SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.
Event Comment: Paid salary list #513 17s. 6d.; Mr Davies's draft to Gapper, #4 7d.; Miss Mansell's salary in full to this day #7 17s.; Rec'd stopages #19 18s. (Treasurer's Book). Receipts: #153 17s. (Treasurer's Book)

Performances

Mainpiece Title: The School For Fathers

Performance Comment: As17730109.

Afterpiece Title: The Pigmy Revels

Performance Comment: As17730120.
Event Comment: Paid salary list 6 days at #87 1s. 3d. per diem, #522 7s. 6d.; Mr Dimon's salary in full 10s.; Rec'd stopages #18 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: No Performance

Performance Comment: King Charles's Martyrdom. No Play.
Event Comment: Paid Patrick (tinman) #51 19s. (Account Book). As the tragedy of Elfrida, written (after the Greek manner) by that most excellent poet Mr Mason, has met with such singular applause at Covent Garden Theatre, I cannot help lamenting that our English Roscius has never had a play of Sophocles (translated into English blank verse) represented at Drury Lane. The plays in general, are the finest ever written; and the Oedipus Tyrannus is, in my opinion, the properest to be represented at present, both for the grandeur of the chorusses and the magnificence of the scenery. I mention this because I think this new species of drama would be better received, by an English audience, than all the Golden Pippins, or Nonpareils, that have lately appeared on the stage. (signed) Cantab (Gentleman's Magazine , XLIII, 74). Receipts: #183 16s

Performances

Mainpiece Title: Elfrida

Performance Comment: As17721121.

Afterpiece Title: Cross Purposes

Performance Comment: As17721205.

Dance: End of Piece: The Bird Catchers, as17721207

Event Comment: Paid Mr Wegg's Rent, half a year to Mich. last #57. Receipts: #138 15s. (Treasurer's Book)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17730104, but Tubal-Messink.

Afterpiece Title: The Wedding Ring

Performance Comment: As17730201.

Dance: III: Comic Dance, as17720922

Event Comment: Paid Mr Reddish a Debt & costs #6 12s. 6d. (Treasurer's Book). Benefit for Author of The Wedding Ring. The opera published (Winston MS 10). Receipts: #173, 16s. Charges: #84. Profit to author of The Wedding Ring: #89 16s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17720919, but Iachimo-Jefferson, first time; Claudio_; 1st British Gentleman-Ackman; 2nd British Gentleman-Wheeler; Bell Edition, 1773, adds Cornelius-Wrighten; Helen-Mrs T. Smith.

Afterpiece Title: The Wedding Ring

Performance Comment: As17730201.

Dance: III: Comic Dance, as17720922

Event Comment: Author's Night. Charges #64 10S. Profit to author #47 16s. (Account Book). [Yet according to note in Account Book for 11 March 1773 the managers gave Mr O'Hara the clear receipts of this night: #112 6s.] Receipts: #112 6s

Performances

Mainpiece Title: The Golden Pippin

Performance Comment: As17730206.

Afterpiece Title: Man and Wife

Performance Comment: As17721029.

Dance: As17730208; End II Comedy: The Dutch Milkmaid, as17720925

Event Comment: Paid Mr Conner for a dinner and supper &c. for the Orchestra #10 17s. 2d. (Account Book). Receipts: #119 2s

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17721217.

Afterpiece Title: Harlequin Sorcerer

Performance Comment: As17730125.
Event Comment: Mainpiece: By Desire. Paid salary list #522 7s. 6d.; Mr Lings, on note, per order #20; Rec'd stopages #16 4s. (Treasurer's Book). Receipts: #210 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Alchymist

Performance Comment: As17721120.

