SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.
Event Comment: Paid salary list 5 days at #101 19s. 8d. per diem #509 18s. 4d.; Mr Bensley 2 weeks not on list #8. Receipts: #216 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Distress'd Mother

Performance Comment: Orestes-Smith; Pylades-Packer; Pyrrhus-Palmer; Phoenix-Usher; Hermione-Miss Younge; Cleone-Mrs Johnston; Cephissa-Miss Platt; Andromache-Mrs Yates.

Afterpiece Title: Harlequin's Jacket

Performance Comment: As17751011.
Event Comment: Mrs Abington Phillis first time-Very well (Hopkins Diary). Paid 5 days salary list at #104 4s.; #520 1s. 8d.; Mrs Jewell 11 days not on list #5 10s.; Mr Johnston 4 days not on list #1 6s. 8d.; Blurton 11 days additional salary 18s. 4d.; Carpenter 11 days additional salary 18s. 4d. Receipts: #240 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Smith; Cimberton-Parsons; Humphrey-Usher; Daniel-Waldron; Myrtle-Jefferson; Sir John Bevil-Bransby; Sealand-Aickin; Tom-King; Phillis-Mrs Abington, first time; Lucinda-Miss Platt; Mrs Sealand-Mrs Cross; Isabella-Mrs Johnston; Indiana-Miss Younge; in II, Singing-Mrs Scott.

Afterpiece Title: The Theatrical Candidates

Performance Comment: As17750923.

Afterpiece Title: Bon Ton; or, High Life Above Stairs

Performance Comment: Parts-King, Dodd, Parsons, Brereton, Lamash, Burton, Mrs King, first appearance in that character, Miss Platt, Mrs Abington; Davy-Parsons; Tivy-Brereton; Lady Minikin-Mrs King, first time (Winston MS 11).

Dance: II: The Savage Hunters, as17751020

Event Comment: Hamlet -Smith as usual (Hopkins Diary). Paid half year's Watch, St Martins #32 9s. 6d.; Housekeeper's 4 Bills #50 7s. 10d.; Music Books to Mr Stayner, #6 18s. (Treasurer's Book). [The housekeeper's weekly bill averaged #10, for a total of #380 the season. No further itemization of it will be made.] Receipts: #183 3s. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Smith; King-Jefferson; Ghost-Bransby; Horatio-Packer; Polonius-Baddeley; Laertes-Aickin; Rosencranz-Davies; Guildenstern-Fawcett; Marcellus-Wrighten; Player King-Usher; Lucianus-Parsons; Messenger-Wright; Bernardo-Griffiths; Francisco-Norris; Queen-Mrs Hopkins; Player Queen-Mrs Johnson; Ophelia-Mrs Smith.

Afterpiece Title: The Theatrical Candidates

Performance Comment: As17750923.

Afterpiece Title: Bon Ton

Performance Comment: As17751021.
Event Comment: Mainpiece: Not acted these 6 years. [See 24 Oct. 1770.] Miss P. Hopkins made her first appearance in Celia-great applause (+Hopkins Diary). [The Young Lady who played Celia indentified by Winston MS 11 as Miss Pricilla Hopkins who became Mrs Brereton, then was married a second time to John Kemble. She had acted Celia 19 April 1773 in As You Like It. The Young Lady who played Tragedy was Miss Sharp, later married to W. Palmer (Winston MS 11).] Paid Mr Neale for a laced Hat #1 15s. Receipts: #155 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Lovers

Performance Comment: Sir John Dorilant-Reddish; Modely-Dodd; Bellmour-Palmer, first time for all three in these parts; Steward-Waldron; Servant-Everard; Araminta-Mrs King; Lady Beverly-Mrs Hopkins; Celia-a Young Lady, first time.

Afterpiece Title: The Theatrical Candidates

Performance Comment: As17750923, but Harlequin-Cubitt; Tragedy-A Young Lady (her second appearance on any stage).

Afterpiece Title: Bon Ton

Performance Comment: As17751021, but Original Prologue-King.

