SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.
Event Comment: Benefit for Woodward. Mainpiece: Not acted these 10 years. Places (with Tickets) to be had of Mr Sarjant at the stage Door. [See 31 Jan. 1760.] Charges: #68 9s. Profit to Woodward of #123 3s. 6d. plus #61 income from tickets (Box 244) (Account Book). [The House launched the benefit season with a profitable balance of #9616 5s. 5d. on the books.] Receipts: #191 12s. 6d. (Account Book)

Performances

Mainpiece Title: The Humorous Lieutenant

Performance Comment: Lieutenant-Woodward 1st time; Demetrius-Smith; Seleucus-Anderson; Lysimachus-Gardner; Charinthus-Redman; Ptolomy-Wignell; Menippus-Hallam; Timon-Murden; King-Walker; 1st Gentleman-Lewes; 2nd Gentleman-Perry; Soldier-Buck; 1st Physician-Bennet; 2nd Physician-Weller; 3rd Physician-Baker; Leontius-Gibson; Leucippe-Mrs Pitt; Celia-Mrs Bellamy; Original Epilogue-the Lieutenant.

Afterpiece Title: Harlequin Dr Faustus

Performance Comment: As17670101.
Event Comment: Benefit for Mrs Clive. Mainpiece: By Particular Desire. Pit and Boxes will be laid together, where servants will be admitted to keep places. Ladies desired to send servants by 3 o'clock. Rec'd from Mr Stevens 1 yrs. rent due at Xmas #10; Paid Locke (hatter) for Garrick #1 4s. 6d.; Re-paid Garrick the cash advanced by Monet for Guidetti #21; Paid B. Johnson's Head bill #3 17s. 11d. (Treasurer's Book). Receipts: #98 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As17670123.

Afterpiece Title: High Life Below Stairs

Performance Comment: As17661215.

Dance: End: The Jealous Peasant, as17661111

Event Comment: Benefit for Mrs Yates. Pit and Boxes laid together. House charges #64 17s.[Profit to Mrs Yates #54 10s. 6d.] Tragedy by Glover. Never acted. Rec'd from Mr Blagden one year [rent] to Xmas last #3 10s. (Treasurer's Book). Receipts: #119 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Medea

Performance Comment: Parts-Powell, Holland, Havard, Bensley, Packer, Strange, Mrs Hopkins, Miss Rogers, Mrs Yates. Prologue-; Epilogue-; Jason-Powell; Creon-Holland; Aeson-Havard; Lycander-Bensley; Medea-Mrs Yates; Theano-Mrs Hopkins (Genest, V, 123).

Afterpiece Title: The Guardian

Performance Comment: As17670321.

Dance: End: A Comic Dance-Duquesney, Mrs King

Event Comment: Benefit for Mrs Pinto. Tickets to be had of her in Charlotte Street, Rathbone Place; and of Mr Sarjant, at the stage-door (playbill). Charges #65 15s. [Profit to Mrs Pinto #103 8s. 6d., plus #78 11s. from tickets (Box 229; Pit 110; Gallery 48)] (Account Book). Receipts: #169 3s. 6d. (Account Book)

Performances

Mainpiece Title: Comus

Performance Comment: As17670214, but Chorusses-Squibb.

Afterpiece Title: The Citizen

Performance Comment: As17670316.
Event Comment: Benefit for Mrs Bellamy. Tickets to be had of her Two Doors beyond the Rising Sun in Great Suffolk St; and of Mr Sarjant at the Stage-Door. Charges #64 5s. [Profit to Mrs Bellamy #33 16s. 6d. plus #102 1s. from Tickets (Box 251; Pit 262)] (Account Book). Receipts: #98 1s. 6d. (Account Book)

Performances

Mainpiece Title: Cleone

Performance Comment: Sifroy-Ross; Glanville-Clarke; Beaufort-Gibson; Beaufort Jun-Dyer; Paulet-Hull; Ragozin-Anderson; Isabella-Mrs Vincent; Cleone-Mrs Bellamy; Epilogue-.

Afterpiece Title: The Upholsterer

Performance Comment: As17670324 but Harriet-Miss Vincent.

