SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Mrs and Master Simson"/1) | (@(roleclean,performerclean) "Mr Mrs and Master Simson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 23983 matches on Performance Comments, 7842 matches on Event Comments, 5447 matches on Performance Title, 27 matches on Author, and 0 matches on Roles/Actors.
Event Comment: This being the Last time of Mr G. performing he generously gave the Profits of the Night to the Theatrical Fund, he spoke the Usual prologue & after the play he went forward & address'd the Audience in so pathetic a Manner as draw Tears from the Audience & himself & took his leave of them forever (Hopkins Diary). [Accounts of the farewell address in the Morning Post and in Davies; Life of Garrick.] So Ends the Season 67 different Play 32 different Farce 189 Nights in all (Hopkins Diary). N.B. The profits of this night appropriated to the benefit of the Theatrical Fund: Cash #309 2s.; After Money #2 10s. 6d. Received #311 12s. 6d. Paid #36 5s. 9d. viz: @Renters #8@Supernumeraries & Kettle Drum #2 11s.@Soldiers 14s.@Extra Constables #1 10s. 6d.@Candles, Oyl & Lampmen #3 18s. 6d.@Carpenters Extras #2 1s.@Music Band #7 18s. 9d.@Messrs. Legg, Lauchery, Larivere, Garland & Langlois Salary #1 13s. 4d.@Sundry Doorkeepers & Servants #7 18s. 8d. @#36 5s. 9d.@Rec'd #311 12s. 6d.@Paid #36 5s. 9d.@Remains #275 6s. 9d.@Brought Fd #62 3s. 7d. from 10th May@Total #337 10s. 4d.@ N.B. The above sum of the two Nights for Theatrical Fund-order'd by Mr Garrick this 25th day of June 1776 to be paid into the hands of Mr Hatsell (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book): 11 June: Rec'd Box office keeper's cash #25; Candles, Oil &c. the 2nd Fund night #7 17s.; From Mr Dodd in Full #21. 24 June: From Sinking Fund (3rd) in full #963 10s.; From Grimaldi on acct #70; From Mrs Smith (singer) in full #31 10s. 2 July: From Public Advertiser for this season #50; Gazetteer ditto #50. 4 July: Their Majesties Acct this season #76; from Mr Harrison one yrs. rent Land tax deducted #37 5s. 5 July: From Mr Parsonage 1 yr. & one quarter rent to Midsummer (tax deducted) #53 15s. 15 July: From Mr Pope 1 yr. & one quarter rent to Mids. Last (taxes deducted) #35 12s. 6d.; Mr Heath 1 yr. and 1!2 Rent to Mids last #15. 19 July: From Mrs Johnston 1 yr. & one quarter rent to Mids. last #7 10s.; Mrs Groath 1!2 year to ditto #1 10s. Mr Percy three quarters Rent to ditto #7 10s.; Mr Waterer five quarters rent to ditto (land tax deducted) #51 7s. 25 July: Sundry forfeits taken up by Evans #38 5s. AFTER SEASON EXPENDITURES (Treasurer's Book): 11 June: Five days salary to sundries at #88 2s. 10d. per diem #440 14s. 2d.; George Garrick in full of #400 #5 13s. 4d.; Slingsby in full of #350 #1 3s. 4d.; Everard on note #10 10s.; Davis on note #21; Mr King to make up #500 in full #32 10s.; Lauchery on note #15 15s.; Mr Page in full of #25 #1 12s. 6d. 28 June: To Lord Walpole for one year's acting season #315; Mr Highly in Full of his building acct #85 19s.; Ditto for 3 yrs. ground rent to the 24th inst. #42. [For explanation of Walpole payment, see Boaden, Garrick Correspondence, II, 155 an involved agreement re an annuity dating from October 1761, now being collected because of new taxes on Carriages, and because Lady Walpole was footsore and would walk nowhere.] 20 June: Adelphi Tavern Bill & Waiters #20 10s. 6d.; Mr Park, chorus 4 nights in full #1 10s.; Mr R. Johnston's property Bills in full #33 1s. 6d. 24 June: Mr D. Garrick in full of #1,300 #235 13s. 2d.; Mr R. Harwood's gratuity #5 5s. 2 July: One yrs. subscription for St George's Hospital for both the managers #10 10s. 5 July: Three quarter's rent pd for Miss Abrahams at Gardners #37 10s. 9 July: Blakes (hatter) #11 15s.; Mrs Chitty (coals) #94 17s.; Hadley & Co., Engine, #12 12s.; Thomson (smith) #6 15s.; Barrow & Co., Oil, #108 13s. 6d.; Ireland (upholsterer) #17 2s. 6d.; Stevens (mason) #42 7s. 6d.; Hewetson (laceman) #9 2s.; Racket (taylor) #16 9s.; Barret (wax chandler) #14 5s.; Waller (hosier) #11 5s. 11 July: Machin, Chorus singer, #6, Bibb (sword cutler) #2 5s.; Gardner (shoemaker) #3 2s.; Marshall (plumber) #4 13s.; Stacey (colourman) #4 17s. 15 July: Daley (sadler) #5 5s.; Scott (copperlace) #25 14s. 6d.; Norfolk (glazier) #3 7s.; Carpue (silk Dyer) #18 13s.; Mrs Carter (scowerer) #1 14s. 6d.; Chettle (timber) #4 6s. 7d.; Pope, for Wiggs, #12 12s.; ditto for 81 extra nights dressing #8 2s.; Mr Preston 69 nights dressing Mr Garrick #5 3s. 6d.; Hatsell (mercer) #47 3s. 16 July: Powney (stationer) #2 10s.; Jennings (glover) #25 17s. 6d.; Prior (turner) #9 5s. 6d; Hopkin's Prompter's bill #13 18s.; Palmer for Sperma. Candles #7 14s.; Kirkman (harpsicord maker) #13 17s. 6d.; Hele (surveyor) #26 10s. 19 July: Mrs Garwood (laundress) #2 12s. 8d.; a Green coat for Mr Garrick #3 3s.; Mr Woods, chorus, 63 nights in full, #15 15s.; Mr French's bills in full #235 3s. 6d. 22 July: Mr Waterer, Black Lyon dinner Bills #56 8s. 6d. 25 July: Mrs Vaughan (haberdasher) #3 18s. 6d.; Cubit (tinman) #2 15s.; Kirk (housekeeper) three quarter's salary to Midummer #30; Victor's gratuity and two weeks salary #35; Evans in lieu of Benefit #42 and 2 weeks salary #3; Mr Westley 2 weeks salary #1 10s. AFTER SEASON COMPUTATION: DRURY LANE 1775-1776: Books closed 25 July 1776. @Total income #37,917 3s. 10d.@Total Expense #33,453 18s. 4d.@Profit #4,463 5s. 6d. divided as follows:@Mr Clutterbuck #1,000@Managers #3,240@ In Victor's hands #223 5s. 6d. [presumably for summer expenses and opening the next season. The Treasurer's Book also mentions a sum of #575 18s. 8d. at Mr Clutterbucks, without indication of its source or contemplated use.