Dance: End: The Merry Peasants, as17751018

Event Comment: Afterpiece: By Particular Desire. Paid Mr Machin (chorus singer) 11 nights #2 15s. Receipts: #200 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Townly-Smith; Sir Francis Wronghead-Yates; Manly-Packer; John Moody-Moody; Richard-Burton; Count Bassett-Dodd; Lady Grace-Miss Sherry; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Davies; Mrs Motherly-Mrs Cross; Trusty-Mrs Johnston; Myrtilla-Miss Platt; Lady Townly-Mrs Yates.

Afterpiece Title: Bon Ton

Performance Comment: As17751024.

Dance: End: The Merry Peasants, as17751018

Event Comment: Paid 2 extra flutes 5 nights #2 10s.; Mr Pryer, (tuner) #58 17s. Receipts: #73 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Lovers

Performance Comment: As17751024 [Celia-$Miss P. Hopkins, second time.]

Afterpiece Title: The Elopement

Performance Comment: As17751030, but Grimaldi_.

Dance: II: The Savage Hunters, as17751020

Event Comment: Paid Mr Hatsell [Mercer] 3 bills in full of last season #122 17s.; Nichols [sic] (rope maker) #18; Barrett (wax chandler) #28 3s. 6d. Receipts: #92 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Performance Comment: Almada-Gardner; Mello-Whitfield; Duke-Reddish; Ribiro-Palmer; Mendoza-Brereton; Pizarro-Davies; Ramirez-Packer; Velaquez-Smith; Inis-Mrs Whitfield; Lemos-Usher; Corea-Hurst; Roderick-Wright; Antonio-Wrighten; Ferdinand-Griffiths; Officers-Norris, Everard; Duchess of Braganza-Mrs Yates.

Afterpiece Title: The Elopement

Performance Comment: As17751102, but Colombine-Miss Watkins.
Event Comment: Rec'd stopages #11 18s. Paid Mr Farren 40 nights at 30s. per week, #10. Receipts: #133 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Measure For Measure

Performance Comment: Duke-Smith; Angelo-Palmer; Claudio-Reddish; Escalus-Aickin; Clown-Parsons; Provost-Davies; Friar Peter-Usher; Elbow-Wright; Barnardine-Wrighten; Abhorson-Carpenter; Lucio-King; Mariana-Miss Hopkins; Juliet-Miss Platt; Mrs Overdone-Mrs Bradshaw; Francisca-Mrs Johnston; Isabella-Mrs Yates.

Afterpiece Title: May Day

Performance Comment: As17751106, but Farmer Furrow-Waldron for Parsons.

Dance: II: By Particular Desire, The Savage Hunters, as17751020, but Blurton

Event Comment: Fanny first time Miss P. Hopkins-very well and great applause (Hopkins Diary). The altered Comedy of Old City Manners, which was to have been performed this evening, for the author, is oblig'd to be deferr'd till Monday next on account of Mr Dodd's illness, when tickets deliver'd for this night will be taken. Receipts: #154 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby-King; Sir John-Bensley; Lovewell-Brereton; Traverse-Hurst; Miss Sterling-Mrs Greville; Fanny-Miss P. Hopkins; Canton-Baddeley; Brush-Palmer; Mrs Heidleberg-Mrs Hopkins; Sterling-Parsons; Betty-Mrs Love; Serj. Flower-Bransby; Trueman-Fawcett; Chambermaid-Mrs Davies.

Afterpiece Title: Queen Mab

Performance Comment: As17751117.

Dance: I: The Savage Hunters, as17751118

Event Comment: By Command. [No mention of the King and Queen in Treasurer's Book.] Paid Mr Grist on act by order #10. Receipts: #280 1s. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17751116, but Verges-Burton.

Afterpiece Title: The Queen Mab

Performance Comment: As17751117, but Parts-Cubitt, _Messink (playbill) but $Messink remains in the Public Advertiser.

Dance: II: The Savage Hunters, as17751118

Event Comment: Benefit for the Author of the Alterations (Hopkins Diary). [On this day Garrick wrote to Mrs Abington, relative to his practice in casting new plays: "That I may hear no more of this or that part in Mr Murphy's play, I now again tell you that every author since my management distributed his parts as he thinks will be of most service to his interest, nor have I ever interfered, or will interfere, unless I perceive that they would propose something contrary to common sense" (Harvard Theatre Collection, Autograph Letter Signed). Charges: #84 (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Performance Comment: As17751117, but Bramble-Usher for Hurst.

