SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.
Event Comment: Benefit Mr and Mrs Vallouy. The new Dances entirely composed by Vallouy

Performances

Mainpiece Title: Il Bacio

Performance Comment: As17760227.

Dance: I: La Fete du Village, as17760224; II: New Serious Ballet, with Chaconne and Minuet de la Cour-Vallouy, Mme Vallouy; End Opera: New Grand Comic Ballet, Les Maissoneurs Distresse-Helm, Mlle Sophie, Sga Tinti, Vallouy, Mrs Vallouy

Event Comment: Benefit for Hurst and Webb. Afterpiece: By Desire. Rec'd from Sinking Fund #504; from Stopages #11 9s. 6d. Paid Tallow Chandler's 9th bill #30 9s.; 1!2 year's land and window tax to Lady Day last #41 2s. 7.; Mr Wegg 1!2 year's rent to Lady Day last #57. Receipts: #32 16s. 6d. Charges: #66 11s. 6d. Deficit to Hurst and Webb: #33 15s. (Treasurer's Book)

Performances

Mainpiece Title: The School For Rakes

Performance Comment: Capt. Lloyd-King; Frampton-Reddish; Sir William-Hurst; Col. Evans-Palmer; Willis-Dodd; Robert-Baddeley; Mrs Winifred-Mrs Hopkins; Harriet-Miss P. Hopkins , first time; Lord Eustace-Davies , first time.

Afterpiece Title: The Waterman

Performance Comment: As17760425.

Dance: End: The Savage Hunters, as17751118

Event Comment: Benefit for Whitfield and Miss Sharp. Tickets deliver'd by Mrs Siddons will be taken. Paid 2 Flutes 2 nights #1. Receipts: #69 4s. Charges: #68 15s. Profits to Miss Sharp and Mr Whitfield: 9s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17751101, but Cymbeline-Hurst; Guiderius-Whitfield; first time, and Singing In Act I-Miss Sharpe; Doctor-_; Captain-_; Claudio-_.

Afterpiece Title: The Theatrical Candidates

Performance Comment: As17751027, but Melpomene-Miss Sharpe.

Afterpiece Title: The Rival Candidates

Performance Comment: As17760220, but Narciss-Miss Sharpe, first time.

Dance: III: The Sailors Revels, as17751220

Event Comment: Benefit for Bransby and Burton. Paid Miss Abrahams #50; Ditto to Mr Bate for the Music of the Blackamoor #50; Paid for convicting a pickpocket 10s. Receipts: #54 17s. Charges: #64 16s. 6d. Deficit to Bransby and Burton: #9 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As17760105, but Brush-Burton.

Afterpiece Title: The Irish Widow

Performance Comment: As17751003, but Thomas-Burton, first time.

Dance: V: A Comic Dance, as17760415

Event Comment: Benefit for Mrs Bradshaw and Mrs Johnston. Paid Mr Parsons in lieu of Benefit #105. Receipts: #73 17s. Charges: #64 15s. Profits to Mrs Bradshaw and Mrs Johnston: #9 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17760325 but Mat@O@Mint-Wright; Mrs Peachum-Mrs Johnston.

Afterpiece Title: Bon Ton

Performance Comment: As17760419 but Davy-Parsons.

Dance: End Opera: a Favourite Dance call'd The Gardeners, as17760116

Event Comment: Benefit for DuBellamy. The Constant attendance Mr DuBellamy has, and is still oblig'd to pay to the business of the theatre, he humbly hopes will be admitted as a sufficient excuse for his not making a personal appliaction to his friends. Doors open half past 5. To begin half past 6 o'clock

Performances

Mainpiece Title: As You Like It

Performance Comment: As17760205, but Amiens (with Songs)-DuBellamy; Oliver-L'Estrange.

Afterpiece Title: Midas

Performance Comment: As17751113, but Apollo-DuBellamy.

Dance: I: Rural Merriment, as17751220

Song: IV: At the Request of many Friends, Kate of Aberdeen-DuBellamy

Event Comment: Benefit for Mr Fosbrook (Box-book keeper). Receipts: #22 9s. 6d. Charges: #84. Deficit to Fosbrooke: #61 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Measure For Measure

Performance Comment: As17751118.

Afterpiece Title: The Rival Candidates

Performance Comment: As17760502.