Performances

Mainpiece Title: The Wonder

Cast
Role: Flora Actor: Mrs Wrighten, first time
Role: Violante Actor: Mrs Yates
Role: Inis Actor: Mrs Bradshaw.

Afterpiece Title: The Waterman

Cast
Role: Mrs Bundle Actor: Mrs Wrighten
Role: Miss Wilelmina Actor: Mrs Jewell

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17490429 but Hero-Mrs Elmy; Balthasar-_ Fryar-Bridges; Borachio-Blakes; Margaret-Mrs Havard.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Mrs Highman Actor: Mrs Bennet.
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Benefit Marshall, Gray, Peploe, Rumball (Boxkeeper), Bishop (Gallery Keeper). Mainpiece: Taken from Moliere by the late Mrs Betterton

Performances

Mainpiece Title: The Amorous Widow

Cast
Role: Lady Laycock Actor: Mrs Grace
Role: Philadephia Actor: Mrs Mills
Role: Damaris Actor: Mrs Pritchard
Role: Lady Pride Actor: Mrs Marshall
Role: Prudence Actor: Mrs Bennet.

Afterpiece Title: The King and the Miller of Mansfield

Cast
Role: Peggy Actor: Mrs Pritchard.

Dance: I: Minuet-Master Ferg, Miss Harwood; II: La Pieraite-Leviez, Miss Thompson; IV: Flanderkins-Master Ferg, Miss Wright; V: Drunken Peasant-Philips

Song: III: Beard

Event Comment: [As mainpiece the playbill announces Douglas, but "Mrs Barry being suddenly taken ill yesterday Morning , The Busy Body ws substituted for Douglas...and allowing for the short Notice which the Performers had to prepare for the Representation, we must do them the Justice to say that they acquitted themselves extremely well" (Morning Chronicle, 16 Oct.).] Receipts: #234 5s. (233.4; 1.1)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Cast from Morning Chronicle and Morning Post, both 16 Oct.: Marplot-Woodward; Sir Francis Gripe-Quick; Sir George Airy-Lewis; Charles Gripe-Wroughton; Isabinda-Mrs Whitfield; Miranda-Miss Macklin. [Gazetteer, 16 Oct., also refers to Dunstall, who probably acted Sir Jealous Traffic (see17780129).]Gazetteer, 16 Oct., also refers to Dunstall, who probably acted Sir Jealous Traffic (see17780129).]
Cast
Role: Isabinda Actor: Mrs Whitfield
Role: Miranda Actor: Miss Macklin.