Afterpiece Title: The Deserter

Performance Comment: As17751007, but Henry-Davies, first time.

Dance: II: The Merry Peasants, as17751018

Event Comment: Miss Hopkins first time Maria --well receiv'd Mrs Abington Spoke a New Epilogue in Character of Philly Nettletop great Applause (Hopkins Diary). Paid Mr Bate's bill for composing The Theatrical Candidates #32 11s. Receipts: #124 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Old Groveby-King; Oldworth-Aickin; Sir Harry-Brereton; Druid-Bannister; Hurry-Parsons; Painter-Moody; Dupeley-Dodd; Maria-Miss P. Hopkins; Lady Bab Lardoon-Mrs Abington; in the course of the Piece will be introduced A Fete Champetre-; the music-Barthelemon; the Vocal Parts-Davies, Fawcett, Legg, Kear, Cubitt, Carpenter, Mas. Blanchard, Mrs Scott, Mrs Jewell, Mrs Wrighten; the Dances-Slingsby, Fontaine, Como, Giorgi, Blurton, Sga Crespi, Mrs Sutton, Sga Paccini; with a New Epilogue-Mrs Abington.

Afterpiece Title: The Lyar

Performance Comment: As17750928.
Event Comment: Paid Mr Fredrick for lace #22 2s. 5d.; One year's paving and one quarter's #4 10s. to Mich last. Receipts: #170 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Performance Comment: As17751103, but Almada-Aickin; Ines-Mrs Johnston.

Afterpiece Title: Bon Ton

Performance Comment: As17751114, but Davy-Waldron.
Event Comment: Leonora by Miss Abrams first time-so, so (Hopkins Diary). Paid Machin (chorus singer) #3 10s.; Mr Lalonese for men's cloath's #13 13s. Receipts: #188 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Smith; Duncan-Bransby; Ross-Aickin; Macduff-Reddish; Malcolm-Davies; Angus-Whitfield; Captain-Usher; Banquo-Packer; Donalbain-Everard; Hecate-Legg; Lady Macbeth-Mrs Yates; Lady Macduff-Miss Sherry; Witches-Parsons; Moody, Baddeley; Lenox-Fawcett; Seward-Hurst; Doctor-Wright; Fleance-Mas. Pulley; Seton-Griffiths; Vocal Parts-Legg, Kear, Carpenter, Cubitt, Blanchard, Mrs Scott, Mrs Love; in IV, a Dance of Furies-.

Afterpiece Title: The Padlock

Performance Comment: As17751005, but Leander-Davies , first time; Leonora-The Young Lady who performed the Little Gipsy (Miss Abrams); Mungo-Fawcett.
Event Comment: Rec'd stopages #11 18s. Paid Mr Hatsell's 2 bills #157 12s.; Barrow and Co. for oil #51 13s.; Cubitt [tinman] #45 16s. Receipts: #276 6s. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17751129.

Afterpiece Title: The Lyar

Performance Comment: As17750928.
Event Comment: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17751107, but Lady Anne-Mrs Greville.

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Performance Comment: Solyman-Palmer; Osymn-Bannister; Elmira-Mrs King; Ismena-Mrs Wrighten; Roxalana-Mrs Abington; with Dancing-Fontaine, Como, Giorgi; Sga Crespi, Mrs Sutton. Sga Crespi, Mrs Sutton.
Event Comment: Mainpiece: By Particular Desire. Paid Mr Condell's Fruit Office first quarter #20. Receipts: #178 1s. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Performance Comment: As17751202.

Afterpiece Title: The Sultan

Performance Comment: As17751212.
Event Comment: Benefit of the Middlesex Hospital. Paid salary list at #105 3d. per diem, #630 1s. 6d.; Mr Westly #3. Receipts: #96 10s. 6d. Charges: #84. Profit to Hospital: #12 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As17751120, but New Occasional Prologue-Reddish.