Dance: V: The Sailors Revels, as17751220

Event Comment: Benefit for Mrs Love, Mrs Cross, and Mrs Millidge. Last time of performing both pieces this season. Afterpiece: By Desire. Tickets delivered for Macbeth, on Monday the 13th, and by Garland, Walker, L'Englois, and Mas. Pulley will be taken. This Benefit was fix'd and advertised for Macbeth on Tuesday the 21st but as Mr G., wanted that day to play himself he gave them the above Play and Farce as a Recompense for their coming later they had a very great House (Hopkins Diary). Rec'd stopages #9 9s. Receipts: #105 6d. Charges: #84. Profits to Mrs Love, Mrs Cross, and Mrs Millidge: #21 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Performance Comment: As17760418 but before the Play, a Prologue-Master Pulley.

Afterpiece Title: The Jubilee

Performance Comment: As17751227.

Dance: A Hornpipe-Walker

Event Comment: Benefit for Mrs West. Tickets to be had of West, at the Ship, near the Seven Houses, Rotherhithe. Mainpiece: In Act II the triumphal entry of Alexander into Babylonv; In Act IV the grand Banquet where Alexander kills his faithful soldier, old Clytus. [The playbill contains a lengthy synopsis of the plot of the mainpiece; it concludes by noting that "the many flowery passages with which this tragedy abounds does honour to the pen of its author, N. Lee, Esqr., and we may justly say with Mr Pope, 'Such plays alone shou'd please a British ear, as Cato's self had not disdain'd to hear.'"]

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-West; Hephestion-Russell; Lysimachus-Smith; Cassander-Comerford; Polyperchon-Jones; Perdiccas-Johnson; Thessalus-Dancer; Aristander-Thomas; Eumenes-Brown; Clytus-Lewis; Roxana-Mrs Wilks; Sysigambis-Mrs Ross; Parisatis-Miss Taylor; Satira-A Gentlewoman [unidentified].unidentified].

Afterpiece Title: Marriage a la Mode [i

Performance Comment: e. Three Weeks after Marriage]; or, What we must all come to. Sir Charles Racket-West; Drugget-Lewis; Lovelace-Smith; Woodley-Johnson; Mrs Drugget-Mrs Ross; Nancy-Miss Taylor; Dimity-Mrs Wilks; Lady Racket-Mrs West (1st appearance in that character).

Song: II: the grand chorus, See the conquering Hero comes-; Between Acts: Singing, as17760925

Entertainment: Monologue.The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell

Performance Comment: The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell.
Event Comment: By Command of Their Majesties. Mrs Davies Miss Tittup--La! La! King sent a letter to $Sheridan desiring to be off his Engagement--all made up at night. Mattocks came and told me that Lacy had sold Half his Share of the Patent to Mr Langford (The Auctioneer) and Captain Thomson (Authour of the Syrens &c.). I acquainted Sheridan of it--he had not heard it before (Hopkins Diary). Receipts: #267 6s

Performances

Mainpiece Title: New Brooms

Performance Comment: As17760921.

Afterpiece Title: As You Like It

Performance Comment: Touchstone-King; Orlando-Reddish; Jaques-Jefferson; Duke Senior-Hurst; Duke Frederick-Bransby; Oliver-Packer; Amiens (with songs)-Vernon; Corin-Waldron; LeBeau-Everard; Silvius-R. Palmer; William-Messink; Adam-Moody; Caelia-Mrs Baddeley; Cuckoo Song-Mrs Baddeley; Phoebe-Mrs Davies; Audrey-Mrs Bradshaw; Rosalind-Miss Younge.

Afterpiece Title: Bon Ton; or, High Life above Stairs

Performance Comment: Sir John Trotley-King; Colonel Tivy-Brereton; Davy-Parsons; Jessamy-Lamash; Mignon-Burton; Lord Minikin-Dodd; Miss Tittup-Mrs Davies; Lady Minikin-Miss Pope.

