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We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.
Event Comment: By His Majesty's Company. At the Theatre Royal in the Haymarket [repeated in all bills] will be performed, by particular Desire, a Comedy...Places to be taken of Mr Jewel, at the Theatre. 7 p.m. [Repeated in the bills.] The house has been altered, as there was formerly but one gallery. [Miss Ogilvie was the young gentlewoman.] Went at 5:30 (before ye doors were open) to Foote's new Theatre in ye Haymarket which was open for ye first time tonight, and is very neatly fitted up. Got a good place in ye Pit...a very humorous Prologue in Prose by J. Palmer as Snarl a writer of Political Letters for the newspapers. Weston as Laconic a newspaper poet--Foote as Manager and Scaffold ye Builder (ye real one of ye house as some said)...in Smirk (Foote) took off Langford to a hair, not forgetting his son's affair with Dr Chauncey. Shift and ye Epilogue as Dr Squintum by Bannister, who took off Holland, Dodd, Moody, and Champneys surprisingly well...The house pretty full. York there awhile (Neville MS Diary)

Performances

Mainpiece Title: The Minor

Performance Comment: Mrs Cole, Smirk-Foote; The Minor-Davis; Shift (with Imitations), Squintum-Bannister; Sir William Wealthy-Castle; Transfer-Weston; Loader-Palmer; Sir Richard Wealthy-Gardner; Dick-Quick; Tally-Pynn; Lucy-a young Gentlewoman, first appearance on any stage; Occasional Prologue in Prose-Laconic-J. Palmer; Scaffold the Builder-Bannister; Snarl-Weston; Manager-Foote-London Magazine.

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble (with a Song in Character)-Shuter; Loveit-Gardner; Jasper-Quick; Flash-Davis; Puff-Palmer; Tag-Miss Gardner; Miss Biddy-the young Gentlewoman who performs Lucy.
Event Comment: NNeville MS Diary: Read their parts before ye play began....When the curtain was drawn up, ye Gods and even some in the pit (where I was) called for ye occasional prologue, which was not advertised. A fellow who played Gregory answered insolently The Prologue will not be played tonight." This provoked them more and an excuse sent by Davis not being admitted, Mr Foote was obliged to appear and promised that if they would wait till between ye play and ye farce, ye Prologue should be given....All this was not over till past 11 p.m

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Escalus-Palmer; Paris-Smith; Montague-Keen; Capulet-Newton; Benvolio-Davis; Tibalt-Bannister; Old Capulet-Pierce; Fryar Lawrence-Gardner; Mercutio-Shuter; Balthazar-Strange; Sampson-Mendez; Abram-Quick; Peter-Weston; Apothecary-Castle; Page-Master Palmer; Lady Capulet-Mrs Burden; Nurse-Mrs Gardner; Juliet-Mrs Dancer; Occasional Prologue (given between the Acts)-as17670529-J. Palmer.

Afterpiece Title: The Lying Valet

Performance Comment: As17670604 but Melissa-Miss Ogilvie (Neville).
Event Comment: NNeville MS Diary: At 6 took my place in ye Pit. I expected ye Taylors would have been damned; but with certain alterations and additions it went off better than it did last night. It is a sort of burlesque tragedy. If there is any wit in it, it is very low and unlike that in Mr Foote's other pieces. The Prologue, spoken by him, is more diverting than any part of ye play. Some Masters and leading Journeymen are taken off. [Cast listed.] The Citizen was vilely performed, except Old Philpot by Weston. Palmer is not equal to ye young one. They went off without concluding it. We had ye Builders Prologue before ye farce, by ye same means we had it last night. Foote wished for ye Builder, as ye person who supplied his place did his part vilely

Performances

Mainpiece Title: The Taylors

Performance Comment: As17670702, with New Prologue-Foote.%.

