SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Monsieur Devoto"/1) | (@(roleclean,performerclean) "Monsieur Devoto")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 112 matches on Performance Comments, 72 matches on Event Comments, 50 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Written by Monsieur Moliere

Performances

Mainpiece Title: Amphitryon; Ou, Les Deux Sosies

Afterpiece Title: Le Marriage Force

Dance:

Event Comment: Written by Monsieur Moliere

Performances

Mainpiece Title: L'ecole Des Maris

Afterpiece Title: George Dandin

Event Comment: Mainpiece: Written by Monsieur Moliere

Performances

Mainpiece Title: Le Misanthrope

Afterpiece Title: Attendez Moy Sous L'Orme

Dance:

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Monsieur de Moliere

Performances

Mainpiece Title: L'avare

Afterpiece Title: Les Vendanges de Suresne

Dance:

Event Comment: By Their Royal Highnesses' Command. Mainpiece: Written by Monsieur de Racine

Performances

Mainpiece Title: Phedra & Hippolite

Afterpiece Title: Les Funerailles de la Foire & Son Rapel a la Vie

Event Comment: Composed by Monsieur Barbiere, French Poet

Performances

Mainpiece Title: L'heureux Naufrage Et La Force De L'amour Et De La Magie

Dance: As17260328

Event Comment: Benefit Monsieur Roger, Le Pierot. Afterp1ece: With a new Scene of Pierot, wherein he will perform the principal Part in a Concerto of his own Composing

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: Apollo and Daphne; or, Harlequin's Metamorphoses

Event Comment: Afterpiece: Par Monsieur Moliere

Performances

Mainpiece Title: Octave Etourdi

Afterpiece Title: Le Mariage Force

Dance: As17260324

Performances

Mainpiece Title: Arlequin De Capite

Afterpiece Title: Les Deux Pierrots

Performance Comment: In which Monsieur Lalauze the Arlequin will perform without a Mask.

Dance: GGardiner's Dance-Boudet, Welman, Mlle Boudet, Mlle Violante; Furies-Poitier, Boudet, Lalauze Jr, Wellman; A new Grand Dance called La Triomphante-Poitier, Boudett, Lalauze Jr, Wellman, Madame Boudett, Madame Violante; A new Turkish Dance-

Event Comment: Benefit Poitier, Dancing Master. Afterpiece: Composed by Monsieur LeSage

Performances

Mainpiece Title: Les Quatre Arlequin Par Magie

Afterpiece Title: Le Tableau du Mariage

Dance: FFour Harlequins : 1st--Lalauze, 2d- Poitier, 3d- Maillard, 4th- LeBrun; End I: The Rival Pierros-Boudett, Lalauze Jr, Mlle Violante; II: A new Moor's Dance-Lalauze Jr, Mlle Violante; II: A new Chacoon of All Characters-Poitier, Boudett, Lalauze, Welman, Mlle Boudett, Mlle Violante, Mlle LeBrun, Mlle L'Inconnue; With a new Dance call'd Le Cotillon-12 Dancers; French Peasant-Poitier

Event Comment: Mainpiece: In which will be introduced several comic and diverting French Pieces, to be perform'd by Monsieur Morell, lately arriv'd from France. Afterpiece: With New Additional Scenes of Action

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Humours of Harlequin; With the Loves of several Deities

Event Comment: [By Charles Coffey.] Never Acted before. Consisting of Variety of English, Scotch, and Irish Ballads. To which will be acted several comic and diverting French Pieces, to be perform'd by Monsieur Morrell

Performances

Mainpiece Title: The Beggar's Wedding

Event Comment: Benefit Roger, the Pierrot. At the particular Desire of several Persons of Quality. Afterpiece: A New Pantomime Entertainment. Composed by Monsieur Roger

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Diana and Acteon

Event Comment: At the particular Desire of several Persons of Quality. Afterpiece: Composed by the late Monsieur Roger

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Perseus and Andromeda

Event Comment: Benefit Vallois and Mrs Vallois (late Widow to Monsieur Roger, the Pierrot in Drury Lane, Deceas'd). Acted by the Comedians form the Theatre in Goodman's Fields. At the particular Desire of several Persons of Quality. 6:30 p.m. Boxes 5s. Pit 3s. Gallery 1s. 6d

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Mock Doctor

Dance: I: Minuet, a new Ragadoon-De Vallois, Madam De Vallois; II: French Peasant-; III: Pierrot and Pierroress-De Vallois and Madam De Vallois; IV: Pastoral-De Vallois and Madam De Vallois; V: Wooden Shoe Dance-De Vallois, Bowford, Pawlet

Event Comment: Benefit Denoyer. By Command of His Royal Highness. Mainpiece: Taken from Moliere. London Daily Post and General Advertiser, 17 March: The celebrated Monsieur Denoyer and Mademoiselle Salle, by Permission of the Masters of the two Theatres Royal, have agreed to dance together at each other's Benefit

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: The Lottery

Dance: I: Russian Sailor by Denoyer, &c. II: By Denoyer's Apprentice. III: Shepherd's Mount by Denoyer, Mlle Salle, &c, with a new Scene, and New Habits. V: Minuet (in modern Habits) by Denoyer and Mlle Salle

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Double Disappointment

Dance: II: Dutch Dance, as17471128; IV: Savoyards, as17471215; V: Pastoral Dance, as17480326 Sailor's Rendezvous, as17471117