Dance: End I: The Grand Garland Dance-Giorgi, Sga Crespi, Slingsby

Song: In V: a song-Mrs Scott

Event Comment: Alexander the Great? [announced on playbill of 4 Nov.] is obliged to be deferred. [The playbill lists Mrs Yates as Lady Townly, but see following note. Miss Younge's name appears in all subsequent playbills, except on 19 Dec.] Alexander was advertised for this Night, but Lacy being hoarse, who was to have played Alexander, it was obliged to be deferred, and this Play substituted. It was between eleven and twelve o'clock at (Night) before we got it settled. Mr. Sheridan ordered me not to send to Mrs. Yates about (it) till the Morning. About eight o'clock I sent her Notice that the Provoked Husband was to be performed at Night. A little after nine, she sent Word by her Niece that she was never so ill treated in her life, that she was never before asked to play on the fifth of November [which day was traditionally set aside for the acting of Tamerlane], that she would not play Lady Townly that Night, nor would she play any more; and if she had an Inclination to play, she had no Cloaths ready to play it in; and sent back the Part of Semiramis in a new Tragedy that was preparing [see 16 Nov., 14 Dec.]. I got Miss Younge to do Lady Townly, and an Apology was made by Packer that Mrs Yates having refused this Morning to do Lady Townly, Miss Younge at a Minutes' Notice undertook to do it. Miss Younge was much applauded and Yates had a few hisses (Hopkins Diary). Receipts: #179 11s. 6d

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Smith; Sir Francis Wronghead-Yates; Manly-Packer; John Moody-Moody; Squire Richard-Burton; Count Basset-Dodd; Lady Grace-Miss Sherry; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Davies; Mrs Motherly-Mrs Cross; Trusty-Mrs Johnston; Myrtilla-Miss Platt; Lady Townly-Miss Younge.

Afterpiece Title: A ChristmasTale

Performance Comment: As17761104.
Event Comment: Mainpiece: Not acted these 16 years [not acted since 27 Oct. 1758]. With Alterations [by Richard Brinsley Sheridan. Prologue by David Garrick]. The Characters new dressed. This Play is revived with Alterations (by R. B. Sheridan Esq) and a new occasional Prologue written by Mr Garrick? and spoken by Dodd, both well received. Miss Essex made her first Appearance upon this stage in Silvia, a small mean Figure and shocking Actress, so bad that she is to do the Part no more. Reddish was very imperfect in Vainlove from the Beginning, but was so very much so in the last Act, that the Audience hissed very much, and cryed out, 'Off, Reddish, Off!" He went forward, and addressed them as follows, 'Ladies and Gentlemen, I have been honoured with your Favour and Protection for these ten years past, and I am very sorry to give any cause for your Displeasure now; but having undertaken the Part at a very short Warning, in order to strengthen the Bill, and having had but two Rehearsals for it, puts it out of my Power to do Justice to the Part, or myself.' The Play then went on. So great a Lye was never delivered to an Audience by any Actor or Actress before. He had the Part at least six weeks in his Possession, and repeated Notice to be ready in it, and six Rehearsals was called for it,--indeed, he attended but three. Vernon undertook to study the Part at eleven o'clock to-night, and to perform it to-morrow (Hopkins Diary). [Miss Essex was from the hay.] Receipts: #209 6s

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Bellmour-Smith; Heartwell-Bensley; Fondlewife-Yates; Vainlove-Reddish; Captain Bluff-Moody; Sharper-Farren; Setter-Baddeley; Sir Joseph Wittol-King; Belinda-Miss Younge; Araminta-Mrs Baddeley; Silvia-Miss Essex (1st appearance upon that stage); Lucy-Miss Pope; Laetitia-Mrs Abington; New occasional Prologue (in the Character of a modern fine gentleman)-Dodd. [This was spoken, as here assigned, at the first 4 performances only (see17761207).]This was spoken, as here assigned, at the first 4 performances only (see17761207).]

Afterpiece Title: A ChristmasTale

Performance Comment: As17761022.

Dance: As17761115

Event Comment: Before the Play began, Reddish went on, and addressed the Audience as follows, which was drawn up by Mr Sheridan, "Ladies and Gentlemen, having in my Address to the Publick on Tuesday Night last accounted for my Omission in the Part of Vainlove in a manner which appeared to reflect highly on the Managers, I now beg Permission to ascribe it to the Confusion I was in from the Displeasure of the Audience, and, as the Managers are satisfied with my Assurance that this was the Case, I humbly hope for the Indulgence of the Publick, whom I never meant to offend, and whom I will ever study to please" (Hopkins Diary). Raceipts: #119 17s. 6d

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17760924.