Dance: End: The Village Romps, as17661008

Event Comment: Rec'd of Mr Banks 1 year's rent to Lady Day last #3; Paid Gastrill (mercer) 2 Bills #83 3s. (Treasurer's Book). Receipts: #153 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Dido

Performance Comment: As17670328.

Afterpiece Title: The Devil to Pay

Performance Comment: As17670307.

Dance: End: The Lilliputian Camp, as17670227

Event Comment: The Maid of the Mill oblig'd to be deferr'd on account of indisposition of a principal performer. Rec'd of Mr Leverton (bricklayer), for overdrafts on the theatre #67 18s. 6d. and of Sarjant for Timber used at the houses in Bow St. and Hart St., charged to the Theatre account #16 14s. Paid Sarjant for part of a #5 2s. 6d. bill for Ironmonger's work done for the house in Bow Passage #1 12s. (Account Book). Receipts: #148 1s. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: As17670106.

Afterpiece Title: Harlequin Dr Faustus

Performance Comment: As17670101, but short bill for The Dances-Arnauld, Miss Valois, Fishar.
Event Comment: Benefit for Mrs Arne. Afterpiece: By Desire. House Charges #68 16s. 6d. [Profits to Mrs Arne #150 18s. 6d.] Tickets deliver'd for The Beggar's Opera will be admitted. Dido oblig'd to be defer'd a few days. Paid 1 year's Watch for St Martin's #10 2s.; Reynolds Oil bill #46 4s.; Carpue (silk dyer) #7 9s. 6d.; Jennings (glover) #13 12s.; Vernon on note #21; Chorus 1 night #2 5s. 6d.; Hautboy 5s.; Salary list #294 2s. 8d. [Treasurer's Book). Receipts: #219 14s. (Treasurer's Book). At 4 dined at the Chop House in St Clements. At 5 went to Drury Lane to see the Tempest for the benefit of Mrs Arne the prettiest performer at the house...She has a sweet little voice...A grand Dance of Fantastic Spirits in different shapes. At the end of the play a Double Hornpipe by Mr Walker and Miss Tatley. We had the entertainment of Daphne and Amintor with dancing by Sg and Sga George, Sg Tessoni, Miss King, &c. Having a seat in the third row of the Pit, was much pleased as all the principal characters were well played and the scenery is very fine. Had I been later in going, I should not have got in (Neville MS Diary)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Havard; Ferdinand (with proper songs)-Vernon; Stephano-King; Trincalo-Yates; Caliban-Love; Ariel, 1st time (with additional songs, composed by Dr Arne)-Mrs Arne; Hymen-Kear; Ceres-Mrs Vincent; Miranda-Mrs Palmer; Grand Dance of Fantastic Spirits-; The other dances-Giorgi, Mrs King. (playbill), but Public Advertiser lists Miss Baker in place of Mrs King.

Afterpiece Title: Daphne and Amintor

Performance Comment: As17661114.

Dance: End: A Double Hornpipe-Walker, Miss Tetley

Event Comment: Benefit for Miss Macklin. Afterpiece: For only time this season. Pit and Boxes to be laid together. Ladies send servants by 3 o'clock and to prevent disappointments come early themselves. Tickets to be had of Miss Macklin at the Golden Fan in Leicester Fields and of Mr Sarjant at the Stage-Door. Charges #64 12s. [Profit to Miss Macklin #90 2s. 6d., plus #165 from tickets (Box and Pit 648; Gallery 30).] (Account Book). Receipts: #154 14s. 6d. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Ross, 1st time; Bassanio-Clarke; Duke-Anderson; Gratiano-Dyer; Lorenzo (with songs)-Mattocks; Launcelot-Shuter; Jessica (with a song in character)-Mrs Baker; Nerissa-Mrs Vincent; Portia-Miss Macklin.

Afterpiece Title: Love a-la-Mode

Performance Comment: Sir Callaghan-Shuter; Groom-Woodward; Mordecai-Cushing; Sir Theodore-Dunstall; The Lady-Miss Macklin; Sir Archy-Macklin.

