby, Susan, Miss Nancy, Miss Kitty, Maid.] hathi.

Afterpiece Title: A Musical Interlude

Performance Comment: Vocal and Rhetorical Characters by Connell, Henley, Mitchell; Miss Barnard, A Gentleman [sic], Mrs Henley, Mrs Bolton, Mrs Bradshaw, The Lady who is to perform Mrs Cadwallader .

Afterpiece Title: The Author

Performance Comment: Cadwallader-Jackson; Vamp-Osborne; Young Cape-Edwards; Sprightly-Frederic / Mrs Cadwallader (for that night only)-A Young Lady (Sister to Mr Edwin, of Covent Garden, 1st appearance in this, and 2nd on any stage [Mrs Williams]) .Mrs Williams]) .

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

Performance Comment: hathi.
Event Comment: Benefit for Booth. Mr Booth respectfully hopes his close Attention to the several Departments he occupies in the Theatre will be a sufficient Excuse for his not personally waiting on his Friends. [Public Advertiser, 22 Mar., notes that since Wild's accident [see 11 May] Booth had been acting as prompter.] Public Advertiser, 14 Apr.: Tickets to be had of Booth at his house in Great Queen-street, Lincoln's-inn-fields. 2nd piece [1st time; M. INT I, compiler unknown]: The Music compiled from the most eminent Masters

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holman; Mercutio-Lewis; Juliet-Miss Younge. No other parts listed, but see17841105 .

Afterpiece Title: The Land of Enchantment

Performance Comment: A Select Scene, consisting of Music and Dancing, in which: a Hunting Song [Tantivy, the welkin resounds] by Mrs Martyr; the celebrated Vauxhall Echo Catch [They say there is an echo here (performers not listed)]; a Pastoral Dialogue [Alas! Poor Sue] by Johnstone and Mrs Martyr; Auld Robin Gray by Mrs Kennedy; Poor ThomasDay by Edwin, Brett, Davies. Abdiel, the Genius-Master Farley .

Afterpiece Title: Barataria

Performance Comment: As17850329athi .

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Performance Comment: hathi.

Song: As17841025, but omitted: names of singers

Performance Comment: hathi.
Event Comment: Benefit for Mrs Martyr. Public Advertiser, 20 Apr.: Tickets to be had of Mrs Martyr at Mr Robley's, Bow-street, Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: As17850330but Victoria-Mrs Bannister .

Afterpiece Title: The Deserter

Performance Comment: Henry (1st time)-Mrs Martyr; Skirmish-Edwin; Russet-Darley; Simpkin-Cubitt; Margaret-Mrs Davenett; Jenny-Mrs Wilson; Louisa-Mrs Bannister .

Dance: End of mainpiece The fancy Races {performers not listed]

Performance Comment: hathi.

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr

Performance Comment: hathi.
Event Comment: [This was Henderson's last appearance on the stage. He died on 25 Nov. 1785. "He was the only performer, since the death of Mr Garrick, who could with any degree support the various characters of Shakespeare. His person approached the middle size, his voice was naturally thick, his judgment was strong, his attention great, and his sudden transition from one passion to another fully evinced his abilities; his chief excellence lay in strong colouring, in broken and abrupt speeches, especially in parts of tragic horror; his scale was so extensive that it included the extremes of Tragedy and Comedy" (Oulton, 1796, 1, 150-51).] Receipts: #258 6s. (250/14; 7/12)

Performances

Mainpiece Title: The Roman Father

Performance Comment: As17851017.

Afterpiece Title: Rosina

Performance Comment: As17850921.