Afterpiece Title: The Hotel

Performance Comment: As17761121.
Event Comment: The Characters will be dressed in the Habits of the Times. The Musick of Macbeth had a proper Attention paid to it in the getting up by Mr Linley (who composed the Additional Accompaniments) and went off with great Applause. Mrs Melmoth, who came out at Covent Garden [on 26 Feb. 1774], made her first Appearance upon this Stage in Lady Macbeth, was very wild in the Part, met with some Applause. The Play was dressed in the Habits of the Times. [Note added by J. P. Kemble: I have seen some of these Habits, and very paltry and very improper they were] (Hopkins Diary). [Mrs Melmoth was from the Edinburgh theatre.] Receipts: #191 1s. 6d

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Smith; Macduff-Reddish; Duncan-Bransby [Public Advertiser: Hurst]; Ross-Aickin; Malcolm-Davies; Banquo-Packer; Lenox-Grist; Donalbain-R. Palmer; Angus-Chaplin; Seward-Hurst [Public Advertiser: Wrighten]; Doctor-Wright; Captain-Farren; Fleance-Master Pulley; Seyton-Griffiths; Hecate (1st time)-Bannister; Witches-Parsons, Moody, Baddeley; Lady Macduff-Miss Sherry; Lady Macbeth-Mrs Melmoth (1st appearance on this stage).

Afterpiece Title: The Hotel

Performance Comment: As17761121.

Dance: IV: a Dance of Furies-. [This was included in all subsequent performances.

Performance Comment: [This was included in all subsequent performances.]

Song: original Music by Mattew Locke , with full Chorusses and Additional Accompaniments by ThomasLinley Sen.-Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd

Performance Comment: -Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd.
Event Comment: Mainpiece [1st time in London; DR. POEM 5, by William Mason, 1st acted at Crow Street Theatre, Dublin, 30 Mar. 1764]: Written on the Model of the ancient Greek Tragedy. The Overture and all the Music composed New by Dr Arne. With a New Scene designed and executed by Dahl [recte Dall]. The Dresses, Decorations, &c. all entirely New. Books of the Lyrical Part of the Drama to be had at the Theatre. 'But I had rather talk of Caractacus; I agree that he will not suffer by not being sputtered by Barry, who has lost all his teeth. Covent Garden is rather above Drury Lane in actors, but both sets are exceedingly bad, so bad-that I almost wish Caractacus was not to appear. Very seldom do I go to the play, for there is no bearing such strollers" (Walpole [to the author, 8 Oct. 1776], IX, 419-20). "I attended Caractacus last winter, and was greatly interested, both from my friendship for Mr Mason and from the excellence of the poetry. I was out of all patience; for though a young Lewis played a subordinate part very well, and Mrs Hartley looked her part charmingly, the Druids were so massacred, and Caractacus so much worse, that I never saw a more barbarous exhibition" (Walpole [13 July 1777], X, 81-82). Public Advertiser, 7 Dec. 1776: This Day is published the Lyrical Part of Caractacus (6d.). [The publisher, J. Wilkie, states that he also has the "whole Drama, as altered by the Author, 18d." Ibid., 9 Dec., contains an advertisement from Mason stating that this version is unauthorized.] Ibid., 12 Dec.: This Day is published [by A. Ward of York] a new Edition of Caractacus, now altered for Representation at the Theatre-Royal in Covent Garden (1s. 6d.). Receipts: #163 10s. (163.6; 0.4)

Performances

Mainpiece Title: Caractacus

Performance Comment: Characters by Clarke, Lewis, Wroughton, Ward, Whitefield, Mrs Hartley. Druids and Bards-Aickin, Hull, L'Estrange, Fearon, others; Principal Vocal Parts-Leoni, Reinhold, Mrs Farrell; [Cast from text (York: A. Ward, 1777 [i.e. 1776]): Caractacus-Clarke; Arviragus-Lewis; Elidurus-Wroughton; Vellinus-Ward; Aulus Didius-Whitefield; Evelina-Mrs Hartley; Modred-Aickin; Mador-Hull.

Afterpiece Title: Polly Honeycombe

Performance Comment: see17761119.
Event Comment: [Mainpiece in place of Semiramis, announced on playbill of 21 Dec.] Mrs Yates sent Word last Night that her Cold continued--she could not play in Semiramis to-night. [Note added by J. P. Kemble: I have not yet found the rest of Mr. Hopkins Diary for the Year] (Hopkins Diary). Receipts: #185 17s. 6d. (160.18.0; 24.2.6; 0.17.0)

Performances

Mainpiece Title: The West Indian

Performance Comment: As17761030 Epilogue as17761030 .