Dance: I: A Minuet-Fishar, Miss Macklin; IV: The Female Archer, as17661215; End: The Village Romps, as17671008

Event Comment: DDido deferred on account of the indisposition of Mrs Yates. [See 14 May.] Paid 2 Printer's Bills #17 4s. Mr Mallet 1 suit of lac'd cloths #11 6d.; Paid Guidetti in full #33 5s.; Chorus 1 night #2 10s. 6d. (Treasurer's Book). Receipts: #189 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Performance Comment: As17670109, but The Dances-Sga _Giorgi.
Event Comment: Benefit for Mrs Palmer. Part of Pit laid into boxes. House charges #64 4s. [Profit to Mrs Palmer #167 17s.] Receipts: #232 1s. (Treasurer's Book). Fifteen minutes past 4 went into the Pit at Drury Lane...even the lowest characters in this play well performed here. Holland being suddenly taken ill, Bensley played Sir John Melville. I like his figure better than Holland's, tho he's well suited to the characters he usually plays. At the end of the play we had a minuet by Mr Georgi and Mrs Palmer, the dancing very graceful. Then Vernon presented the Cries of London (an imitation of Shuter) in which he introduced of his own a description of the Tombs in Westminster Abbey. The thought of the statues of those, who never prayed while living, praying most devoutly, is good. In the character of Friendly, Vernon introduced a sketch of Ancient and Modern Hospitality. I suppose this is Vernon's first attempt at an imitation of Shuter. He did tolerably but Shuter's figure is of great advantage to him. After dinner bought the Public Advertiser of the 18th for the Playbills and the Atheist a pretty good fable in verse by J. Oakman (Neville MS Diary)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As17670123.

Afterpiece Title: Flora

Performance Comment: As17670411 but Sketch of Ancient and Modern Hospitality-Vernon.

Dance: End: By Particular Desire, a Minuet-Giorgi, Mrs Palmer; After which Cries of London, in which will be introduc'd a Description of the Tombs in Westminster Abbey-Vernon

Event Comment: Benefit for Miss Poitier. Afterpiece: Alter'd from Addison. The Music entirely new set by Mr Arnold. [Original three acts reduced to two.] To be performed for this night only. Charges #75 14s. [Profit to Mrs Thompson #59 7s. 6d. plus #48 9s. from tickets (Box 135; Pit 98) (Account Book). As indicated by the name Mrs Thompson in the Account Book, Miss Poitier was already married by this time, although she does not appear in the Bills under the name Mrs Thompson until 16 Sept. 1767. She was first married to Vernon, the singer at Drury Lane.] Receipts: #135 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Performance Comment: As17670323.

Afterpiece Title: Rosamond

Performance Comment: Parts-Mattocks, Dibdin, Miss Poitier, Mrs Baker, Miss Potts, Mrs Pinto. King-Mattocks; Sir Trusty-Dibdin; Queen-Miss Poitier; Gridline-Mrs Baker; Rosamond-Mrs Pinto (Genest V, 135); [The Edition of 1767 suggests Sir Trusty-$Morrice;] Page-Miss Potts.
Event Comment: Benefit for Miss Young and Mr Rooker. House charges #65 1s. Paid for two practices for Alexander #1 16s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Performance Comment: As17661029, but Cordelia-Mrs Baddeley.

Afterpiece Title: Flora

Performance Comment: As17670411.

Dance: End: Hearts of Oak, as17670212

Event Comment: Benefit for Gibson. Mainpiece: Not acted these 25 years. Written originally by Shakespeare, and reviv'd and adapted to the stage by Mr Theobald. Charges #66 5s. [Profit to Gibson #37 18s. 6d. plus #30 15s. from Tickets (Box 79; Pit 74).] Paid one year's Rector's Rate for the Theatre #8 6s. 8d., and for House in Bow Passage, due at Lady Day 8s. 4d. (Account Book). [Neville attended, noted the information contained in the playbill, but could not hear well from his 2s. seat in the Gallery.] Receipts: #104 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Double Falsehood; Or, The Distrest Lovers

Performance Comment: Julio-Ross; Duke-Clarke; Roderick-Hull; Don Bernard-Walker; Citizen-Perry; Master of Flocks-Buck; Camillo-Gibson; Shepherds-Bennet, Cushing; Gentleman-Gardner; Servant-R. Smith; Henriquez-Smith; Violante (with original Song)-Miss Macklin; Leonora-Mrs Mattocks.