Afterpiece Title: The Citizen

Event Comment: NNeville MS Diary: The last three he [Foote] has not done for some time. I like Woodward better in young Philpot. Both add some crochets of their own. I don't think he took off Mr Whitefield well. Cole, Shift and Smirk he does inimitably. He has a great command of features in the ludicrous way, not such as that of Garrick

Performances

Mainpiece Title: The Minor

Performance Comment: As17670819, but Mrs Cole, Smirk, and by Particular Desire Shift, Squintum-Foote; Tally-; Dick-.

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Foote for the first time these two years; Young Wilding-Davis; Dapper-Quick; Beaufort-Smith; Sir Jasper-Newton; Old Philpot-Shuter; Maria-Mrs Mahon for the first time.

Dance: II: New Serious Dance-; End: New Comic Dance, The Gallant Peasant-Miss Froment

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money taken at Stage Door. No Money returned after Curtain is drawn up. [Customary note on subsequent bills.] Yates and Mrs Yates not engag'd. They went to Covent Garden Theatre. Mr Barry and Mrs Dancer engag'd (Winston MS 10). For performances at HAY and MARLY, 12-21 September, see close of Season 1766-1767, pp. 1264-65

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby-King; Sterling-Love; Sir John Melvil-Holland; Canton-Baddeley; Brush-Palmer; Serjant Flower-Bransby; Traverse-Hurst; Lovewell-Cautherley; Trueman-Aickin; Miss Sterling-Miss Pope; Fanny-Mrs Palmer; Betty-Miss Reynolds; Chambermaid-Mrs Lee; Mrs Heidelberg-Mrs Clive.

Afterpiece Title: Daphne and Amintor

Performance Comment: Amintor-Vernon; Daphne-Mrs Arne; Mindora-Miss Young; Dances-Sg and Sga Giorgi, Tassoni, Mrs King, Miss Tetley, Miss Rogers.
Event Comment: By Permission. Benefit for Thomas Barry. Neville MS Diary: Mr Barry having obtained permission to play 3 nights after the time at which Foote by his patent is obliged to shut his house

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Castalio-Barry; Chamont-T. Barry; Polydore-Sowdon; Acasto-Hurst; Chaplain-Thompson; Ernesto-Castle; Page-Miss Palmer; Monimia-Mrs Dancer.

Afterpiece Title: The Lyar

Performance Comment: As17670911, but Kitty-Mrs Kirby; Sir James-Smith.

Dance: End: The Fingalian-Miss Froment; End I Farce: Hornpipe-Miss Froment

Event Comment: MMr Reddish played Lord Townly, being his first appearance in London, --was well received and met with Applause, --but an indifferent figure, --will be useful (Hopkins MS Notes)

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Lord Townly-Reddish, 1st appearance there; Manly-Jefferson; Count Basset-Dodd; Sir Francis Wronghead-Love; John Moddy-Burton; Squire Richard-a young gentleman, [1st appearance [Mr Wingfield]; Lady Grace-Mrs Barry; Mrs Motherly-Mrs Cross; Lady Wronghead-Mrs Hopkins; Myrtilla-Mrs Lee; Miss Jenny-Miss Pope; Mrs Trusty-Mrs Johnston; Lady Townly-Mrs Abington[, 1st time., 1st time.

Afterpiece Title: Daphne and Amintor

Performance Comment: As17670912.
Event Comment: MMrs Jeffries made her first appearance on this stage in Belinda.--not perfect.--was pretty well received.--is a little smart figure (Hopkins MS Notes). At 15 minutes past 4, took my place in the Pit at Drury Lane to see the Provok'd Wife. Mr Garrick is inimitable as Sir John Brute, Palmer does Heartfree, and Mrs Abington Lady Fanciful (with a song not printed in the play) very well. Constant by Cautherly, whose figure and manner I do not like, Vernon in Col. Bully sings a song (Neville MS Diary)

Performances

Mainpiece Title: The Provoked Wife

Performance Comment: Sir John Brute-Garrick; Constant-Cautherly; Heartfree-Palmer; Col. Bully (with song)-Vernon; Lord Rake-Ackman; Razor-Baddeley; Mademoiselle-Mrs Cross; Lady Fanciful-Mrs Abington; Belinda-Mrs Jeffries, 1st appearance this stage.