Afterpiece Title: The Author

Performance Comment: As17721204, but Young Cape-J. Aickin.
Event Comment: Being the last time of performing both pieces till the Benefits. Mr Garrick's night. Paid salary list #522 7s. 6d.; Rec'd stopages #16 14s. (Treasurer's Book). [See 23 Feb. when the charges were returned, giving Garrick a clear benefit.] Receipts: #199 12s. Charges: #84. Profit to Garrick: #115 12s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Performance Comment: As17730127, but Merlin-Aickin; Original Epilogue (by Particular Desire)-Mrs Abington.

Afterpiece Title: The Pigmy Revels

Performance Comment: As17730125.
Event Comment: Paid Mr Jefferson's draft #120; Returned Benefit charges for 20th inst. #84. Receipts: #236 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: As17721014.

Afterpiece Title: High Life below Stairs

Performance Comment: As17721222, but Sir Harry's Servant-Dodd.
Event Comment: On Saturday, a New Tragedy (never performed) call'd Alonzo. Paid Duke of Gloster's Footmen, Xmas Box #2 2s.; Mr Reddish per order, #6. (Treasurer's Book). Receipts: #175 7s. (Treasurer's Book)

Performances

Mainpiece Title: Amphitryon

Performance Comment: Jupiter-Reddish; Mercury-Jefferson; Amphitryon-J. Aickin; Gripus-Parsons; Sosia-King; Phaedra-Miss Pope; Bromia-Mrs Bradshaw; Night-Miss Platt; Alcmena-Miss Younge; In Which will be Introduced an Interlude of Singing, Dancing-; Plutus-Champnes; Wit-Mrs Scott; The Dance-Sg Daigville, Sga Vidini.

Afterpiece Title: The Pigmy Revels

Performance Comment: As17730125.
Event Comment: Oratorio composed by Dr Arne. Not performed these eight years. Boxes 5s. Pit 4s. First Gallery 3s. Upper Gallery 2s. Tickets and places for the boxes to be taken of Mr Sarjeant (only) at the Stage Door. Books of the Oratorio to be sold at the theatre. Doors opened at Five o'clock. To Begin at Half past Six. [Note on prices, time, and books repeated each performance this season.] Charges: #35

Performances

Mainpiece Title: Judith

Performance Comment: Principal Vocal parts-Miss Catley, Mrs Mattocks, Miss Venables, Sg Ristorini, Reinhold. [Parts were Ozias, Charmis, Holofernes, Judith, Abia, Chorus of Israelites, Chorus of Assyrians.]Parts were Ozias, Charmis, Holofernes, Judith, Abia, Chorus of Israelites, Chorus of Assyrians.]

Music: I: Solo on Violin-Barthelemon; II: Concerto on French Horn-Sg Spandau

Event Comment: Paid Mr King's dress in the Gamesters #8 12s. 3d. Receipts: #194. (Treasurer's Book)

Performances

Mainpiece Title: Alonzo

Performance Comment: As17730227.

Afterpiece Title: The Wedding Ring

Performance Comment: As17730201, but Pandolpho-Dibdin.
Event Comment: Paid 4 day's salary list #348 5s.; Mr J. French on acct #10. Receipts: #198 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Alonzo

Performance Comment: As17730227.

Afterpiece Title: The Wedding Ring

Performance Comment: As17730304.
Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Mainpiece Title: Alzuma

Performance Comment: As17730301.

Afterpiece Title: Cross Purposes

Performance Comment: As17721205.
Event Comment: Afterpiece: By Particular Desire. Paid Mr O'Hara the clear receipt of his night for the Golden Pippin the 9th Feb. last #112 6s. Paid Cooper (printer) #38 12s. (Account Book). Receipts: #177 15s. 6d

Performances

Mainpiece Title: Alzuma

Performance Comment: As17730301.