Afterpiece Title: Midas

Performance Comment: As17661014.

Dance: III: The Sicilian Peasants, as17670411

Event Comment: Benefit for Bensley. House charges #66 2s. 6d. Mr Calthorpe's last payment #157 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17661115, but Lothario-Holland; Horatio-Bensley; Sciolto-Powell [these parts undertaken for 1st time]; Lavinia-Mrs Barry.

Afterpiece Title: A Fairy Tale

Performance Comment: As17661028, but Characters-_Castle, Ackman. [Miss Wright is now Mrs Arne.]Miss Wright is now Mrs Arne.]

Dance: End: Hearts of Oak, as17670212

Event Comment: Benefit for King. House charges #76 10s. [Profit to King #55 14s.] Paid Master Burney 15 nights #3 2s. 6d. Printer's bill #9 6s. (Treasurer's Book). Receipts: #132 4s. (Treasurer's Book). At 5 went to the Pit at Drury Lane to see the Clandestine Marriage...I could see this play, as it is now performed, every night, but J. Palmer was not so good in Brush as the other Mr Palmer whose character it is. Plym did not please tonight. The scene between the lawyers was omitted. We had the Irish Lilt by Mrs King, Giorgi, &c., and a comic scene by her and M Dugermay, with Linco's Travels...Mrs King is certainly a very fine dancer and has the best legs I ever saw. Past eleven ere we got out. A little girl of 7 or 8 years old danced very prettily (Neville MS Diary)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As 23 Jan., but Brush-J. Palmer; Chambermaid-Mrs Lee.

Afterpiece Title: Queen Mab

Performance Comment: As17661029.

Dance: I: The Irish Lilt-Giorgi, Mrs King; End: A Comic Dance-Duquesney, Mrs King

Entertainment: LLinco's Travels-King

Event Comment: Benefit for Widow Vincent. House charges #64 15s. 6d. [Deficit Mrs Vincent #20 3s. 6d.] Rec'd by draft on Mr Clutterbuck #200, and from Sinking Fund #287; Paid Blandford (tallow chandler) #27 18s. 11d.; and French on account #12 12s. (Treasurer's Book). Fifteen minutes past 5 went to the 2s. gallery...(Widow Vincent's voice pleases me much. Holland did Oakly,-he imitates Garrick, but is very inferior to him (Neville MS Diary). Receipts: #44 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: As17670212, but Oakly-Holland; In Act II Singing-Mrs Vincent.

Afterpiece Title: The Contrivances

Performance Comment: Rovewell-Dodd, 1st time; Robin-Moody; Arethusa-Mrs Vincent; Argus-Hartry; Boy-Master Cape; Betty-Mrs Smith; Hearty-Fox; Mob-Ackman, Marr, Strange, Watkins. [See17640427.]See17640427.]

Dance: End: Comic Dance, as17670430

Event Comment: Benefit for Grimaldi (ballet master) and Moody. House charges #64 17s. [Profits to Moody and Grimaldi #5 9s. plus tickets.] Farce not acted in 3 years. [See 12 April 1764.] At 9 got to Drury Lane, could not get in at ye left side of ye Pit or first Gallery. After waiting till the play was over at the other door of ye Pit, got in and saw the Vintage, by Mrs King and Sg Grimaldi (whose benefit and Mr Moody's it was). He dances much better than the fellow who usually dances that dance. My intention in going was to see the F, of the Register Office, not acted these 3 years. [All characters done well] such characters are ye effects of our ill-cemented union (Neville MS Diary). Receipts: #70 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: As17670209, but Squire Richard-J. Burton; Lady Townly-Mrs Lessingham; John Moody-Moody.