Afterpiece Title: The Golden Pippin

Performance Comment: Jupiter-Reinhold; Paris-Mattocks; Momus-Quick; Mercury-Mahon; Venus-Mrs Mattocks; Pallas-Miss Dayes; Iris-Miss Valois; Juno-Miss Catley.
Cast
Role: Venus Actor: Mrs Mattocks

Dance: End: Mirth and Jollity-Aldridge, Master Langrish, Master Jackson, Miss Besford

Event Comment: Benefit for Mrs Simson. Mainpiece: By Particular Desire

Performances

Mainpiece Title: All In The Wrong

Performance Comment: As17620209, but Belinda-Mrs Palmer.
Cast
Role: Belinda Actor: Mrs Palmer.
Role: Clarissa Actor: Mrs Hopkins.
Role: Blandford Actor: Bransby
Role: Tattle Actor: Mrs Bradshaw
Role: Tippet Actor: Mrs Hippisley

Afterpiece Title: The Musical Lady

Song: III: The Camp Alarm'd, as17610926; IV: Mrs Vincent

Dance: HHornpipe-Miss Baker

Event Comment: Benefit Master Ferg and Miss Wright,the Lilliputian Burgomaster and Colombine. As 27 Nov. 1738

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: As17390312 but Mrs Sullen-Mrs Giffard; Bonniface-Turbutt.
Cast
Role: Mrs Sullen Actor: Mrs Giffard
Role: Old Woman Actor: Mrs Marshall.
Role: Dorinda Actor: Mrs Mills
Role: Cherry Actor: Mrs Clive
Role: Lady Bountiful Actor: Mrs Cross
Role: Gypsy Actor: Mrs Bennet

Afterpiece Title: The Devil to Pay

Cast
Role: Lady Loverule Actor: Mrs Bennet.
Role: Nell Actor: Mrs Clive.

Music: Second Musick:A Concertoby Henry Burgess Jr-; The Overture: The First Concerto of Signor Corelli-; Preamble on the Kettle Drums-Master Ferg

Dance: I: Punches-Master Ferg, Miss Wright; II: By Desire, French Peasants-Poitier, Mlle Roland; III: Pierots-Master Ferg, Miss Wright; IV: Wooden Shoe Dance-Master Ferg; V: A new dance-Miss Wright

Song: a G Grand Chorus-, out of Alexander's Feast, for Trumpets, French-Horns, Kettle-Drums

Event Comment: Benefit for Master Welsh. [2nd piece in place of The Sultan, advertised on playbill of 10 May. Medley is identified in MS list in Kemble playbills of new performers for this season.] "A riot took place this evening, occasioned by the performance of Skirmish by a new actor. This person, wanting every quality requisite for the stage, performed so very much to the dissatisfaction of the audience, that the piece was mutilated in such a manner that for some time it was insisted on that the whole should be repeated more perfectly and by another actor. This being impossible, some mischief was threatened, but after a short time the disturbance ceased" (European Magazine, June 1796, p. 396). Morning Herald, 30 Apr.: Tickets to be had of Master Welsh, No. 9, St. Margaret-street, Westminster. Receipts: #292 4s. (84.11.6; 47.15.6; 12.14.0; tickets: 146.19.6; odd money: 0.3.6). (charge: free)

Performances

Mainpiece Title: The Smugglers

Cast
Role: Edward Actor: Master Welsh

Afterpiece Title: The Virgin Unmaskd

Cast
Role: Mrs Snip Actor: Mrs Hopkins
Role: Miss Lucy Actor: Mrs Jordan
Role: Timothy Actor: Mrs Jordan.

Afterpiece Title: The Deserter

Performance Comment: Henry-Kelly; Russet-Bannister; Simpkin-Suett; Skirmish-A Gentleman (1st appearance on any stage [Medley]); Flint-Burton; Serjeant-Phillimore; Louisa-Miss Leak; Jenny-Mrs Bland; Margaret-Mrs Maddocks.
Cast
Role: Jenny Actor: Mrs Bland
Role: Margaret Actor: Mrs Maddocks.