Song: SSailor's Rendezvous, as17471117

Event Comment: Benefit for Cross and Burton. Last time of acting Mainpiece this season. Afterpiece: A farce of my own, call'd the Henpeck'd Captain; or, the Humours of the Militia--damn'd before half over (Cross). [Afterpiece never printed. The Larpent MS lists the following characters: Capt. Teazable, Clermont, Mons Durtete, Brigadier? Sersnet, Capt? Druget, Col? Damask, Capt? Citern, Capt? Oldport, Capt? Patty@pan, Lt? Suet Pestle, Muster Master, Serjeant, Monsieur, Mrs Teazable, Angellica, Gusset. The men are all reserve officers in the Militia who parade occasionally in fine uniforms. See note, 1 May about publication.] Receipts: #139 (Cross); charges, #63 (Powel)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Henpeck'd Captain

Song: George Burton 1st appearance on that stage

Event Comment: MMr Foote play'd Buck & Miss Macklin Lucinda, --went off tol: ye Girl was lik'd-she sung in ye Character Aly Croky--fine, --& danc'd a Minuet--well (Cross). [Foote was engaged as an actor for a certain number of nights and made his 1st appearance on this evening-he spoke a Prologue written by Garrick which was encored every night Genest, IV, 380). The Prologue was printed in the Public Advertiser on 29 Oct. suggesting the many sources of laughter on stage as they appealed to various parts of the House, pointing fun at Foote, and closing with his mock, humble statement: @"Many my passions are, tho' one my view@They all concenter--in the pleasing you.'@ It also contained information about a specialty performer on the Cello, Monsieur Cervetti, and his reception by the upper galleries: @"...In like extremes your laughing humour shows@Have ye not roar'd from Pit to upper Rows@And all the jest was, What? a Fiddler's nose..."@ The person here meant is M Cervetti, who has been a standing joke with the upper gallery for a long time past, on account of the length of his nose: but as I am inform'd, that no feature of his Mind is out of proportion, unless it be that his good qualities are extraordinary, I take this opportunity to mention that it is cruel to render him uneasy in the Business, in which he is eminent, and by which he must gain his livlihood." See identical comment in Gray's Inn Journal, 27 Oct. A puff for Miss Macklin appeared in Gray's Inn Journal, 20 Oct.] Receipts: #190 [Cross)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Englishman in Paris

Event Comment: Mainpiece: By Desire. A great Noise, the whole House against us-When Garrick appear'd one from the Slips cry'd out Monsieur, & great Numbers Hiss'd-the play went on-wch done, the Mutiny began, amazing noise-no plating, except one Apple; ye pit to ye Boxes cry'd-now draw yr Swords, wch makes us think, the Riot was occasion'd by the Box people being so busy & turning some out of the pit & Gall: before. Some benches were pull'd up, & Mr Lacy gave up the Dance to appease 'em-being Sat: our friends were at ye Opera, & the common people had leisure to do Mischief (Cross). [Lynham in The Chevalier Noverre, quotes from the Journal Etranger of 25 Nov. 1775: 'The blackguards...tore up the benches and threw them into the Pit on the opposing party; they broke all the mirrors, the chandeliers, &c., and tried to climb onto the stage to masacre everybody; but, as there is a magnificent organization in this theatre, in three minutes all the decor had been removed, all the traps were ready to come into play to swallow up those who might venture up, all the wings were filled with men armed with sticks, swords, halberds, &c., and behind the scenes the great reservoir was ready to be opened to drown those who might fall on the stage itself."Cross lists no Receipts.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Chinese Festival

Event Comment: Benefit for Shuter. Mainpiece: Not acted in 10 years. Receipts: #194 10s. in cash, plus #147 18s. from tickets (Boxes 378; Pit 356). Charges #64 5s. Advanced to Mrs Ward #30. [Shuter called for imaginative participation of his audience in his Medley Skit (see Larpent MS 171): @"Suppose my dress alter'd with each exhibition....@If I speak like a Dutchman, or Brogue it like Paddy,@Or mimic Monsieur, or lisp like a Lady"@ Parts for The English Sailors in America (by G. A. Steevens) are listed in Larpent MS 172: Indian King , English Captain , Irishman , Sailor Ned and Sailor Ben , a Black Messenger , Guards , White Savage Lady , Black Woman , Image .

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Dance: TThe Dutch Skipper-Poitier

Entertainment: E+Extravaganza. Shuter will entertain the audience in an Oratorical, Poetical, Operatical Method (never befoer attempted) with a Comic Extravaganza call'd A Day of Taste; or, London Raree Show-Shuter being a Ranelagh Breakfast, a Coffee House Conversation, An Auction at Noon, and the Choice Spirits at Night; conclude with: The Cries of London-. *uó‘cg To which will (By Desire) be added (for this Night only) Mr Shuter's Droll that was perform'd at Bartholomew Fair, call'd The English Sailors in America. Mackfinnen (the Irish Volunteer)-Shuter; Princess-Miss Dawson, her first Time of speaking on the stage

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Afterpiece Title: Thomasand Sally

Dance: TThe Knife Grinders (perform'd but once), as17631012

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Love a-la-Mode

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds, based partly on Monsieur Thomas, by John Fletcher. Prologue by Robert Merry. Epilogue by Miles Peter Andrews (see text)]: With new Scenery, Dresses, &c. Public Advertiser, 24 Apr. 1793: This Day is published Notoriety (1s. 6d.). Receipts: #228 8s. (224.0; 4.8)

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Love in a Camp

Event Comment: Benefit for Mrs Mattocks. [1st piece: Epilogue by Miles Peter Andrews.] 3rd piece [1st time; F 2, by Eliza Parsons, based on Monsieur de Pourceaugnac, by Moliere]. Morning Herald, 27 Mar.: Tickets to be had of Mrs Mattocks, No. 8, Great Russel-street, Covent Garden. Receipts: #269 11s. 6d. (174.14.0; 4.16.6; tickets: 90.1.0) (charge: #105)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Afterpiece Title: The Intrigues of a Morning; or, An Hour in Paris

Afterpiece Title: The Wives Revenged