Afterpiece Title: Selima and Azor

Performance Comment: As17761205.

Dance: As17761218

Event Comment: Benefit for Mr and Mrs Booth, Miss Armstrong & Everard [who are named in the Account-Book, but not on the playbill]. Receipts: #114 4s. (46.10; 10.8; 1.11; tickets: 55.15) (charge: none listed)

Performances

Mainpiece Title: The Tempest

Performance Comment: As17770425, but Ferdinand-Davies.

Afterpiece Title: All the World's a Stage

Performance Comment: As17770501. Prologue as17770501.

Dance: Dance of Spirits, as17770414; In IV: Grand Dance, as17770425; The Court Minuet, as17770403; Allemande, as17770403

Event Comment: Benefit for Dickinson, 1st gallery office-keeper. Afterpiece [F 2, by Edward Thompson, 1st acted at Richmond, 1 Aug. 1776; not published; Prologue probably by the author]: Never performed there. Public Advertiser, 17 May: Tickets to be had of Dickinson, No. 5, Wild-court, Wild-street, near Lincoln's Inn Fields. Receipts: #276 17s. (21.14; 7.10; 0.0; tickets: 247.13) (charge: #84)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17770320but Manly (1st time)-Barrett.

Afterpiece Title: St Helena; or, The Isle of Love

Performance Comment: Principal Characters-Jefferson, Davies, Waldron, Legg, Kear, Follett, Carpenter, Holcroft, Barrett, Mrs Bradshaw, Miss Collett, Mrs Smith, A Lady (1st appearance) [Mrs LeBlanc] (London Magazine, July 1777, p. 377, which states that she acted the part of Emma); [Larpent MS 412 lists the parts: Capt. Haleyard, Mr Trinket, Ned Raymonde, Sam Scupper, Jack Jeers, Mrs Trinket, Leda, Emma, Priscilla.] Prologue-Barrett (in the character of a sailor).

Dance: End II: a Hornpipe, as17770430

Event Comment: Concert, &c., as 18 June

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Young; Strictland-Newton; Jack Meggot-Russell; Bellamy-Vowell; Tester-Baker; Buckle-Walters; Frankly-G. Graham; Mrs Strictland-Miss Holland; Jacintha-Mrs Bolingbroke; Lucetta-Miss Essex; Milliner-Miss Cranfield; Clarinda-Mrs Graham.

Afterpiece Title: Polly Honeycombe

Performance Comment: Honeycombe-Graham; Scribble-G. Graham; Ledger-Henry; Mrs Honeycombe-Mrs Russell; Nurse-Mr Graham; Polly Honeycombe-Miss Essex.
Event Comment: [The play was not allowed to conclude, nor was the afterpiece, All the World's a Stage, performed. "Yesterday evening, during the representation of...A Bold Stroke for a Wife, at China Hall, Rotherhithe, a party of the inhabitants, who had laid an information against the performers, rushed into the theatre, behind the scenes, and seized Mr Russell (who played the character of Colonel Feignwell), and carried him, in his stage dress, before Justice Smith, at the Rotation-Office, St Bennet's-hill, who committed him to the House of Correction, for further examination this morning" (Morning Chronicle, 24 July). What happened to Russell is not known, but because of this occurrence the theatre did not re-open until the following season, on 25 May 1778. See my article on the history of this unlucky playhouse, Theatre Notebook, VIII, 76-80.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Colonel Feignwell-Russell; Freeman-G. Graham; Perriwinkle-Graham; Tradelove-Vowell; Sackbut-Newton; Obadiah Prim-Walters; Sir Philip Modelove-Trotter; Boy-Master Russell; Mrs Prim-Mrs Russell; Betty-Mrs Trotter; Mask'd Lady-Miss Powell; Ann Lovely-Miss Essex.
Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Mrs Jewell. The Out-standing Tickets of Mr Jewell [from his benefit on 3 Sept.], and those issued for King Richard III will be admitted

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Capt. Macheath-Bannister; Peachum-Aickin; Lockit-Massey; Mat o' th' Mint-Griffiths; Filch-Parsons; Lucy-Miss Hale; Mrs Peachum, Diana Trapes-Mrs Love; Mrs Slammekin-Mrs W. Palmer; Polly-Mrs Jewell.