Song: End: the favourite duett from Sampson, My Faith and Truth-Miss Leak, Master Welsh; End 2nd piece: Listen to the Voice of Love (composed by Hook)-Master Welsh

Event Comment: Benefit for Didelot. Tickets to be had of Didelot, No. 9, Haymarket. Both dances composed by Didelot; the music by Bossi. With new Scenery, Machinery and Decorations [by Liparotti]. [Synopsis of action of 1st ballet in Cyril W. Beaumont, Complete Book of Ballets, 1941, pp. 19-21, where it is stated that "Flore et Zephire is noted for being the first ballet in which wires were used to enable the dancers to simulate aerial flight." This is not stricdly accurate; see note under L'Amour Vange, 2 June.

Performances

Mainpiece Title: Antigona

Dance: End I: a new Ballet in one act, Flore et Zephire-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel [Cast from Beaumont (see below): Cleonise-Mme Hilligsberg; +Flore-Mme Rose; +Bergeres-Mlle Parisot, Mme Bossi; +Zephire-Didelot; +L'Amour-Master Menage; +Un Petit Amour-Miss Hill.]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel

Performance Comment: ]; End Opera: [a new grand Dramatic Ballet in 3 acts, in the +Scotch style
, L'Heureux Naufrage [; or, Les Sorcieres Ecossoises; Principal Performers in both dances-Didelot, Gentili, Fialon, Lahante, Hamoir, Giani, Roffey, Simpson, Master Menage, Mme Rose, Mme Hilligsberg, Mme Bossi, Mlle Parisot, Mme Vidi, Mlle Cabanel.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Apollo and Daphne or The Burgo Master Trickd

Performance Comment: Apollo-Salle; 1st Nymph-Mrs Bullock; 2d Nymph-Mrs Pelling; 3d Nymph-Mrs Ogden; 4th Nymph-Mrs Anderson; Daphne-Mlle Salle; Morpheus-Leveridge; Mystery-Leguerre; Slumber-Salway; Burgomaster-Nivelon; Boor Sevant-Spiller; Scaramouch-Newhouse; Colombine-Mrs Younger; Hareqluin-Lun; Peasants-Newhouse, Pelling, Lanyon; Women Peasants-Mrs Vincent, Mrs Ogden, Mrs Rice; Venus-Mrs Barbier; Diana-Mrs Chambers; Silenus-Leveridge; Bacchus-Salway; Pan-Leguerre; Bacchanals-Lanyon, Dupre Jr; Bacchants-Mrs Ogden, Mrs Anderson; Satyrs-Nivelon, Newhouse; Zephyrus-Salle; Spaniard-Dupre; Polonese-Pelling; Frenchman-Lally; Spanish Woman-Mrs Bullock; Polonese-Mrs Pelling; Frenchwoman-Mrs Leguerre; Flora-Mlle Salle.
Cast
Role: 1st Nymph Actor: Mrs Bullock
Role: 2d Nymph Actor: Mrs Pelling
Role: 3d Nymph Actor: Mrs Ogden
Role: 4th Nymph Actor: Mrs Anderson
Role: Burgomaster Actor: Nivelon
Role: Colombine Actor: Mrs Younger
Role: Women Peasants Actor: Mrs Vincent, Mrs Ogden, Mrs Rice
Role: Venus Actor: Mrs Barbier
Role: Diana Actor: Mrs Chambers
Role: Bacchants Actor: Mrs Ogden, Mrs Anderson
Role: Spanish Woman Actor: Mrs Bullock
Role: Polonese Actor: Mrs Pelling
Role: Frenchwoman Actor: Mrs Leguerre
Event Comment: Receipts: #122 12s. 6d. Probable attendance: boxes, 16W176 paid and 29 orders; stage, 3 paid; pit, 259 paid and 16 orders; slip, 24 paid and 4 orders; first gallery, 248 paid and o orders; second gallery, 101 paid

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Apollo and Daphne or The Burgo Master Trickd

