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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Most Noble Order of Bucks"/1) | (@(roleclean,performerclean) "Most Noble Order of Bucks")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1882 results for: Keyword - Most Noble Order of Bucks
We found 1372 matches on Event Comments, 395 matches on Performance Comments, 149 matches on Performance Title, 8 matches on Author, and 0 matches on Roles/Actors.

201
27 August 1706 @ Bartholomew Fair

Performances

Mainpiece Title: The Siege Of Barcelona Or The Soldiers Fortune With The Taking Of Fort Montjouy Containing The Pleasant And Comical Exploits Of That Renownd Hero Captain Blunderbuss And His Man Squib

Song: The Dame of Honour-Mrs Willis

Entertainment: Vaulting-Simpson, that most celebrated Master, the famous Vaulter, who Performs with Mr Penkethman at the Request of the Quality, being lately arriv'd from Italy

202
18 May 1711 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Collected from the Works of the most Celebrated Masters in Europe

203
22 November 1711 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music most of which will be entirely new-; Genius of England-Mr Leveridge sings that celebrated Song, beginning at Genius of England

204
30 December 1712 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, entirely New-a Band of Thirty Performants compos'd all after the Italian Manner; To begin with a full Trumpet/piece of Twelve Parts in a Stile which the Undertaker has lately invented, different from every thing which has been yet perform'd-; With several other full Pieces for Trumpets, Hautboys, Violins and Solos for the German Flute the Violin and other Instruments as usual-; Also several Cantatas-the most Celebrated Voices in Town

205
26 November 1713 @ Tennis Court

Performances

Mainpiece Title: Rope Dancing

Entertainment: Mr Gibbons's Company of French Rope Dancers; where you will see stiff Rope-little Child (about two Years and a half old) perform such wonderful things, as is surprising to all that behold him; extraordinary Dancing on the stiff Rope-A Young Maiden who dances to Admiration; Dancing on the Rope, Playing on the Violin-the famous Scaramouch lately come from France, who turns himself as if he was going on the Ground; Walking on the Slack Rope after the Italian manner-A Young Man; Lastly Tumbles-The Famous Gibbon who has had the honour to perform before most of the Courts in Europe, for Lightness, and Agility, far beyond what has ever yet been seen; You will likewise be entertained with good Musick-

206
28 May 1715 @ York Buildings

Performances

Mainpiece Title: Entertainments

Entertainment: It consisted of Pyramids-; of all manner of Sweetmeats, the most generous Wines, Burgundy, Champaign, and was usher'd in by a Prologue-Mrs Younger; written by Mr Tickel, under Secretary to Mr Addison, and concluded by an Epilogue-Mr Wilks; written by himself; which was very merry and free with his own Character; after which, a large Table that was in th Area of the Consort-House, was taken away to make Room for the Company to Dance Country-Dances...We are likewise to acquaint the Reader, that an Ode of Horace-; was set to Musick and sung upon the Occasion, with several other very particular Songs and Performances, both Vocal and Instrumental Music- and that Mrs Younger spoke the Prologue, and Mr Wilks the Epilogue, which, after Sir Richard's Way, was extremely Diverting (Weekly Packet, 4 June)

207
04 January 1717 @ Globe and Marlborough's Head

Performances

Mainpiece Title: Tony Astons Medley

Entertainment: A lively Abstract of the most Comical Characters of our best Comedies which are reputed the Master-Pieces of the top Comedians-; with new proper Songs to each Character-

208
06 September 1718 @ Southwark Fair

Performances

Mainpiece Title: Jepthahs Rash Vow Or The Virgin Sacrifice

Entertainment: And to give a general Satisfaction to the Town, Mr Penkethman has hir'd Dance after the New French Mode-the Dancing-Dogs lately arriv'd from France, which have been receiv'd both at Hampton-Court and at Richmond, as well as at most Courts of Europe, with wonderful Applause, to perform on his Stage; their Dresses as well as their Dances being entirely after the New French Mode, and only, at the common Prices of the Droll

209
23 December 1718 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-Thirty of the most celebrated Masters; Singing-Mrs Pulmon; Flute solo-Paisible; Violoncello-Pepo; Solo-Dubourg; Concerto-Alex. Betti; German Flute-Granio

210
26 April 1720 @ King's Theatre

Performances

Mainpiece Title: La Fille Capitaine

Afterpiece Title: Arlequin Galerien ou Le Port de Mer

Entertainment: Dancing-D'Angeville, Mlle Deschaliers, others; And several New Performances-the Tumblers; Particularly the Extraordinary Tumbling, call'd Le Saut de la Panche-Mr Debroc , who with Links in his Hands will run up to the Top of a Board 16 Foot high, and with a most surprising Activity will tumble from thence

211
04 March 1726 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; most of the celebrated Songs in our new Operas-Signor Rochetti; and several others lately brought from Italy. And the Instrumental Parts-best Hands from the Opera

212
28 October 1726 @ King's Theatre

Performances

Mainpiece Title: The Most Knowing Least Understanding Or Harlequins Metamorphosis Viz