Afterpiece Title: The Register Office

Performance Comment: Capt. Le Brush-King; Gulwell-Packer; Harwood-Aickin; Irishman (with the original song)-Moody; Frenchman-Baddeley; Scotchman-Love; Frankly-J. Palmer; Maria-Miss Mills; Margery-Mrs Love; Williams-Ackman; Lord Brilliant-Fawcett; Trickit-Fox.

Dance: II: The Lilliputian Camp composed by Grimaldi, as17670227; III: Hearts of Oak, as17670212; End: The Vintage, as17661011, but-Grimaldi, Mrs King

Event Comment: By Command of their Majesties. Paid printer's bill #9 6s (Treasurer's Book). The New Tragedy of Dido, for Benefit of the author, is oblig'd to be deferr'd till Thursday next. Receipts: #229 9s. 6d. (Treasurer's Book). Had no intention of going to the play, but seeing Garrick was to play Lord Chalkstone, I (after hearing Mr Romaine's Lecture on the chapter which contains ye Destruction of Sodom) went before 9 to ye right-side door of ye Pit. The doorkeepers said, --No Room. Saw that ye Canopy, Yeomen, &c. would prevent my seeing. They desired me if I could not get in at ye other door to come back. Found a number of people waiting there and at ye door of the First Gallery; so went back, entered and stood in ye same disagreeable situation I did last night. But I saw the inimitable Garrick very well. [Comments on excellence of whole cast.] Scarcely cool now past eleven o'clock. Ye King and Queen, Princess of Brunswick, Louisa, and all that Tribe were at dl tonight (Neville MS Diary)

Performances

Mainpiece Title: The School For Lovers

Performance Comment: As17670219.

Afterpiece Title: Lethe

Performance Comment: As17661018, but Old Man-Weston.

Dance: End: The Lilliputian Camp, as17670227

Event Comment: Benefit for Morris and Tindal. Tickets delivered out by the deceas'd Mr Anderson will not be admitted. Morris paid half the charges #32 15s. which deducted from half the ready money gave him a profit of #4 12s. plus #83 15s. from his tickets (Box 23; Pit 270; Gallery 375). Tindall bore no expense, but turned over half the value of the tickets he delivered. His total ticket value was #23 2s. (Box 31; Pit 87; Gallery 23) so his profit came to #11 11s.] (Account Book). Receipts: #74 14s. (Account Book)

Performances

Mainpiece Title: Love's Last Shift

Performance Comment: As17661014, but Elder Worthy-Hull; Narcissa-Mrs Burden; Amanda-Mrs Vincent.

Afterpiece Title: Harlequin Dr Faustus

Performance Comment: As17670501.
Event Comment: Benefit for Legg, Mrs Lampe, Mrs Jones. Afterpiece: For the last time this season. Tickets deliver'd for Hamlet will be taken. The Dragon of Wantly cannot be perform'd on account of indisposition of Mrs Pinto. Charges #67 9s. 6d. [Profit to each beneficiary #2 19s. 6d. plus income from tickets: Legg #84 2s. (Box 129; Pit 251; Gallery 142); Mrs Lampe and Mrs Jones combined #74 15s. (Box 102; Pit 219; Gallery 164).] Paid Bryan a bill for writing parts #1 1s. 6d. Paid Cooper (printer) #27 2s. Paid Condell for Coach hire, the last command by order of Mr Beard 2s. (Account Book). Before 5 went to ye Play...It was played tolerably well; Cleopatra very well by Mrs Bellamy, Octavia (for ye 1st time) by Mrs Mattocks, Antony by Smith, Vent. by Gibson not badly. We had ye Dances, Rural Love and ye Wapping Landlady (Neville MS Diary). Receipts: #76 8s. (Account Book)

Performances

Mainpiece Title: All For Love

Performance Comment: Antony-Smith; Ventidius-Gibson; Dolabella-Clarke; Alexas-Dyer; Serapion-Gardner; Charmion-Mrs Stephens; Iras-Mrs Godwin; Cleopatra-Mrs Bellamy; Octavia-Mrs Mattocks (1st time).

Afterpiece Title: Midas

Performance Comment: As17661014.