Afterpiece Title: The Golden Pippin

Performance Comment: As17730213.
Event Comment: Benefit for Woodward. Mainpiece: Never acted there. Charges #69 12s. 6d. Profit to Woodward #121 2s. 6d., plus #44 10s. from tickets (Box 178) (Account Book). The several Musical Pieces performed last night at Covent Garden, were very agreeably received by a numerous Audience. The well contrasted variety of the Compositions in which each performer exerted their [highest] excellency had the most pleasing effect. Dr Arne's elegant Serenata, as well as the Thunder Ode, composed by Mr Michael Arne, met with the greatest Applause. The Performance will be repeated on Wednesday Next (Public Advertiser). Receipts: #190 15s

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Performance Comment: Jupiter-Ross; Amphitryon-Mattocks; Mercury-Wroughton; Judge Gripus-Shuter; Sosia-Woodward; Phaedria-Mrs Mattocks; Bromia-Mrs Pitt; Alcmena-Mrs Hartley.

Afterpiece Title: Harlequin Sorcerer

Performance Comment: As17730125, but Harlequin (that night only)-Woodward; Colombine-Miss Twist.

Monologue: Interlude.IV: Will be introduc'd an Interlude of Music and Dancing, call'd The Contention of Wit and Wealth. Plutus-Reinhold; Wit-Mrs Wewitzer; the Dance-Fishar, Sga Manesiere

Performance Comment: IV: Will be introduc'd an Interlude of Music and Dancing, call'd The Contention of Wit and Wealth. Plutus-Reinhold; Wit-Mrs Wewitzer; the Dance-Fishar, Sga Manesiere.
Event Comment: Benefit for Mr Reddish. Receipts: #162 19s. 6d. Charges: #67 18s. Profits to Reddish: #95 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: As17730121, but Jaffer-Reddish, first time.

Afterpiece Title: A Peep behind the Curtain

Performance Comment: As17730309.

Dance: V: Comic Dance-Daigville, Mas. Holland, Miss Armstrong, his scholars

Performance Comment: Holland, Miss Armstrong, his scholars.

Entertainment: End Dance: , for second time, and by way of Epilogue will deliver The Wishing Cap-King. [See17730323]

Performance Comment: [See17730323] .
Event Comment: Benefit for Mrs Abington. Part of Pit laid into Boxes. Send Servants by 4 o'clock. Paid 4 days salary list #348 5s.; Tallow chandler's 7th bill, #24 12s. 6d.; Mr Davies's draft on Managers #37 (Treasurer's Book). Receipts: #268 5s. Charges: #65 1s. Profits to Mrs Abington: #203 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamesters

Performance Comment: As17730203.

Afterpiece Title: The Frenchified Lady Never in Paris

Performance Comment: Palamede-Jefferson; Rhodophil (with song in character)-Davies; the Lady Melantha-Mrs Abington; Doralice-Mrs Wrighten (with song in character); Philotis-Mrs Love.

Dance: End: A New Dance, in which will be introduced a Quadrille-Daigville, Giorgi, Atkins, Grimaldi, Sga Vidini, Sga Giorgi, Mrs Sutton, Mme Daigville

Event Comment: Benefit for Mr Vernon. Rec'd Mrs Heath's one yrs. rent to Xmas last #10. (Treasurer's Book). Receipts: #196 16s. Charges: #64 19s. Profits to Vernon: #131 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: As17730320.

Afterpiece Title: The Chaplet

Performance Comment: Laura-Mrs Smith; first time, and for that night only; Damon-Vernon; Palaemon-Davies; Pastora-Mrs Wrighten; To conclude with a Dance-.

Entertainment: End: (For the last time this season) The Wishing Cap-King. [See17730323]

Performance Comment: [See17730323] .
Event Comment: Benefit for Clarke. Mainpiece: Not Acted this season. Charges #72 11s. 6d. Profit to Clarke #55 8s., plus #117 11s. from tickets (Box 239; Pit 284; Gallery 152). Paid Mr Murphy the balances for his 1, 2 & 3 nights of Alzuma #271 17s. (Account Book). Receipts: #122 19s. 6d

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performance Comment: Alexander-Smith; Clytus-Clarke; Lysimachus-Hull; Hephestion-Wroughton; Cassander-Gardner; Thessalus-R. Smith; Polyperchon-Perry; Roxana-Miss Miller; Parisatis-Miss Pearce; Sysigambis-Mrs Vincent; Statira-Mrs Hartley (first time); Triumphal Entry into Babylon-.