Afterpiece Title: The Devil to Pay

Performance Comment: Loverule-Vernon; Jobson-Love; Lady Loverule-Mrs Lee; Nell-Miss Pope.
Event Comment: Mainpiece: First time in 2 years. [See 17 Jan. 1766.] Harlequin's Invasion revived with alterations, particularly a Patagonian Man and Woman, executed by Mr Johnston, are very fine Figures, and gave great satisfaction to the Audience (Hopkins MS Notes)

Performances

Mainpiece Title: Merope

Performance Comment: Dorilas-Cautherly; Poliphontes-Havard; Narbas-Packer; Euricles-Aickin; Erox-Burton; High Priest-Bransby; Ismene-Mrs Simson; Merope-Mrs Pritchard; With a Procession-; Sacrifice-.

Afterpiece Title: Harlequin's Invasion

Performance Comment: Harlequin-King; Others-Parsons, Dodd, Bransby, Moody, Baddeley, Burton, Weston, Hartry, J. Palmer, Ackman, Messink, Johnston, Strange, Castle, Fox, Mrs Johnston, Mrs Hippisley, Mrs Dorman, Mrs Smith, Mrs Bradshaw, Miss Matthews, Miss Pope; The Dances-Duquesney, Sg and Sga Giorgi, Miss Collett.
Event Comment: [T+The Theatrical Monitor, No. V (21 Nov.) includes a letter from Bathyllus: As Dancing has ever been receiv'd by the greatest of dramatic writers, with encomiums suitable to its distinguished merit; you will be pleased through the channel of your justly spirited paper, to express the satisfaction I met with from Mr Aldridge in the Merry Sailor: his stature, strength, agility, and swiftness, are beyond anything I ever saw on Covent Garden theatre: he stands tip-toe on the pinnacle of perfection, and gives us an idea of Homer's pyrrhick dance delineated on the shield of Achilles"] Receipts: #74 17s. (Account Book)

Performances

Mainpiece Title: The Confederacy

Performance Comment: As17670926, but Jessamin-Quick.

Afterpiece Title: Harlequin Dr Faustus

Performance Comment: As17671007, but Harlequin-Miles; Others-Legg, Mrs Baker, Morris, R. Smith, Banks, Wignel, Dibdin, Holtom, Weller, Mrs Copin, Baker, Mrs Lampe, Miss Helm, Mrs Dyer, Miss Pitt.

Dance: III: A new dance call'd The Merry Sailors-Aldridge

Event Comment: Ranger Mr Garrick--Very fine (Hopkins MS Diary)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Garrick; Strictland-Love; Frankly-Palmer; Bellamy-Packer; Jack Meggot-Dodd; Tester-Weston; Mrs Strictland-Mrs Palmer; Lucetta-Mrs Love; Jacintha-Mrs Jeffries, 1st time; Clarinda-Miss Pope; Concluding with a new Country Dance-.

Afterpiece Title: Daphne and Amintor

Performance Comment: As17670912.
Event Comment: At 5 went into the Pit...Mrs Yates is the Callista Mr Rowe drew; Powell did Scioto well, nor is Bensley a bad Horatio. A new Comic Dance by LaRiviere and Miss Vallois in wooden shoes, with Harlequin Skeleton to which is now added a new scene (Neville MS Diary). Receipts: #123 15s. 6d. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17671022.

Afterpiece Title: The Royal Chace

Performance Comment: As17671023, but Short bill, Pluto-_; Neptune-_; Pan-_; Hercules-_; Apollo-_; Mars-_; Shepherd-_; Doctor-Weller.

Dance: End: A New Comic Dance-LaRiviere, Miss Valois

Event Comment: Mainpiece: Not acted these two years. [See 26 Dec. 1764.] Music for the afterpiece by Mr Barthelemon

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Essex-Holland; Cecil-Burton; Raleigh-Hurst; Lieutenant-Ackman; Southampton-Aickin, 1st time; Countess of Nottingham-Mrs Reddish, 1st appearance; Rutland-Mrs Palmer; Queen-Mrs Hopkins, 1st time.