Performance Comment: Apollo-Salle; 1st Nymph-Mrs Bullock; 2d-Mrs Pelling; 3d-Mrs Ogden; 4th-Mrs Anderson; Daphne-Mrs Laguerre; Morpheus-Leveridge; Mystery-Legare; Slumber-Salway; Burgomaster-Nivelon; Boor Servant-Spiller; Scaramouch-Newhouse; Colombine-Mrs Younger; Harlequin-Lun; Peasants-Newhouse, Pelling, Lanyon; Women Peasants-Mrs Vincent, Mrs Ogden, Mrs Rice; Venus-Mrs Seedo; Diana-Mrs Chambers; Silenus-Leveridge; Bacchus-Salway; Pan-Legare; Zephyrus-Salle; Spaniard-Dupre; Polonese-Pelling; Frenchman-Poitier; Spanish Woman-Mrs Bullock; Polonese Woman-Mrs Pelling; French Woman-Mrs Anderson; Flora-Mrs Laguerre.
Cast
Role: 1st Nymph Actor: Mrs Bullock
Role: 2d Actor: Mrs Pelling
Role: 3d Actor: Mrs Ogden
Role: 4th Actor: Mrs Anderson
Role: Daphne Actor: Mrs Laguerre
Role: Burgomaster Actor: Nivelon
Role: Colombine Actor: Mrs Younger
Role: Women Peasants Actor: Mrs Vincent, Mrs Ogden, Mrs Rice
Role: Venus Actor: Mrs Seedo
Role: Diana Actor: Mrs Chambers
Role: Spanish Woman Actor: Mrs Bullock
Role: Polonese Woman Actor: Mrs Pelling
Role: French Woman Actor: Mrs Anderson
Role: Flora Actor: Mrs Laguerre.

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Apollo and Daphne or The Burgo Master Trickd

Performance Comment: Apollo-Salle; Nymphs-Mrs Pelling, Mrs Bullock, Mrs Ogden, Miss LaTour; Daphne-Mrs Laguerre; Morpheus-Leveridge; Mystery-Laguerre; Slumber-Salway; Harlequin-Lun; Burgomaster-Nivelon; Boor Servant-Hippisley; Colombine-Mrs Younger; Scaramouch-Newhouse; Peasants-Newhouse, Delagarde Jr, DuPre Jr; Women Peasants-Mrs Stevens, Mrs Kilby, Mrs Rice; Venus-Mrs Seedo; Silenus-Leveridge; Bacchus-Salway; Pan-Laguerre; Zephyrus-Salle; Spaniard-Dupre; Polonese-Pelling; Frenchman-Poitier; Spanish Woman-Mrs Bullock; Polonese Woman-Mrs Ogden; French Woman-Miss LaTour; Flora-Mrs Laguerre.
Event Comment: For the Entertainment of his Excellency Cassem Aga, Envoy Extraordinary from the Dey and Divan of Tripoli. Receipts: #97 9s. Probable attendance: boxes, 75 paid and 39 orders; pit, 274 paid and 23 orders; slips, 16 paid and 14 orders; first gallery, 237 paid and 21 orders; second gallery, 124 paid and 1 order

Performances

Mainpiece Title: The Emperor Of The Moon

Afterpiece Title: Apollo and Daphne or The Burgo Master Trickd

Performance Comment: Apollo-Salle; Nymphs-Mrs Vincent, Miss LaTour, Miss Warren, Miss Holiday; Daphne-Mrs Pelling; Morpheus-Leveridge; Mystery-Papillon; Slumber-Salway; Burgomaster-Laguerre; Servant-Spiller; Scaramouch-Newhouse; Colombine-Mrs Moreau; Harlequin-Lun; Peasants-Newhouse, Pelling, Lanyon, Mrs Benson, Mrs Kilby, Mrs Rice; Concluding with the Triumphs of Love: Venus-Mrs Barbier; Diana-Mrs Chambers; Silenus-Leveridge; Bacchus-Salway; Pan-Papillon; Zephyrus-Salle; Spaniards-Dupre, Miss LaTour; French-Moreau, Mrs Moreau; Polonese-Pelling, Mrs Vincent; Flora (an Inconstant)-Mrs Pelling.

Performances

Mainpiece Title: King Henry The Fourth With The Humours Of Sir John Falstaff

Afterpiece Title: Apollo and Daphne or The Burgo Master Trickd

Performance Comment: Apollo-Salle; Nymphs-Mrs Bullock, Miss LaTour, Mrs Ogden, Miss Hill; Daphne-Mrs Laguerre; Morpheus-Leveridge; Mystery-Laguerre; Slumber-Salway; Harequin-Lun; Burgomaster-Nivelon; Boor Servant-Hippisley; Colombine-Mrs Younger; Scaramouch-Newhouse; Peasants-Newhouse, Delagarde Jr, Pelling; Women Peasants-Mrs Benson, Mrs Kilby, Mrs Rice; Venus-Mrs Seedo; Silenus-Leveridge; Bacchus-Salway; Pan-Laguerre; Zephyrus-Salle; Spaniard-Dupre; Polonese-Pelling; French-Poitier; Spanish Woman-Miss LaTour; Polonese Woman-Mrs Ogden; French Woman-Mrs Hill; Flora-Mrs Laguerre.
Event Comment: At the Desire of several Persons of Quality. Afterpiece: With new Cloaths, Scenes, and other Decorations. 5s., 3s., 2s., 1s