Dance: As17851103

Performance Comment: hathi.
Event Comment: Benefit for Mrs Henderson. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. [Prologue by Arthur Murphy {Works, 1786, VII, 369).] Morning Herald, 14 Feb.: Tickets to be had at the house of the late Mr Henderson [see 8 Nov. 1785], Buckingham-street, York Buildings. "The poetical address delivered by Mrs Siddons before the play was written by Murphy, and was so very dull that we will charitably suppose his feelings obstructed the operation of his fancy" (General Advertiser, 27 Feb.). Receipts: #141 9s. 6d. (140/15/0; 0/14/6; tickets: none listed) (charge: free)

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Pope; Priuli-Hull; Renault-Fearon; Bedamar-Davies; Duke-Thompson; Spinosa-Cubitt; Elliot-Palmer; Officer-Booth; Pierre-Aickin; Belvidera-Mrs Siddons (of DL). New Occasional Prologue spoken by Mrs Siddons .

Afterpiece Title: Three Weeks after Marriage

Performance Comment: As17851019, but Nancy (1st time)-Mrs Martyr .
Event Comment: Benefit for Mr and Mrs Waldron. The last Night of performing this Season. [The above is an advance notice on playbill of 5 Aug.]

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Cast not listed .

Afterpiece Title: The Romp

Performance Comment: Cast not listed .

Afterpiece Title: The Elopement

Performance Comment: Cast not listed .
Event Comment: The Public are most respectfully informed, that, in consequence of the sudden and violent Indisposition of Mr Parsons, the second Performance of the New Comedy, called A School for Grey-Beards, is unavoidably postponed. This Evening will be presented [as above] (printed slip attached to Kemble playbill). Receipts: #182 13s. 6d. (141.9.0; 38.7.0; 2.15.0; ticket not come in: 0.2.6)

Performances

Mainpiece Title: The Chances

Performance Comment: See17861027.

Afterpiece Title: Richard Coeur de Lion

Performance Comment: As17861024.
Event Comment: Receipts: #254 4s. 6d. (247.3.6; 7.1.0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Holman; Duke-Macready; Juan-Davies; Cacafogo-Booth; Sanchio-Thompson; Alonzo-Fearon; The Copper Captain-Lewis; Margaritta-Mrs Inchbald; Altea-Mrs Morton; Clara-Miss Platt; Old Woman-Mrs Pitt; Maid-Mr Painter; Estifania-Mrs Abington.

Afterpiece Title: Three Weeks after Marriage

Performance Comment: As17861019, but Nancy-Mrs T. Kennedy; Lady Racket-Mrs Abington.

Dance: End: The Wapping Landlady-Blurton, Rayner, Miss Cranfield

Event Comment: Benefit for Mr and Mrs Marriot

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Performance Comment: Young Marlow-Marriot; Hardcastle-Sidney; Hastings-Russel; Sir Charles Marlow-Young; Diggory-Wilson; Stingo-Sterne; Tony Lumpkin (with songs)-Simpson; Mrs Hardcastle-Mrs Fowler; Miss Neville-Mrs Simpson; Maid-Miss Fowler; Miss Hardcastle-Mrs Sterne.

Afterpiece Title: Bon Ton; or, High Life above Stairs

Performance Comment: Sir John Trotley-Simpson; Col Tivy-Russel; Davy-Sidney; Jessamy-Wilson; Lord Minikin-Marriot; Lady Minikin-Mrs Simpson; Gymp-Mrs Fowler; Miss Tittip-Mrs Marriot.

Entertainment: Monologue. Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot

Performance Comment: Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot.
Event Comment: Benefit for Mr and Mrs Simpson

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Sterne; Friar Lawrence-Young; Tibalt-Simpson; Capulet-Sidney; Paris-Wilson; Peter-Russel; Mercutio-Marriot; Nurse-Mrs Marriot; Lady Capulet-Mrs Fowler; Juliet-Mrs Sterne.

Afterpiece Title: Dr Last's Examination before the College of Physicians

Afterpiece Title: The Padlock

Performance Comment: Don Diego-Simpson; Leander-Sidney; Scholars-Marriot, Russel; Mungo-Wilson; Ursula-Mrs Fowler; Leonora-Mrs Sterne.

Song: V: a Grand Funeral Procession-; Solemn Dirge-; Vocal Parts-Wilson, Mrs Fowler, Miss Fowler, Mrs Marriot; Between the Acts: Singing-Wilson