Afterpiece Title: A Peep behind the Curtain

Performance Comment: As17671023.
Event Comment: Mainpiece: By Desire. Music [to afterpiece] by Barthelemon. I often go to both theatres, have seen Garrick and Mrs Yates, who are the first in this theatrical sphere. The former has hitherto [i.e., this season] appeared only in comedy, --his manner, his humour, and his judgment are not to be equall'd. The adoration he meets with from the English is equal to his merit. His every motion they attend to, and every turn of his eye seems to transport them. Mrs Yates [at Covent Garden] has much tragic merit. Her low voice is very tuneful, her feeling great, her action peculiarly graceful and her figure uncommonly fine. She has more power than Mrs Dancer (at Drury Lane] and more variety than Mrs Fitz-Henry, tho' less strength and compass. On the whole she is superior to the former and inferior to the latter. Barry and Mrs Dancer are engag'd here (MS Letter from Henry Grattan to Cornet Broome giving his first impressions of living in London, 27 Oct. 1767, in Folger Library). Neville MS Diary: Went into the Pit to see As You Like It a second time. Reddish did Orlando for the 1st time. He is a pretty good player. End Act I, Hearts of Oak. The Entertainment was the new Farce called a Peep Behind the Curtain. Glib by King who is the author. The piece is not unentertaining, whatever other merit it may have. The Prologue and an Address to the Town by way of Epilogue, are spoken by Mr King, the music by Barthelemon

Performances

Mainpiece Title: As You Like It

Performance Comment: As17671022, but Orlando-Reddish, 1st time.

Afterpiece Title: A Peep behind the Curtain

Performance Comment: As17671023.

Dance: I: Hearts of Oak, as17671022

Event Comment: Farce not acted in 5 years. [See 28 Sept. 1762.] Brownsmith's Dramatic Time-Piece publish'd at 1s. The 3rd Theatrical Monitor appeared. Went into the Pit to see Garrick do Kitely again. Before the Curtain drew up finished reading the play with alterations by Mr Garrick...We had a foolish farce called the Double Disappointment (Neville MS Diary)

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: As17671009, but Bridget-Mrs Jeffries.

Afterpiece Title: The Double Disappointment

Performance Comment: Phelim-Moody; Marquis-Baddeley; Loveless-Fawcett; Jeremy-Ackman; Gripe-Hartry; Isabel-Mrs Dorman.
Event Comment: Rec'd of Mr Condell for 45 Nights Fruit Rent #20 (Account Book). Receipts: #161 6s. (Account Book)

Performances

Mainpiece Title: Venice Preserved

Performance Comment: As17670916.

Afterpiece Title: The Oxonian in Town

Performance Comment: As17671107.

Dance: End: A New Comic Dance call'd The Dutch Milkmaid-Mas. Blurton, Miss Ford

Performance Comment: Blurton, Miss Ford.
Event Comment: Paid Mr Younger a Bill for Writing parts #3 8s. (Account Book). Receipts: #200 13s. 6d. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17671012, but Minuet-Mrs Bulkley, Sga _Manesiere; Vocal parts-+Baker, _Dibdin.

Afterpiece Title: The Oxonian in Town

Performance Comment: As17671107.

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: Paid from treasurer's funds #16 12s. for a Lottery Tickett No. 5,603. Paid for playing the Organ 9 nights in the Oxonian in Town #2 5s. (Account Book). [Colman seems to have been dissatisfied with Mrs Lessingham's performance, for the Harvard Extra Illustrated Vol. of Genest (opposite p. 185) contains a MS note dated Tuesday Morning: "Mrs Bulkley's compliments to Mr Hull, as she is ready in the part of Mrs Sullen he need not call any rehearsal on her account." Presumably this note was written to the prompter the following Tuesday (24 Nov.). The next performance this season of the Stratagem did not occur, however, until 22 April 1768, at which time Mrs Bulkley played Mrs Sullen, for the 1st time.] Receipts: #155 15s. 6d. (Account Book)

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Smith; Aimwell-Bensley; Bonniface-Dunstall; Forigard-Barrington; Sullen-Gibson; Gibbet-Bennet; Scrub-Shuter; Sir Charles Freeman-DuBellamy; Dorinda-Mrs Mattocks; Cherry-Miss Ward; Mrs Sullen-Mrs Lessingham, 1st time (playbill).