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Performance Comment: Acasto-Aston; Castalio-Ryan; Polydore-Walker; Chamont-Quin; Chaplain-Hale; Monimia-Mrs Hallam; Serena-Miss Norsa; Florella-Mrs Stevens .
Cast
Role: Monimia Actor: Mrs Hallam
Role: Florella Actor: Mrs Stevens

Afterpiece Title: Apollo and Daphne or The Burgo Master Trickd

Performance Comment: Apollo-Poirier; Nymphs-Mrs Ogden, Mrs Pelling, Miss Baston, Miss Rogers; Daphne-Mrs Laguerre; Burgomaster-Laguerre; Boor Servant-Hippisley; Colombine-Mrs Younger; Scaramouch-Newhouse; Harlequin-Lun; Peasants-Newhouse, De la Garde Jr, Du Pre Jr; Women Peasants-Mrs Stevens, Mrs Kilby, Mrs Forrester; With The Triumphs of Love: Venus-Mrs Wright; Diana-Miss Norsa; Silenus-Leveridge; Bacchus-Salway; Zephyrus-Poitier; Frenchman-Glover; Spaniard-Du Pre; Polonese-Pelling; French Woman-Miss Rogers; Spanish Woman-Mrs Pelling; Polonese Woman-Mrs Ogden; Flora-Mrs Laguerre .

Performances

Mainpiece Title: Othello Moor Of Venice

Performance Comment: Othello-Quin; Iago-Ryan; Brabantio-Milward; Cassio-Walker; Roderigo-Chapman; Emilia-Mrs Stevens; Desdemona-Mrs Younger.
Cast
Role: Emilia Actor: Mrs Stevens
Role: Desdemona Actor: Mrs Younger.

Afterpiece Title: Apollo and Daphne or The Burgo Master Trickd

Performance Comment: Apollo-Poitier; Nymphs-Mrs Ogden, Miss LaTour; Daphne-Mrs Laguerre; Burgomaster-Nivelon; Boor Servant-Hippisley; Colombine-Mrs Younger; Scaramouch-Newhouse; Harlequin-Lun; Peasants-Newhouse, Delagarde Jr, DuPre Jr; Women Peasants-Mrs Stevens, Mrs Kilby, Mrs Chapman; Venus-Mrs Sanderson, the first Time of her appearing on that Stage; Bacchus-Leveridge; Pan-Laguerre; Zephyrus-Poitier; Frenchman-Glover; Spaniard-Dupre; Polonese-Pelling; Frenchwoman-Mrs Younger; Spanish Woman-Miss LaTour; Polonese Woman-Mrs Ogden; Flora-Mrs Laguerre.

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Particularly a Sonata for a Flute and a Violin-Signior Gasperini, Mr Paisable; And likewise a Sonata for two Flutes-Mr Paisable, Mr Banister; the whole being entirely New. Margaretta Gallia mention'd in my former Bills, has since got a Cold, and is very much indispos'd, therefore will not venture to Sing; but in her room Several Pieces of the late Mr Henry Purcell-Mrs Lindsey, Mrs Hudson, Mr Hughes, Mr Laroone

Performance Comment: Margaretta Gallia mention'd in my former Bills, has since got a Cold, and is very much indispos'd, therefore will not venture to Sing; but in her room Several Pieces of the late Mr Henry Purcell-Mrs Lindsey, Mrs Hudson, Mr Hughes, Mr Laroone.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Apollo and Daphne or The Burgo Master Trickd

Performance Comment: Apollo-Salle; Nymphs-Mrs Bullock, Miss LaTour, Mrs Ogden, Miss Hill; Daphne-Mrs Laguerre; Morpheus-Leveridge; Mystery-Laguerre; Slumber-Salway; Harlequin-Lun; Burgo@master-Nivelon; Boor Servant-Hippisley; Colombine-Mrs Younger; Scaramouch-Newhouse; Peasants-Newhouse, Lanyon, Pelling, Mrs Vincent, Mrs Kilby, Mrs Rice.