Afterpiece Title: The Padlock

Performance Comment: As17721219.

Dance: End II: New Dance, as17730206

Event Comment: Benefit for Aickin. Last time of performing Mainpiece this season. Paid Mr Frederick for Men's cloaths #3 3s.; Mrs Garwood's Bill #7 4s. (Treasurer's Book). Receipts: #158 3s. Charges: #65. Profits to F. Aickin: #93 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: As17730320.

Afterpiece Title: High Life below Stairs

Performance Comment: As17730223.

Dance: V: The Sailors Revels, as17720919

Event Comment: Afterpiece: Added By Particular Desire. Rec'd from Mr Baks for his deficiency in 1771 #8 5s. 3d., and from Miss Stede her half value of tickets for same season. Rec'd #34 13s. 9d. from Davis, Curtat, Merrifield and Mrs Hartley for their deficiencies last season (Account Book). [Perhaps pressure was put on these actors and dancers to balance their accounts with the theatre before another benefit could be allowed to them.] Receipts: #229 11s

Performances

Mainpiece Title: She Stoops To Conquor

Performance Comment: As17730325.

Afterpiece Title: Comus

Performance Comment: As17730210.
Event Comment: Benefit for Mrs Bulkley. Mainpiece: Not acted these 5 years. [See 19 April 1769.] Afterpiece: A Farce Never acted there [Wm Whitehead]. Tomorrow (for the only Time this Season) The Merchant of Venice with Love-a-la-Mode. Shylock and Sir Archy by Mr Macklin being the only time of his performing this season. For the Benefit of Miss Macklin (playbill). Charges #66. Profit to Mrs Bulkley #43 6s. 6d. plus #103 16s. from tickets (Box 194; Pit 298; Gallery 106). Paid one half year's paving &c. for the Theatre due Lady Day #26 5s. (Account Book). Receipts: #109 6s. 6d

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Performance Comment: Duke of Norfolk-Smith; Morton-Clarke; Cecil-Hull; Davison-Perry; Giffard-Gardner; Douglas-Miss Macklin; Queen Elizabeth-Miss Miller; Queen Mary-Mrs Bulkley, being their first appearance in those characters.

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Shuter; Sotherton-Owenson; Jemmy Twinkle-Lewes; Chamberlain-Thompson; Cupid-Miss Brown; Landlady-Mrs Pitt; Miss Flack-Mrs Willems; Filagree-Mrs Green; Mrs Griskin-Mrs Bulkley; With Dances incident to the piece-.

Entertainment: Epilogue End: (By Particular Desire) New Occasional Epilogue-Mrs Bulkley

Dance: Minuet-Aldridge, Mrs Bulkley (playbill) Fisher, Mrs Bulkley (Public Advertiser)

Event Comment: Benefit for Weston. Mainpiece: By Desire. Tickets deliver'd for A Comedy will be taken. Paid 6 days salary list at #86 14s. 7d. per diem, #520 7s. 6d.; Mr G. Garrick on acct #50; Rec'd from Sinking Fund #45; Stopages #15 17s. (Treasurer's Book). Receipts: #149 9s. Charges: #64 12s. Profits to Weston: #84 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17730119, but Archer-King; Bonniface-Ackman; Mrs Sullen-Miss Younge (first time).

Afterpiece Title: The Tobacconist

Performance Comment: Sir Epicure-Wright; Abel Drugger (for that night only)-Weston; Headlong-Keen; Knowlife-Griffith; Face-Palmer Subtle-J. Aickin; Doll Tricksey-Mrs Egerton.

Dance: V: The Sailors Revels, as17720919