Afterpiece Title: The Oxonian in Town

Performance Comment: As17671107.

Dance: IV: A New Comic Dance, as17671021

Event Comment: Mainpiece: Never acted there. Mr Colman's Night. Paid for Licensing the True Born Irishman #2 2s. (Account Book). [See The Irish Fine Lady 28 Nov.]. Receipts: #230 6s. 6d. (Account Book)

Performances

Mainpiece Title: Philaster

Performance Comment: Philaster-Powell; King-Clarke; Cleremont-Davis; Thrassaline-R. Smith; Dion-Gibson; Pharamond-Perry; Countryman-Morris; Captain-Dunstall; Woodman-Quick; Arethusa-Mrs Mattocks; Megra-Mrs Stephens; Bellario-Mrs Yates; Galatea-Miss Mills; Lady-Mrs Green.

Afterpiece Title: The Oxonian in Town

Performance Comment: As17671107.

Dance: II: A Serious Dance, as17670916; III: The Sicilian Peasants-Sga Manesiere, Mrs Bulkley. [See17641001.

Performance Comment: [See17641001.]
Event Comment: [T+Theatrical Monitor, No VI appeared this day with a blast, in the form of an occasional Epilogue, at the morals, language and plan of the Oxonian in Town. This was the first performance of Macklin's afterpiece in London. It had been played in Dublin. "Its curious idiom, half-brogue, and half Cockney, puzzled the audience, as did its highly topical Irish allusions. With his usual candor, Macklin observed: 'I believe the audience are right. (The play was withdrawn after this single performance.) There's a geography in humor as well as in morals, which I had not previously considered--'" Cooke, Macklin, p. 270. According to Kirkman, in his curtain speech Macklin "courageously admitted: 'Ladies and Gentlemen, I am very sensible tha there are several passages in this play which deserve to be probated and I assure you that they shall never offend your ears again!' As soon as Mr Macklin had finished this address, the audience testified their approbation of his determination, by loud and reiterated plaudits" (Kirkman, Memoirs of the Life of Macklin, II, 3). See Also Charles Macklin: An Actor's Life by William W. Appleton (Cambridge, Mass., 1960), p. 141.

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17671016.

Afterpiece Title: The Irish Fine Lady

Performance Comment: Parts by Macklin, Dyer, Woodward, Dunstall, Morris, Cushing, Barrington, Quick, Wignell, Mrs Green, Mrs Pitt, Mrs Evans, Miss Helm, Miss Macklin. Prologue-Macklin; Murrough O'Dogherty-Macklin; Count Mushroom-Woodward; Hamilton-Dyer; Fitzmongrel-Dunstall; Major-Morris; Mrs O'Dogherty-Miss Macklin; Catty Farrel-Mrs Pitt; Lady Kinnegad-Mrs Green; Lady Bab Frightful-Mrs Evans; Mrs Gazette-Miss Helm; Mrs Jolly-Mrs White Genest, V, 188, and Kirkman, Memoirs of Macklin (1799 ed.) II, pp. 1-2. The Larpent MS lists three newsmen in addition, and shows the original title The Trueborn Irishman.

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: Benefit for Theatrical Fund, instituted by Persons of this theatre. Mainpiece: Acted there but once. Such of the Nobility, Gentry, etc. who are pleased to favour this undertaking are desire to send for places, Pit or Box tickets, to Mr Sarjant at the stage-door. [Neville attended at half-past four and read the principal parts of the play, as altered by Colman. Noted that Sga Manesiere did The Sicilian Peasant in boy's clothes.] @Receipts #164 19s.@Charges to House #63@Chorus Singers #1 15s.@Candles #1 5s.@Kettle Drum 5s.@Bag Pipes 5s.@#66 10s.@Dr to the Fund #98 9s.-Account Book@

Performances

Mainpiece Title: Philaster

Performance Comment: As17671123, but Woodman-_; Galatea-_; Lady-_.