Afterpiece Title: With The Triumphs of Love

Performance Comment: Venus-Mrs Barbier; Diana-Mrs Chambers; Silenus-Leveridge; Bacchus-Salway; Pan-Laguerre; Zephyrus-Salle; Spaniards-Dupre, Miss LaTour; Polonese-Pelling, Mrs Ogden; French-Lafoy, Mrs Hill; Flora-Mrs Laguerre.
Cast
Role: Venus Actor: Mrs Barbier
Role: Diana Actor: Mrs Chambers
Role: Polonese Actor: Pelling, Mrs Ogden
Role: French Actor: Lafoy, Mrs Hill
Role: Flora Actor: Mrs Laguerre.

Performances

Mainpiece Title: The Mistake

Performance Comment: Alvarez-Bridgwater; Felix-Mullart; Carlos-Ryan; Lorenzo-Walker; Sancho-Hippisley; Lopez-Chapman; Leonora-Mrs Horton; Camillo-Mrs Buchanan; Isabella-Mrs Templer; Jacinta-Mrs Stevens .
Cast
Role: Leonora Actor: Mrs Horton
Role: Camillo Actor: Mrs Buchanan
Role: Isabella Actor: Mrs Templer
Role: Jacinta Actor: Mrs Stevens

Afterpiece Title: Apollo and Daphne or The Burgo Master Trickd

Performance Comment: Apollo-Glover; Nymphs-Miss Sandham, Mrs Ogden, Mrs De l'Orme, Miss Norman; Daphne-Miss Rogers; Burgomaster-Nivelon; Servant-Hippisley; Colombine-Miss Nona; Scaramouch-Bencraft; Harlequin-Lun; Peasants-Bencraft, Ferguson, Du Pre; Women Peasants-Mrs Stevens, Miss Horsington, Miss Brunette; With The Triumphs of Love: Venus-Mrs Wright; Silenus-Leveridge; Bacchus-Stoppelaer; Zephyrus-Glover; Frenchman-Desse; Frenchwoman-Mrs De l'Orme; Spanish Man-Livier; Spanish Woman-Miss Sandham; Polonese Man and Woman-Tench, Mrs Ogden; Flora-Miss Rogers .
Event Comment: Benefit for Mrs Twistleton. Mainpiece: Masquerade as 7 Oct. 1793. Morning Chronicle, 9 Apr.: Tickets to be had of Mrs Twistleton, No. 2, James-street, Adelphi. Receipts: #262 10s. 6d. (167/13/0; 4/7/0; tickets: 90/10/6)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17931007, but Juliet-Mrs Twistleton (1st appearance in that character); omitted: Balthazar . omitted: Balthazar .
Cast
Role: Juliet Actor: Mrs Twistleton
Role: Lady Capulet Actor: Mrs Platt
Role: Nurse Actor: Mrs Leicester

Afterpiece Title: PATRICK IN PRUSSIA i

Performance Comment: e. LOVE IN A CAMP]. As17931004, but Rupert-Wilde//Mabel Flourish-Mrs Chambers; omitted: Adjutant . omitted: Adjutant .

Dance: As17931022

Song: As17931007, but added: Townsend, Richardson//Miss Hopkins, Miss Kirton; omitted: Williamson, Gray, Mrs Watts, Mrs Davenett, Mrs Masters

Event Comment: The Duke's Company. Pepys, Diary: I carried [Mercer and Mrs Turner] to the Duke of York's house, and there saw The Man's the Master, which proves, upon my seeing it again, a very good play

Performances

Mainpiece Title: The Mans The Master

Performances

Mainpiece Title: The Stratagem

Dance: I: Irish Trot by Master Oates. II: La Follette s'cest ravisee by Nivelon and Miss Mann. III: A new Comic Dance by Master Oates and Miss Oates Jr. IV: English Maggot by S. Lally and Mrs Walter. V: Revellers

Performance Comment: II: La Follette s'cest ravisee by Nivelon and Miss Mann. III: A new Comic Dance by Master Oates and Miss Oates Jr. IV: English Maggot by S. Lally and Mrs Walter. V: Revellers .