Dance: III: Rural Love, as17661120; End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Performance Comment: As17670427.
Event Comment: Benefit for Fox, Mrs Cross, Miss Simson. By Particular Desire. House charges #64 7s. [Profit to actors #1 2s. 6d. plus tickets. Received Mr Dickinson's deficiency #54 14s.] Rec'd of Clutterbuck #100. Paid French on account #40. Paid Florio for 7 nights in Cymon #7 7s.; Chorus singers #2 10s. 6d.; Rec'd repayment of Arne's note #50 and of Hopkins' note #28; Stopages #2 3s. (Treasurer's Book). Receipts: #65 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Performance Comment: As17661121, but Monimia-Miss Simson, 1st appearance in this character; Acasto-Bransby; Serina-Mrs Hippisley; Florella-Mrs Simson.

Afterpiece Title: The Register Office

Performance Comment: As17670513.

Dance: End: A Double Hornpipe, as17670511; End I Farce: The Louvre and Minuet-Giorgi, Miss Simson

Event Comment: Benefit for Mortimer, Tomlinson, West, Lings. House charges #84. [Deficit to actors #60 4s.] Received Mr Evans and Miss Roger's deficiency #28 18s. 6d. Paid Ann Collett for a gold brocaided silk #10 10s. (Treasurer's Book). Receipts: #23 16s. (Treasurer's Book). Went into ye Pit...Vernon is an excellent MacHeath. I don't like Yates as Peachum so well as Shuter, and Parsons is not so good a Filch as Holborn. Bransby ye Lockit and Mrs Abington Lucy pretty well...Polly-$Mrs Vincent, who is now too old for ye character, and I think wants feeling...One Tomlinson, who had a 4th of the Benefit, spoke an Epilogue in the character of a Beggar, but by one party hissing and a greater clapping, could not hear it.--At Covent Garden a Hurdy-Gurdy man and girl play in the whore's scene, and as the Highwaymen march out, one returns and kisses MacHeath, and Shuter says some things Yates did not, but perhaps they are additions of his own (Neville MS Diary)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17661013, but Player-Lings; Epilogue as Beggar-Tomlinson; Polly-Mrs Vincent; Hornpipe-Miss Tetley.

Afterpiece Title: The Register Office

Performance Comment: As17670513.
Event Comment: Mainpiece: By Particular Desire. Paid Mr Martin for copying Music for 2 Dances in Love in the City #1 6s. (Account Book). Receipts: #127 14s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17661226, but Tressel-Perry; Norfolk-Wignell; Stanley-Gardner.

Afterpiece Title: Coronation

Performance Comment: As17660922.

Dance: II: A New Tambourine-Mas. Blurton, as17670427 III: by Desire, A Serious Dance-Miss Capon, as17670427

Performance Comment: Blurton, as17670427 III: by Desire, A Serious Dance-Miss Capon, as17670427.
Event Comment: Doors to open at half past Four. Play to begin at half past Six. Send servants to hold places by Four o'clock. [Mrs Vincent's deficit of 1st instant received #20 3s. 6d.] Paid scavenger's rate for St Martin's due Lady Day #5 1s. Paid printer's bill #9 6s. (Treasurer's Book). Receipts: #262 7s. 6d. (Treasurer's Book). Went to Drury Lane, but could not get in. Stayed from half past 4, sometime at one Pit door, sometime at the other, till past 6, and got in at the right hand side just as the play began, and was dreadfully squeezed, but rewarded by seeing Garrick play Hamlet. The expression in his features, his eyes particularly, surpasses anything I ever saw. He is a little man, but handsome and full of that fire which marks the stronger, and of the softness natural to the tender passions. It is impossible to see his greatest excellencies from ye Gallery. Baddeley and Dodd are pretty well in Polonius and Ostrick. Mrs Baddeley and Yates do Ophelia and ye Grave Digger very well. Mrs Pritchard is great, as usual in ye Queen. Gravedigger's man-Castle. Horatio-$Mr Packer. Several parts of ye play, as it is in $Shakespeare, are omitted rather improperly...The Prince Brunswick, his wife and Louisa were present (Neville MS Diary)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17661107.

Afterpiece Title: The Musical Lady

Performance Comment: As17661229.