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble-Dodd with a song in Character; Flash-Palmer; Puff-Moody; Jasper-Burton; Loveit-Davies; Biddy-Miss Jarratt; Tag-Mrs Love.
Event Comment: Benefit for the Establishment of a Fund, for the Relief of Performers and others retiring from the Theatre. Mr Barry still continues indisposed. Afterpiece: The LAST time of performing it. [The call for this afterpiece must have been remarkable, supposed to closed 6 Nov. it was continued "by desire" on the 24 Nov. on Dec. 1, 8, 15, and 19.

Performances

Mainpiece Title: Edward And Eleonora

Performance Comment: As17751114, but Selim-Bensley (from Drury Lane).

Afterpiece Title: Orpheus and Eurydice

Performance Comment: As17751215, but Harlequin-Lee Lewes.
Event Comment: Mainpiece: By Particular Desire. Paid Mr Garrick's note to Dr Arne #50 (Treasurer's Book). [This was an unrecorded benefit night for Bickerstaff as author of the afterpiece. See payment on 27 Feb. 1776.] Receipts: #129 9s. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Performance Comment: As17751130, but Roderick-Wrighten; Antonio-_.

Afterpiece Title: The Sultan

Performance Comment: As17751212.

Dance: V: The Sailors Revels, as17751220

Event Comment: Milwood Mrs King So, so, Barnwell first time by Mr Brereton very well. The Jubilee is reviv'd with Alterations and Additions in the Pageant It was receiv'd with vast Applause (Hopkins Diary). [The Westminster Magazine for Dec. remarked on The Jubilee: "It appeared with still greater splendor [than in its original performance in 1769] from the introduction of more pageants and characters. Romeo and Juliet made a different appearance in this procession, and their was likewise a new Pageant for the Tragedy of Coriolanus, which was not introduced before. The scenes were either all new painted, or quite new."] Receipts: #242 6s. (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Performance Comment: George Barnwell-Brereton, first time; Milwood-Mrs King, first time; Trueman-Davies; Uncle-Wrighten; Blunt-Whitfield; Lucy-Mrs Davies; Thorogood-Hurst; Maria-Miss Hopkins; Song-Mrs Scott , in I.

Afterpiece Title: The Jubilee

Performance Comment: Dramatic Entertainment in honor of Shakespeare in two parts- Dancing-; Dramatic Entertainment-[, introducing a pageant. [No cast listed in playbill but each of the subsequent thirty-three bills mentions "In Honour of Shakespeare."]
Event Comment: Paid Mr Abrahams by order #20. Receipts: #240 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Hypocrite

Performance Comment: Maw@worm-Parsons, first time; Seyward-Brereton, first time; Dr Cantwell-Moody; Sir John Lambert-Packer; Col. Lambert-Jefferson; Lady Lambert-Mrs Greville; Old Lady Lambert-Mrs Bradshaw; Charlotte-Mrs Abington; Darnley-Reddish.

Afterpiece Title: The Jubilee

Performance Comment: As17751227.
Event Comment: Mainpiece: By Desire. Rec'd stopages #11 13s. Paid Mr Norfolk (glazier) #48 9s.; Thompson (smith) #10 7s.; Hopkins prompter's bill #23 9s. 6d.; Ray, linen draper's bill #115 19s. 6d.; Barrow and Co., oil #99; Cubitt (tinman) #8; Vaughan (haberdasher) #4 3s. 6d. Receipts: #219 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As17751216, but Occasional Prologue-_.

Afterpiece Title: The Jubilee

Performance Comment: As17751227.
Event Comment: The Grecian Daughter cannot be perform'd on account of Mr and Mrs Barry's Indisposition

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Lewis; Myrtle-Wroughton; Sealand-Clarke; Cimberton-Quick; Sir John Bevil-Fearon; Tom-Woodward; Humphrey-Thompson; Daniel-Wewitzer; Phillis-Mrs Mattocks; Mrs Sealand-Mrs Pitt; Isabella-Mrs Booth; Indiana-Mrs Jackson; first time. In II, a Song-DuBellamy.

Afterpiece Title: Prometheus

Performance Comment: As17751229, but The Principal Characters-Zuchelli, _Rayner, +Ledger, _Jones.
Event Comment: Paid Mr Palmer on note #50. Receipts: #200 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17751012, but Ratcliff-Farren.

Afterpiece Title: The Jubilee

Performance Comment: As17751227.