Afterpiece Title: Midas

Performance Comment: As17671205.

Dance: II: The Merry Sailors, as17671009; III: The Sicilian Peasants, as17671123

Event Comment: Paid to Mr Hull the Balance of the Theatrical Fund, the 9th Instant...#98 9s. (Account Book). Receipts: #225 15s. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17671121.

Afterpiece Title: Love a-la-Mode

Performance Comment: As17670921.

Dance: III: A New Comic Dance, as17671126

Event Comment: Never Perform'd. Founded on Beaumont and Fletcher. Music by Thomas Linley. A Comic Opera the Music entirely new. [By Thomas Hull altered from The Royal Merchant; or the Beggar's Bush (Biographia Dramatica). See 19 Dec. 1767 for further note on Music.] Paid Mr Horne for 4 Tambourines #1 10s. (Account Book). Went into the Pit to see the opera founded on Beaumont and Fletcher, performed for the first time....The music may be good, but the piece is trifling and childish, barren of incident and character except that of Clause played by Bensley and the frightened peasant. The performers are in the Flemish dresses of the times, and do the piece much justice. At the beginning of the 2nd act some fellows in the 2s. Gallery began a disturbance, but were turn'd out and carried before Sir John Fielding, where they confessed that they were hired to disturb this performance by a publican, but refused to say whom....Stood in the well (Neville MS Diary). Receipts: #225 1s. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Performance Comment: Parts by: Mattocks, Shuter, Bensley' Mahoon, Yates, Dunstall, Gardner, Davis, Cushing, Mrs Mattocks, and Mrs Pinto, Merchants, Boors, Beggars by the rest of the company. Harrol-Mattocks; Clause-Bensley; Wolfort-Gardner; Hubert-Mahoon; Hempskirke-Davis; Vandunk-Shuter; Prig, Frighted Boor-Yates; Higgen-Dunstall; Ferret-Quick; Gertrude-Mrs Mattocks; Jaquelin-Mrs Pinto (Genest, V, 188).

Dance: I: A New Comic Dance, as17671021; II: A Grand Ballet The Garland-Fishar, Mrs Bulkley. [See17651003.

Performance Comment: [See17651003.]
Event Comment: Benefit for Westminster New Lying in Hospital, near Westminster Bridge. N.B. Those Ladies and Gentlemen who have taken tickets, are desired to secure places immediately, of Mr Johnston at the Stage Door. [The Theatrical Monitor, No IX, asked this day for a public declaration of receipts and salary expenditures for the 1766-67 season from Garrick and Lacy. Not receiving it the war breaking out in January came to absorb his interest, and the estimate never appeared.] Receipts: #261 4s. 6d. (Winston MS 10)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17671120, but Myrtle-Packer; Humphrey-Bannister; Lucinda-Miss Simson.

Afterpiece Title: The Deuce Is in Him

Performance Comment: Col. Tampler-J. Palmer, 1st time; Mlle Florival-Mrs Jeffries; Bell-Mrs Reddish; Prattle-King; Belford-Packer; Emily-Miss Pope.

Dance: End: Hearts of Oak, as17671022

Event Comment: The Fifth Performance of the Mainpiece. The Music by Mr Linley of Bath. Afterpiece: By Particular Desire. Paid James Abbott for Flowers etc. for the Garland Dance #5 11d. and paid Mrs Winter for flowers etc. for the same #2 13s. 4d. (Account Book). [See 14 Dec.] Receipts: #211 2s. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Performance Comment: As17671214.

Afterpiece Title: The Oxonian in Town

Performance Comment: As17671126.

Dance: End of Opera: The Dutch Milkmaid, as17671114