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: Fryar-Quin; Torrismond-Milward; Bertran-Mills; Lorenzo-W. Mills; Gomez-Griffin; Raymond-Hewitt; Alphonso-Corey; Pedro-Cross; Queen-Mrs Thurmond; Elvira-Mrs Clive; Teresa-Mrs Shireburn .
Cast
Role: Queen Actor: Mrs Thurmond
Role: Elvira Actor: Mrs Clive
Role: Teresa Actor: Mrs Shireburn

Afterpiece Title: The Mock Doctor

Cast
Role: Dorcas Actor: Mrs Clive
Role: Leander Actor: Salway

Dance: II: Peasant by Master Oates and Miss Oates Jr. III: Dutchman and his Wife by Le Brun and Mrs Walter. IV: Irish Trot by Master Oates. V: Revellers, as17340910

Performance Comment: III: Dutchman and his Wife by Le Brun and Mrs Walter. IV: Irish Trot by Master Oates. V: Revellers, as17340910.
Event Comment: Mainpiece: A Comedy [in 5 Acts by Sir William Davenant, slightly altered for the stage by Henry Woodward] never acted there. [The lady identified by Hopkins MS Notes and named in the Edition of 1775. The Westminster Magazine for Nov. suggests Shuter instead of Quick for Sancho. The review thought it an indifferent Comedy which "yet could be made a most excellent farce....The dialogue has all the rust of antiquity about it, and the modernizing scenes are left to the discretion of the performers. However, in representation, this piece cannot fail of entertaining....Miss Leeson, who appeared in the character of Isabella, has an agreeable plaasing figure, a good face and a marking eye; her voice is weak, but after she got rid of her fright was sufficiently articulate; there was an ease and nature in her deportment and dialogue that entitles her to encouragement."

Performances

Mainpiece Title: The Mans The Master

Performance Comment: Parts by Woodward, Lewis, Dunstall, Wroughton, Quick, Lee Lewes, Mrs Mattocks, Mrs Bulkley, Mrs Booth, and a Young Lady, first appearance. Jodelett-Woodward; Don John-Lewis; Don Fernando-Dunstall; Don Lewis-Wroughton; Sancho-Quick; Stephano-Lee Lewes; Bettris-Mrs Mattocks; Lucilla-Mrs Bulkley; Laura-Mrs Booth; Isabella-a Young Lady, first appearance this stage (Miss Leeson) (Edition of 1775).
Cast
Role: Don Fernando Actor: Dunstall
Role: Bettris Actor: Mrs Mattocks
Role: Lucilla Actor: Mrs Bulkley
Role: Laura Actor: Mrs Booth

Afterpiece Title: The Two Misers

Cast
Role: Jenny Actor: Mrs Mattocks

Dance: End: The Pilgrim, as17750927

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. Benefit Mrs Butler. [Tickets at Mrs Butler's House in Leicester Fields.

Performances

Mainpiece Title: Loves Last Shift

Performance Comment: As17390122, but Sir Novelty-Woodward; Sly-Ray; Narcissa-Mrs Furnival; Flareit-Mrs Grace; Anne-Mrs Cross.
Cast
Role: Narcissa Actor: Mrs Furnival
Role: Flareit Actor: Mrs Grace
Role: Anne Actor: Mrs Cross.
Role: Amanda Actor: Mrs Butler
Role: Hillaria Actor: Mrs Mills

Afterpiece Title: The Lottery

Performance Comment: As17390118, but Chloe-Mrs Roberts.
Cast
Role: Chloe Actor: Mrs Roberts.

Dance: I: Moors Dance-Muilment; II: Punches Dance-Master Ferg, Miss Wright; III: Grand Ballet-Denoyer, Muilment, Mrs Thompson; V: Minuet-Denoyer, Mrs Walter

Song: TThe Noontide Air, as17390407

Event Comment: Benefit Mrs Walter. Tickets at Mrs Walter's House, near the Fishmonger's, in Bridges Street. Afterpiece: As 30 April

Performances

Mainpiece Title: The Confederacy

Performance Comment: As17391208, but Moneytrap-Taswell; Corinna-Mrs Walter.
Cast
Role: Corinna Actor: Mrs Walter.
Role: Clarissa Actor: Mrs Butler
Role: Araminta Actor: Mrs Pritchard
Role: Cloggit Actor: Mrs Marshall
Role: Amlet Actor: Mrs Macklin
Role: Flippanta Actor: Mrs Clive.

Afterpiece Title: The Tragedy of Tragedies

Cast
Role: Queen Dollalolla Actor: Mrs Bennet

Dance: I: Tambourine-Mlle Chateauneuf; II: Muilment; III: Wooden Shoes-Master Ferg; IV: Pierots-Lalauze, Livier; V: Minuet-Rector, Mrs Walter; End Afterpiece: Maggot-Cooke, Mrs Walter

Song: V: Eccho Song (Comus)-Mrs Arne