Afterpiece Title: The Pleasant Marriage Concluding with The Singing Deities

Dance: Dancing and other Decorations proper to the Play , entirely new and diverting-

213
25 May 1733 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-Veracini, Miss Young, Several others of the most celebrated Performers

214
03 March 1738 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: Consisting of several Select Pieces by Mr Handel and other Eminent Masters, and taken from the most favourite Operas-; The Vocal Parts-Mr Beard, Mrs Clive; being several Favourite Songs in Italian and English-Mr Beard, Mrs Clive; A Preamble on the Kettle@Drums-Master Ferg; with two New Minuets-; Chorus out of Atalanta for French@Horns and Trumpets-, the two French-Horns two little Negro-Boys (Scholars to Mr Charles, who never perform'd before); Concluding with the Anthem, God save the King-

Dance: WWooden Shoe Dance-Master Ferg; Shepherd's Mount (a ballet)-

215
10 December 1767 @ Haberdasher's Hall, Maiden Lane

Performances

Mainpiece Title: The Messiah

Music: Instrumental parts-Hay, the most capital performers; with a solo on the violin-Hay

216
01 May 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Padlock

Song: End: Several Catches and Glees, part of which will be entirely New, Composed-Dibdin, for that evening, and Part selected from the most admired Composers

Dance: The Sailors Revels, as17711008

217
19 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Wifes Relief

Afterpiece Title: The Country Mad Cap

Dance: End of Catches and Glees, as17811101

Song: End of Act II of mainpiece Auld Robin Grey, as17820409; End of mainpiece several much admired Catches and Glees by the most Eminent Performers

218
06 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Acis and Galatea

Song: In the Masquerade Scene in mainpiece a favourite Burlesque Italian Medley Cantata by Reinhold; End of mainpiece several of the most favourite Catches and Glees by Reinhold, Champness, Brett, Reynoldson, Perry, Billington, Master Barthelemon, and several others

219
21 April 1785 @ King's Theatre

Performances

Mainpiece Title: Artaserse

Dance: End of Act I Robin Gray, with a set of new Caledonian Reels, by Lepicq, Mme Rossi, Slingsby, and a Pas de Quatre by Nivelon, Frederic, Sga Angiolini, Mlle Dorival; End of Opera The Deserter [performers not listed, but see17850111]

Song: Opera: With some of the most approved Airs of Handel by Babbini, Crescentini, Sga Ferrarese

220
19 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Genius of Nonsense

Song: In 1st piece capital Catches and Glees, selected from the most eminent Masters, with the celebrated Anacreontic Song by Bannister. imitations. End of 2nd piece, as17850726

221
26 December 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Amorous Prince

Performance Comment: The Principal Characters are Frederick, the Amorous Prince, Son to the Duke; Curtius, his Friend; Salvator, Father to Aura; Lorenzo, a rich, extravagant Lord, favourite of Frederick; Antonio, a Nobleman of Florence, Alberto, his Friend, a Nobleman also; Piertro, Man to Curtius; A Valet to Antonio; A Page to Ismenia; Galliard, Servant to the Prince; Guilliam, Man to Cloris, a Country Fellow; Clarina, Wife to Antonio; Ismenia, Sister to Antonio, in love with Alberto; Laura, Sister to Lorenzo, in love with Curtius; Isabella, Woman to Clarina; Cloris, Sister to Curtius, disguised like a Country Maid, in love with Frederick. The Principal Parts by independent Ladies and Gentlemen. With a Prologue and Epilogue .

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

222
04 April 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Romp

Song: In 2nd piece several capital Catches and Glees, selected from the most eminent Masters; The celebrated Anacreontic Song by Bannister; an Imitative Song by Bannister Jun

223
13 November 1789 @ Covent Garden

Performances

Mainpiece Title: Marcella

Afterpiece Title: The Citizen

Dance: End afterpiece: A Grand Ballet of Action, as performed at the King's Opera House in the Hay-market [most recently in season of 1787-88] The Deserter[. Principal Characters-Cranfield, Delpini, Boyce, Byrne, Mrs Davenett, the two Miss Simonets (1st appearance [at this theatre])

224
28 April 1791 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Minor

Dance: End II: Negro Dance-

Song: End: some of the most favourite Catches and Glees-Bannister, Incledon, Blanchard, Davies, Williamson, Johnstone [for specific songs probably sung, see17910517]

Entertainment: Monologue. After singing: A Description of the Tombs in Westminster Abbey (after the manner of the late Mr Edwin)-the Young Gentleman who performs Trudge

225
11 May 1792 @ Covent Garden

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Irishman in London

Afterpiece Title: The Golden Pippin

Song: In 2nd piece: As17920421; End II: a Selection of the most favourite Catches and Glees from Harrison and Knyvett's Vocal Concert-; O let the merry peal go on-(Danby); When Arthur first in Court began-(Callcott); Tweedside What beauties does Flora-(Corfe); Come let us all a Maying go-(Hilton)