Afterpiece Title: The Mayor of Garratt

Performance Comment: Major Sturgeon-Bannister; Sir Jacob Jollup-Jackson [Public Advertiser: Massey]; Bruin-Griffiths; Heel@tap-T. Davis; Jerry Sneak-Parsons; Mrs Bruin-Miss Platt; Mrs Sneak-Mrs Burden (1st appearance in London these 8 years).

Dance: III: a Hornpipe-

Entertainment: ImitationsEnd: New Imitations Vocal and Rhetorical-Hutton

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mr and Mrs Massey. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Massey, No. 17, Portugal-street, Lincoln's inn fields. Care has been taken to have the House well aired

Performances

Mainpiece Title: Jane Shore

Performance Comment: Gloster-Smith; Dumont-O'Brien Machin (from the Theatre Royal, Crow Street in Dublin); Ratcliffe-Bailey; Catesby-Shepherd; Bellmour-Barnes; Earl of Derby-Thompson; Lord Hastings-West; Alicia-Mrs Lefevre (1st appearance in town); Jane Shore-Mrs Massey.

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick O'Neale-Bailey; Whittle-Shepherd; Kecksy-Benson; Bates-Wallace; Thomas-Massey; Widow Brady (with the original Epilogue Song)-Mrs Massey.

Song: Entertainments of singing-Mrs Mapples;, particularly the favourite song of The Soldier tir'd of war's alarms-Mrs Mapples

Event Comment: To begin at 6:30 precisely. Boxes 3s. Pit 2s. Gallery 1s. The Proprietors have spared no expence in enlarging and beautifying the Theatre; and as they are determined to preserve the exactest punctuality in the time of beginning, and to make regularity and decorum their chief study, hope they shall render themselves deserving of that favourable encouragement they have before experienced. The House is illuminated with Wax. Subscription tickets may be had by applying to Bailey, at Mr Oldfield's. [Author of Prologue unknown.

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Performance Comment: . Don Felix-King; Colonel Briton-West; Frederick-Cooke; Don Lopez-Bowles; Don Pedro-Newton; Gibby-Bailey; Lissardo-Russell; Violante-Mrs Burden; Isabella-Mrs Lefevre; Flora-Mrs Russell; Inis-Mrs West.

Afterpiece Title: The Lying Valet

Performance Comment: Gayless-Cooke; Beau Trippet-Bailey; Drunken Cook-Bowles; Justice Guttle-Newton; Sharp-Russell; Melissa-Mrs West; Mrs Trippet-Mrs Heard; Mrs Gadabout-Mrs Lefevre; Kitty Pry-Mrs Russell; With an occasional Prologuewritten by a Gentleman of Deptford-West.

Dance: End: Hornpipe-a Lady [from the Theatre Royal, Covent Garden unidentified]

Event Comment: Announced by the playbill, but "Not perform'd on Acct. of Mr Garrick's Death (at 8 o'Clo'Morng)" (MS annotation on Kemble playbill). See also Public Advertiser, 21 Jan.: Drury Lane Theatre was shut up last night on [this] melancholy Occasion

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Wonders of Derbyshire

Event Comment: Benefit for Wood, Percey, Shade & Cameron. Tickets delivered by Lewis, Hodges, Gardner, and for Monday, the 31st of May, will be taken. MS annotation on Kemble playbill: "I believe this was the last time of Mr Henderson's acting at Drury Lane, except when he played Jaques in As You Like It for Mrs Robinson's Benefit, April 7, 1780. See October 18, 1779, Covent Garden Bills." Receipts: #301 6s. 6d. (19.14.0; 2.14.6; 0.14.0; tickets: 278.4.0) (charge: #105)

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Performance Comment: As17780929, but Gloster-Master Benson.

Afterpiece Title: The Register Office

Performance Comment: Irishman-Moody; Captain LeBrush-Palmer; Gulwell-Packer; Scotchman-Parsons; Frenchman-Baddeley; Frankly-Norris; Harwood-Lamash; Lord Brilliant-R. Palmer; Williams-Wrighten; Margery Moorpout-Mrs Love; Maria-Miss Collett; Melpomene-Miss Stageldoir; Mrs Doggrel-Miss Pope.

Dance: End IV: As17780919